Tag Archives: science fiction

Ingrid at Push-Button Academy/The Dunce from Outer Space (1970)

Plot

Ingrid Bergen’s father, Professor Bergen, runs Push-Button Academy, a high-tech academy where everything is mechanised and pupils are taught by robot teachers.

In The Dunce from Outer Space, an alien named Astra joins the school reluctantly, but she doesn’t want to learn and keeps causing trouble. Her parents are leaders of their planet and insist she is to be educated, and if Push-Button Academy fails, they threaten to destroy it!

Notes

  • At least one serial appeared under its own title but was part of Push-Button Academy.
  • Ingrid appeared in “Two-Ton Ingrid” and possibly “Invisible Ingrid” and “Ingrid and the Magic Wand”.

Appeared

  • Ingrid at Push-Button Academy – Diana:  Unknown if the serial title appeared in Diana or if each story arc had its own title. Publication dates unknown.
  • The Dunce from Outer Space – Diana: #368 (7 March 1970 ) – (?)

Other appearances

  • Ingrid at Push-Button Academy – Diana Annual 1969
  • Ingrid at Push-Button Academy – Diana Annual 1970
  • Ingrid and the Robot – Diana Annual 1971
  • Push Button Academy – Bunty PSL #249 (1984)

Days of the Dangerweed

Plot

The world was at the mercy of the Dangerweed, a deadly fungi which caused terrible destruction. The only hope of overpowering the plague lay in a formula devised by Professor Radlett, After he had been caught by the weed, his three children, Nina, Judy and Jamey, began the long and dangerous journey to deliver the formula to London.

Notes

Appeared

  • Days of the Dangerweed – Judy: #719 (20 October 1973) – #732 (19 January 1974)

Terry and the Time Ship

Plot

Terry Marsden accidentally launches herself into the future in a strange craft and finds herself a thousand years from now in Tibet, now called Nirvan, where she is befriended by Tishani, the leader’s daughter. Terry learns that, back in her own time, a terrible flood is going to devastate the east coast of Britain. She must return to warn of the disaster, but the time ship is taken by Lishan, an unscrupulous historian, who forces the girls to travel through time with him.

Notes

  • Art: Rodney Sutton

Appeared

  • Terry and the Time Ship – Judy: #474 (8 February 1965) – #480 (22 March 1969)

Visit to Venus [1967]

Plot

In the year 2004, the first mission to Venus arrives on the planet. It loses contact with Earth and is given up for dead. In fact the crew (Captain Coleman and his daughter Vanessa,  and three crew members) are alive and fighting to survive against a dwindling supply of oxygen. Vanessa accidentally spills seeds on Venusian soil, which soon grow into super-growing trees. Then dangers threaten the astronauts, including a Venusian monster and their spaceship sinking into quicksand.

Notes

  • Artist: Douglas Perry

Appeared

  • Visit to Venus – Bunty: circa #488 (20 May 1967) – (?)

Jenny and the Robot Schoolgirl [1966]

Plot

Jenny Anderson is often very lonely because her scientist father is too busy and tends to neglect her. He also neglects the bills and keeping her private tutor paid. He invents a robot companion named Ruby for Jenny, which works out well. Ruby also serves as the housekeeper and Jenny’s tutor. When the bailiffs come collecting chattels to pay off Dad’s debts, Ruby gets rid of them, but Dad is worried they will come back for Ruby because they saw her components are valuable (gold, rubies and other precious stones). So he sends Ruby to a safe haven – school with Jenny!

Notes

  • Art: A E Allen

Appeared

  • Jenny and the Robot Schoolgirl Bunty: #458 (22 October 1966) – (?)

Misty Short Stories V: Aliens

In our fifth volume of Misty Short Stories we turn to the theme of aliens.

Would you believe that throughout her two-year run, Misty did not have one single serial that featured aliens? This meant serials on space invasions, dystopia, alien worlds, body snatchers from outer space, alien visitors trying to blend into Earth society, and alien companions, which we were so accustomed to seeing in other girls’ titles, were completely absent from Misty.

So how did the aliens fare in Misty’s complete stories? As shown below, they did appear more often there. But what roles did they play in the complete stories as opposed to how they were portrayed in serials?

1: Reversed Roles

A popular theme in the Misty short stories was to have aliens put the protagonists in reversed roles, in allegories to how they treat animals on Earth. In the stories below we see people being fished, eaten, experimented on and played with by aliens. On occasion it was to wreak the Misty-style punishment on an unsavoury person, but more often this was not the case. The alien was often anthropomorphised, which in some cases was to inject humour into the story.

The Experiment

Misty: #100

Artist: Ramon Escolano

Fleur wakes up feeling like she has been asleep for ages. She is bewildered when her father says she is to remain permanently confined to the house and not go beyond the front gate. As she explores the house and surroundings she discovers everything is a fake, including her father, who is just a machine. Terror overwhelms her and she runs off, forgetting not to go beyond the gate. Outside the gate a giant rat kills her. It was an experiment conducted by giant aliens, and they express annoyance at yet another failure. Because humans are so small in comparison to them, they won’t accept that the reason for the constantly failing experiments is that humans are capable of thinking and feeling the way they do.

Food for Thought

Misty: #91

Artist: Ramon Escolano

Jill and Betty are at end of their holiday and looking forward to a BBQ. But then they get netted by aliens and taken across the galaxy to be eaten. The aliens decide to eat them raw, dipped in garlic sauce. As the aliens prepare to tuck in, one thinks it is immoral to eat other creatures; they may not be as intelligent, but they do have feelings and can feel pain and terror. They also have environmentalists who want a ban on such fishing and hunting of these endangered species. Back on Earth, people wonder what happened to Betty and Jill as they prepare to tuck into the BBQ.

Titch’s Tale

Misty: #26

Artist: John Richardson

Reprint: Best of Misty Monthly #5

Tina “Titch” is teased and left out of things because she is small. To cheer herself up she goes kite flying, and finds others are flying kites too. She starts seeing them being pulled up one by one into the clouds, but nobody notices except her. Then she gets pulled up too. On an alien spaceship, an alien boy shows his mother the missing people. He was fishing them for his father’s tea. But Tina was so small he threw her back. Tina wakes up on Earth, little realising how her small size just saved her life.

2: Planet of the Apes

Planet of the Apes was huge at the time of Misty’s publication. As these stories show, it made its impact on Misty too. In fact it could be called a direct steal, as the aliens appearing in these stories are straight out of Planet of the Apes.

Madhouse!

Misty: #90

Artist: Jorge Badia Romero

Sally Bishop and four strangers disappear from home and find themselves in a creepy house, the “madhouse”, with no idea as to how they got there. As they try to escape the madhouse they disappear one by one through all the horrors and traps in the madhouse. Sally is the only one to make it outside. It is then revealed that “Madhouse” is a board game and the players are giant apes. The giant ape who won three rounds in a row with Sally as his playing piece says: “These humans make such wonderful little playing pieces.”

The Pet Shop

Misty: #24

Artist: Martin Puigagut

Obnoxious Vivien and Steve Martin get a mouse from a pet shop. The shop staff have misgivings when the children say they are going to use it for an experiment (they have already mistreated another animal in the shop). They allow the sale on condition the children take good care of the mouse, and bring it back if anything goes wrong. Of course Vivien and Steve don’t take good care of the mouse in their (maze) experiment, and it dies from exhaustion. As instructed, they return the mouse to the pet shop, and they demand a refund. The shop staff and owners remove their human disguises, revealing themselves as giant talking apes. They have a very special policy for customers like Vivien and Steve who mistreat the animals they buy from their shop: lock them up. For what purpose exactly is not clear, so no allegory can be drawn there.

3: Close Encounters

As these stories show, Misty tended to go for crash landings when it came to UFOs landing on Earth.

The Visitors

Misty: #28

Artist: Ramon Escolano

Feeling she’s a burden and money drain on her low-income aunt and uncle, Susan runs away. She throws a coin into a wishing well and wishes her aunt and uncle would have enough money for them all to live in contentment. Aliens appear and tell her they have been on Earth ever since their ship crashed 600 years ago. They live in the well because it is similar to their home environment, but they find coins and stones being dropped on their heads all the time and hear these stupid wishes, which they can’t grant as “we no magicians”. But at least it breaks the monotony of living in the well. Susan wakes up by the well, and the police pick her up. Susan thinks it was all a dream, but back home she finds a huge box of ancient coins on her bed, which enables her family to become rich. Susan buys a chess set for the aliens to help relieve the monotony, which they enjoy very much.

Thoughts

A wishing well that can grant something, but it’s not the well – it’s what resides inside it. The aliens are very funny in the way they speak English and what residing in a well means when everyone thinks it is a wishing well. At the end of the story, we are glad to see Susan express her gratitude by giving something in return for the wish.

Last Encounters

Misty: #32

Artist: Ramon Escolano

A family on a spaceship have a recurring dream of landing on a monstrous planet, a giant mountain, a giant quake and being thrown into air by something outside their drive units. They get marooned on a planet, and then the nightmare begins to happen for real. But the quake throws them into the air and enables them to escape the planet. The reveal is that they are tiny aliens, the mountain was a sleeping man, and the man, upon waking up, throws the spaceship into the air, thinking it’s a kid’s toy: “…not all spaceships are gigantic!” They fly happily through the stars again.

Thoughts

Someone definitely had “Land of the Giants” on the brain with this one. It’s a twist though, having the Earth people as the giants and the aliens as the little people, a complete reversal of the show. And unlike the show, the little people do escape.

4: Space Seeds

Here we have two stories about seeds that arrive from alien worlds and start sprouting in Earth soil. Naturally, they soon prove that on Earth, they are very dangerous weeds.

Alien Seed

Misty: #20

Artist: Isidre Mones

Libby Regan has to stay with her boring botanist Uncle Marcus during the holidays. She is repulsed and frightened at the hideous Venus fly-trap type of plant he is growing, which seems to be growing at abnormal speed, and at times seems to be reaching out to her and her cat with its tendrils. He says it was grown from a seed that was millions of years old, but from the looks of it, that seed definitely did not come from Earth (and the title says Alien Seed after all). He won’t listen to Libby’s protests about the plant or heed warning signs it could be dangerous. To him, it’s a valuable scientific discovery. But Libby is right – the planet is carnivorous, and is capable of growing big enough to consume humans. It flowers, and the scent from the flower renders Uncle unconscious. Seeing the plant attempting to eat him, Libby saves him and destroys the plant. But he doesn’t believe her explanation and thinks she just took advantage to destroy his precious plant. He sends her home. Libby is relieved she at least managed to destroy the plant. But unknown to her, in the days ahead, its seeds start growing…

Thoughts

There are plenty of stories about mad scientists who get destroyed by their own experiments because they did not listen to warnings about dangers. Uncle Marcus nearly fell victim to it. He escaped this time but he still did not listen, so the odds of him getting a second chance are not good. And this time, his rescuer will not be around to save him. It would have been interesting to see how this story went if it had been expanded into a serial.

Jorum is Coming

Misty: #86

Artist: Jose Ariza

Heather finds a space egg that fell from outer space. She plants it in a wood while in a trance. She becomes increasingly detached to it and is sure that “Jorum is coming”. When her parents ask her about Jorum, she lashes out at them. Her behaviour changes for the worse and they grow increasingly worried. The egg grows to an enormous size, and Jorum, the creature incubating inside it, tells Heather to kill her parents because they must not interfere with his birth and conquest, so she gets an axe. The parents unknowingly break the spell when they say they love Heather, and she smashes the egg instead. Afterwards Heather can’t remember what happened and does not know what she means when she says: “Jorum is not coming now – not ever.”

Thoughts

This was the only time Misty touched on the subject of alien invasion, or an alien exerting an evil force over a girl. It’s a bit frustrating that Jorum gets destroyed before we see just what he is once he’s hatched and what he can do. Frankly, this story is crying out to be a serial. It would have been really exciting for Misty to fully develop Jorum, his powers, his plans for conquest, and the fight against him, and a serial would have done that. Just destroying Jorum by the end of a complete story feels a waste of potential.

5: Stuff of Nightmares

 Just Another Day

Misty: #98

Artist: Jose Ariza

Julia and Liz arrive at school and see it vanish. The rest of the street follows, and then the rest of the world. Last to go are Liz and Julia. Then it is revealed an alien dreamed the whole thing. He says it’s a pity Earth never really existed: “…so beautiful and the people were interesting too – not very bright, but full of vitality.”

A Scream in the Night!

Misty: #47

Artist: Ken Houghton

Jan Peters wakes at 3am to see a shadowy man outside her third floor window. He enters, revealing himself as a hideous alien who has come to collect specimens. He traps her in a specimen box and takes her to his spaceship, with her screaming all the way. But it turns out the alien was the one who was having the nightmare. He tells his comrade he dreamed they had already reached Earth and were collecting specimens, but the hideous screams this one kept making were torture to his ears.

Thoughts

Here we have horrible things happening to people on Earth, which turns out to be a dream. Having it all a dream can come off as a bit of a copout. It’s a matter of opinion and how it’s handled. The twist is, it’s not the protagonist’s dream but that of an alien.

Closing Thoughts

In the short stories, aliens were used most often as allegories to make a statement about humans and human behaviour/misbehaviour, particularly in regard to the treatment of animals/environment. They were not used the way they were in girls’ serials (alien invasions, alien worlds etc) though a few stories touched on some of those subjects. Aside from a few exceptions, Misty did not draw on popular culture or movies for her short stories featuring aliens, and what she did draw upon was very limited. Heck, Misty did not even have Martians!

The Spaceship in Our Kitchen

Plot

A band of aliens, the Jinjees, take up residence in the kitchen of the Hugget family while their spaceship recharges. It is plugged into the kitchen light flex for the very purpose. The Jinjees threaten to “supercallifrate” the Huggets if they tell anyone, but also make themselves helpful to the Huggets. They cook them meals, make them cups of tea, fetch their slippers, etc.

Notes

  • Art: George Martin

Appeared

  • The Spaceship in Our Kitchen – Diana #320 (5 April 1969) to Diana #339 (16 August 1969)

The Pink Peril (1965)

Plot

Britain is invaded by the Starpeople and their giant pink butterflies, dubbed “Pinkies”. They change the winter season to a tropical climate, which causes the flora and fauna to grow at astonishing speed. The Pinkies emit a spray that renders people unconscious. Mandy Muir, her cousin Joan, Professor Trymer and writer Andrew Wilson become immune to the spray after one exposure. While Mandy is separated from the others, the Starpeople try to assure her they mean no harm, but she does not believe them.

(The Pink Peril – Diana 1965)

A remake of this story was published in Debbie with art by Norman Lee and some character name changes. Britain is invaded by the Starpeople and their giant pink butterflies, dubbed “Pinkies”, who change Britain’s autumn season to a tropical climate. Mandy Traynor and her family are the only ones who seem to be immune to the effects of the Pinkies, which emit a sleep-inducing spray. Then the Traynors meet soldiers, who mean to destroy the Starpeople and their Pinkies.

(The Pink Peril – Debbie 1978. Art: Norman Lee)

Notes

  • The story originally appeared in Diana, then a remake of the story was published in Debbie in 1978, with Norman Lee as the artist.

Appeared

  • The Pink Peril – Diana #140 (23 October 1965) – #150 (1 January 1966)
  • Reprinted (with new art) – Debbie: #289 (26 August 1978)  – #296 (14 October 1978)

 

Tina’s Tin Twin (1977-1978)

Plot

Tina Tomkins is not a bright pupil although her father is a famous scientist. One day, Dad builds a robot double of Tina, named Tara, which can learn any subject in minutes. Unfortunately, Tara turns evil.

Notes

  • Translated into Dutch as ‘Gloria’s robot tweelingzusje’ (Gloria’s robot twin) – Kitty #3 (1980)
  • Translated into Spanish as “Tina y su doble” (Tina and her double) and published in ‘Lily’ in 1984
  • Image from Spanish translation

Appeared

  • Tina’s Tin Twin – Bunty: #1031 (15 October 1977) – #1045 (21 January 1978)

Force of Evil (1985-1986)

Published: Suzy #170 (7 December 1985) – #181 (22 February 1986)

Episodes: 12

Artist: Andy Tew

Writer: Unknown

Special thanks to Lorrsadmin for help with episodes and scans

Plot

It is (at the time of publication) the future year of 1990. Britain has been invaded by the dictatorial Sin-Pact forces. Their oppression is making life increasingly harsh and cruel for the people they have invaded. At home, Carol and Jon Peel’s mother has to cook meals over a meagre fire because the power has been cut. Severe food rationing is in, and later we learn the British diet is deteriorating because the Sin-Pacters are keeping certain foods, such as milk, for themselves. Curfews are introduced, and, true to all good dictators, even the slightest hint of resistance against Sin-Pact is met with severe punishment. For example, a prefect named Howard Preston at school is arrested for burning a Sin-Pact flag, which is punishable by death. Megaphones broadcasting Sin-Pact announcements are everywhere. The letter “S”, the Sin-Pact equivalent of the Nazi swastika, becomes the most hated letter in Britain, and it is popular for collaborators to be daubed and sprayed with the letter “S”.

Emotional and psychological effects of the oppression take hold. People grow frightened, paranoid, and suspicious of anyone suspected of collaborating or spying. Hatred takes its grip and people begin to lose their reason. And this is precisely what Carol is finding out. Her father, Paul Peel, went missing the day the Sin-Pacters invaded and everyone is whispering that he has turned traitor, though there is not a shred of evidence of that (yet). Carol finds everyone is shunning her because they suspect she is a collaborator too. The kids at school whisper their fathers are joining the Resistance and don’t want Carol to overhear.

It looks like everyone’s suspicions are confirmed when Peel appears on the big screen broadcasting Sin-Pact announcements, including lists of upcoming executions and Sin-Pact rules that are updated daily. The rules begin with: “Rule One – Sin-Pact soldiers are to be afforded utmost respect. This means attacks on their persons are punishable by death. Rule 2 – Sin-Pact property is also to be respected. Theft of weapons, transport and supplies will merit the same punishment.”

Carol can’t believe her father is a traitor. She thinks he must be being forced to make those broadcasts or something, perhaps under threat of what could happen to his family. She is determined to prove her father is innocent of treason. Standing behind Carol all the way is their dog Col.

But of course everyone else thinks otherwise. Once the father starts his broadcasts, the Peels suffer full-scale harassment, which begins with a brick being thrown through their window. When the Sin-Pact soldiers arrive to ask about the vandalism, Carol covers up for the neighbours, but they don’t appreciate it one bit. They want the Peels out, especially when they hear the Sin-Pact soldiers saying the Peels are to be highly respected. As the townsfolk dare not attack the Peels directly now, they express their hate in other ways, such as selling them food that is unfit to eat and sticking a degrading sign on Col for Carol to find. And when Preston is arrested for the Sin-Pact flag burning, his family declare revenge against the Peels if he is executed.

Mum sends younger brother Jon to Gran’s farm, but she sends him home with food. They wonder if Gran has disowned them, but then Gran had always hated her son-in-law. The marriage went ahead over her dead body, and when she appears later in the story she comes across as one nasty old bat.

Despite what is happening to them, Carol won’t have a bar of the Sin-Pact soldiers and remains loyal to Britain. For example, when the Sin-Pact soldiers give them better food rations, Carol refuses it, saying they must not use enemy food. The mother says it won’t do any good to starve themseves, and has accepted everything the Sin-Pacters have given the family because they are the family of the honourable Paul Peel. This illustrates the difficult position of principle versus survival, an all-too-common situation in wartime.

The Peels hear about possible retaliation from the Preston family. Mum uses a special phone the Sin-Pacters have given her in order to talk to Officer 98z about this (he has occupied prison cells behind him marked “death row”). He arranges for them to be given false identity papers and relocated to a new town.

Carol finds the address of the ration warehouse on the box of rations and heads out to find it in the hope of tracking down her father. Col comes with her. On the way she sees her father broadcast another announcement that all builders must give priority to Sin Pact projects and miners must mine coal for export to the Sin-Pact stockpiles. When Carol crosses into Sin-Pact territory she sees watch towers being built and comments, “They seem determined to turn every British town into a prison camp.”

Then Carol runs into the Resistance and tells their leader she is looking for Sin-Pact HQ to free her father. But when the leader finds a photograph of the hated Peel on her (very bad mistake, Carol!) and she says it’s her father, the Resistance tie her up. She manages to free herself.

The Sin-Pact men arrive. The Resistance try to pass themselves off as farm workers. The Sin Pact men say they don’t need farmers, which sounds pretty odd as they surely need farmers for food production. Most likely it is just their excuse for sending them to Furze Common Warehouse. They capture Carol too and bring her along.

On the way the truck has a road accident occurs, which enables the Resistance to escape. Carol stays on in the hope of finding her father, but it has the Resistance becoming even more convinced she is a spy.

At the warehouse Col is taken to patrol with soldiers; a soldier says dogs are not for friendship but to enforce discipline. A Trustee (a prisoner who reports misbehaviour in exchange for lighter work) takes Carol to the barracks. A prisoner pushes a large box on the Trustee from above, which hurts her leg. Carol realises she will be next for an ‘accident’ if anyone at the warehouse finds out who her father is. She steals an opportunity to smuggle herself to Sin-Pact HQ in a food truck, but Col unwittingly spoils her escape when he joins her in the truck, so the Sin-Pact men find them.

However, the Sin-Pact men recognise Carol, for they have been on the lookout for Paul Peel’s daughter. They send her to rejoin her family at Gran’s farm. Gran has always branded Dad a bad lot; Mum had to defy her in order to marry him and Gran clearly still resents that. She is also angry at how Sin-Pact is taking the produce she makes for themselves. Gran starts taking it all out on her relatives, especially Carol, who still protests her father is innocent of treason.

Then there is a broadcast from Dad announcing the latest lineup of people who have been executed. Among them is Howard Preston. Jon throws a welly at the TV screen because he is so disgusted at how Dad is smiling as he reads out the death list and says he never wants to have anything to do with his father again.

Gran sees kids stealing her crops and chases them off. The kids call her a meanie who can’t begrudge a few carrots and turnips to the starving. As they take off, they call Gran a “mean old witch” (we certainly agree) and say they will burn an effigy of her alongside the one of the “Sin-Pact guy” they are going to burn that night.

That night Carol discovers the effigy of the “Sin-Pact guy” means her father, and realises what will happen to her family if these hate-crazed people find out they are related to him. Gran is not concerned at seeing Dad being burned in effigy, but takes umbrage at the sight of her own effigy joining him in the fire. Though she knows damn well the reason for it, she blames Carol, saying it’s her fault for running away, and calls her a spy that Sin-Pact planted on her. She now makes Carol take her meals outside, and spineless Mum doesn’t stand up to her about it.

Being forced to eat outside makes Carol vulnerable to more harassment from the villagers. They call her an informer, daub “S” on her clothes and equipment, and then throw her into a trench and open the sluice gates on her. Carol is in real trouble because she cannot swim.

Then a mysterious figure appears and helps Carol out with a rope. He disappears before she can get a good look at him. He leaves a note telling her to leave the area immediately and don’t stop to say goodbye at the farm. Carol decides to have another crack at finding Sin-Pact HQ. Mum and Jon join in; the stranger had left a note explaining the attempt on Carol’s life. Mum apologises for not standing up to Gran.

They all set off, stopping at a diner for food. However, the Sin-Pact men arrive, looking for travel papers. The waitress offers to help them to hide in the kitchen, but betrays them and locks them in. They smash a window to make it look like they have escaped while in fact they are hiding in the disused frying cabinets.

The Sin-Pact men fall for the ruse. But the Peels have to double back through the café to collect Col, which means they could be spotted again. They hide under the Sin-Pact lorries, and hear a broadcast recalling the lorries to Sin-Pact HQ. The lorries go north, so the Peels head in that direction too. The waitress is not rewarded for betraying the Peels.

However, the Peels have to walk there, and it begins to tell on their feet and shoes. They bump into a girl who says Sin-Pact is requisitioning her ponies for transport, but she suspects it’s for food. The Peels offer to help – and get themselves some transport – by taking the ponies away before Sin-Pact does. Assuming the Peels are from the Resistance, the girl agrees.

As the Peels ride along, Carol discovers she is the only one left in the family who believes her father is not a traitor and there must be a good reason for his conduct. Even Mum has come to think he is the traitor everyone says he is.

Then, while watering the ponies, Carol and her family bump into the Resistance leader. Eventually, he comes to believe Carol is not a spy, just a loyal, misguided daughter who genuinely believes her father is innocent, though he does not. They set off for Sin-Pact HQ with ammunition stolen from them. However, a signal had been put in the ammunition pack, at Peel’s suggestion, which gets them discovered and captured. All members of the Resistance are being rounded up and put in a shed at Sin-Pact Headquarters. Peel does not even seem to recognise his own son, and for the first time, Carol begins to wonder if her father is a traitor after all. It looks like Col the dog is turning traitor too, because he jumped into the staff car with Peel, looking so happy. Or is the dog the only one left who does not believe Peel is a traitor?

On Peel’s orders, the Sin-Pact men direct the prisoners to put on protective suits to test their efficiency. The prisoners think the suits are defective and it’s a ruse to kill them all. But as soon as the prisoners don the suits, the Sin-Pact soldiers are surprised to see the gas flooding in ahead of schedule and they are all knocked out.

From a loudspeaker in a helicopter, Paul Peel speaks: He is really a British agent working undercover as a traitor and collaborator. His infamous broadcasts were in fact coded messages. The gas will keep the Sin-Pact soldiers unconscious for 15 minutes, during which time the Resistance are to tie them up, commandeer their vehicles, and load the vehicles with as many weapons as possible. They are to rendezvous with units at secret checkpoints waiting for those lorries and weapons, and rally their countrymen. Clearing out Sin-Pact is not expected to be too difficult because the Sin-Pact leaders have now been captured. So Carol’s belief that her father had a valid reason for what he was doing has finally been vindicated, and the family rejoice.

When Dad lands, he is demanding explanations as to why his family is present; he had expected them to stay out of trouble after the way he had to rescue Carol from the trench. Carol explains that she could not believe he was a traitor and was trying to prove it. Dad appreciates the family loyalty and apologises for what he had to put them through as part of his cover. They are quite understanding and are so glad to be together again.

Thoughts

If this story had appeared in one of DCT’s more common titles like Bunty or Mandy, or been reprinted in Bunty (the title Suzy merged into), there is little doubt it would still stick with people and be well remembered. Instead, it has fallen into obscurity because it appeared in a less-known title that is very hard to find these days. Hopefully this story will now receive more well-deserved recognition. It’s not just because it’s such strong stuff from beginning to end. It’s also because there arguably has never been anything quite like it in girls’ comics before. I certainly haven’t seen anything like it elsewhere, anyway.

Carol crossing into Sin-Pact territory gives some hint that Sin-Pact may not occupy the whole of Britain (and the British government is still around somewhere, though underground). Perhaps the country is divided into an occupied zone and a free zone under a puppet government, as France was during World War II. In any case, their invasion has been so recent they are still setting up their occupancy; for example, they are still building their watch towers.

The story gives no details on exactly who the Sin-Pact invaders are, where they come from, or what their political and religious dogmas are. They have an Asian look, but their “S” emblem is clearly English. There is no mention of a leader or founder of Sin-Pact a la Adolf Hitler. Just how or why they invaded Britain is not discussed either, and there is no mention of international intervention. Nor does the story explain just what “Sin-Pact” means (but we can imagine the jokes about it!).

There have been zillions of stories where the protagonist has to pretend to be a collaborator who’s in with the bad guys in order to be the secret helper, and in so doing suffer the hatred of the very people she is trying to help in secret. “Catch the Cat!”, “Detestable Della” and “Hateful Hattie” are some of the better-known of these stories. However, the reader usually knows that the supposed antagonist of the story is in fact the secret protagonist and is with her all the way. But not in this case. Paul Peel as the secret helper working undercover as a collaborator is not revealed until the end. Until then, the story is taken from the viewpoint of the people who assume he (or she) is the hated collaborator and do not know that he/she is in fact the secret helper.

There have been other stories where the secret helper is not the protagonist but the apparent flunky of the main villain, such as Jojo the Clown in Tammy’s “Circus of the Damned”. At first the flunky has the protagonist fooled, but gradually clues emerge that has the protagonist suspect the truth. But that does not happen in this case either. No clues are forthcoming that hint Paul Peel may in fact be a secret helper; all the way until the end he looks a traitor.

“Force of Evil” also draws on the formula of a father being wrongly accused and the daughter setting out to prove his innocence while he’s in prison or on the run. Except that this case we don’t even know if the father is innocent but he sure is acting like he’s guilty!

“Force of Evil” uses all these basic formulas, but is so unique in turning them completely inside out in the way it does. The story keeps the reader guessing right up to the end as to where Paul Peel’s loyalties actually lie and why he is working with Sin-Pact. Is he a genuine traitor or is there a good reason for his actions, as Carol hopes and believes? We have no clues to help us, only Carol’s loyalty and faith against all the evidence that looks so black against him. Her mother and brother hope that, but eventually they get worn down and come to belive he must be a traitor. And when it looks like Peel has betrayed his own family, Carol finally begins to wonder if she has been a victim of false hopes after all.

The story very cleverly has Carol never guessing that her father might actually be working undercover. If that had happened it would have given the whole game away for the reader. Instead, she always assumes her father is doing it under duress, but her father’s such a good actor that even Carol herself begins to doubt that towards the end. Thank goodness she didn’t need to wait too long to get her answer!

It is also unusual that the main figurehead of the villainy is the one who is the secret hero. Paul Peel may be a ‘flunky’ for Sin-Pact, but they are such colourless and indistinct villains that none of them can be called a main villain. The only one out of Sin-Pact who gets any distinction as a main villain is Paul Peel himself, until he is revealed as a pretend villain.

The Sin-Pact villains would be developed more if Carol had been conducting a one-girl war of resistance against them as the protagonists do in stories like “Catch the Cat!” and “Wendy at War”. But although Carol remains staunchly opposed to them, her fight is not with them. Her goal is to prove her father’s innocence, and this pits her against the the face of public hatred. And it is for this reason that the people who hate Carol’s father or assume Carol is a collaborator emerge as far more powerful and dangerous villains than the Sin-Pact men. They also more distinct characters, particularly the horrible Gran, who is far more rounded than any of the Sin-Pact men. We are not at all sorry to see Gran burned in effigy, even if we’re still not sure about the effigy of Paul Peel.

The story does not shy away from the grimness of war and callousness of enemy occupation, and people’s psychological and emotional reactions to them. As they say, it is bringing out the best in people and the worst in others. Even supposedly decent people are reverting to a more animal level as starvation, desperation, hatred and trauma take hold. Others are using it to unleash axes to grind; Gran, for example, is clearly using the whole situation to vent long-standing hatreds towards her son-in-law and make excuses for carrying out the nasty behaviour that is clearly her nature.

It makes no bones about the horrors of lynch mob behaviour towards even suspected collaborators, which makes it an even darker wartime story. It also shows that different reactions to war and occupation can divide households. Carol, for example, refuses to have anything to do with receiving enemy supplies but her mother thinks there is little choice but to do so. The debate over whether or not the father is a traitor also has the family quarrelling. All the same, the mother and brother tag along with Carol to find Sin-Pact HQ, even if they don’t believe the father is innocent as Carol does.

While other people have reverted to more bestial behaviour, Carol is one who never loses her courage, principles and compassion, not even in the face of all the horrible treatment she gets on all sides. She takes time out to help others despite her own problems, such as the girl who is about to lose her ponies to Sin-Pact. She has far more backbone than her mother, who does not stand up for things she believes in as much as Carol does. She does not even stand up to her mother for her horrible treatment of Carol. This may be rooted in Mrs Peel’s upbringing; from the looks of it she grew up under the thumb of a domineering mother and it was not until she married that she began to think for herself. But even as an adult, it looks like Mrs Peel still has problems exerting her will and being assertive when needed. No wonder Gran hates her son-in-law. We can just see the look on her face when he receives his knighthood and OBEs (those are coming, surely?) and being honoured as the man who saved Britain by making himself the most hated man in Britain!