Bunty Summer Special 1972

Cover Art: Doris Kinnear

Picture Stories

  • Superstitious Cindy (Page 2)
  • Tommy the Tomboy (Pages: 3-5) [Art: Hugh Thornton-Jones]
  • Mighty Mo (Page 7)
  • The Four Marys (Pages: 8-10) [Art: James Walker]
  • Tina the Tester (Pages: 12-13) [Art: Diane Gabbott]
  • Bella the Bookworm (Page 15)
  • Lydia and the Little People (Pages: 16-18) [Art: George Parlett]
  • Emergency 666 (Pages: 20-21)
  • Peggy the Promette (Pages: 22-23)
  • Rose Budd – Model Girl (Pages: 24-25) [Art: Peter Kay]
  • The Cobbler’s Magic (Pages: 28-29, 31) [Art: George Ramsbottom]
  • Toots (Page 30) [Art: Bill Ritchie]

Features

  • National Emblems (Page 6)
  • A Walk with Danger! (Page 11)
  • Winkle Them Out! (Page 14)
  • Bunty’s Cut-Out Wardrobe (Page 19)
  • Tricky Teasers (Page 26)
  • All Manner of Banners (Page 27)
  • Treasure Down Below (Page 32)

*Thanks to Goof for the information and cover picture

Bunty Summer Special 1971

Picture Stories

  • The Four Marys (Pages: 3-5) [Art: James Walker]
  • Toots (Page 7) [Art: Bill Ritchie]
  • The Magic of the Floating Flowers (Pages: 8-10)
  • Scram! Here’s Potty Pam! (Pages: 12-13)
  • Circus Susie (Pages: 14-15) [Art: Hugh Thornton-Jones]
  • Scapegoat of the School (Pages: 16-18) [Art: Charles Paine]
  • Tina the Tester (Pages: 20-21) [Art: Diane Gabbott]
  • Lydia and the Little People (Pages: 22-23) [Art: George Parlett]
  • Rose Budd – Model Girl (Pages: 24-25) [Art: Peter Kay]
  • Leave it to Lindy! (Pages: 28-29, 31) [Art: Jose Casanovas]

Features

  • Just a Tick! (Page 2)
  • If the Cap Fits…! (Page 6)
  • Play Push-a-Penny with Toots (Page 11)
  • That’s My Baby! (Page 19)
  • Spot the B’s (Page 26)
  • The Balloon Race (Page 27)
  • Bunty’s Cut-Out Wardrobe (Page 30)
  • A Fur Coat This Winter? (Page 32)

*Thanks to Goof for the information and cover picture

Bunty Summer Special 1970

Picture Stories

  • The Four Marys (Pages: 3-5) [Art: James Walker]
  • Toots (Page 7) [Art: Bill Ritchie]
  • Square Peg (Pages: 8-10) [Art: George Parlett]
  • Lizzie the First (Pages: 12-13) [Art: Manuel Cuyas]
  • Sally On-The Spot (Pages: 14-15) [Art: George Parlett]
  • Rosie and the Cunning Foxes (Pages: 16-18) [Art: Hugh Thornton-Jones]
  • Pam’s Problem Pram (Pages: 20-21) [Art: Peter Kay]
  • The Wars of the Roses (Pages: 22-23) [Art: George Parlett]
  • Catch as Catch Khan (Pages: 24-25) [Art: Charles Paine]
  • Wendy Round the World (Pages: 28-29, 31) [Art: E C Julien]

Features

  • Whose Hat? (Page 2)
  • Camp with Care (Page 6)
  • Top of the Bills (Page 11)
  • Colourful Costumes (Page 19)
  • Fit the Faces (Page 26)
  • Jump To It! (Page 27)
  • Bunty’s Cut-Out Wardrobe (Page 30)
  • Sea Birds of Britain (Page 32)

 

*Thanks to Goof for the information and cover picture

Bunty Summer Special 1969

Cover Art: Peter Kay

Picture Stories

  • The Four Marys (Pages: 3-5) [Art: James Walker]
  • Toots (Page 7) [Art: Bill Ritchie]
  • She Sells Sea Shells (Pages: 8-10) [Art: Hugh Thornton-Jones]
  • Pet Shop Pauline (Pages: 11-13) [Art: Charles Morgan]
  • The Problem Girls (Pages: 16-18) [Art: Peter Kay]
  • Milly Marbles (Pages: 20-21)
  • Hilda’s Hopalong Helmet (Pages: 22-23)
  • Willa the Wisp (Pages: 24-25) [Art: Douglas Perry]
  • The Hungry Head (Pages: 28-29, 31) [Art: Len Potts]

Features

  • Right on the Dot! (Page 2)
  • Home Sweet Home (Page 6)
  • Donkey Board Game (Page 14)
  • Collar These Dogs! (Page 15)
  • Among the Hedgerows (Page 19)
  • Puzzle Page (Page 26)
  • The Music Makers (Page 27)
  • Bunty’s Cut-Out Wardrobe (Page 30)
  • Colourful Cats (Page 32)

 

*Thanks to Goof for the information and cover picture

Bunty Summer Special 1968

Cover Art: Peter Kay

Picture Stories

  • The Four Marys (Pages: 3-5) [Art: James Walker]
  • Toots (Page 7) [Art: Bill Ritchie]
  • Jane – The Happy Holiday Girl (Pages: 8-10) [Art: Hugh Thornton-Jones]
  • Milly Marbles (Pages: 12-13)
  • Tina the Tester (Pages: 14-15) [Art: Diane Gabbott]
  • Dora’s Delivery Service (Pages: 16-18) [Art: Charles Paine]
  • The Squirrels’ Secret (Pages: 20-21) [Art: Phil Gascoine]
  • Angela – Action Model (Pages: 24-25) [Art: Peter Kay]
  • The Round Table Fable (Pages: 28-29, 31) [Art: George Parlett]

Features

  • Sil-Whoettes (Page 2)
  • Name the Dress (Page 6)
  • Hare and Hounds (Page 11)
  • Let’s Go! (Page 19)
  • Have Fun with Stickaflag (Page 22)
  • Fit the Shoes (Page 23)
  • Tree Teasers (Page 26)
  • Bunty’s Paris Fashions (Page 27)
  • How’s Your Hat Sense? (Page 30)
  • Beautiful Birds (Page 32)

*Thanks to Goof for the information and cover picture

Bunty Summer Special 1967

Cover Art: Doris Kinnear

Picture Stories

  • The Magic Ring (Pages: 3-5) [Art: Manuel Cuyas]
  • Toots’ Holiday Snaps (Page 8) [Art: Bill Ritchie]
  • The Four Marys (Pages: 8-10) [Art: James Walker]
  • The Dressmaker’s Doll (Pages: 12-13)
  • The Story of William Tell (Pages: 14-15) [Art: George Parlett]
  • The Little Flamenco Dancer (Pages: 16-18) [Art: Juan Gonzalez Alacreu?]
  • The Golden Needle Girls (Pages: 20-21)
  • Flower Shop Flora (Pages: 24-25) [Art: Hugh Thornton-Jones]
  • Fan-Fan and her Friends (Page 27)
  • Wendy Round the World (Pages: 28-29, 31) [Art: E C Julien]

 

Features

  • Gala Days (Page 2)
  • The Bunty Fortune Teller (Page 7)
  • Beware! (Page 11)
  • Shall We Dance? (Page 19)
  • Fun with Flowers (Page 22)
  • The Young Ones (Page 23)
  • Odd Food from Near and Far (Page 26)
  • The Lost City (Page 30)
  • Ship Shape (Bunty’s Wardrobe) (Page 32)

*Thanks to Goof for the information and cover picture

Bunty Summer Special 1965

 

Cover Art: Doris Kinnear

Picture Stories

  • The Four Marys (Pages: 3-6) [Art: James Walker]
  • Lorna Drake – Secret Dancer (Pages: 8-10) [Art: Tony Thewenetti]
  • Hope’s Hostel (Pages: 12-13)
  • Pretty As Her Pictures (Pages: 14-15) [Art: Hugh Thornton-Jones]
  • Wendy Round the World (Pages: 16-17, 19) [Art: E C Julien]
  • The Good Fairy (Pages: 21-21)
  • Debbie Lane – Student Nurse (Pages:  22-23)
  • My Sister Mitsy (Pages: 24-26)
  • Frankie the Horses’ Friend (Pages: 28-29, 31) [Art: Charles Morgan]

 

Features

  • The Shadow Game (Page 2)
  • Seaside Souvenirs (Page 2)
  • Town and Country Crafts (Page 7)
  • Danger on Holiday (Page 11)
  • Crossword and Puzzles (Page 18)
  • Berries and Nuts – Can You Name Them? (Page 27)
  • Bunty’s Holiday Wardrobe (Page 30)
  • National Emblems and Flags (Page 32)

*Thanks to Goof for the information and cover picture

Rebellion Specials 2020 – Part 4: Battle / Misty & Scream

The next two specials I’m looking at are Battle of Britain Special and Misty & Scream. Firstly the Battle special is a sizeable book at 100 pages, and it is packed with great art and stories, that I appreciate on an objective level. On a more personal preference there are other specials that I would have preferred to get the 100 page treatment. While I can enjoy the occasional war story, my interests aren’t in having a whole book of them, if I hadn’t purchased the specials bundle, I probably wouldn’t have picked it up. This is still an impressive book with 10 new stories and 3 reprints.  The Highlights for me were: Face of the Enemy, Destroyer, Rat Pack. I also welcomed some light relief with The Young Cockney Commandos with art by Tom Paterson and on the opposite side I can appreciate the message of War Child, (although taking the whole book as a whole it does lead to some mixed messaging), Of the reprints Double Hero is nice addition to highlight some Ian Kennedy work which is always welcome.

Face of the Enemy (Writer: Alan Grant, Art: Davide Fabbri, Colours: Domenico Neziti) is my favourite as an old man visits a school, to tell the class  his experience as a young boy seeing planes fighting overhead during the Battle of Britain. When a German plane is shot down he runs to it despite having heard what “monsters” the Germans were, what he finds is a dying German man wishing for his family. It has nice art, with some impressive fighting scenes and I do like a story that shows there are humans on both sides of war. Destroyer (Writer; Rob Williams, Art: PJ Holden)  a story narrated by a young seaman, Joe Owen, about his time on the ship that had earned the name “jinxtown”, but despitethe nickname the ship would still have an important role to play in the war.  Rat Pack – The Tough Way (Writer: Garth Ennis, Art: Keith Burns) has a touch of humour, as the team make fun of the General they just rescued, the mission is recounted at a complaints hearing.

Misty & Scream is definitely more to my interest and that we are getting extra Misty content this year is a definite bonus. There are 6 stories here, it gets off to a strong start with Thief of Senses (Writer: Maura McHugh, Art: Robin Henley),  set in Victorian London where a family fear something that stalks in the night. It’s a very creepy story, and use of dark colours sets up a good atmosphere. I also enjoyed The Aegis (Writer: Kristyna Baczynski, Art: Mary Safro) a more modern story focused on rivalry within a school play. The title of the play Medusa: The Musical, foretelling the characters’ fates. Safro’s art reminds me of Darwyn Cooke, with it’s simple cartoon like style, and works great with this story. Bumps in the Night (Writer: Olivia Hicks, Art: John Lucas) is a creepy clown story, not my favourite in the book, but  sure to give anyone with a clown phobia some nightmares!

The second half of the book are all returning stories, if there is supposed to be a distinctive split  in the layout, these would be deemed the Scream! stories and as Misty takes first place in the title this year it would make sense for her stories to come first. We have the return of Black Beth (Writer: Alec Worley, Art: DaNi) , which is my favourite art in the book, just gorgeous work by DaNi. Then there is Return of Black Max (Writer: Kek-W, Art: Simon Coleby) probably bottom of my list (guess someone has to be), not too bad a story but felt I probably should have reread the previous installment first.  Which can be problem with continuing stories in these specials being so far apart. Although I somehow didn’t have that issue with the aforementioned Black Beth or with The Dracula File (Writer: Cavan Scott, Art: Vincenzo Riccardi) which felt it stood more on it’s own without knowing the background. It is a satisfying conclusion to the original 1970s story, and much better than the first revival (in the 2017 special). Even with the story concluded I would say there is still room to go back and fill in the gaps, if they so wished but left as is, it does its job of showing final fates of Dracula and  Stakis.

If it’s similar to this content I look forward to more Misty stories later this year!

 

The Hateful Hands of Heather Smith [1979]

  • The Hateful Hands of Heather Smith – Tracy: #01 (06 Oct. 1979) – #13 (29 Dec. 1979)
  • Reprinted – Judy:  #1523 (18 March 1989) – #1535 (10 June 1989)
  • Reprinted and translated into Dutch (as “Wat nu, Wilma?” – Now What, Wilma?) -monthly Debbie Stripstory #2/1981.

Plot

On a school trip to Cumner Castle, a guide tells the story of the Cumner tyrants, who locked a witch, Elfrida, in a dungeon and left her to starve and die. Her hand-prints are left on the wall from where she clawed trying to reach the window,and the guide says she left a curse “let mortals beware the evil in my hands”.  Jane thinks the story is rubbish but her friend Heather Smith points out the marks on the wall and that her hands fits on them, not knowing that she has now brought the curse upon herself. She soon finds out how real the curse is as later she her hands nearly pushes Jane off the castle roof! (Luckily Jane obliviously moves out of way in time).

Soon whenever the hands wants revenge, no matter how small the infraction, Heather hears the witch’s voice in her head and she can’t control her hands. Like cutting her friend’s hair as she thinks she has been excluded from a party that her friend was invited to or being mean to her young cousin by taking his bear. The hands even hurt Heather when she tries to resist them, like when she tries to post  a card to her relative from their Gran, the hands pinch her until she takes the money and throws the card away. While it causes trouble for her it seems no-one else notices, and they always end up blaming something else. When her cousin doesn’t receive the card, he assumes it got lost in the post and not to upset his Gran he thanks her for the card. When her hands ruin a mural painted by a classmate, Sharon, the hands block her from speaking out and Sharon gets in trouble. At a carnival she is going to take a peg up and collapse a tent, the vicar comes along and thinks she is helping to fix it.

At the same carnival she meets a fortune teller, the woman senses the evil in Heather’s hand and refuses to give her fortune. The more Heather tries to resit the more violent the hands are to her,  when she tries to resist ruining competitor’s  cake at school her hand takes a rolling pin to her other hand. The hands then wants her to push an old woman down a hill in her wheelchair but luckily a neighbour Jim comes by and offers to help with the wheelchair. After a few more incidents, she happens upon an old shop that has a book “Legends of Castle Cumner” and she wonders if it contains a way to break the curse. She goes in to buy the book but the hands of course want to destroy it,she manages to handcuff herself and asks Mr Adams, the shop owner to read anything about the curse. He tells her of a girl a hundred years previously who had been cursed too. A wise woman told her to crush garlic in her hands, place her hands in the prints again and to say “I take back what is mine. No longer shall my hands be your slaves!” Heather follows this advice an is at last freed from the curse.

Thoughts

It’s Halloween time again, so perfect time to look at a story about a witch’s curse (there are plenty to choose from!) and some body horror. As with many of these stories an innocent happenstance causes the protagonist to be cursed and fall under an evil influence which then causes trouble. A big difference to other stories is usually people around the protagonist would notice the change or she would lose all her friends. Not the case here, the evil hands do cause trouble and Heather distress, but  no one else notices  or if they do they always blame something else. Occasionally people get annoyed but for the most part Heather is deemed such a good person it doesn’t cross their mind that she would do something malicious, like when the vicar catches her with the tent peg at carnival, he assumes someone else loosened it and Heather was fixing it.

Some of the story’s logic is inconsistent like most times she is aware of what her hands are doing and tries to stop them but other times she is taken over completely and  doesn’t remember what she did.  Being aware of what she is doing but not being able to stop it, is more interesting dilemma in this case, there are some intense scenes like when she beats her own hand with rolling pin. There have been many horror films with possessed hands, although often they were severed already, and many of those films came after this story. Two that come to mind is The Evil Dead II (1987) and Idle Hands (1999), where the protagonists hand become possessed and attacks people, in both these films the protagonist had to cut their hand off and kill it. Heather luckily was able to break the possession without these extreme methods!

In the end things are wrapped up too quickly as she just happens upon a history book with the answer to her problems (although I did like her quick thinking of handcuffing herself). The witch, Elfrida although vengeful, I can feel sympathy to her at the start, as she suffered a terrible fate and those that locked her up were terrible people. But her vengefulness comes across as petty while  controlling Heather, she is not on a quest to punish the Cumner ancestors or people like them, instead she makes Heather act out when someone bests Heather at cooking  or even for no reason at all, like when she makes her release Mrs Dickson’s bird. But maybe that’s the point, after all they are “hateful hands” they don’t need any more motive than that.

 

 

 

Driving into Danger [1978]

Mandy Picture Story Library No.1 – Driving into Danger.

Art: Stanley Houghton

Plot:

Sisters Julie and Jane Corby travel to South America to meet their dad, who’s gone there for work. But, when he fails to show up at the airport, the sisters buy a dusty old car they name Joe, and set off to look for him. And they discover that Joe (yes, the car) seems to have a mind of “his” own…

Thoughts:

This very first issue kicks off the Mandy Picture Story Library with a bang, and a genuinely charming story. Sensible Julie is the one who takes charge, and usually gets them out of the many scrapes the sisters manage to land in, which include crocodiles and bandits. Meanwhile, the pretty and delicate Jane relies on her older sister to arrange accommodation, drive the car (Julie is the only one of the two with a license) etc. She may come across as a bit helpless at first, and ends up as the comic relief character more than once – frightened by monkeys, falling into a swamp. And it really doesn’t help matters that someone on the production team made the strange decision that Jane would go through most of her adventures wearing a polo-shirt with her own face on it:

But, when push comes to shove, Jane is still just as brave as her sister. There is a scene, for instance, where the two of them cooperate to save a baby from a hungry puma, and another one where Jane saves Julie from a mugger by chucking a tin can at him. Still, this is very much Julie’s story – she’s our plucky, practical heroine who never gives up on the search for her missing father.

However, the real star of the show is their antique car – Joe. One time, for instance, Joe inexplicably stops working, only for the girls to discover that they’ve narrowly avoided driving over a bridge that would’ve broken under Joe’s weight. There are so many instances where Joe seems to act on “his” own to protect the girls that the reader starts to wonder – is Joe actually “alive”? No doubt this was inspired by how a lot of old cars seem to have developed a personality of their own, and the artist very much builds up under this theory by giving Joe headlamps that look like a pair of big, googly eyes. Along with his bent front bumper and long front grille, these give the car the illusion of a face, peeking curiously up at the two sisters. The art, by the way, is great – this artist was definitely the right person to start a brand new series with.

In the end, Julie and Jane do find their father – in the care of an indigenous tribe high up in the mountains. They have been nursing him after he crashed his plane, and recognize the girls from a photo they had found in his wallet.

Thankfully, the people of the mountain tribe aren’t portrayed as naïve savages, or even noble savages – they’re just lovely, well-meaning people who are happy to look after a sick and injured stranger. They also throw the girls and their dad a reunion party with a bonfire and dancing, and seem to take delight in teaching Jane how to play their huge, hand-made drums when she exclaims how much she likes their rhythm. Some comics from this period might seem dated by how they treat native tribes, but “Driving Into Danger” steers well clear of negative stereotypes. As soon as their father is well enough to travel, the three of them set off towards home – in Joe, of course. Hopefully he doesn’t take offense at their dad calling him a rustbucket!

 

*Thanks to new contributor, Gwen, for the review.