Tag Archives: Adventure

The Terry Twins They Fish for their Fortune

Plot

Eighteen Year old twins, Judith and Ann Terry had many adventures at sea as they had traveled far, their father was managing director of Tropical Fishes Ltd.  the well known London aquarists.

Notes

  • Text story

Appeared

  • The Terry Twins They Fish for their Fortune (text) – Mandy: #264 (5 February 1972)
  • The Terry Twins They Fish for their Fortune (text) – Mandy: #267 (26 February 1972) – #268 (4 March 1972)
  • The Terry Twins They Fish for their Fortune (text) – Mandy: #270 (18 March 1972)

Grizzly Ada

Plot

Steve Johnson thought his daughter, Ada, had died in a blizzard and he was responsible – so he abandoned his homestead and set off to join the great California Gold rush. But Ada was safe and with her pet grizzly bear, Lady Grey, she was on her way to California to try to find her father.

Notes

Appeared

  • Grizzly Ada – Mandy: #264 (5 February 1972) – #277 (6 May 1972)

The King’s Cossack (1992)

Published: Commando #2583

Artist: Janek Matysiak

Writer: Unknown

I have come into another Commando drawn by Janek Matysiak, the son of popular DCT artist David Matysiak. It comes with both a gorgeous Matysiak Jnr cover and interior Matysiak Jnr artwork, which seems to be rare thing for Matysiak Jnr in Commando, who most often drew just Commando covers. So we get the best of both worlds here. Strangely, the issue is another omission from the wiki entry that is supposed to list all Commandos with Janek Matysiak as creator.

Plot

By World War II, most British cavalry regiments have gone over from horse power to machine power, but not everyone is happy with such newfangled developments. Among them is Major “Galloping Jack” Faraday, who would have a horse over a tank any day and still wears spurs with his uniform. Faraday’s constant companion is Trooper Tom Tuttle, although he does not share Faraday’s enthusiasm for horses. He’s a mechanics man, and his idea of riding is motorbikes. They are an odd couple for sure.

The Depot Commander doesn’t like Faraday and is always coming up with ways to get rid of him. Anything with a horse in it is guaranteed to do the trick, but right now the only thing available is an assignment to deliver old A-Nine tanks to Russia. Faraday accepts it all the same, as he can speak some Russian. He takes Tom along because his mechanics expertise will help with the tanks.

In Russia, the A-9s are loaded onto a train at Murmansk for delivery. But in transit, they have to be offloaded prematurely because the Russians require them for immediate action at a newly opened front. While Faraday and Tom are waiting for their return train, a freight train pulls up with a Cossack regiment aboard, who are bound for the front. Five of their horses have fallen ill and the Cossacks are all set to euthanise them, but horse-loving Faraday intervenes. He diagnoses their condition as colic, which is treatable. He waives the return train in order to take care of the sick horses, using the waiting room at the train station as their stall, and using all manner of bribery and bullying to get everything needed to treat them. The Cossacks head to the front on their remaining horses.

Once the horses have recovered, Tom and Faraday start their journey to return them to the front. It’s Tom’s first time in the saddle, and he struggles with it at first, but he begins to learn the basics of old-fashioned cavalry riding from Faraday. Their old A-9s and then horse carts give them tracks to follow to the front, but it’s a hard journey, and there is the problem of how to get back home once they deliver the horses. Faraday discovers the horses are “gun shy” i.e. they take fright at the sound of gunfire, something they must get used to in combat. He starts giving them training to cure them of that.

They are spotted by a Russian unit, led by Sergeant Afonka, who are hauling machine guns on horse carts to Major Taras Grischuk’s squadron at the front. Afonka, who is unfamiliar with British uniforms (and apparently, German ones too), mistakes them for Germans and opens fire. This spooks the horses as they are still gun-shy. Fortunately, the misunderstanding is quickly cleared up.

Afonka has lost one of his cart horses, so Faraday lends him one of their horses for the job, and the two parties combine forces. But when they meet up with Grischuk, he suspects the British soldiers are German spies. Then they are all attacked by German planes. Tom saves the day with his mechanics expertise, which enables him to wield one of the machine guns at the planes. After that they are welcome in Grischuk’s Cossack unit, and Grischuk insists Faraday call him by his friendly title of Taras Ivanovich.

The Cossacks move on next day and come across an enemy advance of foot soldiers. They charge, with Faraday far more experienced than Tom in horse cavalry charges. Tom is still not the best of cavalry horsemen and falls off his horse, but carries on in the fight with his gun. Meanwhile, Taras is impressed at Faraday’s prowess in the saddle. Their attack is a success and they capture a lot of arms and equipment that will prove useful later on.

Taras has been wounded and stubbornly carrying on without seeking medical assistance. Worse, another enemy advance is coming, and this time it is more than a match for the Cossacks because it is a tank unit. Taras sacrifices himself to buy time for his troops to get away by setting himself up as a decoy for the tank units.

The Cossacks are all for a revenge charge, but Faraday has a better idea. Using his mechanics expertise, Tom uses the mines they took from the first enemy column and then deploy their machine guns to attract the Germans’ attention and lure them into a trap – a minefield all set for them. After the trap is sprung and proves another success, they clean things up, including the unexploded mines.

Afterwards they go back for Taras’ body. Surprisingly, Taras is still alive – just – and with his dying breath he adopts Faraday into his family. For this reason the Cossacks choose Faraday as Taras’ successor to lead them and give him Taras’ sabre. Faraday is stunned at such an honour, which must make him a “King’s Cossack”.

Faraday sets his squadron to work in harassing enemy supply lines, with the captured explosives and Tom’s expertise, which are followed by Cossack horse charges. They carry out many such attacks and capture a lot of vital supplies, including feed for the horses. Fortunately for them, Blitzkrieg was not mechanised at the rear end, which still deployed horses and infantry, making it the most vulnerable point in Blitzkrieg for counterattack. The Germans turn the tide a little with occasional Luftwaffe strikes and, when winter comes, German ski patrols. The machine guns bring down those patrols.

But Faraday is still clad in British uniform, which looks a bit odd in a Cossack unit and makes him conspicuous. There are going to be questions when the Brigadier pays a visit to the unit. The Cossacks hastily disguise Faraday as a Cossack, but he insists on retaining his monocle (Cossacks don’t wear them, surely?) and still has a British accent. The Brigadier is told that Faraday is Taras’ brother and his accent is due to a broken jaw from childhood, but they’re left feeling the Brigadier is suspicious. Besides, the Brigadier said he received reports about the successes of the Cossack unit, but surely the reports also mentioned that the leader was in British uniform?

The Brigadier informs them that the Germans are rushing headlong to reach the railway, and they are detailed to support a tank regiment in bringing down those Germans. Along the way they come across the last of the old A-9s and bring it along for its last fight. Faraday suggests a strategy his unit knows very well: set up a trap of explosives, in this case a frozen lake, and use themselves as bait to lure the Germans into it and send them to a freezing death beneath the ice. The plan works, though Faraday has taken a bullet in the arm from it.

The Brigadier presents Faraday with the Order of the Red Banner and has a message for the “English Major”. Yes, he saw through it, and Faraday has lost his fake Cossack moustache anyway. Also, the British are asking about their two missing men. So Faraday and Tom are under marching orders – or rather, flying orders – to go home, and their plane is waiting. They leave with great respect from the Brigadier and cheers for “Galloping Jack” from the Cossacks.

But Faraday and Tom are not home for long, as the Depot Commander is always eager to get rid of Faraday. When Faraday recovers from his bullet wound, he assigns him to a horse-and-mule transport unit in Burma. Faraday volunteers Tom as one of his team. “Here we go again…” thinks Tom. Those assignments never give poor Tom the chance for well-deserved disembarkation.

Thoughts

This Commando came out the year after another Matysiak Jnr Commando, “Traitor’s War”, and one can see how his artwork has advanced between the two issues. The linework is cleaner, sharper and neater, and there is more attention to fine details, while in “Traitor’s War” some details look like they could have been handled with more care.

Horse stories are always popular with girls comics readers, so the story should give girls comics readers some appeal as well as boys. It gives the reader a taste of the world of the war horse, which makes a change from stories about ponies and show-jumping. And the glimpse we see informs us that the world of the war horse can be a tough one.

For one thing, there are the conditions the war horses face, which in warfare can be hellish, such as trekking across harsh terrain, being at the mercy of the weather, and there is the worry of running out of horse fodder, which may not always be easy to resupply in wartime. Not to mention the horrors and terrors of battle itself. By instinct they rear and bolt at the sound of gunfire, yet have to “stand like a rock” when a gun goes off right at their ears. “I’m blooming sure I wouldn’t!” thinks Tom, who must have felt great pangs of sympathy for the horses he has to help cure of gun-shyness. They are also at the mercy of their masters, and not all masters would be like “Galloping Jack”. This is illustrated in the scene where the Cossacks, out of ignorance and probably haste to get to the front, decide to shoot the sick horses, and they would have been if Faraday had not been there. Thank goodness there were no scenes of outright cruelty to the horses, which must have been an occupational hazard of the war horse as well.

The story makes a change from the more usual Commando formula of hero vs villain, which climaxes in a final confrontation where the villain gets killed off (blown up, shot, nasty accident or whatever) or captured. Instead, it’s more of a character development story, plus it features the journey story (always popular in girls comics) and action and adventure for the boys. Using the odd couple scenario also adds humour to the story. Tom and Faraday are an odd couple over machines and old-fashioned horses, but events prove that together they make quite a team, with their opposing intererests complementing each other and both proving invaluable to the cossack unit.

Faraday is somewhat pompous and obtuse – for example, he seems totally oblivious to the fact that his depot commander, “an old enemy”, dislikes him. And he refuses to remove his monocle when he dons Cossack disguise although wearing it could mar his disguise: “Certainly not. A chap has to keep up certain standards.” And his love of horses goes a bit overboard sometimes. But for the same reasons he’s also a funny character and gets many of the best lines that make the reader laugh.

Tom is more the sympathetic character of the odd couple. Although he’s Faraday’s constant companion, he seems to be a long-suffering one and never gets the chance for disembarkation because he always gets roped into those damn assignments with Faraday. He suffers even more in learning to ride a horse and the ins and outs of cavalry, and by the time it’s time for the cavalry charge, he hasn’t fully mastered it. He finds operating something mechanical, such as the machine guns or setting mines, a welcome relief from riding a horse. It’s not clear just how experienced he has become as a horseman or whether horses have grown on him by the time he leaves the Cossacks, but he must have emerged appreciating horses a lot more.

Both their interests prove invaluable in making the traditionalist and somewhat backward Cossack unit a more formidable fighting force than it would have been otherwise, what with Tom’s expertise in mechanics, explosives and modern warfare technology and Faraday’s experience with German forces as well as horses. The Cossacks start off not knowing a thing about German uniforms and call tanks “iron carts”, and emerge much more strategic and clued-up about how modern warfare works. Let us hope that they can now get along fine without Faraday and Tom. It must have been quite a wrench for them to leave the Cossacks. They were well settled in by the time they were discovered, and readers must have been hoping and wondering if they would stay. Sadly, their orders were to go home, and orders were orders.

The Secret Spring

Plot

Josie and Emma Redford had travelled to Tibet with their father on the track of a mysterious flock of birds that had attacked people near their home in England — birds thought to have been extinct for three million  years. In Tibet they befriended Lo-Ching, a Tibetan boy educated in England. He had travelled with them on their journey to the mountain city of Ganzing.

Notes

Appeared

  • The Secret Spring – Judy: #1434 (4 July 1987) – #1442 (29 August 1987)

Days of the Dangerweed

Plot

The world was at the mercy of the Dangerweed, a deadly fungi which caused terrible destruction. The only hope of overpowering the plague lay in a formula devised by Professor Radlett, After he had been caught by the weed, his three children, Nina, Judy and Jamey, began the long and dangerous journey to deliver the formula to London.

Notes

Appeared

  • Days of the Dangerweed – Judy: #719 (20 October 1973) – #732 (19 January 1974)

The House of the Silver Sword / Suzette of the Silver Sword [1963-1968]

  • The House of the Silver Sword–  Diana: #01 (23 February 1963) – #07 (06 April 1963)
  • Suzette of the Silver Sword – Diana: #86 (10 October 1964) – #93 (28 Nov. 1964)
  • Suzette of the Silver Sword – Diana: #178 (16 July 1966) – #186 (10 September 1966)
  • Suzette of the Silver Sword – Diana: #212 (11 March 1967) – #219 (29 April 1967)
  • Suzette of the Silver Sword – Diana: #264 (09 March 1968) – #275 (25 May 1968)
  • Art: Don Walker (series 1-2), Jesus Redondo (series 3-5)

Plot

One of the first stories to appear in the Diana comic, although only 7 episodes long, it returned for a further 4 series. The story follows a promising young fencer, Suzette Jamieson. In the first series The House of the Silver Sword, 14 year old Suzette is determined to become a great fencer like her famous ancestors. Her teacher advises her she shows promise but needs more that 1 lesson a week if she wants to win the Championships.  Suzette knows this won’t be possible as her parents struggle to afford what they do provide, but then a letter from her Aunt Claire arrives. She has invited Suzette to stay with her,  as her mother has described her as bossy and bad-tempered, Suzette isn’t sure about the offer, but her parents tell her it is a good opportunity. Her Uncle Henry, a famous fencer will be able to give her daily lessons during her stay. Meanwhile at Beaugarth house, Aunt Claire and Uncle Henry are discussing Suzette’s arrival. Aunt Claire wants to make sure their home and the famous silver sword that has been passed down through the generations is left to a true Jamieson. Her other niece, Glenda, has been a disappointing swords-woman in that regard. Glenda overhearing this, starts scheming against Suzette as she wants the fortune for herself.

While Glenda acts nice to Suzette, two serious accidents happen after her arrival, the canopy on her bed falls down and sharp piece of metal is left in her glove. Luckily she escapes both incidents unscathed. Her Uncle Henry is much kinder and softer than Aunt Claire but also no fool, right away he suspects Glenda of having a hand in the accidents and tells Suzette, but she can’t believe someone would be so spiteful. Glenda continues her campaign against Suzette, she slashes a painting of ancestor and sets Suzette up to take the fall. Henry clears her name by proving she couldn’t have reached so high. Then on the day of the qualifiers she sends a fake telegram saying Suzette’s father is ill and she needs to return home immediately, luckily a train mix-up means Suzette finds out her father is fine and gets to compete in the heats for qualifying for championship. As a last desperate attempt Glenda throws Suzette’s fencing gear in a duck pond. Glenda is exposed, although Suzette has to go to competition in the soiled gear. This leads to mockery by the other competitors, and she has a run in with her biggest competition, Moira Parr. Despite these obstacles, Suzette goes on to win championship and weeks later Suzette now the owner of the silver sword also has her portrait added to the Jamieson collection at Beaugarth House.

When Suzette returns in the sequels the stories are now known as Suzette of the Silver Sword. In the 2nd series Suzette’s father’s business is failing, and she has no choice but to sell her silver sword for some money. As she is about to sell it she sees a young girl, Wendy Carstairs, being terrorised by some toughs. Suzette scares them off and is offered a job by Mr Carstairs as companion to his daughter, he also buys the silver sword but says she can use it any time and he would also like her to teach Wendy to fence. Since moving to the house, there has been a campaign to get the Carstairs out. Wendy who has already lost her mother, is a very timid and scared girl, Suzette helps protect her and also build up her confidence. Suzette helps fight off the gang attacking the house several times, and also does some investigating. Finally they pretend to leave the house for good and see that the gang had hidden stolen jewellery in the house which is why they wanted the Carstairs out. While waiting for the police Suzette and Wendy  keep the gang occupied. Mr Carstairs in gratitude says Suzette can keep the silver sword and the money from the reward for her father.

In the third series, Suzette is in Austria, to compete in a Fencing Contest. After a minor bus accident she gets separated from group and comes across a girl being attacked. She saves the girl, Annalise and is invited back to castle where she lives with her guardians, the Wagners. Suzette is told Annalise is due an inheritance but only if she can prove she is a good swords-woman like her ancestors by taking a test on her 16th birthday. Annalise while technically good, has been put off by the attacks and then the appearance of the Black Swordsman, a fencer dressed all in black who Annalise thinks is the ghost of a man who killed an ancestor 100 years ago. While Suzette certainly doesn’t believe in ghosts, it does seem he has knowledge of the castle with an ability to disappear quickly (it turns out there are secret passageways in the castle). In discussion with the Wagners, it seems the likely culprit is Annalise’s cousin, Rudolf, who will inherit everything if she fails her test. Suzette spars with the black swordsman several times and also with the return of the men who attacked Annalise the first day she met her. Suzette comes up with the idea to pretend Herr Wagner was badly injured in one of these skirmishes, this finally gives Annalise the motivation to fight back. Together they take down the Black Swordsman and his hired men, and reveal that it was Rudolf behind the mask. Annalise does well on her test and has proven herself honourable and brave, deserving of her inheritance.

In the 4th series Suzette is hired to teach  a group of actors to fence for the parts in the play “The Three Musketeers”. The lead female is Sara Lawrence but someone uses her fear of spiders against her shocking her and harming her voice. Suzette first suspects her understudy Joan may have a hand in it as she has the most to gain, but Joan is quickly cleared. The next likely suspects is one of the men playing the musketeers, especially after an accident at fencing practice where the swords button is removed. The “Spider Man” continues to strike at Sara, and also Suzette to stop her interference. She is lured into a trap where she is bitten by black widow spider, but luckily is found and brought to the hospital in time. After another encounter with the Spider Man, Suzette narrows her suspects down to two, Tony who plays D’artagnan or John who plays Porthos. After nearly drowning at the hands of the Spider Man, Suzette helps set up a trap luring him out with Sara’s return to stage. She catches John in the act of trying to attack Sara, but with Suzette’s swift actions, John is bitten by his own spider. John had attacked Sara to get revenge on her father who had paralysed his sister in a car accident. Then they reveal Sara is still safe and it was her understudy pretending to be her. For the actual show Sara is able to return and have a successful performance, sharing applause with Suzette for all her help.

In the 5th series Suzette is forced to be bodyguard to Julie Diamond by her crook father when he kidnaps her parents. Things are dangerous as rival gang run by  Costello wants to get Julie as revenge on Diamond, but Julie does not know any of this so is quite annoyed to have Suzette around all the time. Julie meanwhile wants to star in an ice show, which makes Suzette’s job more difficult but she convinces her to audition in disguise under a pseudonym. Julie proves she can get the part without her father’s name. Julie makes the mistake of trusting her friend Rod, he plans to betray her for money, but Diamond gets to him first. He tells Julie he paid him off, but actually has him locked up in part of the house. Suzette has some sympathy for Rod after seen he has been beat up, but he tries to use her sympathy to escape. He is foiled but now Suzette is more on her guard. When Julie’s disguise is accidentally exposed at a rehearsal, Suzette has to join the show to protect her. It all comes to a head when Costello’s men come to ice rink and attack, a fight breaks out between the two gangs while Suzette tries to protect Julie. The Costello gang are defeated but one confesses it was revenge for Diamond taking jewels that Costello had robbed. Diamond goes to jail and the Jamieson’s are released. Suzette attends the ice-show and ca friendship has grown between her and Julie, se knows she wasn’t aware of her father’s criminal activity and will continue to be there to help her of her own free will now as a friend.

Thoughts

When reading the first series, it seemed like a standard story of a jealous relative trying to make protagonist look bad while acting nicely to their face. It is not a story that I thought would spawn many sequels and yet Suzette continued to have adventures, although very little in common with the first series. She is of course and an accomplished fencer, which comes in handy, but her inheritance, Beaugarth House, aunt and uncle aren’t even referenced again after the 2nd series.  Instead she ends up finding herself  with mysteries to solve and young girls to protect. There are some common threads across some of the series such as Suzette happening upon girls being attacked is an occurrence in 3 of the stories, (although in the last series it is a set up by Mr Diamond to test her) and her teaching 2 of the girls fencing, but all the stories stand on their own. It’s funny in the first series Suzette seems a little naive, not believing her cousin could be so nasty, whereas in later series no-one if above suspicion for her, perhaps her experience made her less trusting.

While the first couple of stories were fine, personally I think the stories got stronger later, the fifth story is my favourite. While she is still a fencer, they don’t feel the need to make that a big point in the 5th story, Julie has no interest in learning fencing unlike Wendy and Annalise in the earlier stories. In the 4th series it makes a change to have Suzette unknowingly teach the antagonist about fencing, and Sara who she protects is a singer. In the fifth series they go a step further, the only time fencing is used is for defense, Julie has no interest in fencing but proves herself an excellent skater. It is nice that the friendship grows between her and Suzette, as she starts of a bit antagonistic towards her. This story also has the most stakes, as Suzette’s parents are kidnapped so their well-being is dependent on her doing a good job body-guarding Julie.

Diana had high quality paper and really gives the artists to show their range, Don Walker in the first 2 series really can show his range with more shading.  The first series goes into more particulars about fencing, I am not that familiar with the sport but the stances do look convincing to me, so I believe Don has done good job depicting the sport. I do like his work, but Jesus Redondo is really the best on this series, though that may be in part due to him given more interesting things to work with in the later series. It is interesting to see this earlier style of Jesus, while recognisable as his, it is a lot more subdued than his later work.

 

Beware the Purple Trumpet

Plot

Nat Durrant, a botanist, and his daughter Avril found a strange flower called the purple trumpet floating in a river in the Himalayas. Shingo a native servant said it was dangerous and he was proved right when the natives of Yatung village who had been caring for the plant were all affected by a strange sleeping sickness. Nat set out to search for the White Cactus as its juice was said to to cure the sickness. After he left a party led a man by the name of Braun, arrived by helicopter looking for the source of the plant and planned to take Avril hostage. She and Shingo escaped and went searching for her father to warn him.

Notes

Appeared

  • Beware the Purple Trumpet – Judy: #680 (20 January 1973) – #691 (7 April 1973)