Tag Archives: Hugo D’Adderio

Diana Annual 1981

Picture Stories

  • Sam In the Heart Of The Country (pp 7 – 14)  [Art: Norman Lee]
  • Flight From Versailles (pp 23 – 30) [Art: Jordi Franch]
  • The Good, The Bad And The Not So Ugly… (pp 37 – 45)
  • Man in Black Story: A Secret In Silver (pp 49 – 59) [Art: David Matysiak]
  • Five Days In August (pp 65 – 72) [Art: Jordi Badia Romero]
  • Storm And Helga (pp 81 – 90)  [Art: Hugo D’Adderio]
  • Once Upon A Fancy Dress Ball… (pp 99 – 108) [Art: Tony Hudson]
  • Charlotte Holmes ‘N’ Watson (pp 117 – 123) [Art: Juan Solé Puyal]

Text Stories

Beware The Seven Sisters!:

  • Part 1 Cassandra 1870 (p 15) [Writer: Valerie Edwards]
  • Part 2 Louisa 1895 (p 32)
  • Part 3 Ellen 1915 (p 47)
  • Part 4 Lally 1925 (p 60)
  • Part 5 Brenda 1940 (p 73)
  • Part 6 Nicky 1960 (p 98)
  • Part 7 Sara 1980 (p 125)

Features

  • Have A Happy-Go-Lucky New Year! (pp 16 – 20)
  • Fact File : Ian Dury (p 22)
  • It’s in the Bag (p31)
  • Spot On! (p 34 – 35)
  • Fact File: Debbie Harry (p 36)
  • At Home With Kid Jensen (p 46)
  • Lisa And Friends… (pp 61 – 64)
  • A Sapphire For Christmas (pp 74 – 75) [By Muriel-Jane Smith]
  • Eye Spy (pp 76 – 77)
  • Fact File: Boomtown Rats (p80)
  • A Gift For Everyone (pp 92 – 96)
  • It’s Nice To Go Travelling (p 97)
  • At Home With Jimmy Savile O.B.E. (p 109) [By Rosemary Still]
  • Stranger On The Shore (pp 110 – 111)
  • Beat This Band! (pp 112 – 113) [By J. McFie]
  • Free and Easy Diana Beauty Tips (pp 114 – 116) [Art: Mari L’Anson]

Pop photos/pictures/pin ups

  • Female film stars montage (pp 4 – 5)
  • Debbie Harry (p 6)
  • Ian Dury (p 21)
  • Cliff Richard (p 33)
  • The Name’s The Same – photo montage of famous Davids
  • Boomtown Rats painting (pp 78 – 79)
  • Manhattan Transfer (p 91)
  • The Police (p 124)

 

*Thanks to Helen Fay for information and cover picture

Diana Annual 1980

Picture Stories

  • Samantha At Sea (pp 7 – 14) [Art: Norman Lee]
  • Five For Freedom (pp 23 – 30) [Art: Matias Alonso]
  • Stupid Cupid (pp 33 – 39)
  • The Night Was Made For Dancing (pp 49 – 58) [Art: Tony Hudson]
  • The Gemini Code (pp 64 – 70) [Art: Jordi Badia Romero]
  • Man In Black Story: …Just Another Bus Tour… (pp 73 – 80) [Art: David Matysiak]
  • Charlotte Holmes ‘N’ Watson (pp 81 – 87) [Art: Juan Solé Puyal]
  • Silvertoes (pp 89 – 95) [Art: Hugo D’Adderio]
  • Rose Forever (pp 99 – 108) [Art: Jordi Franch]
  • The Witness (pp 117 – 124) [Art:Edmond Ripoll]

Text Stories

  • My Lady Lisa (pp 15 – 17) [Writer: Valerie Edwards]
  • Katrina [6 parts] (pp 32, 45, 60, 88, 98 & 125)
  • Christmas Comes, Christmas Goes (pp 71 – 72)

Features

  • The Way To His Heart! (pp 18 – 21)
  • It’s In The Cards (p 22)
  • Have Yourself A Capital Time! (pp 40 – 44)
  • A Happy You Year (pp 46 – 48)
  • Send In The Clowns (pp 61 – 63) by M J Smith
  • Cotton On To This! (pp 95 – 96)
  • Five Star Superstar – Leif Garrett (pp109 – 110)
  • “Display It Again, Sam!” (pp 111 – 113) [By Jane McFie]
  • The Travolta File (p116)

Pop photos/pictures/pin ups

  • Montage of female singers (pp 4 -5)
  • Andy Gibb (p 6)
  • Boney M (p 31)
  • Bee Gees (p 59)
  • Aces (male tennis players painting) (p97)
  • Travolta! (painting) (pp 114 – 115)

 

*Thanks to Helen Fay for information and cover picture

Diana Annual 1979

Picture Stories

  • Double Trouble For Samantha (Pages: 7-13) [Art: Norman Lee]
  • Sixpence For A Broken Heart (Pages: 21 – 31) [Art: Tony Hudson]
  • Charlotte Holmes ‘N’ Watson (Pages: 33 – 38) [Art: Juan Solé Puyal]
  • For Love Of Leni… (Pages: 61 – 68) [Art: Jordi Badia Romero]
  • The Raven (Pages: 73 – 79)  [Art: Jordi Franch]
  • Cinder Nellie (Pages: 85 – 89) [Art: Brian Delaney]
  • Menace By Moonlight (Pages: 97 – 103) [Art: Hugo D’Adderio]
  • The Fair Maid Of Fouroaks (Pages: 107 – 112) [Art: Jordi Franch]

Text Stories

  • It Happened On A Moonlight Clear (Pages: 18 – 20) [Writer: Valerie Edwards]
  • Janie [6 parts](Pages: 32, 45, 60, 84, 106 & 125)  [Writer: Valerie Edwards]
  • First Loves (Pages: 52 – 53)

Features

  • Get Into Gear For Ghost Hunting (Pages: 14 – 17)
  • Spare time Pop Stars (Page: 39)
  • Lip Reading! (Pages: 40 – 41)
  • A Wintery Night, Cosy Fire And You… Puzzle pages (Pages: 42 – 43)
  • The Name Of The Game (Page: 44)
  • Just Imagine (Pages: 46 – 48)
  • Starwish (Pages: 54 – 55)  [by: Muriel-Jane Smith]
  • Sweet Scentsations
  • Charlie’s Magnificent Seven (Pages: 80 – 81)
  • Are You A Super Sister? (Pages: 82 – 83)
  • Have Yourself A Capital Time (Pages: 90 – 93)
  • Sound Yourself Out (Pages: 94 – 96)
  • Keep Your Cool With Cologne (Pages: 104 – 105)
  • I Remember, I Remember (Pages: 113 & 124)
  • The Showaddywaddy Show (Pages: 115 & 118)
  • A Dream Comes True (Pages:119 – 121)
  • Lowdown On Leo (Pages: 122 – 123)

Pop photos/pictures

  • Abba (Page: 6)
  • Rod Stewart (Page: 49)
  • The Discoteers (painting of DJs) (Pages: 50 – 51)
  • David Essex (Pages: 56 – 59)
  • Showaddywaddy painting (Pages: 116 – 117)

 

*Thanks to Helen Fay for information and cover

Tamar All Alone

Plot

Gipsy girl, Tamar Lee escaped from the Borrowcliffe charity school when she discovered it was the headquarters for a gang of jewel thieves led by the mayor, Mr Burrowcliffe. Now she was trying to find an honest magistrate to whom she could tell the truth about the school.

Notes

  • Art: Hugo D’Adderio

Appeared

  • Tamar All Alone – Debbie:  #460 (5 December 1981) – #470 (13 February 1982)

Anna in the House of Hate

Plot

Anna Small left virtually penniless after the death of her father was given a job by a distant relative, John Trelawney, cataloguing the books in the library of his home, the bleak forbidding Ravenscrag Towers. Also living there was John’s daughter a cripple confined to bed and hated by her father.

Notes

  • Art: Hugo D’Adderio

Appeared

  • Anna in the House of Hate – Debbie:  #346 (29 September 1979) – #351 (3 November 1979)

Lady Sarah’s Secret [1979]

    • Lady Sarah’s Secret – Emma:  #61 (21 April 1979) – #69 (16 June 1979)
    • Reprinted – Judy: #1500 (8 October 1988) – #1508 (10 December 1988)
    • Reprinted (as Judy classic) – M&J: #308 (4th May 1997) – #315 (May 24 1997) [last issue has 2 installments]
    • Artist: Hugo D’Adderio

Plot

In 1840, Lady Sarah Cragston is out riding when she nearly runs down a girl. She is surprised to find out the girl has runaway from the local orphanage which her father is governor of. Sarah doesn’t listen to the girl’s claims of mistreatment, believing her to be an ungrateful wretch and takes her back to the orphanage. She does however become suspicious when the Bonneys that run the place, are keen to get rid of her. She insists on looking around and is appalled by the conditions. Later she tries to tell her father about what she saw and at first she thinks he shares her outrage but he is only upset that she went to orphanage and forbids her from going there again. Later while talking to a maid, Sarah learns that the orphanage used to be a mansion called Fell Grange, until the daughter of the house, Elizabeth Sturgesse, was tragically killed while out riding. There is a legend that Elizabeth’s spirit appeared  to help those in need  and she became known as “The Dark Lady of Haunted Hill”. Lady Sarah decides it is time for the Dark Lady to reappear and  finds old riding gear and dark wig to become the part.

Lady Sarah’s first act is to free the runaway she met earlier, who had since been beaten and locked in the cellar. She first runs into the Bonneys, Mr Bonney is terrified of the ghost but Mrs bonny shows less fear and has to be dragged inside by her husband. The girl, Ellen Rumble, is very grateful and even more so when Sarah arranges it so she can hire her as personal servant.  Ellen makes a good ally as she can tell Sarah about the inner workings of the orphanage. She helps Sarah when she does some investigative work to see where Mrs bonny gets the food for the orphanage, she obviously buys the good stuff for herself and the orphans get the cheap, poor quality stuff. Sarah buys supplies for the orphans and sets out a feast for them. Then in the guise of the Dark Lady, she warns the Bonneys to start feeding them properly.

At this point Mrs Bonney’s original confidence of ghosts not being able to harm them, seems to be waning. The Bonneys even foolishly put bars on the cellar door to keep the ghost off. Of course while that would be no use against a ghost, it does pose a problem for Sarah, as she now needs to find another way to access the orphanage. Ellen does know of one  successful runaway who said she had aunt in Crampton. Sarah manages to track her down and find out about a secret passage. Then using a potion that was given to her father by a sea captain, she is able to temporarily paralyze the Bonneys in order to stop them abusing cripples. These things further convince the Bonneys that she is a supernatural being with powers.

Next Sarah finds out that the money her father provides for a doctor, actually goes to a charlatan doctor who gives the sick children coloured water, so him and the Bonneys make a tidy profit by not giving proper medicine. Sarah and Ellen go searching for a legitimate doctor to treat a very sick girl. They find a doctor name Sturgesse and this seems like a good omen so Sarah hires him. The Bonneys are surprised by Dr. Sturgesse’s visit and by his name. Adding to their stress further is when asked who sent him, the doctor points to Sarah who is watching close by dressed as the Dark Lady.

When a letter arrives from the Bonneys to her father, saying the price of coal has increased, Sarah is suspicious of a scam. She is proved right when visiting the orphanage she hears the Bonneys plan to forge bills. While returning home, her father sees her near the orphanage and is very angry, he doesn’t want her anywhere near the orphans in case she catches something. While she says she will stay away, that night she is back again as the Dark Lady to see if she can find out what the Bonneys are doing with the money they keep. She finds Mr Bonny hosting a card game and she takes a risk haunting them. While she does startle the men, one of them knocks over a lamp and starts a fire. While they are putting out the fire, Sarah escapes, but one on of the men, Harry, hears her coughing and therefore believes there is no ghost. Harry visits Lord Cragston the next day to talk about the occurrences at the orphanage. Sarah whose throat is still irritated by the smoke can’t stop herself coughing, which leads Harry to accuse her of being the ghost. Lord Cragston doesn’t believe such things and kicks him out but he is concerned by Sarah’s coughing and sends her to an aunt to recover. This is a further worry for Sarah as this will mean the Bonneys will not believe in the ghost now, but Ellen keeps up the legend as she sneaks out and plays the Dark Lady in her stead.

While out riding Sarah sees the parish clerk beating on a young girl while bringing her to orphanage, that night worried about this outspoken new girl Sarah sneaks into the orphanage to check on her, but Ellen has a sense of foreboding. That night the Bonneys have visitors who are concerned about the “hauntings” – the parish clerk and Mr Calver, the justice of peace. Ellen goes to warn Sarah about the arrivals, but the secret panel to the passage closes and they are forced to hide. While they do manage to slip out, Sarah accidentally leaves a riding glove behind. The Justice of Peace sees the girls riding off in the distance, he suspects there is no ghost and wants to investigate the orphanage further. Meanwhile Mr Bonney has found the riding glove and also now knows there is no ghost and that it is Lady Sarah that has been behind everything. He goes to Lord Cragston with this news, who is troubled by this, but still doesn’t believe Sarah that anything wrong with the Bonneys. He is forced to listen with the sudden arrival of Mr Calver with Mr Holmes, a government inspector of children’s work conditions. They want Sarah to testify against the Bonneys. At the inquiry Ellen also testifies but the other orphans are too scared to. One exception is Crissy, the outspoken girl, who shows the beatings on her back. Lord Cragston, apologizes for being unaware of what Bonneys were doing and promises to get suitable replacements. A few weeks later with the kindly Jacksons in charge, Sarah can put away her Dark Lady costume.

Thoughts

When we first meet Lady Sarah she is not too concerned for the orphans, going so far as to bring back the runaway to orphanage by tying a rope around her waist and calling her an “ungrateful little wretch”. It is likely that this initial attitude is influenced by her father.  He doesn’t seem to have a high opinion of the orphans seeing them as brats, of little use and potentially infectious rather than what they actually are – children. We are not told how Sarah’s mother died but it may be a factor in Lord Cragston’s fear for his daughter’s safety and that she may catch some illness from being near the orphans. He doesn’t seem to be intentionally cruel, as he does believe the orphans are being provided for and that the “good” Bonneys are training the brats to be useful to society. But his claims of ignorance of the Bonneys wrong doings, isn’t good enough when his own daughter has told him of their cruelty and he doesn’t bother to investigate further.

Like I said Sarah seems to have a similar attitude to her father, until she sees the actual living conditions of the orphans and is horrified. It is fitting then, that the first person she helps is that same runaway she brought back. In quite a contrast to their first meeting, after her rescue of Ellen, Sarah attends to her injuries, no longer feeling above those poorer than her. In return for this kindness Ellen becomes a loyal companion to Sarah. In other stories such as “The Seeker” or “The Secret Life of Hateful Hattie”, the protagonists pretend to be mean spirited in real life to keep their secret, so it makes a difference here that Sarah speaks up for the orphans even when she’s not in costume and also that she has an ally to confide in.

Using the legend of the ghost, is also an interesting angle. Through her father’s local history books, Sarah learns about deeds that  the “Dark Lady” supposedly did, which she uses to help her own cause. It would seems most people are familiar with the legend, but whether those events were real, exaggerated or perhaps someone playing at the ghost, like Sarah did, we never know for sure. It could be interesting if different people use the guise of the Dark Lady whenever she is needed. While many people fear her, Mrs Bonney initially shows her toughness, not fearing the ghost, it certainly seems to be her that’s in charge, as Mr Bonney fears his wife’s wrath as well as the ghost.

The art is gorgeous and very detailed, I particularly like the details in the clothes. Also the use of the shadows and perspective when Sarah is doing her haunting, makes her a very intimidating presence. While a lot of the panels are standard size, when given more room with wider panel D’Adderio takes advantage doing some lovely work as demonstrated in the opening panel.  It is another strong story from the short lived Emma comic and with the classic artwork and captivating story, it’s no surprise that this was reprinted in Judy and as a Judy classic in M&J.

Hetty with the Healing Hand [1981]

Plot

Hetty Holt has a strange mark on her hand that gives her the power to heal. The Maggs take advantage of it and her, threatening to denounce her as a witch if she does not comply with their demands. (Hetty lives in an age that is past the witch hunting era, but the superstition is still strong among the lower classes.)

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Notes

  • Artist Hugo D’Adderio

Appeared:

  • Hetty with the Healing Hand – Debbie: #448 (12  Sep 1981) – #459 (28 Nov 1981)

To Tessa, a Sister

Plot

After the death of her parents, Tessa Saunders was cared for by her Aunt Abigail and Uncle George, a scheming greedy couple who wanted Tessa’s inheritance for themselves. To this end, they adopted Una, a girl from a local orphanage. Their plan was to return Tessa to the orphanage as unsuitable in the place of Una, as the two girls looked remarkably alike.

To Tessa, a Sister

Notes

  • Artist: Hugo D’Adderio
  • Reprinted and translated to Dutch as “Een zusje voor Tessa” – Debbie super stripstory #20 (1987)

Appeared

  • To Tessa, a Sister–  Debbie: #494 (31 July 1982) – #505 (16 October 1982)

Mystery at Music Manor

Plot

Peggy Rigby, a talented young musician, was tricked into leaving home and go to live with the mysterious Madame Vengali in Fleet Manor, high on the deserted cliffs on the Dorset coast. Also in the house were three other girls, all in the power of Madame Vengali.

mystery-at-music-manor

Notes

  • Artist: Hugo D’Adderio
  • Reprinted and translated into Dutch as “Raadsels rond de Duivelsrots” (Riddles Surrounding the Devil’s Rock) – Tina #43/1982-3/1983.

Appeared

  • Mystery at Music Manor – Debbie: #307 (30 December 1978) – #316 (3 March 1979)