Tag Archives: Jordi Badia Romero

Diana Annual 1974

Picture Stories

  • My Big Brother Marmaduke (Pages: 6-13) [Art: Jesus Redondo]
  • Up-To-Date Kate (Pages: 14-15, 55, 64-65, 124-125)
  • Bunty’s Prince Charming (Pages: 33-38) [Art: George Martin]
  • Linda-Go-Lucky (Pages: 44-48) [Art: Jesus Redondo]
  • Mary Brown’s Schooldays (Pages: 49-54) [Art: Don Walker]
  • The Flight of the Fabulous Four (Pages: 56-63) [Art: Jordi Badia Romero?]
  • Sue’s Super-Looking Sister (Pages: 68-74) [Art: Miguel Quesada]
  • The Secret Behind the Wall (Pages: 75-80) [Art: David Matysiak]
  • Wendy and the Boy Next Door (Pages: 87-92)
  • Christmas at Katie’s (Pages: 116-121) [Art: Roy Newby]

Text Stories

  • Trouble for the Terrible Trio (Pages: 39-41)
  • Margie’s Magic Moment (Pages: 94-96)


  • Viva Victoriana! (Page 16)
  • Pop Posters (Pages: 17, 32, 97, 112)
  • Pop the Question (Pages: 18-19)
  • Action Stations! (Pages: 20-21)
  • Half an Hour with Elvis Presley (Page 22)
  • Greetings from the Groups (Page 23)
  • Stars ‘n’ Guitars (Pages: 24-25)
  • The Discoteers! (Pages: 26-29)
  • Fashion Chat with Marie Osmond (Pages: 30-31)
  • Fame is the Name of the Game (Pages: 42-43)
  • It’s a Hit – Or Is It? (Pages: 66-67)
  • Pair the Partners (Page 81)
  • Crazy Cowboys (Pages: 82-83)
  • 7 Swinging Indians (Page 84)
  • Pop Crossword (Page 85)
  • Sounds like a Diana Girl! (Page 86)
  • A Girl’s Best Friend… (Page 93)
  • Cliff’s Palace in the Sun! (Pages: 98-99)
  • The Osmonds (Pages: 100-105)
  • Taking the Mike (Pages: 106-107)
  • Pop to the Top! (Pages: 108-109)
  • Meet the Groups – Blood, Sweat and Tears (Pages: 110-111)
  • Tricky Sticky-Backs (Page 113)
  • Go to the Sales with Kate (Pages: 114-115)
  • Di’s Disco (Pages: 122-123) [Art: Mari L’Anson]


* Thanks to Goof for the information

Debbie 1981

Picture Stories

  • The Ice Roses (Pages: 4-8) [Art: David Matysiak]
  • My Pal Lou (Pages: 11-15)
  • Trixie’s Treasure Chest (Pages: 17-21) [Art: Robert MacGillivray]
  • Cat’s Eye Cottage (Pages: 22-24) [Art: Jordi Badia Romero?]
  • Little Miss Featherfeet (Pages: 33-37) [Art: George Martin]
  • Spooky Towers for Ghost and Glamours (Pages: 40-43)
  • Little Sis (Pages: 45-46) [Art: Doris Kinnear]
  • Meg of the Moors (Pages: 50-54) [Art: “B Jackson”]
  • Mary Brown’s Schooldays (Pages: 57-62) [Art: Pamela Chapeau]
  • Picture, Picture on the Wall… (Damian Darke) (Pages: 65-69) [Art: Norman Lee]
  • Stella From the Stars (Pages: 82-87) [Art: Tom Hurst]
  • The Bionic Horse (Pages: 88-92) [Art: Peter Davidson?]
  • A Bowl of Broth (Pages: 94-96) [Art: George Martin]
  • Jo and Mo (Pages: 97-101) [Art: Tom Hurst]
  • The Shop at Shudder Corner (Pages: 108-112) [Art: David Matysiak]
  • Little Sis (Pages: 113-114) [Art: Doris Kinnear]
  • It Hurts to Say Goodbye (Pages: 120-125) [Art: Tony Hudson]

Text Stories

  • The Spirit of Christmas (Pages: 30-31) [Spot Art: David Matysiak]
  • The Happiest Christmas Ever (Pages: 63-64)
  • The Little White Flower (Pages: 70-71)
  • No Sympathy for Sandie… (Pages: 116-117)

Photo Stories

  • Don’t Laugh at Suzi (Pages: 25-29)
  • Lonely Carol (Pages: 103-107)


  • Poems (Pages: 2-3, 126-127)
  • A Vet’s Best Friend.. (Pages: 9-10)
  • Debbie Superpets (Pages: 16)
  • Teaser Time (Pages: 32)
  • Are You the Practical Type? (Pages: 38-39)
  • What’s Cooking? (Pages: 44)
  • It’s Top of the Pops! (Pages: 47-48)
  • Debbie Superpets (Pages: 49)
  • Girls in Uniform – A Fair Cop! (Pages: 55-56)
  • Saffy and the Puppies (Pages: 72-77)
  • Girls in Uniform – Jenny Wren! (Pages: 78-79)
  • Debbie Superpets (Pages: 80)
  • Teaser Time (Pages: 81)
  • What’s Cooking? (Pages: 93)
  • Teaser Time (Pages: 102)
  • Debbie Superpets (Pages: 115)
  • Girls in Uniform – Jaguar Girl (Pages: 118-119)

(Click on thumbnails for bigger pictures)

Debbie 1980

Picture Stories

  • Mary Brown’s Schooldays (Pages: 4-9) [Art: Pamela Chapeau]
  • The Night Before Christmas (Damian Darke) (Pages: 12-16) [Art: Norman Lee]
  • Skip ‘n’ Rope (Pages: 19-23)
  • Stepping Out to Stardom (Pages: 24-25)
  • Meg of the Moors (Pages: 26-30) [Art: “B Jackson”]
  • Little Sis (Pages: 41-42) [Art: Doris Kinnear]
  • Jo and Mo (Pages: 43-47) [Art: Tom Hurst]
  • The House That Cared (Pages: 50-54) [Art: Jordi Badia Romero?]
  • My Pal Lou (Pages: 57-61)
  • Little Miss Featherfeet (Pages: 64-68) [Art: George Martin}
  • If You Can Help Somebody… (Pages: 72-76)
  • Little Sis (Pages: 79-80) [Art: Doris Kinnear]
  • Trixie’s Treasure Chest (Pages: 83-87) [Art: Robert MacGillivray]
  • The Bionic Horse (Pages: 90-94)  [Art: Peter Davidson?]
  • The Flower Princess (Pages: 97-99)
  • Polly’s Patches (Pages: 102-104) [Art: Tony Speer]
  • London’s Burning! (Pages: 113-117) [Art: David Matysiak]
  • Swan Song (Pages: 120-125) [Art: Tony Hudson]

Text Stories

  • The Silver Locket (Abigail’s Tale-1666)  (Pages: 17-18)
  • The Silver Locket (Morag’s Tale-1746)  (Pages: 39-40)
  • …A  Poor Church Mouse… (Pages: 70-71)
  • The Silver Locket (Alice’s Tale-1840)  (Pages: 81-82)
  • The Silver Locket (May’s Tale-1912)  (Pages: 95-96)
  • The Silver Locket (Jane’s Tale-1979)  (Pages: 105-106)
  • Goodbye, Lonliness (Pages: 118-119)

Photo Stories

  • The Wishing Well (Pages: 33-37)
  • The Forbidden Garden (Pages: 107-111)


  • Autumn Poem (Pages: 2-3)
  • Herbs Can Grow On You! (Pages: 10-11)
  • Accidents Will Happen (Pages: 31-32)
  • Superpets (Pages: 38)
  • Teaser Time (Pages: 48)
  • Superpets (Pages: 49)
  • Fabulous Falabellas! (Pages: 55-56)
  • Room for Improvement (Pages: 62-63)
  • Superpets (Pages: 69)
  • These Legs were Meant for Dancing! (Pages: 77-78)
  • Jim Fixed It! (Pages: 88-89)
  • It’s a Knock-Out! (Pages: 100-101)
  • Teaser Time (Pages: 112)
  • Spring Poem (Pages: 126-127)

(Click on thumbnails for bigger pictures)

Misty Short Stories XI: Slavery

In this instalment of Misty short stories, we look at how she used the concept of slavery. As will be seen below, Misty commented most frequently on the institutionalised slavery of the ancient world. Perhaps it was related to her story on Greek slavery, “A Leap Through Time”, which also brought up a more repugnant aspect of slavery in the ancient world: human sacrifice.

An Eye for An Eye…

Misty: #65

Artist: Jorge Badia Romero

Reprint: Best of Misty #7

In ancient Rome, Livia is a spoiled, cruel rich girl. She has grown extremely bored with Rome, so to relieve her boredom she has two African leopards brutally torn from their mother and brought to Rome for her amusement. They are subjected to cruel methods to break them, but get secret help from Livia’s slave, Esther. Livia has one leopard killed for skin, and the other leopard attacks her when she flaunts it in front of him. Her revenge is to take the leopard to her uncle in Africa to be killed in a gruesome spectacle. However, her ship is intercepted and captured by Arab pirates because of the leopard’s telltale growling. The Arabs reward the leopard by returning it to the wild in Africa. Livia is sold into slavery. She always seems to hear that leopard roaring triumphantly at her, which suggests she never saw Rome or freedom again. Back in Rome, Esther’s own freedom is coming.


Livia is a grim reminder that in earlier centuries, cruelty to animals (and slaves) was all too common and could be extremely bloodthirsty. Animal rights and abolition of slavery are comparatively recent phenomena, and not all parts of the world have adopted them. Livia herself sums up the dark side of ancient Rome: opulent, indulgent, arrogant, decadent, cruel, greedy, selfish, and abusive to slaves and animals alike. Esther is the kindly contrast that provides hope that not all people were that bad in ancient times.

The title itself sums up how the comeuppance will go: what Livia does to the victim(s) in this story will ultimately be done to her. For this reason, two sets of panels have been provided to illustrate the “before” and “after”.

The comeuppance is unusual in not using supernatural forces, which is Misty’s usual pattern. Instead, Livia is brought down by a combination of circumstances and the consequences of her wanton behaviour. There is a hint of spookiness with Livia always having the leopard roaring in her head once she becomes a slave, but this could be psychological.

When the Rain Falls…

Misty: #24

Artist: Eduardo Feito

Reprint: Misty annual 1985

In ancient Rome, Marcus and Amanda are separated when they are sold to different owners in the slave market. They both begin to hear a voice calling their names, and the voice reunites them. Convinced the voice is a call to freedom, they follow it, and notice heavy storm clouds gathering. They meet lions, but the lions do not harm them; the lions also hear the voice and run away towards it. Marcus and Amanda follow the lions and come to Noah’s Ark and sanctuary as the Flood begins.


Even though these two slaves are not as badly treated as some we’ve seen in Misty, the story is really effective in illustrating the horror of slavery by showing the actual process of selling slaves at the market. Unlike the other slave stories discussed here, the story focuses more on how the slaves escape than comeuppance for the slavers. Presumably the Flood is the comeuppance.

Spitting Image

Misty: #79

Artist: Jorge Badia Romero

Princess Rebecca is so vain she keeps only the plainest of servants around so she will look even more beautiful. She gets jealous when one servant, Sarah, starts growing more beautiful. (It’s not clear if Sarah is a slave, but we will say she is.) Sarah says the change in her appearance seemed to start after an artist painted her looking that way. Rebecca orders the same artist be brought to her (in chains) so as to paint her portrait too, and wants it unrivalled for beauty. She is furious when he portrays her as hideous and ugly. He replies he only painted what he saw. She throws him into the dungeon and orders him to be tortured. After days of this, Sarah rescues him and they escape together. The artist explains it is the soul of the person he paints, not the face, and he painted that hideous portrait of Rebecca because that was what he saw in her. When he depicts inner beauty in the sitter, the sitter will start to resemble it in real life. This was the case with Sarah. But as Rebecca finds out, when the artist depicts the inner ugliness he sees in the sitter, the sitter will soon resemble that too.


The old adage “beauty is only skin deep” strikes again, but it’s totally lost on Rebecca. The poor artist cannot help himself in painting Rebecca as he truly sees her, even though it will get him into serious trouble. Even though Rebecca will get her comeuppance once the power of the portrait takes effect, the artist will still be made to suffer for it. He needs to escape for this to be a totally happy ending, and gets it in the form of Sarah. This not only needs to be a comeuppance story but an escape story as well.

Garden of Evil

Misty: #53

Artist: Jordi Franch

Reprint: redrawn in Misty annual 1981 as “The Evil Garden”. New artist was Jose Canovas.

In a medieval fairytale setting, Tansy Fuller, a herbalist, is kidnapped and enslaved by the evil Lady Ruella to work in her secret garden. The garden is filled with nothing but poisonous plants. Hearing rumours that those who cross Ruella don’t live long, Tansy soon guesses the purpose of the garden. She secretly plants a white rose, a symbol of goodness and purity in the garden, in defiance of Ruella. Ruella gets jealous when Lord John Piers falls in love with her younger, kind sister Grizelda, and plots to kill her with one of her poison garden concoctions, which she tests on Tansy. It proves sublethal, but Tansy is in no state to warn Grizelda. Then Ruella sees the white rose and attempts to pull it out. It pricks her, and she falls mysteriously ill and dies. Tansy believes the purity of the rose acted like poison to her “black blood”. Grizelda takes over the castle, marries the lord, and Tansy becomes her lady in waiting. The poisonous plants in the garden are replaced with wholesome ones, with the white rose taking pride of place.


Here we have an example of personalised slavery rather than the institutional one, and Ruella could get away with it with impunity because of her rank. When we see its purpose – commit murders – we definitely want it brought down. Kidnapping a girl for slavery is bad enough but forcing her to be complicit in murder is too much. We don’t want the evil Ruella marrying that lord either. It’s worrying, because Ruella is the elder daughter and therefore the first in line to marry under the customs of the period. But we can pity any husband who marries that black widow. It’s ten to one she will murder him with her poisons at some point.

Ruella’s comeuppance is one of the more puzzling in Misty because it is not clear what killed Ruella after she got the rose thorn. We are not so inclined to believe that its purity reacted with her “black blood” to lethal effect. One explanation is some sort of bacterial infection entered her bloodstream after she got pricked. In fact, there have been real life cases where people died of infections after being pricked by rose thorns (check out Google). In any case there can be little doubt that planting the white rose was not only the instrument in bringing down Ruella but in Tansy getting her revenge and ultimate triumph over her as well.

Closing Thoughts

In her short stories, Misty used the slave theme as a comeuppance on slavers, slave owners, and commenting on the evils of slavery in general. For this reason she tended to draw on slavery in historical periods, particularly in the ancient world. There were no stories using the black slavery of later centuries, but some might have appeared if Misty had lasted longer. “When the Rain Falls…” is unusual for putting the emphasis on escape rather than comeuppance.

Misty Short Stories III: Witches

For the third volume of Misty Short stories I have selected Misty stories with a corresponding theme: witchcraft and how Misty portrayed witches in her complete stories. As many of the stories have a similar theme, they have been grouped together under subheadings, with “thoughts” attached. I have also included closing thoughts at the end of the overview. Text stories have been omitted from this list. So witch-themed text stories such as “The Story of Little Wytching” have been excluded.

1: The Wise Woman

The true definition of “witch” is wise woman, a person who would use folk magic and herbal knowledge to help people. But witch-believers did not always see it that way and wise women were always vulnerable to being persecuted as agents of Satan. As the following stories show, Misty had the sense to frequently show the witch as she really was: a wise woman. However, they also show that how the wise woman’s help was received, or even understood, depended very much on how much the protagonist needed – or deserved – her help.


Misty: #99

Artist: Jordi Badia Romero

Reprints: Scream & Misty Halloween Special #2

Joanie Preston is a bookworm, but also a selfish, lazy girl. She wants to live the life of Lady Agatha in a book she is reading, where she can live in ease and comfort and never have to work. She finds a spellbook in Professor Margolis’ collection of forbidden books. She bullies Old Nell, who has a reputation for witchcraft, into helping her cast one of the spells to transport her into the Lady Agatha book. She ignores Old Nell’s warnings that it is evil black magic and can only bring disaster. While Joanie is casting the spell the Professor finds out and tries to intervene. This causes Joanie to take the wrong book into the magic circle – and its title is “Dracula”.


It is curious that although Old Nell warns Joanie that using the black magic will lead to catastrophe, what really causes Joanie’s undoing is her accidentally taking the wrong book into the magic circle. The danger of using black magic might have been more effective if Joanie had gone into  the Lady Agatha book after all, only to find it’s not what she expected – a monkey’s paw sort of thing.

If Only…

Misty: #51

Artist: Carlos Guirado

Poor girl Lois is jealous of rich, spoiled girl Kora, so she visits a witch, Widow Farley. Farley agrees to help because Kora is a girl after her own black heart and Lois deserves the spell.  The spell has Lois and Kora switch bodies. Then Lois finds out too late what Farley really meant by her deserving the spell: Kora was dying, and this is why she was spoiled.


We are told that Widow Farley is a more black-hearted wise woman than the other examples below, but it gets no development. The story would have been fine to leave that part out and have Widow Farley give Lois the spell just to punish her for her jealousy.

Aunt Mary’s Blessing

Misty: #21

Artist: Uncertain

Dying – and creepy – Aunt Mary tells Melody that she has Romany powers, which include precognition, and Melody is to inherit the art. Melody does not want any part of it. After her death, Aunt Mary appears as a ghost to Melody and tells her where to find the box that contains her inheritance. Sensing what is happening, Mum gives Melody a crucifix for protection but a teacher confiscates it. Aunt Mary draws Melody to her house and directs her to dig up a box, which contains a hand. As the hand touches Mary left hand, it crumbles into dust, and Aunt Mary tells Melody she will not see her again. Later, Melody has a premonition that her hospitalised father will be okay, but inwardly adds, while looking at her left hand: “But will I?”


So Melody is fated to inherit Aunt Mary’s powers. But are these powers really evil or is it just a case of people being afraid of something they don’t understand? Aunt Mary sure is creepy, but is she evil? And would Melody inheriting the powers make her evil? Or will Melody find it a great gift that she learns to accept and love? The title does say Aunt Mary’s inheritance is a “blessing” after all.

A Girl’s Best Friend

Misty: #48

Artist: John Richardson

Reprint: as Carla’s Best Friend in Tammy 15 January 1983

Blind Carla and her guide dog meet Old Greta. They are kind to Greta while others avoid her because she says she is a witch. That night Belle slips out to Greta’s house, and Greta realises why Belle has come. Next morning, Carla is astonished and overjoyed to find she has suddenly regained her sight, but then realises Belle is missing. Greta explains that she did use a spell to restore Carla’s sight, but for it to work, someone else has to give up his or her sight in return. Belle made the choice to do so, and now she is blind. Shocked to see Belle blind in her stead, Carla begs Greta to reverse the spell. Greta says Belle will still have a good life as long as Carla reciprocates the love and affection Belle showed her when she was blind. Carla hugs Belle and promises her all the love in the world forever.


This is one of Misty’s most brilliant and moving short stories. Carla regains her sight with the help of the witch, but it’s not a happy ending. It’s a bittersweet ending that leaves us all in tears when we learn the price that has been paid for Carla’s new sight. We cry even more when we learn Belle will stay blind, and will need all the love and help she can get.

The Queen’s Hair

Misty: #43

Artist: Jaume Rumeu

Reprint: Best of Misty 4

Tyrannical Queen Elida administers cruel justice to her subjects and throws them in her dungeons. The real reason for this is that she blames them for an illness that caused her hair to fall out and she has to wear wigs. Elida strikes a bargain with a witch for a spell for new hair. The witch gives Elida a headband that will make her hair grow again, but she must not wear it for more than 24 hours. Elida reneges on the deal and throws the witch into her infamous dungeon.

Although Elida does grow new hair she does not forgive, and she leaves her prisoners in the dungeons to rot while she throws a celebration. But then Elida’s hair starts growing crazily and uncontrollably. She realises it’s because she forgot to remove the headband after 24 hours (we thought that might happen). Elida soon finds there is no way of stopping the super-growing hair or removing the headband. The witch can’t help as she died in Elida’s freezing dungeons. Elida’s angry subjects seize the moment to storm the castle, rescue the prisoners, and exact revenge on Elida. But they find there is no need for revenge because the hair is now engulfing the whole castle and bringing Elida down with it.


As with Old Greta, the witch is the helper. But the witch would have really been able to help Elida if she hadn’t been beyond helping. Growing her hair back was not enough to help Elida. She had grown so cruel and selfish that she was totally beyond redemption, and she was given a chance to redeem herself. Plus she reneged on her bargain with the witch, which was really asking for trouble. We can’t help but wonder if the witch caused Elida to forget to remove the headband in time and it was she who engineered her own death in the dungeons, rather than the cold.