Tag Archives: Maria Dembilio

Heartache for Hannah [1993]

  • Heartache for Hannah –  M&J:  #116 (10 August 1993) – #127 (16 October 1993)
  • Art: Maria Dembilio

Plot

Hannah Littleton gets on great with her young stepmother Jill, and is delighted when she hears she is going to have a baby sibling. But after a difficult labour and the arrival of baby Thomas, things change for Hannah. While she is happy to have her brother, Jill suddenly becomes more distant, telling her to no longer call her mum. At first Jill thinks it because she has her own baby now, but soon she notices Jill doesn’t make any effort with him either. The house is getting messy and Jill doesn’t take care of herself like she used to. Worried that her family may break up, especially after fights between Jill and Dad and comments he makes, Hannah starts trying to cover for Jill.

One such times is before a health visitor arrives for check-up, Hannah comes home on her lunch break to clean the house, and because she is spending her time covering for Jill, this starts to affect other things in Hannah’s life. While her dad is working late a lot, Hannah does the cooking and housework which means she is getting bad marks for her rushed homework and on occasion is late for school. Hannah continues to be dismayed as well at Jill’s attitude towards Thomas like when they are out for a walk and Jill says she doesn’t understand people complimenting Thomas as he’s just another baby. When Hannah attempts to get Jill interested in cooking again by hoping she will join her when she does a big batch cook, her plan seems to work at first and Jill actually perks up and helps, but her mood changes completely when Thomas cries. Every-time Jill seems to get back on track, something happens with Thomas, like when she gets a new dress and he spits up on it, or when she tries to get back to exercise and Tomas keeps her awake all night. Jill says whats point of having nice things or pretending she has time for exercise with a baby around.

While dealing with Jill’s mood swings, and trying to keep things secret Hannah falls out with her best friend because of her unexplained behaviour. At home there are even more arguments when her Dad tells his mother that Jill won’t be going back to work, something Jill never agreed to.  He has old-fashioned ideas that Jill should stay home to look after the baby. Hannah continues to try and make things better and help, but everyone is miserable. Then Jill accidentally leaves Thomas in his pram in the shop while she is carrying the shopping. Once she realises she is panicked and so grateful to get her son back, as she would be devastated if anything bad happened to him. Hannah is relieved to see she does actually love Thomas and after Jill talks to her husband about how she is struggling, they call the health visitor to come talk. While not mentioned by name it’s implied that Jill has been suffering from post-natal depression, and now she can start getting the support she needs. Hannah realises that by covering for Jill, she wasn’t helping as the actual problem wasn’t being addressed. Hannah’s father also apologizes realising how insensitive he was and they actually agree about Jill going back to work when Thomas is a little older, as her career is still important to her. Hannah is happy to see her family back joking together and while it will take time to recover she knows they will be okay.

Thoughts

There’s a lot going on in this story, and while family drama was common in these comics, I haven’t seen this specific topic addressed before. It talks about how difficult Jill’s labour was and while not named it is recognizable that Jill has post natal depression, along with that is the generational gap between her and her husband, and the issues that causes with his ideas of a traditional family. All this of course from the viewpoint of a daughter, who doesn’t understand the best way to help her step-mother is to ask for support else where. The story is well written handles the topics deftly.

Being a mother now my sympathy is with Jill, while I was lucky not to have post-natal depression, it is not always easy to manage being a new mom. Luckily I have a supportive partner, while Hannah’s dad, Michael,was not very understanding  for a lot of the story, like early on commenting that she’s not making an effort with her appearance and such is a bit much, especially when she had such a difficult 12 hour labour. At least Gran seems to be on Jill’s side , pointing out she just had a baby, pity she’s not around more to help out. While he does help out with Thomas which is good (though again it seems doing a nappy change and feed constitutes helping, which Hannah also does), it seems he expects Jill to keep up her appearance and do housework and look after Thomas, with no acknowledgement of what a big lifestyle change has happened. His comments and their fights is also what leads Hannah to try and cover by doing housework, which obviously causes lots of other problems with Hannah’s school and friends.

In the early 90s it was still more common for women to give up their jobs for being stay-at home moms, but in Jill’s case this is not something she wants to do. Even worse Michael doesn’t discuss this properly with Jill and tells his own mother first that Jill won’t return to work. Jill is understandably furious at this, and Michael still won’t negotiate he won’t even consider a creche or a nanny (having him give up his career instead is never even mentioned as an option). He also seems to be expecting her to do as his first wife did, not considering they are different people and that Jill is only 23. Even these days mothers trying to keep their careers and sharing parenting more evenly with partners is a struggle, so it’s interesting that it was being discussed in this story from nearly 30 years ago.

The 20 year age gap between them obviously doesn’t help things either, Jill is only 22 at start of story just after they marry, presumably by the end she must be 23, while people can be in relationships with large age gaps, it’s still a bit concerning that they must have started dating when she was only a few years out of school and there is only 10 years between her and Hannah, and obviously there were some things they didn’t communicate properly (like Jill’s career plans).  Clearly these issues don’t really appear until the baby arrives, at least by the end they seem to be on the road to recovery again, and joking and happy together.

While these days I am quite identify with the character of Jill, of course the main protagonist of the story is Hannah. Having to shoulder so much responsibility at a young age is difficult, and fearing that her family will break up and hearing her parents fight all the time is not a healthy environment to be in. It is quite hurtful for Hannah when Jill tells her not to call her “mom” anymore, as they had previously had such a good relationship. The instinct to cover things up both at home and at school, is a lot of young people’s experience, and we see how this impacts on the other aspects of her life. In this case it is nice things have a happy ending, and it is good that Jill reassures Hannah it wasn’t her fault for trying to hide things she knows she meant well. Going forward they should hopefully all be able to communicate and support each other better. It is one of the stories that really holds up well on a  reread, it is well written and Dembilio’s art is a good choice to capture the family drama.

 

 

Sisters in Secret [1991]

    • Sisters in Secret–  M&J: #01 (18 May 1991) – #10 (20 July 1991)
    • Art: Maria Dembilio
    • Reprinted and translated into Dutch as “Geheime zusjes” (“Secret Sisters”) –  Tina #52/1992-8/1993

Plot

Jackie Munroe and Alison Brown meet on the first day of school and immediately hit it off. They are shocked to discover at the end of the day, when talking to their mothers, that the girls are actually half sisters. Both mothers have reasons to dislike the other, Ms Munroe because her husband left her for Mrs Brown, when she was still pregnant with Jackie and Mrs Brown because when her husband got sick Ms Munroe wouldn’t let him reconcile with Jackie before he died. Their mothers don’t know the girls have become friendly and on hearing their mothers’ stories, at first Jackie and Alison decided the other wouldn’t be a good friend after all, but after being paired up in class they realise they still like each other. They decide to continue their friendship but have to hide it from their mothers.

This leads to episodic story where each week the girls miss out in something or get in trouble trying to keep their friendship secret, and at the end of the episode conclude it’s still worth it to be friends. Such events include Jackie sneaking Alison to her birthday party but when her mum comes back early, Alison has to sneak out and accidentally breaks an ornament. Jackie has to pay for it and Alison also gives her money towards replacing so they can’t afford tickets to go to concert they wanted to see. They both miss out on being form rep when a teacher sees them getting in trouble with police for leaving café without paying, they can’t explain to teacher that it was all cleared up and they did leave money but rushed out to avoid being seen by Mrs Brown. When a picture is taken of the girls together at opening of new school library, they expose the film, but that means Jackie doesn’t get her memento photo of presenting flowers to Duchess either. Alison is caught out in one of her lies when she sneaks out to meet Jackie, meaning she is grounded for a month. Jackie has to spend all her money on a top she doesn’t like, to avoid trouble with a shopkeeper, who thinks the girls are messing when they try to avoid her mum. Another time Jackie hurts her leg when she thinks Alison’s mom is going to catch them together, but it turns out to be someone else.

Meanwhile their mom’s begin to ask about friends, Mrs Brown insists she invites her best friend around for tea. They get new girl Sylvia to agree to pretend to be her best friend, but then she wants to hang around as a threesome all the time, and the girls find she is selfish and not so nice. Luckily Sylvia finds a more suitable friend by the end of the episode. With the school holidays approaching Alison and Jackie are not looking forward to it, because it will be harder to meet each other. Ten the Brown’s get into an accident, hearing about it on radio, Alison goes to see Jackie, who is luckily not badly injured but her mum is and will need to stay in hospital. Later at home Alison is surprised when her mum arrives with Jackie. She explains to Alison when she heard about the accident, she felt bad for Jackie who already lost her father and may have lost her mother, as Alison and Jackie share a father, they are the closest thing to family Jackie has so she has taken her in. She asks Alison to try and make an effort with her. Jackie and Alison discuss the situation and decide it is best to not let her know they were already friends. When Mrs Brown recovers she is grateful for the Munroes taking Jackie in. They decide to put past behind them and form a relationship for their daughters.

Thoughts

Like I mentioned above, it is quite an episodic story, with the set up each issue being how their secret friendship causes them trouble, but although they lose out on something they still think it is worth it. There might have been a bit more opportunity to dive into family issues particularly with their dad. How does Jackie feel about being raised without her dad  and never meeting him? After finding out he wanted a relationship with her before he dies seems odd she doesn’t does she ever ask Alison more about him (at least from what we see). Does she feel resentment to her mother for not allowing her to get to know him before he died? For Alison, there is less than a year between the girls, so it does seem likely her dad had an affair does this make her feel and differently about her parents now? While it is briefly addressed in the first episode, with the girls taking their respective mother’s side of stories at first, they quickly move past it and decide what happened back then shouldn’t effect them, but it could have been interesting to see them have more conflicted feelings about their parents even if Jackie and Alison weren’t holding resentment  against each other.

While they continue to have trouble with hiding the friendship and this means some conflict with their mothers, such as Jackie being grounded because she lied about where she was, the mothers never actually find out what the girls are doing. Perhaps if they talked to them, they could have resolved the feud earlier, but at least the mothers do come around in the end on their own terms. There have been other stories with this theme of two families falling out and the children have to hide their friendship, such as Let’s Pretend or The Secret Friends . For this category of story, it is is quite a strong entry, the actual reason for the mothers disliking each other in this story are quite reasonable motives (even if it would have been nice to dive into it more) and Alison and Jackie are likeable, each episode you hope for once something will work out for them. Each situation they find themselves in is interesting, and Maria Dembilio, who would become a staple artist for M&J, is a perfect choice for depicting the the girls problems. It is a relief to see at the end the girls get their wish of becoming  family and no more secrets.

Mandy Annual 1998

Picture Stories

  • Penny’s Place (Pages: 5-16) [Art: Guy Peeters]
  • Strange Stories [2 parts] (Pages: 17-22, 97-101) [Art: Jordi Badesa]
  • Four in the Saddle (Pages: 25-32) [Art: Julian Vivas?]
  • Christmas Kiss (Pages: 49-53) [Art: Maria Dembilio]
  • Nurses (Pages: 56-62) [Art: Ron Lumsden]
  • Wildest Dreams (Pages: 65-70) [Art: Carlos Freixas]
  • Cancelled Christmas (Pages: 76-80)
  • Angel (Pages: 103-106) [Art: Dudley Wynne]  
  • Rachel’s Rebel (Pages: 109-112) [Art: Veronica Weir]

Text Stories

  • Wannabe! (Pages: 23-24)
  • Not a Word! (Pages: 54-55)
  • My Boy Ben (Pages: 86)
  • Something in the Air (Pages: 107-108)

Photo Stories

  • That’s Magic (Pages: 13-16)
  • Get Lucky! (Pages: 117-120)

Features

  • Pinup (Pages: 33, 48, 81, 96)
  • You’re Gorgeous! (Pages: 34-37)
  • Make it a Date! (Pages: 38-39, 82-83, 124-125)
  • Make ‘n’ Do (Pages: 40-41)
  • Animal Crackers (Pages: 42 -43)
  • Hair Raisin’ (Pages: 44-45)
  • Oooh – Scrummy (Pages: 46-47)
  • Nice to Know? (Pages: 63-64)
  • Be a Green Beauty (Pages: 71)
  • Green is Go (Pages: 72-75)
  • You (Pages: 84-85)
  • Spice as Nice (Pages: 87-89)
  • Busy Bees (Pages: 90-91)
  • Pop-Tastic! (Pages: 92-95)
  • Puzzle Answers (Pages: 102)
  • Telly Testers (Pages: 113-115)
  • The Truth about your Star Signs (Pages: 121-123)

 

* Thanks to Goof for information and cover picture

Mandy Annual 1996

Picture Stories

  • Stage School (Pages: 5-12) [Art: Juliana Buch]
  • Cuddles (Pages: 17-22) [Art: Matias Alonso]
  • Classmates (Pages: 23-29) [Art: Maria Dembilio]
  • Penny’s Place (Pages: 49-57) [Art: Maria Dembilio]
  • Lucky & Lisa (Pages: 58-64) [Art: Juan Velasco]
  • Forever Friends (Pages: 65-69) [Art: Veronica Weir]
  • Living with Lucy (Pages: 70-77)
  • A Letter to Lauren (Pages: 78-80)
  • Christmas Nurses (Pages: 97-102) [Art: Claude Berridge]
  • The Boy Zone (Pages: 107-109) [Art: Maria Dembilio]

Text Stories

  • The Boy Next Door (Pages: 32)
  • The Argument (Pages: 48)
  • The Dating Game (Pages: 88)
  • Blame Becky (Pages: 110-111)

Photo Stories

  • Choices! (Pages: 13-16)
  • The Trouble with Toni (Pages: 113-119)

Features

  • Simply the Best! (Pages: 2-3, 126-127)
  • All About You (Pages: 30-31)
  • Pin-ups (Pages: 33, 81, 96, 120)
  • Puzzles (Pages: 34- 37, 82-85, 103-106)
  • Sweet Treats (Pages: 38-39)
  • Make ‘n’ Do (Pages: 40-41, 89)
  • Calendar (Pages: 42-43, 86-87, 124-125)
  • Scrooge (Pages: 44-45)
  • Furry Friends (Pages: 46)
  • Boyzone (Pages: 90-91)
  • Yummy, Yummy, Super Scrummy! (Pages: 92-93)
  • Get Set for Christmas (Pages: 94-95)
  • Puzzle Answers (Pages: 112)
  • This is You (Pages: 121)
  • The Stars Foretell (Pages: 122-123)

 

* Thanks to Goof for information and cover picture

Scream! (1997)

Scream cover

Mandy Picture Library #272

Published: 1997

Cover: Peter Wilkes?

Writer: Anne Bulcraig

“Scream!” takes a complete break from the usual pattern of girls’ picture libraries. Instead of being one complete story it is a collection of five shorter-length stories, and they are all spooky, creepy stories. Unsavoury girls get their comeuppances while other girls get caught in scary experiences that they may or may not emerge from unscathed. All stories are labelled as a “Scream!”. This take harkens back to the days of horror comics Misty and Spellbound two decades before. It was a trend that was seldom seen after both comics folded and is fondly remembered.

Scream 1: Framed! – artist Norman Lee

Katie Knight feels lonely after her best friend Joanna Bland emigrates, but soon becomes friends with new girl Lisa Jones. Lisa says she and her mother look after animals of all descriptions and invites Katie and her dog Soda around for the weekend.

When Katie arrives, she is surprised to find the walls of the house are lined with paintings of animals done by Mrs Jones, but no real animals are present. Meanwhile, Soda is acting strangely, and when the girls take a walk in the wood, he gets really terrified. Katie thinks the wood is weird too, and eventually realises it has no birds or animals. Later, Katie is baffled to find that a cat she saw in one of the paintings has changed position from when she last saw it.

Then Katie wakes up one night and discovers that Soda has somehow been turned into one of Mrs Jones’ paintings. Katie explains that they have had to turn to pets for their paintings because all the wildlife realised what was going on and fled. What happens next with Katie and the Joneses is not recorded. Some weeks later, a new girl brings a guinea pig with her to a weekend stay with the Joneses….

 Scream 1

Scream 2: Green Fingers – artist Carlos Freixas

Sarah Peters is a very selfish girl who grabs whatever she wants and never helps anyone, not even when it is an emergency. In class Sarah suddenly gets interested in a green issue project when she hears the prize money will pay for the top she has her eye on. On the way home she sees a plant in a window box that has leaves shaped like hearts and cute animals. It is so unusual it is guaranteed to win. She asks the owner if she can have a cutting. The owner says she needs to test Sarah to see if she is a suitable candidate. It turns out to be a test for kindness, and of course the selfish Sarah fails dismally. The owner refuses to give her the cutting, saying the plant has powers to reflect the nature of its owner. Only nice people are safe tending it and it would be dangerous for someone like Sarah. But Sarah is not having that; she sneaks out in the night and helps herself to a cutting.

After one night with Sarah the leaves start changing shape. They are going from hearts and cute animals to ghoulish faces and creepy animals. Sarah is bewildered and revolted at the new shapes, but does not get rid of the plant or reconsider what the lady said. The lady warns Sarah to return the cutting before it is too late, for even she does not fully understand the plant’s powers. Sarah does not listen and denies ever taking the cutting.

When Sarah returns home from school, her mother asks her to go and pick up an urgent prescription for a neighbour who is not well. But Sarah cares far more for watching her favourite television programme and goes into the house to watch. Then, as Sarah approaches her bedroom, she is astonished to find her cutting is now growing so much that it is coming out through the door. She goes into her room, where the plant starts crawling all over her. She screams for help – but the plant has learned its behaviour from the girl who never helps anyone.

Scream 2

Scream 3: House Warning – artist unknown

Julie Wood and her family move into a large house in the country. Julie is bewildered when everyone at her new school avoids her for no apparent reason, and her mother gets the same treatment at the supermarket. A neighbour asks Julie if she is having problems with the house yet, and then things do start going strangely wrong for the family in the house. Eventually, a boy at school tells Julie the reason people avoid her is the house. It seems to be alive and won’t let anyone live in it ever since its owner died the previous year. Julie questions the neighbour again. The neighbour says the house is grieving for its late owner, “Old Kate” Murray. Old Kate loved the house and now it will not accept anyone else.

In the night, a strange lady wakes Julie up, which alerts Julie to a fire. Julie manages to extinguish the fire before it catches proper hold. Then Julie realises the woman was Old Kate and it had been her ghost that was driving people out. But this time Old Kate needed help to save her house from burning down, and got it from Julie. From then on, the Woods have no more trouble with the house.

Scream 3

Scream 4: Skin Deep – artist Maria Dembilio

Nadine Andrews and her family are on holiday at a holiday camp. Nadine is a vain girl who infuriates everyone with her conceit, including her sister Emily. Nadine wants to enter the “Miss Happy Holidays” beauty contest. At the fair Nadine meets a fortune teller, and is surprised that the fortune teller somehow knows she wants to enter the contest. The fortune teller sells Nadine a beauty cream that will guarantee she wins. The effects on Nadine’s face seem like magic and she does win.

But the effect wears off next day. Nadine feels cheated and goes back to the fortune teller to get her money back. Nadine is extremely unreasonable when the fortune teller says she never said the effects were lasting, and becomes rude and insulting to her. Deciding Nadine needs a lesson, the fortune teller gives her an even stronger and longer-lasting cream that is guaranteed to make her really stand out. She says the price will be very high – but it isn’t money, which she refuses to accept. When Nadine puts on the cream, she is shocked to find her face has gone all distorted! The effects wear off eventually and Nadine stops being so vain.

Scream 4

Scream 5: Time Slip – artist Claude Berridge

During half-term break, Trudi Clark accompanies her father on an archaeological excavation at a site where a medieval village is said to be. The dig yields an old box that looks at least three hundred years old and Dad asks Trudi to hold it. But when she does, the whole environment changes to a medieval appearance, with no sign of her family. A boy runs by and tells Trudi to misdirect a man who is chasing him, which she does. She makes friends with the boy, whose name is Carak. Carak comments on her strange clothes. Trudi begins to think she has been transported to the past, when the medieval village existed. But then Carak serves her hamburgers, which were not around in medieval times.

Then Carak notices the box, and says Trudi must have stolen it from the museum. Trudi wants to hold onto it as she hopes it will get her back to her own time. When Carak says it is five hundred years old – not three hundred – Trudi realises that she has been transported to the future, not the past. A replica of the medieval village has been built as a tourist attraction, and the museum has exhibits not only of medieval times but the 20th century as well. Carak is surprised when the cabinet the box is supposed to be in is still sealed. Then he sets off an alarm and the man, Mr Peters, starts chasing them both. They find a place to take refuge in.

Trudi decides to tell Carak what happened. Carak opens the box, which contains three rings. He explains they are time travel devices that can take someone into the past, present or future. The trouble is, nobody knows which ring is which. When Trudi held the box, she must have had her hand too close to the “future” ring. Mr Peters catches up, and Trudi takes a chance on one of the rings. But this ring transports them to the past and the real medieval village. A woman comes in and thinks they are robbers. As they flee, Trudi trips up and a man grabs one of her Wellington boots. They take another shot at the rings, and this time they come to Trudi’s own time period, and the clock time is just before the box was found. Carak takes the box and goes back to his own time.

This time, Dad’s find is the Wellington boot that Trudi lost in medieval times. Trudi hopes he does not look too closely at the boot and realise it has been buried at that spot for years – how will she be able to explain that to him?

Scream 5

Time after Time (1997)

Plot

Lucy Barlow picks up a wind-up watch at a car boot sale. When she winds the watch up she finds it is a time-travel device and can send her back through time and she can change things. Then she begins to find it’s not such a good idea. Eventually she goes back in time to the car boot sale to leave the timepiece where it was.

Notes

  • Artist: Maria Dembilio

Appeared

  • Time after Time –  Bunty: #2082 (6 December 1997) – #2087 (10 January 1998)

Mystery Boy

Plot

Jo Evans and Carol Smart are intrigued by John Smith, a new boy in their class. He is so secretive that nobody is sure he is even using his real name. Jo and Carol begin to investigate.

Mystery boy 1

Notes

  • Artist: Maria Dembilio

Appeared

  • Mystery Boy – M&J: #243 (6 January 1996) – #249 (17 February 1996)