While exploring their new village home, Gail and Gemma Roberts found themselves trapped in a haunted house.
- Art: Andy Tew
- Captives of Hately Hall – Suzy: #100 (4 August 1984) – #102 (18 August 1984)
While exploring their new village home, Gail and Gemma Roberts found themselves trapped in a haunted house.
Rita and her friend Carly were keen bird watchers. Rita had discovered a pair of rare orioles nesting on the moor and had told Carly about them. A nest raider had also found out and was after their eggs. Rita, Carly and a friendly jackdaw were out to stop him
When Maggie Nutt’s father died he left Maggie and her Mum without any money. They left their expensive home for a small house in the back streets, but Maggie was determined they wouldn’t be there long.
A selection of short stories about different girls and their dogs. In one story, Rachel a shy girl convinces her parents to let her have a small timid puppy she names Ringo. Sticking up for Ringo builds her confidence and they win at charity dog show. In another story. Lindy takes in a stray dog, which her mother isn’t happy about because all she cares about are her pedigree poodles. She is grateful for the stray when he saves them all from a fire and happily his owner sees the story in the paper.
When Mr Randall is transferred to Scotland his three children are left in Cornwall and put in the care of landlady Mrs Pendellin. Unfortunately Mrs Pendellin dies and the authorities cannot trace the father. So Welfare intend to put the children into care and sell the ponies, but the children are having none of this. Instead, they saddle up and go on the run from Welfare and in search of their father.
Published: Suzy #170 (7 December 1985) – #181 (22 February 1986)
Artist: Andy Tew
Special thanks to Lorrsadmin for help with episodes and scans
It is (at the time of publication) the future year of 1990. Britain has been invaded by the dictatorial Sin-Pact forces. There is some hint that they may not occupy the whole of Britain (we later learn the British government is still around somewhere, though underground). Perhaps the country is divided into an occupied zone and a free zone, as France was during World War II. Or maybe they do occupy the whole of Britain; the British Government has gone underground. In any case their invasion has been so recent they are still setting up their occupancy; for example, they are still building their watch towers.
Not surprisingly, the story gives no details on exactly who the Sin-Pact invaders are, where they come from, or what their political and religious dogmas are. They have an Asian look, but their “S” emblem is clearly English. There is no mention of a leader or founder of Sin-Pact. Just how or why they invaded Britain is not discussed either, and there is no mention of international intervention. Nor does the story explain just what “Sin-Pact” means (but we can imagine the jokes about it!).
But there is no mistaking that their oppression is evil and making life increasingly harsh and cruel for the people they have invaded. At home, Carol and Joe Peel’s mother has to cook meals over a meagre fire because the power has been cut. Severe food rationing is in, and later we learn the British diet is deteriorating because the Sin-Pacters are keeping certain foods, such as milk, for themselves. Curfews are introduced, and even the slightest hint of resistance against the Sin-Pacters is met with severe punishment. For example, a prefect named Howard Preston at school is arrested for burning a Sin-Pact flag, which is punishable by death. Megaphones broadcasting Sin-Pact announcements are everywhere. The letter “S”, the Sin-Pact equivalent of the Nazi swastika, becomes the most hated letter in Britain, and it is popular for collaborators to be daubed and sprayed with the letter “S”.
Emotional and psychological effects of the oppression take hold. People grow frightened, paranoid, and suspicious of anyone suspected of collaborating or spying. Hatred takes its grip and people begin to lose their reason. And this is precisely what Carol is finding out. Her father, Paul Peel, went missing the day the Sin-Pacters invaded and everyone is whispering that he has turned traitor, though there is not a shred of evidence of that (yet). Carol finds everyone is shunning her because they suspect she is a collaborator too. The kids at school whisper their fathers are joining the Resistance and don’t want Carol to overhear.
It looks like everyone’s suspicions are confirmed when Peel appears on the big screen broadcasting Sin-Pact announcements, including lists of upcoming executions and Sin-Pact rules that are updated daily. The rules begin with: “Rule One – Sin-Pact soldiers are to be afforded utmost respect. This means attacks on their persons are punishable by death. Rule 2 – Sin-Pact property is also to be respected. Theft of weapons, transport and supplies will merit the same punishment.”
Carol can’t believe her father is a traitor. She thinks he must be being forced to make those broadcasts or something, perhaps under threat of what could happen to his family. She is determined to prove her father is innocent of treason. Standing behind Carol all the way is their dog Col.
But of course everyone else thinks otherwise. Once the father starts his broadcasts, the Peels are faced with full-scale hatred and harrassent, which begins with a brick being thrown through their window. When the Sin-Pact soldiers arrive to query the vandalism, Carol covers up for the neighbours, but they don’t appreciate it one bit. They want the Peels out, especially when they hear the Sin-Pact soldiers saying the Peels are to be highly respected. As the neighbours dare not attack the Peels directly now, they hit back in more subtle ways, such as giving them food rations that are unfit to eat. And when Preston is arrested for the Sin-Pact flag burning, his family declare revenge against the Peels if he is executed.
Mum sends younger brother Joe to Gran’s farm, but she sends him home with food. They wonder if Gran has disowned them, but then Gran had always hated her son-in-law. The marriage went ahead over her dead body, and when she appears later in the story she comes across as one nasty old bat.
Despite what is happening to them, Carol won’t have a bar of the Sin-Pact soldiers and remains loyal to Britain. For example, when the Sin-Pact soldiers give them better food rations, Carol refuses it, saying they must not use enemy food. The mother says it won’t do any good to starve themseves, and has accepted everything the Sin-Pacters have given the family because they are the family of the honourable Paul Peel. This illustrates the difficult position of principle versus survival, an all-too-common situation in wartime.
The Peels hear about possible retaliation from the Preston family. Mum uses a special phone the Sin-Pacters have given her in order to talk to Officer 98z about this (he has occupied prison cells behind him marked “death row”). He arranges for them to be given false identity papers and relocated to a new town.
Carol finds the address of the ration warehouse on the box of rations and heads out to find it in the hope of tracking down her father. Col comes with her. On the way she sees her father broadcast another announcement that all builders must give priority to Sin Pact projects and miners must mine coal for export to the Sin-Pact stockpiles. When Carol crosses into Sin-Pact territory she sees watch towers being built and comments, “They seem determined to turn every British town into a prison camp.”
Then Carol runs into the Resistance and tells their leader she is looking for Sin-Pact HQ to free her father. But when the leader finds a photograph of the hated Peel on her (very bad mistake, Carol!) and she says it’s her father, the Resistance tie her up. She manages to free herself.
The Sin-Pact men arrive. The Resistance try to pass themeselves off as farm workers. The Sin Pact men say they don’t need farmers, which sounds pretty odd as they surely need farmers for food production. Most likely it is just their excuse for sending them to Furze Common Warehouse. They capture Carol too and bring her along.
On the way the truck has a road accident occurs, which enables the Resistance to escape. Carol stays on in the hope of finding her father, but it has the Resistance becoming even more convinced she is a spy.
At the warehouse Col is taken to patrol with soldiers; a soldier says dogs are not for friendship but to enforce discipline. A Trustee i.e., a prisoner who reports misbehaviour in exchange for lighter work, and doesn’t look a nice type either, takes Carol to the barracks. A prisoner pushes a large box on the Trustee from above, which hurts her leg. Carol realises she will be next for an ‘accident’ if anyone at the warehouse finds out who her father is. She steals an opportunity to smuggle herself to Sin-Pact HQ in a food truck, but Col unwittingly spoils her escape when he joins her in the truck, so the Sin-Pact men find them.
However, the Sin-Pact men recognise Carol, for they have been on the lookout for Paul Peel’s daughter. They send her to rejoin her family at Gran’s farm. Gran has always branded Dad a bad lot; Mum had to defy her in order to marry him and Gran clearly still resents that. She is also angry at how Sin-Pact is taking the produce she makes for themselves. Gran starts taking it all out on her relatives, especially Carol, who still protests her father is innocent of treason.
Then there is a broadcast from Dad announcing the latest lineup of people who have been executed. Among them is Howard Preston. Joe throws a welly at the TV screen because he is so disgusted at how Dad is smiling as he reads out the death list and says he never wants to have anything to do with his father again.
Gran sees kids stealing her crops and chases them off. The kids call her a meanie who can’t begrudge a few carrots and turnips to the starving. As they take off, they call Gran a “mean old witch” (we certainly agree) and say they will burn an effigy of her alongside the one of the “Sin-Pact guy” they are going to burn that night.
That night Carol discovers the effigy of the “Sin-Pact guy” means her father, and realises what will happen to her family if these hate-crazed people find out they are related to him. Gran is not concerned at seeing Dad being burned in effigy, but takes umbrage at the sight of her own effigy joining him in the fire. She blames Carol, saying it’s her fault for running away, and calls Carol a spy that Sin-Pact planted on her. Gran now makes Carol take her meals outside, and Mum does not stand up to Gran.
Being forced to eat outside makes Carol vulnerable to more harassment from the villagers. They call her an informer, daub “S” on her clothes and equipment, and then throw her into a trench and open the sluice gates on her. Carol is in real trouble because she cannot swim.
Then a mysterious figure appears and helps Carol out with a rope. He disappears before she can get a good look at him. He leaves a note telling her to leave the area immediately and don’t stop to say goodbye at the farm. Carol decides to have another crack at finding Sin-Pact HQ. Mum and Joe join in; the stranger had left a note explaining the attempt on Carol’s life. Mum apologises for not standing up to Gran.
They all set off, stopping at a diner for food. However, the Sin-Pact men arrive, looking for travel papers. The waitress offers to help them to hide in the kitchen, but betrays them and locks them in. They smash a window to make it look like they have escaped while in fact they are hiding in the disused frying cabinets.
The Sin-Pact men fall for the ruse. But the Peels have to double back through the café to collect Col, which means they could be spotted again. They hide under the Sin-Pact lorries, and hear a broadcast recalling the lorries to Sin-Pact HQ. The lorries go north, so the Peels head in that direction too. The waitress is not rewarded for betraying the Peels.
However, the Peels have to walk there, and it begins to tell on their feet and shoes. They bump into a girl who says Sin-Pact is requisitioning her ponies for transport, but she suspects it’s for food. The Peels offer to help – and getting themselves some transport – by taking the ponies away before Sin-Pact does. Assuming the Peels are from the Resistance, the girl agrees.
As the Peels ride along, Carol discovers she is the only one left in the family who believes her father is not a traitor and there must be a good reason for his conduct. Even Mum has come to think he is the traitor everyone says he is.
Then, while watering the ponies, Carol and her family bump into the Resistance leader. The Resistance leader now thinks Carol is not a spy, just a loyal, misguided daughter who genuinely believes her father is innocent, though he does not. They set off for Sin-Pact HQ with ammunition stolen from them. However, a signal had been put in the ammunition pack, at Peel’s suggestion, which gets them discovered and captured. All members of the Resistance are being rounded up and put in a shed at Sin-Pact Headquarters. Peel does not even seem to recognise his own son, and for the first time, Carol begins to wonder if her father is a traitor after all. It looks like Col the dog is turning traitor too, because he jumped into the staff car with Peel, looking so happy. Or is the dog the only one left who does not believe Peel is a traitor?
On Peel’s orders, the Sin-Pact men direct the prisoners to put on protective suits to test their efficiency. The prisoners think the suits are defective and it’s a ruse to kill them all. But as soon as the prisoners don the suits, the Sin-Pact soldiers are surprised to see the gas flooding in ahead of schedule and they are all knocked out.
From a loudspeaker in a helicopter, Paul Peel speaks: He is really a British agent working undercover as a traitor and collaborator. His infamous broadcasts were in fact coded messages. The gas will keep the Sin-Pact soldiers unconscious for 15 minutes, during which time the Resistance are to tie them up, commandeer their vehicles, and load the vehicles with as many weapons as possible. They are to rendezvous with units at secret checkpoints waiting for those lorries and weapons. Clearing out Sin-Pact is not expected to be too difficult because the Sin-Pact leaders have now been captured. So Carol’s belief that her father is innocent of treason has finally been vindicated!
When Dad lands, he is demanding explanations as to why his family is present; he had expected them to stay out of trouble after the way he had to rescue Carol from the trench. Carol explains that she could not believe he was a traitor and was trying to prove it. Dad appreciates the family loyalty and apologises for what he had to put them through as part of his cover. They are quite understanding and are so glad to be together again.
If this story had appeared in one of DCT’s more common titles like Bunty or Mandy, or been reprinted in Bunty (the title Suzy merged into), there is little doubt it would still stick with people and be well remembered. Instead, it has fallen into obscurity because it appeared in a less-known title that is very hard to find these days. Hopefully this story will now receive more well-deserved recognition. It’s not just because it’s such strong stuff from beginning to end. It’s also because there arguably has never been anything quite like it in girls’ comics before. I certainly haven’t seen anything like it elsewhere, anyway.
There have been zillions of stories where the protagonist has to pretend to be a collaborator who’s in with the bad guys in order to be the secret helper, and in so doing suffer the hatred of the very people she is trying to help in secret. “Catch the Cat!”, “Detestable Della” and “Hateful Hattie” are some of the better-known of these stories. However, the reader usually knows that the supposed antagonist of the story is in fact the secret protagonist and is with her all the way. But not in this case. Paul Peel as the secret helper working undercover as a collaborator is not revealed until the end. Until then, the story is taken from the viewpoint of the people who assume he (or she) is the hated collaborator and do not know that he/she is in fact the secret helper.
There have been other stories where the secret helper is not the protagonist but the apparent flunky of the main villain, such as Jojo the Clown in Tammy’s “Circus of the Damned”. At first the flunky has the protagonist fooled, but gradually clues emerge that has the protagonist suspect the truth. But that does not happen in this case either. No clues are forthcoming that hint Paul Peel may in fact be a secret helper; all the way until the end he looks a traitor.
“Force of Evil” also draws on the formula of a father being wrongly accused and the daughter setting out to prove his innocence while he’s in prison or on the run. Except that this case we don’t even know if the father is innocent but he sure is acting like he’s guilty!
“Force of Evil” uses all these basic formulas, but is so unique in turning them completely inside out in the way it does. The story keeps the reader guessing right up to the end as to where Paul Peel’s loyalties actually lie and why he is working with Sin-Pact. Is he a genuine traitor or is there a good reason for his actions, as Carol hopes and believes? We have no clues to help us, only Carol’s loyalty and faith against all the evidence that looks so black against him. Her mother and brother hope that, but eventually they get worn down and come to belive he must be a traitor. And when it looks like Peel has betrayed his own family, Carol finally begins to wonder if she has been a victim of false hopes after all.
The story very cleverly has Carol never guessing that her father might actually be working undercover. If that had happened it would have given the whole game away for the reader. Instead, she always assumes her father is doing it under duress, but her father’s such a good actor that even Carol herself begins to doubt that towards the end. Thank goodness she didn’t need to wait too long to get her answer!
It is also unusual that the main figurehead of the villainy is the one who is the secret hero. Paul Peel may be a ‘flunky’ for Sin-Pact, but they are such colourless and indistinct villains that none of them can be called a main villain. The only one out of Sin-Pact who gets any distinction as a main villain is Paul Peel himself, until he is revealed as a pretend villain.
The Sin-Pact villains would be developed more if Carol had been conducting a one-girl war of resistance against them as the protagonists do in stories like “Catch the Cat!” and “Wendy at War”. But although Carol remains staunchly opposed to them, her fight is not with them. Her goal is to prove her father’s innocence, and this pits her against the the face of public hatred. And it is for this reason that the people who hate Carol’s father or assume Carol is a collaborator emerge as far more powerful and dangerous villains than the Sin Pact men. They also more distinct characters, particularly the horrible Gran, who is far more rounded than any of the Sin-Pact men. We are not at all sorry to see Gran burned in effigy, even if we’re still not sure about the effigy of Paul Peel.
The story does not shy away from the grimness of war and callousness of enemy occupation, and people’s psychological and emotional reactions to them. As they say, it is bringing out the best in people and the worst in others. Even supposedly decent people are reverting to a more animal level as starvation, desperation, hatred and trauma take hold. Others are using it to unleash axes to grind; Gran, for example, is clearly using the whole situation to vent long-standing hatreds towards her son-in-law and make excuses for carrying out the nasty behaviour that is clearly her nature.
It makes no bones about the horrors of lynch mob behaviour towards even suspected collaborators, which makes it an even darker wartime story. It also shows that different reactions to war and occupation can divide households. Carol, for example, refuses to have anything to do with receiving enemy supplies but her mother thinks there is little choice but to do so. The debate over whether or not the father is a traitor also has the family quarrelling. All the same, the mother and brother tag along with Carol to find Sin-Pact HQ, even if they don’t believe the father is innocent as Carol does.
While other people have reverted to more bestial behaviour, Carol is one who never loses her courage, principles and compassion, not even in the face of all the horrible treatment she gets on all sides. She takes time out to help others despite her own problems, such as the girl who is about to lose her ponies to Sin-Pact. She has far more backbone than her mother, who does not stand up for things she believes in as much as Carol does. She does not even stand up to her mother for her horrible treatment of Carol. This may be rooted in Mrs Peel’s upbringing; from the looks of it she grew up under the thumb of a domineering mother and it was not until she married that she began to think for herself. But even as an adult, it looks like Mrs Peel still has problems exerting her will and being assertive when needed. No wonder Gran hates her son-in-law. We can just see the look on her face when he receives his knighthood and OBEs (those are coming, surely?) and being honoured as the man who saved Britain by making himself the most hated man in Britain!
Alone in her aunts home Tarbard Hall which is full of broken mirrors, Kathleen Lyle has never met her only surviving relative. She also feels like she is always observed
Nellie Brooks is a proper little terror – but one woman thinks Nellie could become a world class gymnast!
This is the last Bunty annual, not including any ‘best of Bunty’ books that came out after it. At a mere 80 pages including covers already it’s at a disadvantage for being 48 pages less than the older annuals. The cover shows a clear change in how they market the book. A cover girl appears but is mostly overwhelmed by flashy banners advertising whats inside and celebrity pictures. Of course when this annual came out, the weekly issues had stopped for many years, so it may be understandable they are trying different methods to entice readers in with. Inside the annual, there is a table of contents, there are only 8 stories altogether; 4 picture stories, 2 text stories and 2 photo stories, the book is more feature heavy with 22 features. Some of the features are factual articles, quizzes, posters and puzzle pages. The whole annual is full colour. (For just a list of contents click here)
The Comp (Pages: 19-25)
Art: Peter Wilkes
There are a lot of reprints in this annual, but this story I can’t confirm is a reprint, it has some more up to date (for the time) references, like mention of the X-Factor tv show, but it may have just updated the dialogue. At Redvale Comp there is going to be a concert for an end of term fund raiser. Laura, Roz, Hayley and Becca are trying to think of an act for the concert and decide they will perform as a tribute band – the Spice Girls, as they were when they started. They need a fifth person, they ask Nikki but she says her and Claire are more comfortable handling backstage stuff. Freddy volunteers to be Scary Spice. Stancee, Roz’s stepsister directs the group. They plan to mime and dance, but then the auditions take place and don’t allow any props. They try their best and luckily their routine and explanation means they barely make it, despite the bad singing. On the night of the concert in their costumes they are the hit of the concert, even if Jayne the Payne and Margaret aren’t impressed. The story is fine, nice to see the Comp gang again, although it may seem familiar to me because I think it was quite common for The Comp annual stories to revolve around some sort of concert!
Strictly Dancing! (Pages: 33-38)
Art: Andy Tew
This was first printed in the 1995 annual under a different name – The Perfect Partner. The story has also had a colour update. now in full-colour rather than the orange/black/white it was before. There are some other changes- like the lettering is different, there are some alterations to the dialogue (mainly to reiterate the title strictly dancing) and the main characters names are changed. Danielle has her name shortened to Danni and Mark becomes Nat.
The story itself has Nat and Danni as friends and dance partners. It isn’t until someone points out that they would make a great couple that Danni realises her feelings for Nat aren’t platonic. Unfortunately at the same time Nat gets a girlfriend, Zoe. When Zoe comes to watch their dance practices, Danni can’t concentrate and decides to dance solo for a while. Nat misses Danni though and he realizes he also has feelings for her so the resume their partnership and start dating. The colour update is fine, it doesn’t overwhelm the original drawing, so it works well. The forced extra dialogue can be a bit much though “We’re strictly dancing partners” “It’s strictly dancing to him. Nothing more”. Still the story holds up well enough and clearly isn’t outdated that it still works 14 years later.
The Four Marys (Pages: 45-49)
Art: Jim Eldridge
This first appeared in the 1999 annual. The story is set at Christmas with the opening splash page of the girls and their class caroling around a Christmas tree. Later at a shop the other Marys tell Cotty that she is going to need to brush up on her French when she wins the Chrismas Card Art Competition, the prize of which is a trip to Disneyland Paris. Cotty modest as ever says others could win including Carol, a kind girl whose parents have fallen on hard times. Cotty notices that Carol gives a little boy some extra money so he can afford to buy a present and get the bus home. Later at school the paintings for the competition are hanging. Everyone is agreeing Cotty’s is the best, but she no longer wants to win and would rather Carol did. Cotty looks at Carol’s knows how it could be improved. That night she makes some changes to both pictures adding a little extra to Carol’s picture and making hers a little duller. The next day Carol wins the competition.
It is a nice gesture by Cotty but it does seem to diminish Carol’s abilities a bit. Because of course no one could actually be better than Cotty! Not only does she have to make her own picture look less good she also has to improve Carol’s picture. Also while Cotty’s painting of the school is nice, it’s not very Christmassy compared to Carols.
Carly’s Cats! (Pages: 57 – 63)
Art: John Armstrong
Another reprint taken from the 1995 annual. The lettering and the title style have changed, probably to fit in better with the rest of the book. There are some slight changes to the dialogue and little changes like the closing statement in the last panel was initially just a thought rather than spoken out loud. Also the main cat’s name changes from Griselda to Maisie.
The story is about a girl Carly that works in a cat sanctuary but the cats home lease is up, so they have to try to find homes for each of the cats or the cats will be put down. She finds homes for a few, though she does run into a few problems like a fashion designer, who just wants an exotic cat, Tang, as a background ornament. Carly takes Tang back explaining cats are pets not ornaments, luckily on the way home Tang escapes and runs into a man’s home who would love a new cat after his old one died. One of the cats Maisie keeps getting into trouble by exploring a neighbour’s property. This turns out to be a lucky thing when a fire starts and Maisie wakes up the owner. In gratitude, she offers the cat sanctuary to set up in her old outbuildings.
This was one of my favourite stories when I read it first time around in the older annual, and it still as good now, this is in large part due to John Armstrong’s great artwork.
The New Girl (Pages: 40-41)
Writer: Susan Elizabeth Issacs
Illustrations: Susannah Fishbourne
The text stories and their spot art are actually credited in this book! It is strange that sometimes text stories would be credited but they still didn’t like to print who was responsible for picture stories. Anyway this story is about a girl Lexi that moves to a new town. On her first day she makes friends with the next door neighbour Petra and her cousin, Dawn, that lives close by. Petra is going away on holidays, but Lexi is excited to make plans with Dawn. But then Dawn doesn’t call all week. When she sees her in town she ignores her. Then she literally bumps into her spilling drink on her, Dawn calls her an idiot and walks away. Lexi is upset but surprised when Petra returns and she still wants to be friends. It turns out Dawn’s been in hospital with appendicitis and it was actually Dawn’s sister Claire that Lexi ran into.
Suzy Plays a Trick (Pages: 68-69)
Writer: Tracy Joy Holroyd
Illustrations: Susannah Fishbourne
I wonder is this the same Tracy J Holroyd that wrote Children’s History of Lancashire and Children’s History of Manchester? Suzy and her friend Amy decide to play a trick on the cast of the play their in. There is a ghost story about a twisted grey ghost appearing on the balcony of the old theatre. During rehearsal Suzy plans to dress up as the ghost, and then Amy will point out the ghost to everyone. The trick starts off as planned, and at first Suzy is impressed at Amy’s acting skills, but then everyone starts panicking so she rushes down, to calm them. She meets the boys on the stairs they tell her they knew it was her playing a trick what everyone was scared of was the appearance of a ghastly twisted grey figure behind her! Nice little scary story and the spot art shows that Suzy is a person of colour, which is nice to see some bit of diversity as all the other protagonists in the annuals are white.
Two’s Company… (Pages: 7-12)
Sally has some trouble in her school as she is being teased because her mum is temporary head. One girl, Lori, is the leader of all this and gets some boys to ask Sally about an upcoming dance, getting her hopes up and then walking away. Luckily Sally has her friend Jo to support her, so when she sees Lori’s brother, Al, waiting near her house she tells him she knows about jokes and cuts him off before he can say anything. Jo talks to him though and convinces Sally to listen to him, he’s not like his sister and really likes Sally and wants to go to the dance with him. I’m not a fan of photo stories but i will give it some recognition for making a more interesting, eye catching layout than normal.
Choices! (Pages: 72-77)
This is the better of the two photo stories. Andrea is training to be top athlete, unfortunately it means she hasn’t a lot of time for her friends. She is excited when she is entered into county trials and wants to tell her best friend Jackie. It turns out Jackie has news too some friends have been challenged to an inter school bowling match, they want Andrea to play but she can’t because its the night before the trials. She is upset when Jackie doesn’t understand. During training her coach can tell somethings wrong, and Jackie tells her, she is torn between friends and athletics. The coach listen but tells her that Andrea has to come to her own decision about whats most important. She decides she wants to see how good an athlete she can be. But while athletics is the dream she wants to pursue she is also more conscious of neglecting her friends and realizes she can do more. Her and Jackie make up and Andrea says she’ll come to the bowling game to cheer them on for a little bit.
This annual is more feature heavy then previous annuals and there is also more focus on celebrities, but there is still room for quizzes, puzzles and crafts. While some of the articles have photos, the features with illustrations are actually credited.
A to Z of Things We Like! (Pages: 2-3, 78-79)
Illustrations: Susannah Fishbourne
Inside the covers is a bright list of things that the readers may like such as Friends, Kittens, Reading, X-Mas.
Starscope (Page: 4)
A short horoscope – as a Gemini mine was: A text or email might bring big news. Lucky Month: March, Lucky Number: 7 Star Birthday: Johnyy Depp (9th June)
Posters (Pages: 6, 18, 39, 70)
A poster for every season of the year. These are photos of animals. Spring – Chickens, Summer- kitten, Autumn – Westie and Winter – Penguin. Each animal also has a funny thought or speech bubble.
10 Funky Facts About… (Pages: 13, 28, 44, 51, 56)
The more celebrity based feature telling us about; Miley Cyrus, the ‘High School’ Guys (Zac Efron, Corbin Bleu, Lucas Grabeel), Ashley Tisdale, Emma Roberts, Dylan and Cole Sprouse
There are several quizzes throughout the annual, 2 involve answering questions and seeing is full under the mostly a, b, c or d category. Those two quizzes are checking how good a friend you are and what starsign your personality matches up with. There is a also a flowchart quiz to determine what type of holidays do you like
There are a variety of puzzles, including Take Five! which has word searches on topics like animals, British places, collectibles. Other puzzles are crosswords, ladder puzzles and spot the difference.
All About…. (Pages: 26-27, 64-65)
Readers share a part of their life, first up is Alex who likes reading, baking and helps her dad look after bees. The second is about Amelia, who likes acting, swimming and fortune telling.
We Love Elephants! (Pages: 29-31)
Three pages dedicated to Elephants, which leads into the next feature…
Create Your Very Own Ele-Friend (Page: 32)
Some arts and crafts with instructions to make paper mache elephant.
Chill Out! (Page: 71)
Another factual article about animals, in this case – penguins.
The content of this annual is actually fine, there is quite a nice variety, but it does suffer in comparison to other annuals by having less pages. It’s funny that The Best of Bunty Annual that came out last year had a few less pages but seems more substantial (of course has to be noted that the target audience is different for that book). For me at least that is probably because it had more space dedicated to stories, 60 pages compared to the 42 pages in this annual. Another thing that I don’t like in this annual is the lettering, it’s most prominent in comparing it to the older stories that were reprinted. It’s less subtle, bigger and bolder and doesn’t always suit the story. There is a consistency throughout the annual, which can be nice, I was also happy to see some people credited with their work.
It’s the 1930s and Kathleen O’Connell lives in Donegal with her parents and six sisters and seven brothers. Life isn’t easy as they don’t have a lot of money but Kathy is happy with her family. Then her mother’s sister Therese arrives over from England with her daughter Emma. They propose to relieve the O’Connell’s burden a bit by adopting a child as a companion for Emma. As Kathleen is the closest in age to Emma, she is chosen. When they arrive in London it turns out her Aunt hasn’t been honest with her. The Laceys are actually struggling to keep their usual lifestyle and they expect Kathleen to work as a servant in return for taking her in. Kathy is very homesick but is unable to afford her fare back to Ireland, so she has to think of some way to get home.
The Laceys are crafty, they try to keep Kathy happy so she will continue to work for by pretending they actually plan to visit Ireland, in the Summer. Kathy is also a happy when she makes friends with the next door neighbour an elderly Irish woman, Mrs Keneally. She finds her comforting and understanding of her homesickness. Even with the Lacey’s servants gone and Kathleen doing all the work, Therese finds they still need more money. Their troubles increase when Britain goes to war. The Laceys have another way of exploiting Kathy as she has a gift for reading tea leaves. Kathy doesn’t like charging people and she is upset by the many bad omens. Letters from home tell Kathy how much her family miss her and would like her to come home. Not wanting to worry her family she doesn’t let them know how homesick she is and all the work she is expected to do.
Kathy is delighted when Mrs. Keneally decides to go back to Ireland and plans to sneak Kathy on the ship with her. But not long after departing the ship is hit, the old woman killed and the survivors brought back to England. Back with her Aunt and cousin life is getting more dangerous with the bombings in London, Kathy is very nearly killed in an attack. Kathy, Emma and other girls from their school are evacuated to the country. Kathy and Emma end up with a cruel woman Miss Jardine who works them hard, feeds them little and hits them. When Emma sees Kathy take a beating without crying, she begins to appreciate her cousin more and admires her courage. While Kathy wishes to complain about Miss Jardine to the teachers, Miss Jardine has scared Emma into staying quiet. More bad news arrives for Emma when her mother is killed in a bombing.
While snooping around Emma finds something but before she can tell Kathy about what is is, Jardine catches her. Jardine threatens her so badly that Emma believes she’ll be cursed if she says anything. When a plane bombs near the school, Emma nearly opens up to Kathy but ends up not saying anything. Kathy investigates herself and is confronted by a big man and is poisoned and left helpless in bed. Miss Lewis comes home with Emma to check on Kathy and Kathy manages to blink S.O.S. to her. When she leaves Emma plucks up the courage to lock Jardine and the man in a room and help Kathy. The Jardines break out but luckily Miss Lewis had understood Kathy’s message and had gone to get the police.
The Jardines had stolen a golden Egyptian sarcophagus from a museum and planned to sell it on. Miss Jardine had told Emma she had the Mummy’s curse upon her for disturbing it. The girls are relocated and even get a reward for the return of the precious item to the museum. When the war ends a few months later Kathy and Emma head to Ireland. Kathy assures Emma that her family will welcome her into their home.
This is a good hardship story with things continuously getting more difficult for Kathy, (our upbeat protagonist) and obstacles in her attempts to get home. She is mistreated by relatives, she’s nearly killed several times, and has to deal with homesickness and the war. While she shows courage and never lets events break her spirit, she can be quite naive at times. While early on she figures the Laceys are using her as a servant, whenever they act kind or promise a trip to Ireland, she believes them. Emma goes from spoilt brat – to losing everything and actually becoming close to Kathy. She is a good contrast to Kathy’s positive, hard working character and I like that her redemption isn’t rushed and she doesn’t change completely.
The story is kept interesting with the changing settings, first Kathy just wants to earn her fare home, then the war makes a bad situation for Kathy worse. When her and Emma end up with Jardine as well as dealing with mistreatment, there is also a bit of a mystery about what Emma saw that goes on for a few issues. The story doesn’t feel rushed, but neither does it drag on too long.
One criticism I do have is about how much time has passed. Although this is meant to be set from just before the war to the end, the girls don’t seem to age that much in attitude and physically. I’d maybe believe 2 years has passed but not much more. Other than not ageing, the art is good throughout, Miss Jardine looks appropriately creepy and menacing and the settings from wartime London to the country side are well done.