Tag Archives: Kim Raymond

Who is Astra? (1983)

Published: Mandy PSL #62

Reprint: Mandy PSL #211

Artist: Kim Raymond


Esther Blake is having a hike out on Storm Peak with her father and brother Tom. Suddenly, a storm comes in without warning and lightning strikes Esther. Her condition almost kills her several times in hospital, and she has to be revived by artificial respiration, hovering between life and death.

When Esther returns home she starts having nightmares of her family being cruel towards her. They force her to do all the work while mocking, bullying and beating her. They sneer at how she has to do everything by hand, with no modern labour-saving devices to help her. She is dressed in rags and the house is shabby and run down.

Then Esther’s cousin Astra arrives to stay. Everyone marvels at how she could be Esther’s twin, except for the colour of her hair. Esther notices how she and Astra are virtual mirror image opposites. Astra even has the same scar on her left arm that Esther has on her right. Hmm, doppelganger alert here?

What the story pays less attention to verbally, but can be seen in most of the panels, is that Astra is wearing a star-shaped necklace. Meanwhile, Astra is making odd remarks about things she should not know about that have Esther becoming suspicious of her – in a worried sort of way.

In true doppelganger fashion, Astra is soon causing big trouble for Esther. She plays sly tricks to get Esther into trouble with the family and then sweetly telling them, oh please, please, don’t blame Esther. What makes it so easy is that the family always seem to instantly believe the worst of Esther despite Astra’s sugary sweet attempts to convince them otherwise – as if they were being poisoned or under a spell of some sort. And while they are harsh with Esther, they make a big fuss over Astra and what a sweet girl she is.

It’s exactly the same thing at school once Astra starts there with Esther. Astra’s tricks and everyone oddly assuming the worst of Esther all the time soon get Esther into big trouble with the teachers and losing her friends. Esther’s performance begins to suffer, both academically and athletically, and it’s not just because of Astra. Esther feels oddly tired and unwell and can’t understand why. Esther is soon pushed out of the sports teams while Astra takes her place. Everyone comments on Astra’s sporting performance being just like what Esther’s used to be (another clue?).

By now Esther has realised that Astra is pushing her out of everything and deliberately turning everyone against her. But she soon finds trying to speak out does no good with everyone just assuming the worst of her all the time.

Meanwhile the nightmares continue, but now they seem to be more than just nightmares. In one dream, the evil family chase Esther into brambles and thorns. When Esther wakes up she finds scratches on her arms and legs that were not there before. In another dream the abusers force her to scrub the floor until her hands are raw, and she still has to scrub. Next morning, Esther finds her hands look and feel exactly that way. She also suspects that Astra knows the contents of the dreams.

Then Esther dreams she is back on Storm Peak, and being hit by lightning. Astra and the evil parents come up behind her. Astra jeers that they have come for her, and eggs them on to carry Esther off. Esther breaks free of them but gets hit by lightning. When Esther wakes up, she is surprised to see Astra looking white and scared for a change. She realises Astra is scared because she knows about the dream.

Realising the dream means something, Esther heads straight to Storm Peak first thing in the morning. As she climbs up the peak, she sees Astra has followed.

Astra explains that she is the evil side of Esther. The lightning accident caused her to come in from a parallel universe where everything is the opposite of what it is in this one. Her plan is to take Esther’s place in this universe and drive Esther into the other universe, where the abusive versions of Esther’s family are waiting. Sure enough, they start appearing and Astra urges them to take Esther.

But Esther doesn’t think so because there is something different about Astra this time. Next second she realises what it is – Astra does not have her necklace. When Astra sees this, she screams that she’s lost her protector – “He-elp!” (Oh dear, Astra, left the house in too much of a hurry, did you?) Then lightning strikes both girls. Esther falls unconscious. Presumably because the protector is missing, the evil parents grab Astra and ignore her pleas for them to take Esther instead.

When Esther regains consciousness she finds everything is back to normal. All trace of Astra has disappeared and nobody but Esther knows anything about her. It’s as if Astra never existed at all. Esther concludes it must have been a dream or something. But later, Esther gets a nasty shock when Mum turns up Astra’s necklace while spring-cleaning. Dream – or what?


Evil doubles that are created to cause trouble for the protagonist until the protagonist finds the way to destroy them are not new in girls’ comics. But this one goes way above the usual doppelganger format because it’s got so many other well-established, popular formats thrown into the mix as well: the Cinderella theme, abusive guardians, the scheming troublemaker, the evil influence theme, and the regrettably less-used theme of the alternate reality. What’s not to like about this story? It brings together so many of the DCT themes that are always so popular on their own. Together they make for a really intense, exciting and crackling story where the protagonist is attacked on all sides from the threats posed not only by the evil double but also by the other themes listed above.

The scheming troublemaker who pushes the protagonist out with nasty tricks was one of the most frequent themes at DCT, but this version really catches the eye because it has supernatural elements attached. There are hints that Astra is exerting some evil influence on everyone to make them act so negatively towards Esther. We suspect this even more so once it is revealed that Astra’s necklace has powers of some sort. And it’s not because the antagonist is just spiteful or jealous as most troublemakers usually are. It has a far more sinister purpose – to weaken Esther and soften her up for transportation to the alternate reality while Astra takes Esther’s place.

However sinister the undertones of the scheming troublemaker scenes, they don’t hold a candle to the night terror dreams. These are truly the best moments of the story and what make it truly frightening. It’s even more terrifying when we find out that this is actually the fate that lies in store for Esther if Astra succeeds. This makes the climactic scene of Esther struggling against the evil guardians all the more electrifying – and it’s not just the lightning.

Ironically, the nightmares of the evil guardians also add a sympathetic element to the evil Astra. When we see what life is like at home for Astra through Esther’s nightmares we can certainly understand why Astra wants to escape that universe. But we are not going to have her throw Esther into that hellish universe in her place.

Here the Cinderella theme of girls’ comics gets turned on its head. Instead of some talent helping her escape her misery and getting a happy ending, the Cinderella gets thrown back into that life of abuse and drudgery. We may feel a pang of pity for Astra there. Yet we still want her gone and are relieved she is back where she belongs – because unlike the protagonists of the Cinderella stories, she is evil.

Her Name in Lights


Stella Martin is living with her Aunt Cynthia, an unscrupulous theatre agent, while her mother is ill and her father works away from home. Stella is a talented actress and wants to go into the theatre. But Aunt Cynthia forces her into starring in TV commercials as a child actress. To this end Aunt Cynthia forces Stella into a childish appearance, deliberately underfeeds her to stunt her growth, keeps her away from school, and Stella has to do housework as well.



  • Artist: Kim Raymond
  • Reprinted and translated to Dutch as “Haar naam in neon” (“Her Name in Neon”) – Mariska Starstrip #1 (circa 1983)


  • Her Name in Lights –  Mandy: #712 (06 September 1980) – #721 (08 November 1980)


A Dog’s Life for Debbie (1981-1982)


Debbie Bruce has cynophobia (fear of dogs) because she was bitten by a dog as a baby, and  she is too ashamed to explain the problem. As a result, the phobia is causing constant misunderstandings, ruined opportunities and other problems for Debbie.



  • Artist: Kim Raymond


  • A Dog’s Life for Debbie – Tracy: #109 (31 October 1981) – #120 (16 January 1982)

The Jealousy of Jemma

  • The Jealousy of Jemma–  Mandy:  #601(22 July 1978) – #611 (30 September 1978)
  • Reprinted – Mandy #1174 (15 July 1989) – #1184 (23 September 1989)
  • Reprinted (as Mandy Classic) – M&J: #286 (02 November 1996) – #296 (11 January 1997)
  • Art: Kim Raymond (?)


Julie and Jemma Granger are twins, who are extremely close, their parents even remark that sometimes it is like they can read each other’s thoughts. For their 13th birthday they recieve gold lockets, later they exchange lockets and make a vow to each other that they shall never be parted and nobody will come between them. A week later while Julie is in school while the Grangers take Jemma to the dentist, but the car veers off a cliff. Julie instantly senses something wrong. When she hears her parents and Jemma are dead she collapses and lies in a coma for weeks.  When she wakes up she finds her Aunt Mavis and Uncle Roger with their daughter Ruby. Julie has never met them before but they say they will take care of her now and they take her back to her own home which they have moved into.

jealousy of jemma 1

The Daces seem kind and friendly, but are secretly just there so they can live in a grand house and use Julie’s inheritance. Weeks later, Mavis pretends to be pleased for Julie when she says she can manage by herself but tells Roger and Ruby they’ll stick around in case she relapses. That night Julie hears Jemma’s voice calling to her reminding her they promised never to be parted. While her relatives try to comfort her, telling her it was just a bad dream, Julie doesn’t believe this. Jemma’s voice returns but Julie is scared she is so possesive now. When an old family friend Mrs Preston visits and when Julie tries to make a friend with Sara a girl she knows from school, Jemma tells her she doesn’t need friends. She even tells Julie her new friend will get hurt if she visits.

jealousy of jemma_3

The Dace’s call the doctor and he tells Julie she is over strained and needs rest. Ruby is impatient as she wants the doctor to take Julie away, but Mavis tells her to be patient. At Julie’s insistence they contact a psychic Madame Zenith. She senses two departed people who rest peacefully but she cannot sense any ghost, though she does warn her of evil. Mavis tells Julie the evil she senses must be her illness and Julie begins to believe it’s all in her mind.  Julie goes to hospital and feels safer and secure, while she’s there the Daces are enjoying parties in her home. When Julie begins to wonder why she doesn’t hear voices at the hospital. In order to stop her suspicions,  Ruby sneaks to the hospital and using information from a secret book the twins wrote in convinces Julie it really is Jemma she is hearing.  The Daces bring her home to keep a better eye on her, but soon Julie does some investigating and she finds microphones in the attic. She escapes and visits Mrs. Preston, telling her the story. Together with her lawyer the Daces are plots are revealed and they are arrested. Mrs Preston moves in with Julie and a few weeks later, Julie gets a better surprise when she hears Jemma’s voice again and it turns out she had survived the crash and had been taken by boat to France. So the twins are happily reunited.

jealousy of jemma_5


The twins seem overdependent on each other from the start. On their thirteenth birthday they don’t invite anyone else as they don’t really have any other friends. Their parents thinks its great that they are so close and don’t need anyone else, but actually its quite unhealthy! Even when Jemma first gets into the car Jemma already feels lost and alone at school. It’s never good to cut yourself off and depend on only one person. Even without the evil relatives it’s understandably difficult for Julie to cope without any network of friends to help and support her.

jealousy of jemma_2

It is surprising to find Jemma alive at the end, although there was a hint when Madame Zenith didn’t sense Jemma’s spirit in the house (either restful or vengeful). There is very little explanation of how she survived or why she hadn’t been in contact before or how the lawyer tracked her down. Perhaps she had been in a coma or had amnesia (a common reason for prolonged absence in these stories) but it is never addressed here. There is a tie in with the real Jemma’s voice sounding kind rather than spiteful, so it works fine. Although I think it could have worked out as a happy ending with Julie just moving on with her life, maybe meeting up with Sara.

After the set up in the first issue of the twins vowing to be together for ever, it wouldn’t have surprised me if the story turned out to be Jemma’s ghost haunting Julie. It might have been better if the writer held off on showing the true colours of her relatives initially. He/she could have build up the creepiness and the mystery of Jemma’s voice. It still works as an interesting story as the relatives drive Julie insane. There has been many stories of devious relatives cooking up schemes to gain inheritances, inflicting psychological damage on their niece is particularly devious. While Roger shows some discomfort over what they are doing, it’s more that he doesn’t like watching Julie’s decline but is happy to reap the benefits. Mavis and Ruby are clearly the brains behind the scheme. The dark tones of the art and the expressions of fear on Julie really help sell the story, it does make it very creepy.

jealousy of jemma_4

Mandy Annual 1983

Picture Stories

  • The Troubles of Trixie  (Pages: 4-11) [Art: Jim Eldridge]
  • ‘Twas the Night Before Christmas (Pages: 13-16) [Art: Claude Berridge]
  • It’s a Dare!  (Pages: 17-21) [Art: Tom Hurst]
  • Lucky’s Country Cousin   (Pages: 24-32) [Art: Wilf Street]
  • The Bride Wore Red   (Pages: 33-43) [Art: Stanley Houghton]
  • Selwyn and Samantha   (Pages: 44-47) [Art: George Martin]
  • Dilly the Daily   (Pages: 53-58) [Art: Richard Neillands]
  • Only a Rose   (Pages: 59-63) [Art: Ron Lumsden]
  • The Diary   (Pages: 65-77) [Art: Kim Raymond]
  • I Hate Boys Who…    (Pages: 78-79)
  • Mandy – a story without words   (Pages: 81, 95) [Art: Peter Kay]
  • Valda   (Page: 82 – 94) [Art: Dudley Wynne]
  • Penny of P.A.W.S.   (Pages: 97- 100)
  • Marco   (Pages: 105-112)
  • Stella Starr – Stunt Girl   (Pages: 113-117) [Art: George Martin]
  • Mum on Wheels  (Pages: 120-126) [Art: Guy Peeters]

Text Stories

  • Mistress Quigley  (Pages: 22-23)
  • Danger on the Moor   (Pages: 49-52)
  • The Very Five   (Pages: 101-104)


  • Table of Contents   (Pages: 2-3)
  • What’s Cooking?  (Page: 12)
  • About Ballet –
    • How it All Began… (Page: 48)
    • The Story of the Dress  (Page: 64)
    • Ballet Facts   (Page: 80)
    • Characters from Famous Ballets  (Pages: 96)
  • Friends or Foes?   (Pages: 118-119)
  • Ad for Mandy Comic (Page: 127)

Judy Annual 1983

Picture Stories

  • Mother Goose (Pages: 5-9) [Art: Claude Berridge]
  • Tulips (Pages: 12-16) [Art: Peter Wilkes]
  • Wee Slavey (Pages: 17-19) [Art: John Higson]
  • Junior Nanny (Pages: 21-23) [Art: Oliver Passingham]
  • Bobby Dazzler (Pages: 26-27) [Art: Giorgio Letteri]
  • Girl With the Golden Smile (Pages: 29-31) [Art: Bert Hill]
  • Stranger in the Snow (Pages: 33-37) [Art: Matias Alonso]
  • Val of the Valley (Pages: 39-43) [Art: Kim Raymond]
  • Cora Cupid (Pages: 49-51) [Art: Giorgio Letteri]
  • Trial Run (Pages: 53-57) [Art: Norman Lee]
  • Schoolgirl Vet (Pages: 61-63)
  • Big ‘n’ Bertha (Pages: 66-67)
  • Superbabe (Pages: 71-73) [Art: Giorgio Letteri]
  • Well-Kept Secret (Pages: 74-75) [Art: Oliver Passingham]
  • Boyfriends (Pages: 76)
  • Anita’s Butler (Pages: 77-79) [Art: Bert Hill]
  • The Toy-Maker’s Daughter (Pages: 84-89) [Art: Norman Lee]
  • Hearts to Mend (Pages: 93-95)
  • Secret Skater (Pages: 97-101) [Art: Paddy Brennan]
  • Danger, Min at Work! (Pages: 104-105)
  • Betty’s Bloodhound Butler (Pages: 109-111) [Art: Giorgio Letteri]
  • The Bond (Pages: 114-117) [Art: Claude Berridge]
  • Hunted! (Pages: 120-125) [Art: Ian Kennedy]

Text Stories

  • Lesley’s Angel (Pages: 106-108)


  • Photos (Pages: 2-3, 126-127)
  • The Art of Making Up (Pages: 10-11)
  • My Den (Pages: 20)
  • Christmas Cat Stocking (Pages: 24-25)
  • Jazz up a Jar!/ Dragnet (Pages: 28)
  • Sweet Treat (Pages: 32)
  • Judy Pin-Up: Noel Edmonds (Pages: 38)
  • Lunch Box (Pages: 44)
  • Cat and Mouse (Pages: 45)
  • Clare at Crufts (Pages: 46-47)
  • Purrfect (Pages: 48)
  • Bunny Business (Pages: 52)
  • Animal Ghosts (Pages: 58-59)
  • Airline Express (Pages: 60)
  • Cold or Hot (Pages: 64-65)
  • Round the World (Pages: 68-69)
  • Dottie’s Arty Joke Book (Pages: 70)
  • Handy Hold-All (Pages: 80)
  • The Peter Pan of Pop (Pages: 81-83)
  • Come to the Fair (Pages: 90-91) [Art: Ian Kennedy]
  • Be Your Own Fortune Teller (Pages: 92)
  • Judy Pin-Up: Peter Davidson (Pages: 96)
  • Nautical Necklace (Pages: 102)
  • This should be A Draw (Pages: 103)
  • Dottie’s Doggie Lovers’ Joke Book (Pages: 112)
  • Key Tidy (Pages: 113)
  • A Career With Ponies (Pages: 118-119)

(Click on thumbnails for bigger pictures)