Published: Judy Picture Library #240 
Reprinted: Bunty Picture Library #400 
Artist: David Matysiak
Rosie Cooper is not a popular girl at Meadowdale Hall School. She is an extremely gifted girl who excels at everything, but she is spoiled and selfish and never helps anyone or shares her skills. Even the staff find her unbearable, but don’t speak out because her father is the chairman of the board of governors and her family have old ties with the school. For this reason the staff give her favourable treatment and bend a lot of rules for her.
Then prefect Kay Easton decides enough is enough. She orders Rosie to clean out a lumber room and won’t have any of Rosie’s threats of what she could do because her father’s position. Rosie realises she has met her match in Kay and grudgingly starts cleaning.
While cleaning the room, Rosie stumbles across a picture of what looks like the school in its early days, but under a different name: Thorndale Hall. Rosie gets a strange feeling the picture means something to her, and it’s creepy.
It’s creepy all right: next moment the picture vanishes, and everything starts spinning and dissolving. When it stops, Rosie finds the school has changed and so have her clothes: “what coarse old rubbish”. A fearsome-looking Victorian woman named Mrs Grimm (the Thorndale headmistress) appears and demands to know why Rosie hasn’t scrubbed the floor. Rosie’s arrogance resurfaces, making her usual threats about her father being the chairman of the governors. Thinking Rosie has lost her mind or something, Grimm and her assistant, Trimlett, inform her that she is an orphan who is boarding at Thorndale Hall, all paid by her “scapegrace [wayward] guardian”. Grimm and Trimlett make it very clear that they are capable of handling Rosie with extreme cruelty; Trimlett has already broken one girl’s arm. Later we learn Trimlett’s punishments killed another girl. Cowed and bewildered, Rosie is forced to scrub the floor, realising she has somehow gone back in time to Thorndale Hall, which is clearly run on the lines of Wackford Squeers.
In the dining hall Rosie is introduced to another cruel assistant, Mr Bludge, who wants her to help with very substandard and meagre portions for the pupils. It is here that Rosie begins to find that she is no longer quite so good at everything. She clumsily breaks the jar of dripping and in punishment is given just dry bread. One girl, Lucy Dawlish, takes pity on her, and Rosie makes a friend for the first time in this story.
That night Rosie tries to run away, but finds there is a guard dog, which raises the alarm. Bludge almost catches her, but Lucy creates a diversion by screaming and feigning night horrors. This enables Rosie to slip back without being caught, but the cruel staff say Lucy’s nightmares are due to too much food and don’t let her have any breakfast. (Any excuse to make them go short, obviously.) Rosie tries to slip Lucy her own food, but Trimlett catches her.
Pupils are forced to do all the work around the school. There are lessons, but Rosie is in for a shocking surprise in class – she is no longer able to read! Grimm calls her a “useless slut”, but instead of teaching Rosie to read she puts Rosie back to more menial work, saying that’s all she’s good for. (Another excuse for more slave labour, obviously.)
Rosie still wants to escape, and realises the first step is to make friends with the guard dog. So she takes scraps from the larder to feed to the dog. Lucy envies the dog for getting more food than they do, but it does the trick: in a matter of days the dog no longer barks at Rosie.
However, when Rosie gets too close to a room with blacked-out windows while window cleaning, Bludge acts like this has spooked him and he rants at her. This arouses Rosie’s suspicions. She gets even more suspicious when she finds the door to the grimy window room is always locked. Grimm and Trimlett also go into a rant when they catch Rosie at the door, which makes her even more suspicious. The cruel staff are getting suspicious of Rosie and are watching her closely.
Rosie and Lucy now try their escape. As they do so, they are surprised to see a horse trap arrive with two men, who carry a box into the school. The dog does not bark at them, so it must know them. The girls take advantage of the men leaving the gate unlocked to make their escape.
They find a Peeler, but he does not believe their story and brings them back to Thorndale Hall. He tells the staff that he will call back to check in a week or so, which makes the staff too scared to punish the girls. Instead they tread a cautious line of better treatment for the girls (such as more food for the pupils) until they are sure things are safe again. But Rosie senses they are in danger because the staff suspect they saw the men and there are signs the staff are wary, such as the dog being moved closer to the grimy windowed room. Rosie keeps watch for the men and sees them creeping around the room with the box, and then somehow reappear without it. She realises there must be a secret entrance that is concealed by greenery.
Rosie does not realise the men saw her spying. When the staff hear about it, they decide to advance their plans to do away with Rosie and Lucy. Rosie is listening at the door (and narrowly escapes being caught doing so) and realises they must escape. But in view of what happened before, they must go with some form of evidence so the Peelers will listen this time.
So Rosie heads to the secret room for some. When she pulls back the greenery she finds a small hidden door and a silver medallion. Hearing footsteps, Rosie hides with the medallion in time – but not in time to put the greenery back. Bludge sees it has been moved and is now alerted, which means Rosie and Lucy have to make an instant escape. They do so, but Grimm sends Bludge and Trimlett out to find and silence them, or it will be Newgate Prison for all of them.
Trimlett and Bludge do catch up with the girls, but the Peelers catch them red-handed and arrest them. The Peelers explain they half-believed the girls because it tied in with other things they had observed, such as the two men, but they had to wait until they had checked things out.
At the school, the Peelers force Grimm to open the door to the secret room, which reveals a counterfeiting operation that forges coins with stolen silver. Grimm feigns innocence, but she goes wild when Rosie furiously counters with the truth. Grimm locks the Peelers in the room and then goes after Rosie with a poker. She is almost upon Rosie, but then everything starts spinning and dissolving again…
Rosie now finds herself back in her own time, and in her own clothes. Kay gives Rosie full marks for her excellent cleanup of the lumber room (how did it get cleaned up?). Rosie wonders if it was a dream, but when she checks the school records it corroborates everything she experienced at Thorndale Hall. The school was exposed, Grimm was imprisoned for theft and forgery, and her school closed down. Thorndale was exposed by…Rosie Cooper.
Rosie is at a loss to explain it. Was it a dream or what? But everyone is surprised and delighted at how Rosie has suddenly become a kind, friendly and helpful girl at the school. Rosie is now making friends and becoming popular.
This story could still stand on its own if it was just a straight out period piece of Rosie being a 19th century girl being put through the experiences of Thorndale Hall, bringing it down, and going on to become one of the founders of its more savoury successor, Meadowdale. After all, there must be some connection between Rosie Cooper exposing Thorndale Hall and the Coopers having long-standing connections with Meadowdale. However, that aspect is never explained. Instead we’ve got the added dimensions of a spoiled 20th century girl who needs a lesson and gets it at 19th century Thorndale, and a time travel element that nobody can understand or explain. This makes the story even more exciting, intriguing and mysterious than if it was just a group slave story set in a cruel and secretly criminal 19th century school.
We have to wonder if the time travel creates some sort of paradox. Is 20th century Rosie the same Rosie who exposed Thorndale Hall in the past and (presumably) established her own ancestral connections to Meadowdale? Or is it some weird combination between 20th century Rosie and 19th century Rosie (as implied by retaining her 20th century memories yet becoming unable to read)? Or was 20th century Rosie somehow reliving the experiences of 19th century Rosie while still retaining a portion of her own consciousness? Or was it some supernatural power reaching out to punish Rosie for her arrogance? It is stretching credibility to say the whole thing was in Rosie’s imagination.
The villains are predictably cruel Victorian people who run their school in a Squeersian style manner. But it’s not just to take advantage of girls for profit. The villains also using the school as a front for a secret counterfeiting ring. It would be interesting to know if they set up the school that way in the first place and they were criminals to begin with. We get a hint that this may be so when Grimm’s lessons suggest she does not care all that much about educating the girls. One-eyed Bludge does not give the impression he is the teaching sort either.
Matysiak’s artwork makes the villains really terrifying and the stuff of nightmares. For example, the close-up of the two mystery men (above) still keeps their faces indistinct. Their faces are rendered in an impressionist manner that makes them even more frightening than if their faces were shown clearly. In another panel (below), Grimm is made even more alarming by a stripe of dark highlighting that goes right down from her forehead to her collarbone.
The artwork is a perfect fit for rendering this intriguing and powerful story. Matysiak’s artwork is brilliantly atmospheric in conveying the grimness of the school and its Victorian setting, the evil of the school staff, the covert operations at the school that provide the mystery that must be unravelled, and the supernatural time travel elements of the story. It’s done through ingenious applications of inking rather than linework or hatching. It produces real beauties, such as in the two panels mentioned above.