Tag Archives: Theatre

The Double Life of Coppelia Brown / The Double Life of Dolly Brown [1969/1976]

M&J, Mandy, , , , , , ,
  • The Double Life of Coppelia Brown – Mandy: #128 (28 Jun 1969) – #138 (06 September 1969)
  • Reprinted as The Double Life of Dolly Brown – Mandy: #482 (10 April 1976) – #492 (19 August 1976)
  • Reprinted as The Double Life of Coppelia Brown – Mandy #818 (18 September 1982) – #828 (27 November 1982)
  • Reprinted as The Double Life of Dolly Brown – Mandy #1188 (21 October 1989) – #1198 (30 December 1989)
  • Reprinted as The Double Life of Dolly Brown (as Mandy Classic) – M&J:  #297 (18 January 1997) – #307 (29 March 1997)

Plot 

Note: The main character went by different names in different prints of the story, in this summary, I’ll just refer to her as  the most commonly used “Dolly Brown”

In Victorian times, traveling around fairs Gus Grimby shows off his amazing mechanical doll invention that can walk, talk and obey commands with no strings attached. Although if the audience could look closer, they would see it was actually a girl in makeup, straining to stay still and not blinking. While not on stage Dolly Brown is forced to slave for Gus and Ma Grimby. Dolly cannot remember her past, but has been told by the Grimbys that she committed a crime and she owes them as they protect her from being sent to prison. A torn wanted poster with her picture convinces her that  they are telling the truth, and she must stay being a puppet.

Despite her hard life and supposed criminal past, Dolly still shows kindness to others like pretending to freeze up on stage to point out a thief, being kind to an ill girl or rescuing a kitten, even though it risks punishment later . She is forced by the Grimbys to give a way the kitten to an audience member. The recipient comes back to thank the doll and seeing servant girl, Dolly, the family seem to think she looks familiar, whether they are recognising her as doll or from some place else is unclear, beginning the mystery of who really is Dolly Brown.

Dolly gets a clue to her past when she helps an injured girl during a storm, the girl seems to recognise her when she says “Dolly! Willow Wood..”. Dolly doesn’t get a chance to see the girl again to question her more, as the police move the Grimbys on. This also raises doubts about the Grimby’s honesty regarding Dolly’s past. Gus Grimby tells Dolly they had to move on because the police were sent after the girl recognising her, but Dolly had overheard the actual conversation, that the police is moving them on because the squire doesn’t want fairs on his land so she knows he is lying.

In the meantime she continues with her double life. She stills shows kindness to others, although she finds out not everyone is deserving of it. She is tricked by a girl into borrowing the dolls shoes, but the girl then tries to sell them, luckily they are returned but that doesn’t stop Dolly getting a beating and the Grimbys implying she was in on the scheme being a criminal herself. She never gets any sympathy from the Grimbys, even when she is sick they ignore her suffering and force her to continue to perform. When she does collapse, not wanting to lose their source of outcome they do temporarily get better lodgings and someone to look after her. After waking up from her fever in a comfortable bed, a confused Dolly first asks if she is at Willow Wood. The woman looking after her remembers a story about Willow Wood,  that a child disappeared from there, alongside valuables.

Not wanting to miss a good money opportunity, the Grimbys head towards Maybury, where Dolly supposedly committed her crime. Ma Grimby is nervous about being so close to there and tells Dolly to keep out of sight. Dolly  can’t stay hidden when a fire breaks out at a nearby tent and she rescues a baby, a comment from crowd says she has look of a gentry family named Harding. Deciding to investigate further thinking that Willow Wood must be close by Dolly takes an opportunity to sneak off to look for it. She locates the large house and immediately recognizes it, but before she can look around, the groundskeeper spots her and drives her away, assuming she’s there to pry into others’ misfortunes. Later that evening, the man goes to view the show, Dolly thinks he has recognised her, until realising it is Gus Grimby he is looking at. After the show the man confronts Gus Grimby, as Dolly is still dressed as a doll, Gus is forced to let her stay. The man, Gem Baker claims he remembers him from the night Grimby and his gang robbed Willow Wood. Grimby ever the charming con man, weasels out of it claiming it was his brother that he must have seen. Having heard it all Dolly believes they were all part of robbery.

When they are asked to do longer show, Dolly knows she must endure if she is to stay in Maybury and find out more about her past. Dolly investigates further and she meets a girl, Susie, who’s mother now works at Willow Wood. She feels the house is familiar and a feeling of happiness, when she hears the story of the robbery, that Mr Harding was struck down and crippled during the robbery and the housekeeper’s daughter disappeared at the same time, she concludes she must be that girl who betrayed her mother and Mr Harding by letting the thieves in.She doesn’t wait for Susie to tell her the rest of the story.

Having enough of her double life and wanting to atone for her crimes, she decides to turn herself in to the police. Suspicious, Ma Grimby catches her and stops her,  when Dolly tells them she knows she was daughter of the housekeeper who betrayed Mr Harding, the Grimbys suddenly act nicer to her. Later she hears them say that they are safe as she still doesn’t remember who she is, they plan to keep a closer eye on her and board up her room’s window. Dolly is surprised she still doesn’t know who she is, but she won’t keep up this life any more and with no other option, in the middle of the act on stage she shouts out for help and give up the ruse.

The Grimbys make a quick get away with her, but crash the caravan. Cutting their losses they leave the unconscious Dolly for dead and get away. Dolly wakes and makes her way to Willow Wood, knowing she will be safe there. Collapsing at the house when her makeup is removed, she is revealed to be Mr Harding’s granddaughter. She had seen the robbery and lost her memory with the shock of seeing him struck down. The Grimbys kidnapped her so she wouldn’t be able to give evidence against them. Finally home her memories come back,  the Grimbys are found and arrested and Dolly packs away her doll costume never having to live double life again, but she will not forget her time, and those less fortunate than her.

Thoughts

Clearly a well received story, as it was reprinted 4 times. In the original story the girl’s name was Connie Brown, and the doll was named Coppelia. The doll’s name and title clearly a reference to the Coppélia ballet, where a man becomes infatuated with a mechanical doll that an inventor has created and his previous love, dresses up as the doll to rescue him. In the reprint the name is switched to Dolly Brown, the next reprint has the title changed back to Coppelia Brown again, but oddly in this case the girl is no longer called Connie, instead both her and the doll are called Coppelia. The next two reprints they keep with the Dolly Brown name.

As with other stories, we see variants pop up, such as The Secret of Penny Farthing where a girl is blackmailed into pretending to be a ventriloquist dummy or Ballerina on a String where a girl performs as a dancing puppet. Due to being one of the first or perhaps because of its many reprints, this story is one that sticks in the mind more.  There is also added mystery in this story, as Dolly has amnesia and we don’t know who she is or what she supposedly did. Throughout the story and Dolly’s acts of kindness, despite her own circumstances, the reader must find it hard to believe that she could have committed such a terrible crime. Meanwhile the Grimbys are deceitful, cruel guardians, forcing her to perform and slave for them, beating on her when she doesn’t meet their standards. When the truth comes out, that not only are they blackmailing her with the crime they committed, but also that they kidnapped her from a loving home, they certainly rank top among the despicable villains to appear in these comics.

The build up of clues to Dolly’s past and wondering if she will ever be free of her false life keeps readers engaged. When Dolly finally decides to break away, going to turn herself in to the police, there is one more obstacle as the Grimbys stop her, and it seems she is trapped again. Revealing herself on stage makes for a more exciting climax and the panicked escape with the Grimbys taking Dolly, it is relief to see her finally escape their clutches and get her happy ending. As with a lot of theses older stories, there is a panel of info dump explaining how Dolly ended up with the Grimbys, but overall an exciting and satisfying conclusion to the story.

 

Just One Leading Lady! (1982)

Debbie, , , , ,

Published: Debbie #501 (18 September 1982) – #505 (16 October 1982)

Episodes: 5

Artist: Photo story

Writer: Unknown

Special thanks to Lorrsadmin and Phoenix for scans

Plot

Cathy Collins wants to play the lead in Dormy Drama Club’s next production. Two other girls, Sonya and Gail, are her rivals for it. Cathy’s friend, backstage girl Connie, keeps telling Cathy stories about a ghost haunting the theatre. The ghost is said to be of an actress who was so jealous of her rivals that she killed them. Cathy rubbishes such stories, but it’s not long before she sees the ghost in her nightmares. It does not help that the production they are putting on is a spooky one either.

It becomes apparent that someone is out to eliminate the rivals for the leading role, but it’s clearly no ghost. It’s a flesh-and-blood person whose maxim is that there’s only room for “just one leading lady!”, hence the title of the story.

Strike one comes when Sonya falls off the stage and claims she was pushed. The others accuse Cathy of pushing Sonya to get the leading role. Connie is the only one to stay friendly with her.

After accusing Cathy too, Gail storms off into a dressing room. The troublemaker strikes again by locking Gail in the dressing room overnight to make her ill from the freezing temperatures in there.

When this trick is discovered, everyone believes Cathy did it to get rid of both rivals. Mrs Shaw the drama club teacher tells Cathy to leave the club, pending investigation. Cathy’s protests of innocence are futile.

However, Cathy loves the theatre too much to just walk away, so she quietly watches the production from a distance. Mrs Shaw tries out various girls for the lead, none of whom are suitable. Cathy is surprised to see Connie try out for it too; she always thought Connie was happy being the backstage girl. Mrs Shaw gives Connie a minor role, saying she does not have enough experience for the lead. Cathy secretly sympathises, recalling her own experience of having to build up for a long time in the club before being allowed any major roles.

Afterwards Cathy overhears Connie practising all the lines for the lead. Connie sees her and asks her what she thought. When Cathy tries to say, in a very tactful manner, that it was wooden, Connie goes off into a big brag that she is a better actress than Cathy and the other rivals. Moreover, she gloats, she was the one who hurt Sonya and Gail and she was trying to wind Cathy up with phony stories about the ghost. She was out to get rid of all three rivals so she could grab the lead from backstage. Connie says it’s no use Cathy telling anyone because they won’t believe her. But Connie has miscalculated: Graham the SFX guy has not only overheard but also recorded everything!

A few days later, Connie has left the club permanently, everything is patched up, and Mrs Shaw is trying to work out who will play the lead. It’s not shown who gets it in the end, but Cathy doesn’t mind. She knows she will be a leading lady someday.

Thoughts

This is clearly a whodunit story, despite all the attempts of the antagonist to turn it into a ghost story. We can see that is no ghostly hand locking the dressing room door on Gail; it’s someone who is trying to take advantage of that rumour. And it is obvious from Cathy’s thought balloons that she is not guilty. Readers must have concluded that it is a third party in the group who is out for the role, and some may even have suspected it was Connie.

When Connie reveals her guilt to Cathy, readers were probably shaking their heads and thinking “poor fool”. Connie was so naïve and deluded that she could just leap into a starring role from backstage, and by playing dirty tricks instead of speaking out that she wanted to act too. The reality, which Cathy knew all too well, was that one had to build up experience on smaller roles before attempting a big one. Connie got a taste of that when Mrs Shaw said she did not have enough experience for the lead and gave her a minor role. So Connie hurt two girls and discredited a third for nothing. Yet she still has the delusion that she can play the lead far better than the other three girls.

Perversely, although Connie’s acting of the role was wooden, Cathy realises that in “a horrible way” Connie is indeed a much better actress – in the way she had fooled everyone into thinking she was content being a backstage girl when in fact she was using it as a springboard to grab the lead. To say nothing of fooling Cathy into thinking that she was her one and only friend. So did Connie have a talent for acting after all, which could have led her into starring roles with proper training and experience? Maybe it would have if she’d gone about things the right way, but she ruined whatever chance she had with nasty tricks.

Blind Belinda

Mandy, , , , ,

Plot

Belinda Stewart is blind, but also a talented singer. Her managers are Gloria and Keith Foxton, who promise her she will make enough money to receive a cure from a  famous American doctor. But in fact the Foxtons are out to pocket any money Belinda makes for themselves.

Belinda

Notes

  • Writer: Benita Brown
  • Artist: Andrew Wilson
  • Issue #438 had a 6-page double episode, which is split  in the reprint between issues #1131 and #1132
  • Reprinted and Translated into Dutch as “Linda steelt de show” (Linda Steals the Show – Tina #26-38/1989.

Appeared

  • Blind Belinda – Mandy: #428 (29 March 1975) – #444 (19 July 1975)
  • Reprinted – Mandy: #1121 (Jul. 9 1988) – #1138 (05 November 1988)

 

Her Name in Lights

Mandy, , , ,

Plot:

Stella Martin is living with her Aunt Cynthia, an unscrupulous theatre agent, while her mother is ill and her father works away from home. Stella is a talented actress and wants to go into the theatre. But Aunt Cynthia forces her into starring in TV commercials as a child actress. To this end Aunt Cynthia forces Stella into a childish appearance, deliberately underfeeds her to stunt her growth, keeps her away from school, and Stella has to do housework as well.

Lights

Notes:

  • Artist: Kim Raymond
  • Reprinted and translated to Dutch as “Haar naam in neon” (“Her Name in Neon”) – Mariska Starstrip #1 (circa 1983)

Appeared:

  • Her Name in Lights –  Mandy: #712 (06 September 1980) – #721 (08 November 1980)

 

Rosie’s Phantom Friends

Debbie, ,

Plot:

Rosie Russell helps backstage at the Raton Repertory Theatre. It is haunted by the ghosts of two Victorian actresses, and only Rosie can see them. They are prone to feuding, which causes trouble. Sometimes they agree – which causes even more trouble. But they have their uses too.

Rosie

Notes:

Appeared:

  • Rosie’s Phantom Friends  –  Debbie : #366 (16 February 1980)  #377 (3 May 1980)

Gabby

Debbie,

Plot:

Gabby Grant wants to go into show business. Her grandfather dies at the hands of crooks who are after his market stall. Gabby resolves to keep the stall going and still pursue her path in show business. She returns in sequels.

Gabby Goes West – Gabby is chosen to sell London as tourist destination to Americans but when crooks hear Gabby is taking a London bus to America, they decided  to hide diamonds on board, Now Gaby was being hunted by American mob.

Gabby on Tour – Gabby tours Britain’s market, then villains steal her van, she manages to track down the van but finds a girl tied up inside!

Gabby 1

Notes:

Appeared:

  • Gabby –  Debbie: #220 (30 April 1977) – #231 (16 July 1977)
  • Gabby Goes West – Debbie #287 (12 August 1978) – #296 (14 October 1978)
  • Gabby on Tour – Debbie: #312 (03 February 1979) – #319 (24 March 1979)
  • Gabby Afloat – Debbie: #448 (12 September 1981) – #459 (28 November 1981)