Meryl Mertz and her friend Heidi are looking after an abandoned baby. The baby turns out to be Princess Lorna, heir to the throne of Livonia, and soldiers and bounty hunters are looking for her everywhere. So in addition to the demands of baby care they have to constantly hide her and rescue her from constant dangers.
Terry True has taken a job as a model, but she has to keep it secret from her grandmother because she disapproves of modelling. This leads to all sorts of difficulties.
Sue Dawson goes into her Aunt Maud’s confectionery business, which really starts booming after Sue discovers Old Mother Mabel’s Sweetmeats recipe book. Their sweet shop starts undercutting the business of the unpleasant Mr Hale, so he tries to buy the recipes. When he gets a refusal he shows he is capable of getting them by underhand means. But he has reckoned without the ghost of Old Mother Mabel, who returns from beyond the grave to help Sue and her aunt.
Published: Bunty #1652 (09 September 1989) – #1661 (11 November 1989)
Episodes: 10
Artist: Douglas Perry
Reprints: None known
Plot
Carol Hastings is a difficult girl and getting into wild company that her parents don’t approve of. When they remonstrate with her, she reacts against it by running away, thinking she’s unloved and unwanted. Eventually Carol gets fed up and decides to return home, but it’s too late. While out looking for her, Mum ran out into the road without looking, got run over, and is now seriously injured.
Dad takes this very badly and blames Carol for it. He says he will never forgive her, especially when it looks like Mum could become wheelchair-bound. Their relationship becomes extremely embittered. Dad lashes out at Carol at every turn. He never wastes an opportunity to say he blames her and will never forgive her, tells everyone in town it’s all her fault, and won’t even let Carol visit her mother in hospital.
Carol blames herself too and has a terrible guilt trip. Also, the shock has sobered her up and she resolves become more responsible and sensible. She does whatever she can think of to help her father (doing housework, cooking, helping to get his new business going, etc) in order to try to mend her relationship with him. But none of it makes any impression on him and he remains entrenched in his acrimony towards her. It does not help that sometimes things go wrong, such as Carol’s old crowd turning up at the worst time and getting Dad angry as he always disapproved of them.
Aunt Sally does not blame Carol for the accident and tries to help the situation. She tells Carol that when Dad was her age he ran away from home twice and was soon returned home, no harm done, which helps Carol to feel less guilty. However, reminding Dad of those incidents does not improve his attitude towards Carol.
What Mum thinks of where the blame lies for her accident is not known. Dad won’t let Carol see her, and when Carol finally gets the chance she is too ashamed to go.
Eventually Carol gets fed up with her embittered father and her efforts to reconcile going nowhere with him, and she turns to an act of rebellion. She and two friends go into town and cause trouble in a boutique. However, when the matter is reported to the headmistress they have to confess and take the punishment, which makes Dad even angrier. This time Carol lashes back at him, telling him how she’s tried so hard to prove to him that she’s improved, but all he does is hate her. She then locks herself in her room and him out, unable to take any more.
This has Dad wake up to how harsh he’s been and he goes to Mum for advice on how to put things right. As luck would have it, Carol’s birthday is imminent. So at Mum’s suggestion they throw a surprise party for her to patch things up, with Mum returning home for it. Dad tells Carol that from now on they will work things out together.
Thoughts
This is definitely one of the best emotional stories Bunty has ever published, but sadly not well remembered. It has intense moral lessons about the need for compassion and empathy rather than condemnation, and not let bitterness and hatred run away with you when someone makes a mistake that they already regret themselves, especially when it is a member of your own family. For if you do, you will only make that situation even worse, for both yourself and them and everyone else around you, when what’s really needed is working through the situation and trying to heal. There are so many situations in real life (as I have read in magazines) that parallel with Carol’s. A loved one just won’t respond to you, talk to you or show they still love you after some incident makes them fall out with you, no matter what you try to make things better or how much time passes. If only they would, as Mr Hastings did in the end, things would be so much better all around.
The story also turns several conventions in girls’ comics on their heads, which makes it an even more interesting and unconventional story that’s a bit different and refreshing. The first is the redemption theme. Carol starts off as a difficult, thoughtless girl who is asking for something serious to happen to make her a more thoughtful, mature girl. Usually this happens towards the middle or end of the story, but here it is right at the beginning, when the shock of Mum’s accident has Carol realise that she needs to be more responsible and sensible. She really tries, but it just goes nowhere with her embittered father. She gets frustrated and gives it up as hopeless. But instead of resorting to desperate measures as some protagonists have done, she vents her frustration with a stupid act and shouting back at her estranged father, which is a brilliant touch of realism. Ironically, this becomes the turning point in resolving the story.
The second is the protagonist running away from home. When a story uses this device, it usually comes at the climax of the story, when the protagonist has been pushed too far. But here it comes at the beginning of the story, and it drives the plot for the rest of the story instead of being the turning point in resolving it.
The third is the guilt trip theme and someone blaming the protagonist for some unfortunate incident. Often this is resolved with the person either finding out they were mistaken in blaming the protagonist or the protagonist redeems herself in some way, but neither of these things happen in this case.
Lastly, there is the resolution of the story. For once it does not come with the protagonist being pushed too far, running off, and have the people who drove her off realise what they have done. Nor does it occur with the protagonist getting knocked down by a car. Instead, it is resolved with a reconciliatory act on behalf of the father, once Carol’s anger has him realise what his bitterness has done.
Is Carol really to blame for her mother’s accident? It’s probably a matter of how you look at it. Carol did not do it directly or intentionally of course, and there was no way she would have known that running away would lead to it. Besides, as Aunt Sally says, running away or even contemplating it is something kids do frequently, and Dad is guilty of it himself. Directly, it was because Mum was not looking when she crossed the road, but that was because she was distraught, and Carol did trigger in motion the events that led to it. Dad blames Carol, Carol blames herself, Aunt Sally does not blame Carol at all, and what Mum thinks is not recorded, but when she reappears in the story it looks like she holds no grudges. Is it really Carol’s fault through what lawyers call causation, or was it just one of those things and extremely rotten luck?
One thing is certain: it does more harm than good to harbour hatred over the incident, and forgiveness and serious counselling are far better for everyone concerned.
This was the second to last Judy annual published, and is filled with an impressive 25 picture stories/humour strips, 2 text stories, 2 poems and 2 features. The cover is winter themed with Judy making a snowman. Inside it has the opening splash page of Judy & Co. at Summer Fayre and the last pages has them at the Winter Fayre in the same composition, I like those bookend type pictures. This book also has a table contents. There are a nice variety of stories; a good lot of humour, spooky, drama and a bit of Christmas magic. Plenty of regulars make and appearance such as Junior Nanny, The Honourable S.J, Wee Slavey and Bobby Dazzler. There are 5 specifically Christmas themed stories, and others that seem to be set around winter. (For just a list of contents go to the next page)
A Christmas Wish (Pages: 4-11)
Art: Guy Peeters
Starting things off on a Christmas note, this is the story of Jenny who lives with her invalid mother in small flat, in a poor part of town. Jenny tries to stay positive for her mother’s sake, especially as this may be her last Christmas. She tells her they will have nice Christmas goodies as she goes out shopping, while in reality her savings don’t stretch to much. She picks up a small turkey, bruised apples and a few cheap flowers for her mom. Returning home she trips in the doorway and is helped by a girl. The girl then asks a favour to help her and her friends deliver toys to children’s hospital. Jenny although anxious to get back to her mom, is happy to help a good cause. Afterwards as she is returning home, the driver who is dressed as Santa, asks her what her Christmas wish is. Jenny says she would like a beautiful view for her Mom on Christmas, as she is confined to the flat.
The next moment Jenny wakes up in hallway, she thinks she must have been knocked out when she fell and it was all a dream. When she picks up her shopping she is surprised by a change, everything she bought seems to be fresher and bigger. When she goes to her Mom Christmas morning and opens the curtains, they see it has been snowing and it makes the usual dull view look beautiful, delighting Jenny and her mom. It’s a nice story with a bit of Christmas magic to get readers into spirit of things.
What is a…Mum?/ Dad? / Brother? /Sister? (Pages: 10 / 48 / 81 / 113)
These fun little strips consist of one page (7 panels) and start with “a mum is someone who…” and then gives 6 panels of more annoying habits of the family member, before the last panel showing a good quality.
“Don’t Touch My Hair!” (Pages: 14-15)
Art: Matias Alonso
Liz Croft is delighted when she gets picked to act for a shampoo commercial, but this fame quickly goes to her head. She becomes more boastful, but a worse trait is she becomes over cautious about minding her hair. Because she doesn’t want it damaged, she makes excuses to miss a swimming competition, backs out of helping at a friends BBQ, she spends some of her moms money on expensive shampoo and attacks a girl who catches her hair in door as a joke. The evening the ad is meant to air, she invites some people to watch but is in for a shock when her part get cut. She is upset about this, and even more upset realising what how foolish she has been, she decides to cut her hair and hopes to make up for her past actions.
It’s a good lesson learned for Liz (and for the readers) about priorities and not to get swept out by looks or fame. It has also some really nice art.
Wee Slavey (Pages: 17-21)
Art: “B Jackson”
At the Shelby-Smythe house, William’s nephew, Nigel, is visiting. Nellie is quite fond of the charming and pleasant man, but William is not impressed with his career aspirations. Nigel is hoping William can help with his acting career, but William refuses. As Nigel leaves, he tells Nellie his only hope is to get in contact with a long absent Aunt Clarissa. Then coincidentally a few days later Clarissa arrives! Nellie hopes to get a message to Nigel but is caught and reprimanded by Lady Amelia. Clarissa hearing this thinks she could do with a servant if they are not happy with Nellie. Of course the Shelby-Smythes can’t be without Nellie, so end up giving her wage increase much to her surprise. Meanwhile Clarissa is talking abut how well Nigel is doing and William thinks maybe they should invest in him after all. Later at Christmas dinner, Nellie accidentally knocks into Clarissa and her wig falls off revealing “Clarissa” to actually be Nigel! He assures the family he was about to reveal himself anyway, and he just wanted to prove his acting talent. William angry at being made a fool, wants him out of the house. Nellie can’t help but giggle at Nigel in the dress and soon the whole family see the funny side and Christmas is saved!
While this is set at Christmas, it’s not very prominent in the storyline, other than the dinner and the importance of family. There are other more Christmas themed Wee Slavey stories that come to mind first, so it was only on a re-read I realised this was set at Christmas! Wee Slavey can always be relied on to be good fun and Nellie usually comes up on top.
Pepper the Pony (Pages: 22 / 112)
In this long standing humour strip of Lucinda and her pony Pepper, they manage to get the upper hand in the two stories presented here. In the first strip, Lucinda’s cousin Basil arrives showing off his 4 wheel drive car boasting about how much better it is than a horse. But Lucinda outsmarts him by challenging him to race, which she wins as when they come to a wall of course Pepper can jump while Basil is left stuck in the car.
In the second strip another arrogant person, Sheila, looks down on Pepper for not being as groomed as her horse. Lucinda does spruce Pepper up, but Sheila still makes nasty comments. She gets her comeuppance when she jumps into muddy water with her horse and there the ones that look unkempt.
The Badge (Pages: 23-27)
Julie is delighted when Johnny gives her his Fleece Club Badge, as it’s a sign that they are a serious couple. But even so, Julie can’t help but feel insecure, especially When Johnny is talking to friendly and pretty girl Wendy. Her and Johnny have a fight about this, and soon after, when she is out, he collects his badge back from her mom. Then she sees Wendy with a badge and she looks guilty. Julie is terribly upset until Johnny turns up for disco. He had taken badge to make it into a pendant for her. She realises how silly she was, Johnny’s been quiet because of exams and Wendy looked guilty because she is nice person and had heard they quarreled about her. She finds out from Johnny that Wendy is now going out with another Fleece Club member. She feels happy and content now.
There isn’t a lot of romance themed stories in this book, this story while not a favourite is still fine. Julie’s insecurities seem relatable, and I’m glad that Wendy wasn’t some antagonistic girl trying to steal her boyfriend, she is just a genuinely nice person.
Judy & Co. (Pages: 28 / 58)
Art: Norman Lee
Our title character gets two strips on this book. In the first Judy prepares herself, making sure she’s comfortable and won’t be disturbed so she can read her favourite magazine “Judy”. Always a little strange when characters in these books reference the book they are fictional characters in, but it is a regular occurrence! (it’s also acts as advertisement so readers know they should pick up weekly issues).
In the second story, it’s a more straight forward humour set up. Judy tries to sled into boy to get their attention, but they jump out of the way except one…. a snowman.
Cinderella Jones (Pages: 29-32)
Art: Oliver Passingham
At Happyholme they are celebrating Mr Jones 50th birthday and mention how Agnes 50th birthday will be soon after that. Cindy goes to give Agne’s Aunt Flossie cake and she goes to take her photo, but Flossie tells her she already has lots of photos and encourages Cindy to look through them. When Agnes hears Flossie still has a photo of her entry to a beauty contest when she was 18, she gets very snappy, tells Cindy to get on with housework and for the rest of the day she is in a bad mood. Agnes decides it’s time for a clear out and makes a big bonfire, getting Cindy and Mr Jones to do most of the work. Agnes brings out more bags to bur,n but Cindy notices they are Flossie’s photos, she finds the one stepmother doesn’t want her to see and she sees why she wants it burns. Agnes chases her around, she makes promises of more money and help for Cindy. The photo shows that Agnes has been lying about her age shes 55 not 50. Mr Jones wonders whats going on but Cindy says its just her and Stepmothers secret and burns the photo. Agnes praises Cindy and then gets Isobelle and Sarah to get up off sun loungers and help.
Another on of my favourite characters, I like that despite everything Agnes and Cindy do have a good relationship, and Passingham does a great job at the comedic expressions. It is one of those stories where Cindy often breaks the fourth wall, addressing the reader directly, which is fun and gets reader more invested with the character.
My Sister’s Keeper (Pages: 33-37)
Alison Fry lives with her parents writers of child psychology (what an oddly specific job, for something that barely comes into play). She is happy when they decide to foster a girl the same age as her, Glenda. Not much is known about her, she had turned up nearly a year ago with no family. Alison tries to be welcoming, when she enquires about a box she has, Glenda is very possessive of it and asks Alison to never open it. One day Alison finds her in the woods one day talking to someone but she can’t make out who. Glenda says it was her sister, Serena, an air hostess. When she voices her concerns to her parents, they tell her orphans often invent siblings when they are lonely and she just needs time to adjust (presumably their psychology knowledge coming in useful!). Glenda still goes off on her own a lot and talks about her sister to other classmates, making things awkward for Alison.
Glenda tells Alison her, that Serena is taking her to Tunisia for a week and then when Alison can’t go to school because of cold, they are very worried when Glenda doesn’t return. They go to talk to her form teacher who says her sister collected her. Alison gets the idea to look in Glenda’s box for a clue. In it she finds a newspaper clipping dated exactly a year ago with story of air stewardess saving passengers in a flight to Tunisia but herself and sister Glenda were killed. Spooky stories where it turns out the person was a ghost all along was quite popular in annuals, presumably as the reveal was a good way to end the story and fitted well into the short story format.
Candy’s Crowd (Pages: 40-47)
Art: Eduardo Feito
Candy and her friends Ann, Patti and Di are all going on a skiing trip with the school. Ann is upset that her dad may get new job and she will have to leave Fullwood and her friends. Mr Potter, one of the teachers that is meant to be organising the trip is very scatterbrained, so he muddles things up such as what rooms everyone is in and nearly taking Bernice’s mom’s bag. Bernice is a pain and know it all so Candy’s not too upset when she hurts her leg, while showing off. Meanwhile Patti’s getting to know some boys and Ann finds out her father got the job, so girls want to try and make this the best holiday. On the last night they have disco and fancy dress competition. After return home, Patti is going to miss Alan, the boy she met, but she gets over it when she hears about new neighbour. Meanwhile Ann hadn’t heard the whole story about her Dad’s new job, it turns out he isn’t taking job as his current job has given him a promotion, so Candy’s crowd get to stay together.
Candy’s Crowd was Judy’s soap story for a while but not as well known as other similar stories like The Comp or Penny’s Place. Still it is fine story and also notable for Eduardo Feito’s art.
Linda’s Lesson (Pages: 52-57)
Art: “B Jackson”
In 1890 Linda Robertson starts her first day as a maid in the Cobden house. Linda’s mother thinks she doesn’t know what hard work is, and that is why she has been sent here, but Linda thinks it’ll be easy. She soon finds that her mother was right, not only is she worked off her feet, the butler Mr Bennet slaps her for impertinence and cook gives her a small grisly piece of meat for dinner. Linda says some odd things and she gets another slap for asking what coal is. She tells another maid Daisy about her mom and that she is going to contact her saying she’s learned her lesson. She goes upstairs and pulls out a computer. It turns out Linda’s from 200 years in the future, she returns and tells her mom she wont ever complain of chores again. Especially as it’s so easy in 21st century as we see her command robot to do all tidying. (Yes she really had little to complain about!)
The Girl with the Golden Smile (Pages: 59-63)
Art: Bert Hill
Anna Marshall is a trainee at Westerby’s department store, meaning she moves around all the departments in the store. One day in the china and gift department Anna learns about their wedding list service that the store runs, where people can leave a list of gifts they would like and wedding guests can come and pick an item off it. One such customer that is using the wedding list, is a young bride, Bridget. When Bridget’s great grandmother arrives to look at the list, Anna notices she seems troubled. Then Anna notices the problem, all the items are very expensive, and the old lady is feeling deflated. But Anna comes up with perfect solution, a crystal vase, they come in all sorts of sizes including miniature and that can fit in the old lady’s budget.
A few weeks later Anna is in the bakery department and delivers a wedding cake to Bridget, there is one problem for Bridget as she’s not happy with the plastic decoration. Again Anna has a helpful suggestion, then the way out she bumps into the great grandmother who has come to see the wedding gifts displayed. She thinks Bridget is ashamed of her small gift, but it turns out it is now in pride in place on top of the cake (thanks to Anna’s suggestion). She is so happy that it will even be in the wedding photos, Anna thinks today the grandmother has the golden smile.
Bridget seems to be a bit thoughtless, from the little we see, I think her wedding preparations might take a toll on the people around her! It is a very sweet story though, because you do feel for the great-grandmother, who is put in an awkward position thinking she can’t afford anything, so it is nice to see how everything works out and she gets a boast of pride at her present being so important.
Big ‘n’ Bertha (Pages: 64)
Anther humour strip, here Dad tricks Big and Bertha into falling into pond as he takes their photo, by asking them to take a step back. But they get their own back by making him back into wet cement when he takes another photo.
The Honourable S.J. (Pages: 65-80)
Art: Paddy Brennan
This is set during S.J and Ann’s time at Millford. It is Christmas and S.J still has all the girls fooled that she is nice person, only Ann knows better. She wants Ann to convince the girls to buy her a porcelain horse for Christmas, but she is too late to persuade them and they buy her a big box of chocolates. S.J. is not going to let it go that easy so she steals the chocolates and then makes sure Ann will get the class to get the right gift to replace them. She also steals £10 from a student’s Christmas card, then lends her £10 saying she can pay back next term, making her look very generous.
Ann is then invited to the Christmas Ball at Moorfield Hall by the Headgirl. She thinks S.J will be mad and stop her, but she says she will be home in the Cheetwell Hall playing Santa for children of a local orphange. Then Ann hears her scheming on phone with her chauffeur, Wilson, telling him to wait for her at side gate of Moorfield Hall and she will be in her Santa outfit. Ann at first thinks S.J. is out to spoil things for but then she realises S.J. being more devious than that and is after the jewellery that Lady Moorfield gives out every year. By coincidence at the party, Ann sees S.J. dressed as fairy attack the Moorfield Santa, when she confronts S.J. she locks her in a cloakroom. Luckily there’s another way out, but she isn’t in time to catch S.J.. Ann thinks S.J. has won again, as without any other witnesses, no one will believe her. S.J makes appearance at the Cheetwell party giving gifts to orphans will look good for her in the paper though she really wants to get away and check out her goodies. Ann after returning from the party hears the news of the theft, and she is delighted to find out that this year Lady Moorfield sold her jewellery to help carious charity and each box tells what charity it has gone to. While Ann happily takes in this news, S.J. is discovering this herself as she opens up the boxes, it’s not fair, she thinks!
It’s quite a long story at 16 pages, and anyone that wasn’t familiar with S.J. certainly gets to know what kind of person she is. The actual main plot of the Christmas ball doesn’t get going until later in the story, so we get to see S.J.’s other devious scheming beforehand. It is very satisfying end to see that things don’t work out for S.J and her expression at finding this out is very well conveyed.
Who’s Spoiling Things for Lucy? (Pages: 82-89)
Art: Claude Berridge
Lucy feels lucky to be at the Lamona ballet school, as she only got her place because she first reserve. One of the other girls Jane makes some nasty comments about her, and doubts her abilities. Luckily she gets friendly with a girl Karen, who sticks up for her. Then things start going wrong for Lucy like her hair-tie and shoe going missing or her music sheet being changed. Lucy and Karen suspect Jane, but she always seems one step ahead even when they try to keep things safe. Things get so bad that Lucy will have to leave the school unless she can prove herself in one last performance. On the day of the performance Karen’s friend Jackie visits her. It seems they both got into the school, but when Jackie’s father got a job in America she had to give up her place, when the job fell through it was too late for Jackie to get back in. Karen is surprised to hear Jackie is no longer upset about this, after reading Karen’s letters she realised all the hard work involved and only wants dancing as a hobby.
Of course it is then revealed that it was Karen playing the tricks on Lucy, but knowing Jackie no longer wants a place, she rushes to get Lucy’s dress from where she hid it, but it is gone. She is confronted by Jane who has figured everything out, she promises not to tell Lucy though. Then Lucy arrives her dance has gone well and she is being kept at school. While Jane won’t say her enemy is, she tells her Karen will explain everything!
With other similar stories it’s not a surprise that the secret enemy is actually the supposed friend. Karen’s motivations are to help another friend but getting someone dismissed from school is a terrible thing and its hard to imagine Lucy being too forgiving! We don’t know what the consequences are as the story ends before that, but Jane making Karen own up herself rather than telling on her is a good start.
The Frog Prince (Pages: 92-95)
Art: Wilf Street
Lady Eleanor is beautiful but vain and cold-hearted. She has many suitors because of her beauty, but she won’t settle for anything less than a prince and others she scares away with her demands. When her father asks her to distribute gold to poor children in the village instead she gives it an old lady (whom she had just insulted) when she says she will marry a prince. She tells her to go to an enchanted pool at midnight on the last day of the year where she will see a frog with a crown. He is an enchanted prince and one kiss from her will complete the spell. She does as she says, but he doesn’t change, he tells her he is already prince of the pool so why would he change instead she changes into a frog to become his princess!
Junior Nanny (Pages: 97-101)
Art: Oliver Passingham
At the residential nursery, all the kids have been irritable and fighting after a bout of heavy colds. Chris Johnson and the other nurses, think a trip to Santa might cheer them up. But then while queuing one of the children, Lucy, says she wishes she had a mummy to bring her to Santa, and that subdues everyone. The next day Chris meets some women from the old folks home and they talk about how nice it would be to have a visit from the children. Chris isn’t sure that the children will bring much joy, with the way they’ve been feeling. Then she comes up with idea and enlists Matron’s help to make an announcement that Santa has sent urgent message. He needs help from the children as the old folks have asked for a visit as a Christmas gift. Chris tells them to be his little helpers they need to practice being cheery. So on Christmas Eve after a successful visit the children through acting happy become happy and decide they want to adopt the old people as their grandparents. Chris is relieved to see lots of smiles Christmas day.
A nice Christmas story and reminder of how it can be tough for those without families so nice to see everyone come together and have a happy ending.
It Never Rains But it Pours (Pages: 105-111)
Art: Julio Bosch (Martin Puigagut?)
Raye doesn’t like to see her quiet cousin Amy do better than her, so when Amy get a date with Peter, a jealous Raye tries to sabotage it. She convinces Amy to take Peter to the disco on their date, as she knows that’s not his scene. Then when she comes across a rainmaker pendant at a stall, it seems like an extra way to make the date go wrong. The rainmaker appears to be a genuine article so when Raye lends it to Amy, her and Peter get soaked on the way to the disco and have miserable time. The next day Amy, is returning pendant to Raye when it starts raining again. Peter happens to be out fishing and tells her to take cover under her umbrella. The get on better this time as they have time to actually talk to each other, then Amy accidentally drops pendant into river. Amy apologies to Raye about pendant but tells her it seemed to have brought her luck, bringing her and Peter together.
Another nasty character out to spoil things while pretending to be nice, surprisingly the magical element of her scheme isn’t questioned much, but I suppose the main thing is it doesn’t work like she planned.
Bobby Dazzler (Pages: 114-117)
Art: Giorgio Letteri
After a talk to the school by Sir Jacob Lang , owner of local woods, Bobby has her eyes peeled for poachers. Unfortunately her suspicions prove false, as Mike and Don confront bird watchers and friends of the forest society on her urging. After all those false starts, they reproach Bobby for being so suspicious, so when they happily help some men out carrying their bags, she tries to see it as positive. But then of course it turns out the men were the poachers and disappear quickly leaving Mike and Don to be caught by Sir Jacob. It’s an amusing (if standard) Bobby Dazzler story.
The Power of the Song (Pages: 118-125)
Art: Guy Peeters
While walking through a subway on the way to school, friends, Faye and Kelly, hear a busker singing. For Kelly the lyrics seem empowering “Dream the word and you can say it. Dream the deed and you can do it” but Faye finds it unsettling. Later at school Kelly is upset when another girl Trish gets the part of Rapunzal in a play. Faye tries to cheer her up by saying its just because she looks the part with her long hair. Kelly says she has a mind to cut it off. Faye assumes she’ll calm down but is shocked when she actually does it, people say things they don’t mean all the time. Kelly tells her it’s because people don’t usually have the nerve but hearing the buskers song has given her the nerve. And she’s not the only one, soon more and more people get in trouble, one girl cuts her cheating boyfriends brakes, people are fighting and the school is getting wrecked. Faye talks to the busker but he says he doesn’t have any powers, and he isn’t putting bad ideas in her friends heads they were already there. Faye uses his song against him, telling him she wants him to go away, which he does. Things return to normal for a while but then she sees in magazine that the busker is to get his own countrywide tv show!
What if we actually always did what we said we’d do, especially in anger, is a scary thought! Faye and others feel guilt for not stopping their friends actions, because they dismiss it as throwaway words and in ordinary circumstances they’d be right. While the busker says the ideas were in the people’s heads already, we don’t see any one do positive things, so it does seem to be only the bad ideas he encourages, and he appears to get some enjoyment out of it. We don’t know where he came from, but the ending means he won’t be gotten rid of so easily!
Wedding Belle (Pages: 49-51)
Spot Art: David Matysiak
Belle Love is a bridesmaid for hire, she gets a job with Carol who has had to move her wedding forward as her and her husband to be are moving abroad due to job opportunity. But moving the wedding to Christmas Eve has brought some problems. Firstly Carol’s Spring dress isn’t ideal for the weather and it’s too late for alterations, luckily Belle comes up with solution to make winter capes made from new velvet curtains her mother has decided she doesn’t want. But then Carol is disappointed so many people can’t make the wedding as she always dreamed of getting married in a full church (Like The Girl with the Golden Smile story seems another Bride that has not thought of other people’s circumstances in the wedding plan). There are two invitations leftover and Carol says Belle can use them though it won’t make a big difference. Carol is surprised on the wedding day that Belle has managed to fill the church for her. She had sent the two invitations to an old folks home and children’s home and is Carol is delighted.
I Hate My Gran! (Pages: 102-104)
When Gina’s sister Rosie moves out Gina is upset at first as they were very close, then she cheers herself up by thinking she can have Rosie’s bright big bedroom. Her parents soon put stop to that plan, when they tell her they’ve invited Gran to stay. Not only losing out on the room, Gina finds her Gran living with her causes other annoyances, such as not being able to play her records so loud, her gran always asking her to run errands and she not feeling comfortable inviting friends around. Another blow comes when she gets a chance to go to a disco but her parents have no money to give her for a new outfit as the spent so much on Gran’s new room. A little while later Gran calls Gina into her room, she had made her a stunning outfit for the disco that she had copied from magazine. She tells her it is to make up for the room and a thanks for all the errands she runs. Gina suddenly sees things from her Gran’s perspective, it must be awful to give up her independence and leave her home and being so old that running to post office is a big job and she realises she hasn’t been very welcoming. She thanks Gran for the dress and then she stays asking her if she wants to play cards. Thinking about the times her and Rosie played cards, she now thinks Gran could take Rosie’s place as a special friend.
It’s a nice story and we can see why Gina would be frustrated by the changes but glad to see her understand how much more difficult it is for her Gran and that it’s start of building a good relationship between them.
There are just a couple of features in this annual; how to make a Dressing Table Tidy (Page: 16), Part Time / Yummy! (Pages: 38-39) which have some tips on how to hold party, what games to play, decorations and music and some recipes that you could use for the party.
Then there are two poems Quite Contrary (Pages: 90-91) which is a poem about everything being topsy turvy such as dogs taking their owners on walks and ducks feeding humans and Anticipation (Page: 96)which is about a dog waiting to be taken for a walk.
This is another annual that I first read when I was younger (and re-read many a time), so have a certain attachment to it. I’m also a big fan of most of the Judy regular characters so always good to have more stories of them. Some of my favourite stories here are; Cinderella Jones, Cinderella is a story that has been told and reimagined many times but this is one of my favourite versions, the comedic characters (captured brilliantly by Passingham) and family dynamics are always fun. The Girl with the Golden Smile and I Hate My Gran!, I like for similar reasons as the older person gets recognition, the difficulties of growing old acknowledged and happy ending thanks in part for younger women seeing things from their perspective. Maybe I’m getting more sentimental as I grow older, they were both sweet stories I thought. On the other side of things Power of the Song is an unsettling, well done story with decent art by Peeters and a more subdued colouring that’s fitting. Other honourable mentions go to The Honourable S.J. in particular for that last page where S.J. realises her scheme has gone wrong A Christmas Wish which is nice story for the holidays and What is a… which are fun little strips (when I was younger I did compare it to my own family members to see what held true!)
My least favourite is probably It Never Rains but it Pours, not a terrible story but there are more interesting stories in the book and though other stories have similar tropes (i.e. the false friend), this didn’t capture anything extra for me. The Badge was lower down on my list initially too, but has actually grown on me over time. I did enjoy re-reading all the stories here even those I wouldn’t consider my favouites and as always there’s lots of great art to look at as well.
Published: Debbie Picture Story Library #85
Artist: David Matysiak
Plot
Jill Watson has always wanted a pony but her farmer father can’t afford one. Jill’s solution: ride a cow named Jack instead. This draws the scorn of two riders, neighbour Eunice Bowman and her snobby friend Amanda Price. They scare Jack into a gallop, which makes him jump a hedge and Jill to fall off. Realising things have gotten out of hand there, they manage to catch the bolting cow, but Jill is furious with them.
When Dad discovers Jill had an accident with Jack he is adamant that Jack has to go, and he will be sold at market. He won’t listen to Jill’s protests that it wasn’t Jack’s fault.
Jill takes Jack out for one last ride and discovers Eunice and Amanda have set up jumps on Long Meadow. She tells the cheeky things to stop trespassing and clear off her father’s property, but Eunice and Amanda say not to be so sure about that.
It’s not long before Jill finds out what they mean: Mr Bowman has found a document that enables him to challenge the Watsons’ ownership of Long Meadow at the Little Chiddington Point-to-Point Race. This arrangement was set up generations ago when the same thing caused a neighbour dispute with their ancestors. Dad consults his lawyer, but finds he’s stuck with it. It’s legal: if the Watsons lose Long Meadow at the point-to-point, they will go bankrupt and lose their home. So they have to find a horse for the point-to-point. Eunice will represent the Bowmans at the point-to-point.
Meanwhile, Jack escaped when Dad tried to take him to market and he has not been found. He did a lot of jumping over hedges while getting away. So when Jill eventually finds him, it hits her – use Jack as her mount to win the point-to-point. That way, Dad will change his mind and not get rid of Jack. In the meantime, she keeps Jack hidden in an old shed. She also checks out the point-to-point rules, in case there is a rule against non-horses. Colonel Dempster, who is organising the point-to-point, is quite surprised at Jill’s query, but can find no rule saying outright that the mount has to be a horse: “As far as I can see you can enter the family goat if you like!”
Dad, who knows nothing of what Jill is planning with Jack, has borrowed a horse, Scimitar, for the race, but is not fit enough to ride him. He has to take to his bed after trying, but won’t listen to reason. He continues to train, regardless of his condition. In the end it takes doctor’s orders to put an end to that. Scimitar is too big for Jill to use.
Meanwhile, Jill and Jack begin training in earnest, using the jumps Eunice and Amanda have so kindly set up in Long Meadow. When the two bullies tease her about it, Jack really sends them off. But then they discover where she is hiding Jack and hide her saddle. Jill is forced to ride Jack bareback and the bullies are shocked when she gets badly hurt trying to do so. They send for help anonymously and then guilt has them quietly return the saddle.
But Dad’s view of Jack has not changed and he locks him in the cowshed, ready for sale. Jill, now recovered from her fall, resumes her training with Jack regardless. Jill hauls Dad out of bed to show him what she can do with Jack – tackle the most difficult jump of the point-to-point, Foster’s Dike. Once Dad sees Jack clear the jump that so many horses have shied at, he finally relents, and gives Jack and Jill his blessing for entering the point-to-point. So Jill sends in her entry form. The Colonel is a bit surprised at Jill entering a cow, but hey, it isn’t against the rules, remember?
At first Eunice and Amanda are laughing at Jill entering Jack in the point-to-point. But when they see what serious competition Jack and Jill have become, they decide to pull a dirty trick instead. They leave Jack in Benning’s Pond overnight to make him too ill to enter the event. By the time Jill finds him he has indeed become ill from a bug he caught in the pond, and his condition worsens so much they fear for his life.
The vet isn’t able to do much, but Dad recalls Mr Darbury knows a lot of old-fashioned animal remedies. Fortunately, Mr Darbury has experience with cows catching the same bug in that pond and makes up the remedy he used for them. Jack responds to this treatment. Mr Darbury is confident Jack will recover in time for the point-to-point, and he does.
Eunice and Amanda are surprised and dismayed at Jack and Jill turning up at the point-to-point. Jill has realised they put Jack in the pond, and she tells them it’s revenge time by beating them at the event.
At first Amanda and Eunice get the lead on Jill once the race begins. But Jack soon proves himself a better jumper than their mounts and is catching up. Amanda goes down once Jack catches up with her, much to Jill’s satisfaction. But Jill has to catch up with the others and the only way to do so is tackle Foster’s Dike, the jump that the other point-to-point riders have avoided and gone the long way around. They clear the Dike and get ahead of all the other riders except Eunice. On the final lap Jack and Jill are neck and neck with Eunice, but pull ahead and cross the finishing line first. They have saved their home.
Thoughts
The idea of a show-jumping cow is not as absurd as it might sound. There have in fact been real-life cases of riders training cows as show jumpers. Often this is because, like Jill, their parents can’t or won’t let them have horses. The writer was probably inspired by such cases. Nor was this the first girls’ story to feature a show-jumping cow; Bunty, for example, ran a serial about a show-jumping cow, “Broncho Buttercup”, in 1970.
While Broncho Buttercup was played for laughs, Jill’s Jumping Jack has a more serious mission. He is the only hope the Watsons have of saving their farm. In addition, he has to prove his worth in order to avoid being unjustly put down.
Many of the obstacles Jill and Jack face are pretty routine and have been done before, but they still work and keep up the tension well. Jealous rivals pulling dirty tricks when not heaping scorn on our protagonist. Parents out to get rid of our heroine’s beloved pet after getting angry for the wrong reason. Parent/relative being stubborn about winning for the sake of the family and having a hard time accepting that the spirit is strong, but the flesh is weak. The protagonist having to hide the pet while getting him ready for the big event because she can’t train him openly. The animal falling ill (or disappearing) so close to the event and must recover in the nick of time.
If Jack were a horse the story would be even more routine. It’s him being a cow that makes it more interesting and catches the reader’s eye. In fact, the biggest obstacle and the most novel one of all is Jack proving his show-jumping worth as a cow. Even without the other obstacles thrown at them, Jack would still face ridicule as a show-jumper because he’s a cow and everyone would be laughing at him at the point-to-point. We’re not shown any of that, though, probably because the story can only fit so many panels into its page limit. The only scorn we get to see comes from those two snobs.
The title “Jill’s Jumping Jack” is clearly a play on jumping jacks and Jack and Jill. It may be funny punning, but there is one problem with this. If Jack is a cow, cows are female, and therefore Jack should be a female and have a female name and female pronouns. On the other hand, Jack does not appear to have an udder.
In the 19th century, Polly Pickles is left alone after her mother’s death, and gets no respite as the landlord immediately kicks her out of her home and takes all the furniture to pay for rent owed. She escapes the parish Beadle who wants to take her to the workhouse orphanage, but with no where to go she has to stay on the streets. Hungry, she offers to work for a baker for some food but he only shoves her away, dropping a loaf of bread in the process. In desperation she grabs the loaf but the baker chases her.Her first bit of luck is she runs into a lady who pies for the bread, claiming Polly was bringing it to her and then offers Polly a home. The lady Miss Darby, brings her to a nice home with lots of other children, she calls her home a school and tells her she has already made a good start in her lessons. Polly is shocked when she realises that Miss Darby means it is a school for thieves!
Miss Darby tells her they only steal from the rich and it is all for a good cause. She brings her out for her first lesson with two other girls Emily and Matilda. They are all dressed up, so no-one would mistake them for common urchin thieves. Miss Darby tells Polly it is important to look respectable, and the girls certainly use this when the steal from a woman and slip the purse to Miss Darby and are out of sight before the woman realises what has happened. Polly gets her first task when Harry steals a watch from a captain. Miss Darby realising he is a good man that rescued people from a shipwreck, gets Polly to return the watch. She does this by knocking some books and when he bends over to help pick them up she pretends he must have dropped his watch. With this being a success, it’s time for Polly to do the reverse and Miss Darby asks her who is deserving to be robbed. She chooses Mr Grice the sweatshop owner where her mother use to work dressmaking. She is nearly caught but Miss Darby’s intervention helps her escape, but then she runs into the Beadle. Luckily again her new family are looking out for her and Harry helps her escape. Polly hopes to share Mr Grice’s money with his worker’s but Miss Darby tells her it would raise too many suspicions and she has a better use for the money.
Seems someone has been keeping an eye on Miss Darby’s operation, Ned Griffin, a thief himself, he is not fooled by their “respectable” looks. He confronts Polly and Harry, they manage to give him the slip, but he is still hanging around the street where they live as he suspects their base is around there. As he is not familiar with Emily and Matilda, they approach him then frame him for stealing their jewelry, calling to police for help. He runs away and the police take chase, and though he was trying to blackmail them, the children are still upset when he fall in front of a train and is killed.
Miss Darby is still away but Harry takes Polly on a job. Polly is to distract Lord Lester while playing with hoop while Harry takes a case of money. The men figure out she is an accomplice and take her prisoner in hopes to exchange her for the money. Polly isn’t going to passively take this, there seems to be no escape from room, but she hides in chimney making them think she has escaped then runs out. Lester and his men are soon after her, but they are met by Miss Darby and the police! She claims Lester kidnapped her niece, she will let the matter drop if he gives donation to charity. Harry admires her nerve with her convincing everyone she is a respectable lady, though Darby counters that is exactly what she is. The next day she shows them where the money has gone to – building a home for unwanted children, they will no longer have to steal and she wants only happy days for all of them from now on.
It is nice to see this story has a happy ending and Miss Darby’s motives were sincere. Many of these kind of stories would have the protagonist tricked and used by the “kindly” benefactor. At the start Miss Darby does seem genuine, and her return of the captain’s watch seems like she has her own morality code, but the reader might still be cautious, perhaps she is just lulling Polly into false security, especially as some of her actions seem suspicious. Such as not wanting to share the money with workers and going away on secret trips. Luckily it is her charges she has in mind and the people she robbed aren’t ones that would earn our sympathy.
It’s easy to see how Polly is lured into this world, the welcoming Miss Darby, the nice clothes and food and warm house. Her career as thief is slowly built as she progresses from returning an item, to robbing from someone she knows is deserving of it, to stealing from a stranger. The set up of having them all look respectable certainly makes their activities easier. While there is not one villain in the story, there are several antagonists that Polly has to outwit, all at different social levels. Firstly the Beadle, who pops up twice to try and take Polly, he is in authority to do his job, but the orphanage would be worst than a jail sentence for Polly and even when she has a home, he still pursues her not believing her. Then Ned, a ruffian, who is the most dangerous as he is on to their scheme. The children feel bad about his untimely end but Ned was dangerous and was suspect in a murder himself, so a bit of karma for him to fall in front of train. Lastly there are the people they rob, Mr Lester being the most proactive, actually kidnapping Polly as he wants a chance to get his money back and he believes the police would be of no help, and he is into some shady gambling herself. Polly while she does get help from others, she can be quite proactive, maybe learning more from Darby’s “school” she is quite crafty in how she gets away from Lester. It’s nice to see Polly’s new family look out for her and it is satisfying end that she has found a home and won’t have to continue stealing to earn her keep.
These are two different stories, both with art by David Matysiak and creepy plots (fitting with the Halloween theme) as the stories follow girls who enter somewhere they shouldn’t have…
Anne Havers and five of her friends all are heading off camping, their mom’s are there to wave them off and make sure they have packed everything. Before they arrive they are caught in a downpour and with the campsite being next to a river the place is very muddy, so they decide to camp in a better field. Because of the rain they don’t see a sign saying not to camp past that point. When they do notice it, the girls take a vote and decide not to move camp. Anne goes to local farm to get milk and feels bad for misleading the woman about where the camped. On her return she notices two saplings that she hadn’t seen before, but that is soon forgotten when she finds Lucy and Lynn have disappearance. Worse yet the other girls don’t know who she is talking about when she asks after them.
Anne thinks maybe they are playing some sort of joke she cycles off to find her missing friends and tries to phone their home in case they left after a falling out, but the phone booth is vandalised. Cycling around she notices a lot of places named after Druids, she remembers reading about how there were a lot of druids in these parts who worshipped trees, but then all those trees were cut down to help make the village. She returns to the field, now noticing four saplings next to the great big oak tree, and she find only Karen left camping. She begins to realise Karen isn’t joking that she believes only the two of them went camping. She makes the connection with the new saplings and the missing girls, but before she can get her and Karen out of there, the tree grabs Karen, turning her into a sapling. Anne tries to make a run for it, but when she’s caught she says her parents will come looking for her. The oak tree thinks “the 6 brides would flourish under its protection ) and one day as more brides were claimed, Druid’s forest would be restored to it’s former glory”. In the end we see Anne and Karen’s mother talking, after seeing a nice checkout girl, about how it would have been nice to have a daughter.
Jan Curtis was anxious about starting her new school on the wrong day. Not relying on her mom’s diary, she shows up to school and sees a girl and follows her to assembly, thinking her mom did got the date wrong. The corridors feel very chilly, and then she notices an odd thing that all the students are dressed in different uniforms some of them look very old fashioned. She asks if it is some kind of fancy dress, but the girl explains that of course they have different uniforms because that is the uniform they would have had before they died. Every year they come back to school the day before the start of the term to continue with their studies. Jan is shocked that means they are all ghosts!
Jan tries to explain to the teacher she shouldn’t be there and though her name isn’t on the register, the teacher won’t believe her. She gets a cane across hand for insubordination but luckily it doesn’t hurt her. She needs to get out of the school, but finds the gates all blocked with fog. The headmistress also wants to see Jan, and from what her new ghost friend, Jessica has told her, the head has the power to trap her forever. Jessica brings Jan to the clock tower to hide out, in the hopes that if she lasts until lessons are over she may be able to get back home. There the find old class pictures including one of Jessica, before she was killed be a a bomb in the war. Jan recognises the picture as her mom has the same one, it turns out Jessica is her aunt! With the head and teacher coming close to finding them Jessica turns back the clock and her plan works as it turns back the whole day, she tells Jan to remember not to enter the school. The next instant Jan finds herself outside the school before 9 o’clock with no memory of events but she does think she has the wrong day and goes home.
I thought these two creepy stories were a good way to round out Halloween. David Matysiak always does well in capturing an unsettled vibe and the supernatural. I enjoy both stories, Brides of the Forest has the darker ending with the girls turned into trees, and been wiped from existence from their families. A warning for those who may decide to ignore signs! Jan in The Wrong Day makes a genuine mistake which is maybe why she gets a happier ending escaping the place she could have been trapped in.
The school is interesting idea having schoolgirls of all eras come and complete their studies. As it’s only once day a year, I wonder where they are the rest of the time and if they have any awareness of their other ghostly existence, do the spend the rest of the time haunting? with other deceased family? not existing? We only really get to learn about Jessica, but there other potentially interesting ghosts. In this case a lot more could be explored if there were more episodes. For Jan’s journey the story does it’s purpose, realising her mistake, trying to escape and letting her connect with her Aunt, it is a bit of a shame she loses all her memories.
The Druid’s Field is a lot less forgiving and it is quite creepy, as the girls slowly disappear and when Jan figures out what is happening it is quite horrific image to see the tree grab her. The end is a nice tie in to start with focus on Anne and Karen’s mother, a change from their fussing about their daughters in first panel, to not remembering their existence in the last panel. Both stories have intriguing premises and for the most part deliver on these, I think Brides of the Forest has a bit more of an edge over The Wrong Day, but both still work well with the short time they have to tell the story.
Glenda Johnson’s cousin Julie comes to stay. However, things keep going wrong around Julie, which gives everyone, even Glenda’s parents, the impression that Glenda is jealous of her. This, combined with Glenda having green eyes, has people calling her “Glenda Greeneyes”. Eventually Glenda gets so fed up with the moniker and unjust accusations of jealousy and spite that she writes to her grandmother for help.
Drawn by same artist as “I’ll Get Rid of Rona!” from Tracy.
We’ve been spoiled for choice this October for creepy comics both old and new, so I thought I should look at a few of them.
Rebellion of course have been leading the charge releasing the third volume of Misty and the first volume of The Thirteenth Floor from Scream! as well as the second Scream!/ Misty Halloween Special. Elsewhere we also got the independent Bite Me Comic , and while not out in time for Halloween Comic Scene the Uk comic Magazine will have their Magic & Horror issue out in 2 weeks.
Starting with Misty Vol 3: Wolf Girl & Other Stories, this 
makes a change from the first two volumes, instead of printing two serials, it prints one and a collection of related short stories. This isn’t a bad format considering Misty had far more short stories than serials. I think it is a bit weaker than the first two volumes, but they are hard act to follow as they had some of the strongest and fan-favourite stories. This is also the first volume where not all the credits are known, while the writer of Wolf Girl remains a mystery the art of Eduardo Feito is captivating. The story is about Lona, who is rescued and raised by a wolf after her parents were killed in an accident. She is found when she is two and adopted and brought up with no knowledge of her past. But her past catches up and hitting puberty she starts acting out in a feral way, eventually she runs away from home and tries to embrace her other nature. It story moves along quickly,maybe too quickly particularly the ending is a bit sudden. I do like that Lona has been very “civilised” until this point and her struggle between her two upbringings is well done, it contrasts with something like The Taming of Teresa, where her bestial nature is slowly made more civilised.
The short stories follow the Wolf theme; Poor Jenny, (a personal favourite that made it into my top short stories list here),The Curse of the Wolf, Twin Catastrophes and Wolfsbane. Along with a few other extras these fill out the book nicely. I’d be happy enough if they decide to keep with this format printing some short stories with a serial and I like they’ve kept an overall theme. There are still some Misty stories I would have preferred to see, but I’m sure there will be plenty of other Misty volumes in future that will cover them.
Scream! an even sorter lived publication, has also had 3 volumes of stories reprinted, Monster, The Dracula File and The Thirteenth Floor, while I haven’t had a chance to pick up the latest book, I did pick up The Dracula File not so long ago. I really enjoyed the book, the art is amazing and the story captures the Dracula myth and places it perfectly in a “modern” day Britain. The biggest flaw is the story was clearly taking it’s time building to something (although it is not a slow read, it’s quite a page turner!). Stakis (the ex KGB agent hunting Dracula) doesn’t arrive in Britain till about halfways through the story and then in, what would have been the last issues of Scream!, we are shown a flashback to Dracula’s past. It leaves quite a lot unresolved which is a pity. Still it is an excellent Count Dracula story, which I would recommend. Certainly it encourages me to pick up the other Scream! books in the future, I’ve read a little of The Thirteenth Floor and have liked what I’ve seen. easy to see why it’s being picked up for new stories in the specials.
Speaking of the special.. Scream!/ Misty picks up from the previous year’s book with continuing stories for The Thirteenth Floor and Black Max. They are joined by other potential ongoings Decomposition Jones and Black Beth. On the more Misty side of things are some short stories Best Friends (new for the book), Mint Condition (a reprint of a limited seen fanzine) and Boookworm (reprint from Misty). I think overall this issue is stronger than last year, it does still have the problem of some stories being more set up for ongoing, but most felt satisfying on their own. The art throughout is great too, my favourite is probably Black Beth, gorgeous work. I enjoyed Decomposition Jones, though it highlights that this book is aimed at an older audience than the original books and Mint Condition about girl trying to keep her inheritance of Misty Comic Collection in pristine condition. The Thirteenth Floor is darker than usual as we see someone not deserving of such treatment, take a trip. Best Friends is a fun cautionary tale and Bookworm is still good on a reread. I also appreciate the release of two alternative covers again this year, which are both stunning.
Bite Me comic in someways is more what I expected of the Scream/Misty special. As I mentioned above, the special seems more aimed at an older audience (the grown up readers), this however feels more similar to the old comics I used to read while still being new. They are all short stories but I could see at least two stories that could have potential for ongoings, The Moonlight Girls and Clarabelle and the Ghostly Locket. The Moonlight Girls I especially liked, as girls with names of Diana, Tammy, Judy and Mandy gather around a fire to tell a spooky story of The Countess. The Doll Sitter and Night Light are both creepy stories and then rounding out the comic is two Misty reprints Who Killed Teacher? and oddly enough Twin Catastrophes which as mentioned above was also reprinted in the Misty Volume 3 book. There’s a few vampire related features to round the comic out. From what I have gathered Bite Me is a vampire based magazine that comes out bi-annually, with this being a special switch to comic, I don’t know what the future plans, if this is just a once off, but I would certainly be happy to see more of it. I will also say delivery service was fast and even came with thank you note from the editor. (http://www.bitememagazine.com/buy-bite-me-comic)
Finally I wanted to give a mention to Comic Scene Magazine, it is full of great articles looking back at the old UK comics and what is currently on the scene. It’s approach of having a theme for each issue (humour, war, sport etc.) is an interesting one, also if money is tight it makes it easier for reader’s to choose the issues that interest them most. I of course picked up issue 1 which was focused on Women and Girl Comics, and looked at things such as Misty, Supercats, Valda and Cat Girl (the IPC character not the DCT one). The upcoming fourth issue will look at Scream & Misty, Girls Comics Spooky storytellers, New Doctor Who and Sandman among other things. The magazine seems to be going well, so it will be a good resource. (https://comicscene.tictail.com/)
While I haven’t done a very in depth review of these books, I think its good to highlight what’s available these days and I’ve certainly enjoyed the range of books we’re getting.