All posts by mistyfan

Watchdog Winnie (1977)

Plot

Winnie Woods is tasked with being a watchdog on Carla Carstairs, a spoiled girl who is on the brink of being expelled from St Wogan’s for misbehaviour. In return, Carla’s father, Sir Horace Carstairs, funds Winnie’s schooling at St Wogan’s. But Winnie finds that being Carla’s watchdog, keeping her out of trouble and foiling her schemes comes at her own expense.

Notes

  • Artist in annual appearances may be Stanley Herbert

Appeared

  • Watchdog Winnie – Bunty:  #1004 (April 9, 1977) to #1029 (October 1, 1977).

Other Appearances

Annual Appearances

  • Watchdog Winnie – Bunty annual 1978
  • Watchdog Winnie – Bunty annual 1979

Big Ben and Little Lena (1976)

Plot

Lena Dawson lives on a small farm. Mr Burton, who runs a stable, allows her rides on his ponies. Mr Burton dies when a tree falls on him, and his will leaves the stables to one of the girls who attends his stables, but only to the one who scores the most points in a marathon pony trek using their own horse. Lena doesn’t own a pony, so she uses farm horse Ben, and has to ride him bareback as Ben is too big for a saddle.

Notes

Appeared

  • Big Ben and Little Lena – Bunty: #970 (14 August 1976) – #980 (23 October 1976)

Ingrid at Push-Button Academy/The Dunce from Outer Space (1970)

Plot

Ingrid Bergen’s father, Professor Bergen, runs Push-Button Academy, a high-tech academy where everything is mechanised and pupils are taught by robot teachers.

In The Dunce from Outer Space, an alien named Astra joins the school reluctantly, but she doesn’t want to learn and keeps causing trouble. Her parents are leaders of their planet and insist she is to be educated, and if Push-Button Academy fails, they threaten to destroy it!

Notes

  • At least one serial appeared under its own title but was part of Push-Button Academy.
  • Ingrid appeared in “Two-Ton Ingrid” and possibly “Invisible Ingrid” and “Ingrid and the Magic Wand”.

Appeared

  • Ingrid at Push-Button Academy – Diana:  Unknown if the serial title appeared in Diana or if each story arc had its own title. Publication dates unknown.
  • The Dunce from Outer Space – Diana: #368 (7 March 1970 ) – (?)

Other appearances

  • Ingrid at Push-Button Academy – Diana Annual 1969
  • Ingrid at Push-Button Academy – Diana Annual 1970
  • Ingrid and the Robot – Diana Annual 1971
  • Push Button Academy – Bunty PSL #249 (1984)

Ruby of the River (1967)

Plot

Ruby Morrow’s father, Professor Morrow, leads an expedition into the African jungle to find a mysterious tribe known as the Ghost Tribe because they seem to appear out of nowhere and vanish again. When he disappears, everyone thinks he is dead except Ruby, and with the help of a man called Big Fella, she takes a motorboat on the river to find him. They catch an English-speaking girl called Mosa in their camp, and discover she has items belonging to Ruby’s father. They are caught by the Ghost Tribe and taken prisoner, but they escape before they are killed. Ruby finds her father, who was being kept prisoner to sacrifice to the Ghost Tribe idol. They rescue him and escape. The father sends in an armed party in helicopters to deal with the Ghost Tribe.

Notes

Appeared

  • Ruby of the River – Bunty: #508 (7 October 1967) – #514 (18 November 1967)

 

Jackie Annual 1981

LIVING

A to Z on How to Make the Most of Yourself (pp. 22–23)

Your Jackie Guide to . . . Kissing! (pp. 40–41)

A, B, C of Life, Love and You (pp. 44–45)

Things That Scare Boys (p. 47)

I Was So Stupid . . . (pp. 62–63)

I Didn’t Try to Understand (pp. 82–88) (artist Brian Delaney)

QUIZZES

Are You Nice or Nasty? (pp. 8–9)

Bring Out the Beast in You! (pp. 42–43)

How Moody Are You? (pp. 66–67)

What’s Your Dream Home? (pp. 78–79)

FEATURES

How To Put Him Off You! (pp. 24–25)

Something in the Way He Looks (p. 32)

A Dozen Desperate Measures to Get Yourself into Shape (p. 33)

Boy Talk (p. 34)

Contain Yourself! (p. 34)

Get It Write! (p. 35)

Season’s Eatings! (p. 39)

What Line Is He Handing You? (p. 46)

Are You a Write Give-Away? (pp. 50–51)

Patchwork (p. 64)

Get a Move On! (p. 65)

Clothes for All Reasons! (pp. 74–76)

POP

Your Jackie Christmas Carnival! (pp. 6–7)

Guess Who? (p. 27)

Your Special Jackie Pop-A-Cross! (p. 43)

Which Santa’s Knee Would You Like to Sit On? (pp. 52–53)

Star Turn! (pp. 72–73)

Beautiful Baddies – and Gorgeous Goodies! (pp. 90–91)

BEAUTY

The Look for You! (pp. 17–21)

ASTROLOGY

Your True Colours (p. 2, p. 94)

FUN

You Know You’re a Winter Winner When . . . (p. 5) (artist David Matysiak)

A Dotty Dozen (p. 39)

Spot the Grot (p. 61)

Don’t Monkey Around with the Wrong Boy! (p. 77)

Madge and Beryl (p. 80) (artist Malcolm Bird)

How to Cope with the Festive Season (p. 81)

Where Do the Boys Go in the Winter? (p. 89)

You Know You’ve Come Down to Earth with a Bump When . . . (pp. 92–93) (artist David Matysiak)

FICTION

The Adventures of Leonard J. Watkins (pp. 10–16) (artist David Matysiak)

Fly Me to the Moon (pp. 28–29) (writer Mary Hopper)

A Girl’s Best Friend (pp. 36–38) (artist Santiago Hernandez?)

To Make Him Forget (pp. 48–49) (writer Amanda Mandinian)

If His Love Be True . . . (pp. 54–60) (artist Norman Lee)

FASHION

Be a Cover Girl! (p. 26)

Change Gear – for a New Year! (pp. 30–31)

Look Ahead! (pp. 68–71)

In this entry, we are taking a look at Jackie Annual 1981. Jackie was a DCT title that ran from 11 January 1964 until 3 July 1993. After girls felt they’d outgrown Bunty et al., the next DCT title on offer for them was Jackie, a teen magazine for girls filled with pop stars, teen and fashion features, quizzes, fashion, beauty tips, gossip, agony aunt column, true-life stories and, of course, boys galore. Also in the mix were comic strips and short stories (which declined by the 1980s), with emphasis on romance and family issues. One humour strip, Leonard J. Watkins, was unusual for having a (bumbling) boy as the star of the show. Other cartoon strips included Madge and Beryl.

In its heydey Jackie was the best-selling teen magazine Britain, particularly in the 1970s. The problem page, “Cathy and Claire”, helped to make it so. Jackie also absorbed picture-story title Diana.

The annual itself features DCT artists who are familar to us, including David Matysiak and Norman Lee. They are in charge of the picture stories and spot illustrations. There are no photo stories in the annual. Photos are used for spot illustrations. Stories are comparatively few in number. The teen features, fashion, boys, quizzes and pop stars have a much higher presence, but the stories that are present are a welcome relief to the teen stuff.

The two true-life stories, “I Didn’t Try to Understand” and “I Was So Stupid” (to be fair, the ensuing trouble is not all the girl’s fault) are brought to life in two different ways. The former is in picture story form, drawn by Brian Delaney, and the latter is in text form and illustrated with spot photos that look like more like stock photos than accompanying photos posed by models.

As it is an annual, naturally there are some Christmas features to join the fashion and pop star favourites of Jackie readers.

My Brilliant Friend (1990)

Published: Bunty Picture Story Library #324

Artist: Unknown

Writer: Unknown

Special thanks to Lorrsadmin for helping me find a copy.

Plot

Josie Manton is a brilliant girl who excels at everything. By contrast, Josie’s best friend Debrah King seems to be a born loser and never shines at anything. Debrah keeps hearing the remarks from other girls. Some say Josie must be jolly decent to hang about with such a loser, while others say she could do better than Debrah and hanging around with such a loser is holding her back. Even Debrah wonders why Josie bothers with a loser like her for a friend instead of girls more like herself.

Athletic Mary invites Josie to her athletic club and artistic Lisa to her art class, to sharpen her edge with more fitting competitors. Josie declines both times, saying she wants to stay with Debrah. Debrah assumes they’re just trying to split her and Josie up, but she still thinks these remarks must be so disparaging for Josie.

Debrah speaks to her gran, who recently came to live with the family, about it. Gran prompts Debrah to try harder, and instead of putting herself down and compare herself unfavourably with Josie, encourage herself with a positive attitude. So Debrah tells Josie that she has decided to make something of herself and be a friend Josie would be proud to have. Gran encourages Debrah in every way and helps her with her defeatist attitude. But not surprisingly, Debrah still has problems with confidence and breaking away from comparing herself to her brilliant friend.

Both Debrah and Josie go for an art contest, but Debrah throws her effort in the bin, thinking it’s not good enough compared to Josie’s. Unbeknown to her, gran rescues it and enters it in the contest.

The school craft fair comes up. Instead of helping Josie with her stall as she did before, Debrah decides to run one of her own. Gran helps Debrah makes lucky mascots out of pom poms to sell, but just as things are about to start, the mascots go missing. Debrah eventually finds them in a rubbish sack and accuses Lisa, the girl in charge of the sack and was always harshly comparing her artwork to Josie’s, of taking them. Lisa is upset at the accusation, but Debrah is impressed at how Josie smooths things over. She’s such a good friend. Then, at the fair, Debrah’s cash box is stolen and people think she stole the money for herself. Debrah finds herself an outcast, with only Josie sticking by her and more comments from the other girls at how Josie could be so loyal to a girl like Debrah, who doesn’t deserve it.

The maths teacher sets a homework test paper on decimals, but while Josie is a breeze on it, Debrah struggles with it, thinking she’s a duffer on the subject. At home, when gran explains decimals to Debrah, she suddenly finds it easy and gets the test done in no time flat. But at school, Debrah’s maths book with the test in it goes mysteriously missing after she hands it in. She is forced to do the paper again, but her new confidence falls to pieces and she struggles with the decimals once more.

School Sports Day is coming up, and there are more remarks from Mary about how Josie could do much better at the sports club instead of training beside a loser like Debrah. Josie sticks up for Debrah, saying she’s her friend. Gran determines that Debrah’s athletic skills lie in jumping, not running, so Debrah enters those events. However, on the day, she hears Josie calling for help from the gardener’s shed. When she goes there to help, someone locks her in. This causes her to miss her events and her explanations are not believed. Debrah surmises someone must have been mimicking Josie’s voice to play a dirty trick on her, but Mary has an alibi. Josie, however, does not. In fact, she went missing for a while after competing in her own event…

The following day, Debrah receives a letter that she made it to the final of the art show, and finds out what gran did for her. Josie made it too, but Debrah doesn’t tell her she is also in the final because she wants it to be a surprise. At the final, Debrah wins the landscape section. The judges say they liked the spontaneous impressionism of Debrah’s work over Josie’s “chocolate box” effort. Debrah is concerned at how Josie must be feeling about this, but Josie’s reaction is both a shock and surprise: she claims the picture is a preliminary sketch she did and Debrah stole it from her! As the girls were together when they painted the pictures, Josie must know that can’t be true, but when Debrah confronts her about it, her only response is “Just leave me alone.” The prize-giving is put on hold while Josie’s claim is investigated.

Appalled at Josie’s conduct, Debrah decides to go over to her house and speak to her about it, but she gets no answer. After determining Josie is out, Debrah hides in the shed to catch her by surprise when she returns. In the shed, she finds her missing money box and maths book. At this, she realises her so-called best friend was wrecking her attempts at success the whole time.

When Josie returns, Debrah confronts her over it and demands an explanation. Josie replies that she wanted her to stay the way she was, not be good at things. But if it’s no longer the case, she’s through with Debrah.

So, the brilliant Josie hung around loser Debrah because she was a loser? And now she isn’t, she’s dumping her? What gives?

When gran hears about this, she surmises that Josie can’t face competition or anyone going one better than her. She declined the invitations to the art class and athletics club because she was afraid of the competition. The real reason she hung around Debrah, a girl who never shone at anything, was to make herself look better by comparison. It’s probably due to a confidence problem (gran’s theory) or a jealous streak (my theory).

Gran also informs Debrah that the judges have cleared her of Josie’s accusation. She is free to collect her prize, which she does in the final panel. Success for Debrah at last!

Thoughts

Stories about girls who try to prove themselves because they are ridiculed for not being good at anything, only to be constantly sabotaged by a spiteful person to keep them in the shadows have been a long-standing staple in girls’ comics. “Shani Must Shine”, “Sheena So Shy” and “Make Headlines, Hannah!” from Tammy are some examples. In stories like these, the story shows who the saboteur is and the tricks they are pulling, so we know what’s going on. In many cases, but not all, the protagonist realises it too, so what she has to do is finally get one step ahead of her spiteful saboteur.

The story takes a different take on the formula. In this case the identity of the saboteur is unknown, creating a mystery to be unravelled. And girls just love mystery. Equally mysterious is the motive for it all. It is indeed a puzzler, as there seems to be no reason why anyone would want to sabotage Debrah. The two suspects, Lisa and Mary, don’t seem to have any real motives for doing it. In fact, they would rather Debrah succeeded more against Josie, to give her more worthwhile competition. As far as we can tell, Debrah has no real enemies or bullies picking on her, nor has she upset anyone. Did she put someone’s nose out of joint? Is there some spiteful minx at work, doing it all for kicks? Or is it linked to some past grudge?

Josie is crafty in how she manages to keep herself well-hidden when she pulls her tricks. Her false show of loyalty and friendship and sticking up for Debrah further serve to pull the wool over our eyes as well as Debrah’s. However, Josie’s false accusation at the art show because there is no other way to sabotage Debrah is her undoing. Little did Debrah know what she had done in not telling Josie she was in the final: she caught the dirty trickster on the hop, with no time in advance to pull another sneaky trick to stop her winning.

There is more psychology and realism to Josie and her motives in wrecking Debrah’s efforts at glory than most, who don’t seem to do it for much more than pure spite. The story does a fine job of developing Josie’s motives, and it’s believable. It stems from some form of insecurity or jealousy in being unable to handle competition and challenges, so Josie avoids it where possible.

In a way, it’s sad for Josie. If she carries on with avoiding serious competition she will never achieve her full potential, as competition to improve herself is precisely what she needs to achieve it. The girls are right in saying Josie holds herself back. We won’t be seeing Josie at the Olympics in pursuit of medals or making her name in the art world because she is too afraid of being outdone.

Josie’s friendships won’t reach their full potential either. Choosing friends who won’t be competition rather than people she really likes severely limits her friendships. She will never be true a true friend to anyone, and her despicable treatment of her best friend, without any remorse or apology, is the ultimate proof of that. She was never a real friend for Debrah, and Debrah is well rid of her.

Debrah is a classic example in girls’ comics of how poor esteem and not believing in yourself can hold you back, especially when you are being compared to a more achieving person. Josie using Debrah to make herself look good serves the additional purpose of holding Debrah back because it makes Debrah feel she’s a failure and a loser in comparison. It’s a very crafty move. But along comes gran, who encourages Debrah to take an entirely different attitude. Even without Josie’s sabotage there will still be bumps in the road for Debrah as she strives to find her feet and what her strengths are (jumping events, impressionism, crafts, mastering maths, and more just waiting to be discovered). She discovers she had these talents all along, but it took a supportive relative, a more positive attitude and confidence, and achieving something at long last to bring them all out. We are far more likely to see Debrah making her name than the brilliant all-rounder Josie who keeps holding herself back because she can’t face competition. Debrah won’t be afraid to try the athletics club or the art class now she believes she has talent to offer there.

Carole – the Clownmaker (1979)

Published: Bunty PSL #199

Artist: Carlos Laffond

Writer: Unknown

Reprints: None known

There was a request for this one, so here we go.

Plot

Orphan Carole Patton has been brought up by her grandfather in Antello’s Circus, where he works as a clown. Now he’s getting too old for it and needs to retire, but Antello won’t hear of it because grandfather’s the star attraction of the circus. As the story develops, we learn Antello doesn’t like anything that costs him money, which can be at the cost of the safety and wellbeing of his performers.

Grandfather is saving hard to buy a cottage where he and Carole can retire together. Unfortunately, he keeps the money in a cashbox in the caravan because he does not trust banks, despite Carole’s warnings that it’s not safe to keep his money like that.

One day, while setting up the circus in a new location, Carole discovers they’ve picked up a stowaway, Tim Newall, who says he’s run away to join the circus. One gets the impression he’s hiding something, but Carole agrees to help him, and grandfather takes him on as a trainee clown. They are surprised when Antello, who can’t afford to pay Tim a wage and still won’t let grandfather go, agrees to this. Tim does well in performance, but Antello isn’t full of praises; his mind is set on keeping grandpa in the circus and he still isn’t friendly to Tim.

 

Antello overhears Carole talking to Tim about the money stashed in Grandad’s caravan for the retirement cottage and tells Carole to watch it, as he doesn’t trust Tim. Soon after, grandad’s cashbox is stolen from his caravan. Well, that was just waiting to happen, wasn’t it? Antello puts the blame on Tim, and Tim becomes an outcast at the circus. Carole refuses to believe Tim took the money, but she did notice he looked a bit strange when Antello suggested calling the police.

Then, one night Satan the lion gets loose and Tim bravely tackles him with nothing but a balloon (as shown on the cover). Satan is so taken by surprise that he is stunned, giving the circus hands their chance to recapture him. Following this, Tim is the hero of the circus and the circus folk forget their doubts about him.

Tim and Carole notice how worn and dangerous the trapeze equipment is getting, but Antello is apathetic about replacing it because it costs money. The trapeze artists know about the situation, but they are aging and therefore afraid they won’t find other work if they leave the circus. Tim successfully stands up to Antello over the dangerous equipment, but is warned this has put him on Antello’s bad side, which can make him really nasty.

In town, Carole discovers two men shadowing Tim and he tries to avoid them. Back at the circus, she tackles Tim over whether he’s in some kind of trouble and is scared someone will recognise him, but he doesn’t front up over anything. They don’t realise they have discussed this with Antello in earshot.

The two men arrive at the circus. Tim again tries to dodge them, and later Carole sees them talking with Antello. She overhears them trying to get Antello to help them, but Antello has qualms about it. There is also something about them getting in touch “with the old man”, but they get alerted to Carole eavesdropping, so she has to run. She heads after Tim about this, but he disappears.

Next day, Tim is still missing and one of the men shows up at Antello’s again. Carole overhears him telling the jittery Antello everything’s going to plan, they’ve been in touch with the old man – and there’s something about a ransom. She realises the men must have kidnapped Tim for ransom, but doesn’t understand the point as Tim does not seem to have any money or family.

Carole hides in the man’s car, which he drives to a cottage. The man tells his accomplice that Antello was scared and he had to spend a lot of time talking him around. Carole finds Tim tied up in the cottage, releases him, and they run for it. As they do so, Tim explains that his father is the reclusive millionaire J. B. Willows. After two attempts were made to kidnap Tim for ransom he decided to run away. The two men, Leigh and Martin, were his bodyguards, but they turned kidnapper after Dad threatened to sack them, and they recruited Antello to help them.

Leigh and Martin are catching up in the car, but Carole and Tim fall into an old pit shaft, which helps them to elude their pursuers. After climbing out they grab the kidnappers’ car and find their way back to the circus, calling the police along the way. Tim’s dad, who had hired a private detective to find him and traced him to the circus, arrives as well. When the police search Antello’s caravan they find grandad’s cashbox; it was another of Antello’s ploys to keep grandad at the circus. Antello and the kidnappers are soon dealt with. Dad owns a place in Devon with several empty cottages and tells Carole and grandad they can have any one they like as a reward. The cottage will be close to where Tim goes to school, so they can continue their friendship.

Thoughts 

In circus serials, it was a common setup to have a newcomer at the circus with a mystery about them that shapes the entire story, including whether the mystery makes them good news or bad. As we have an antagonist circus boss, we know it has to be good, but the villainy of the circus boss is going to help shape the mystery, including why Tim has run away. Was it just to join the circus, or is there more to it? We sense it is the latter and Tim is hiding something. Whatever he is hiding, girls love mystery, so the mystery is an instant hook for this story. So too are the plot threads of grandad’s cashbox (we know something bad is going to happen there) and what the mean circus boss is going to do about the newcomer he perceives as a threat to keeping his star attraction clown where he is. What is he going to do to get rid of Tim?

Having a boy as one of the main protagonists arouses the readers’ interest even further. We can just imagine what would develop between Carole and Tim if they were closer in age (and height), but these were still the days before Bunty allowed boyfriends in her stories.

There’s a lot in this story to keep things engaging: a strong plot with plenty of tantalising threads, circus theme, mystery, a mean circus boss who doesn’t consider his performers more, sinister men, an unsolved theft and kidnapping. Antello gets a strong moment to heighten the story when the kidnappers try to get him to help them. He is clearly tempted because he doesn’t like Tim, but is he evil enough to get involved in real crime, will he prove the weak link in the chain because he’s scared, or will he actually find his better half and do something to help the situation? As it is, he made himself complicit enough in the kidnapping plot to get arrested for it. Plus it unmasked him as the one who stole grandad’s cashbox.

One of the biggest selling points of the story is the character arc of Tim, which is perhaps developed even more than Carole. Tim really earns his place as a protagonist. He almost became a recluse like his father after the first two kidnap attempts, but has instead turned to using his wits more. His best moment has to be tackling the lion with nothing but a balloon. This astounding scene puts the rest of the drama in the shade and grabs the cover to boot.

As Tim settles into the circus he shows he really has what it takes to be a clown and a performer. So it is a shame Tim doesn’t stay at the circus at the end of the story. He’s back to school, but we never know how his circus experience will shape his choice of career once he leaves school.

Carole is pretty much what we expect her to be: loyal, courageous, does her best to help, acts fast when needed, and is the one to save the day. Some things could have been explained a bit more about Carole’s circus life and how she feels about the retirement. Carole begs grandad to train her up as a clown, but is it to take his place and give him a break, or is it because she wants a circus career as well? Grandad says he wants her to have a normal life and education as her mother wanted, and she seems okay with retiring from the circus with grandad to a cottage. After all, Carole doesn’t seem to do any performing and only came to the circus after she was orphaned. As it is, Carole regards everything as a happy ending and is so glad she can still see Tim, sparking readers’ imaginations as to what might ensue from that.

Oh, Boy! (1993)

 

Plot

Charlotte Wilson, a tomboy who is always called Charlie, moves to a new town and stumbles upon an open air audition for a new television series. Because of her boyish looks, she is mistaken for a boy and gets a male part in the show, and continues pretending to be a boy in order not to lose the role. Inevitably she is discovered, but she has become too popular to be fired. So the director writes her true gender into the show as a twin sister.

Appeared

  • Oh, Boy! – Bunty #1845 (May 22, 1993) – #1854 (July 24, 1993).

Notes

  • Art: Ron Lumsden.
  • Translated into Dutch as “Zeg maar Nico!” (Call me Nico!) in Tina #7/1994-16/1994, reprinted #18, 2002.
  • Image from Dutch translation.

They’re No Match for Mo! (1977-78)

 

Plot

Mo Miles, the daughter of a rag-and-bone man, is an ace tennis player. She is invited to join a posh tennis club after finding a valuable ring lost by a club member. Nonetheless, she and her father meet constant discrimination from the snobby club members, even when she starts winning tournaments for them. However, Mo can prove she is a match for all opposition, both on and off the tennis court.

Notes

  • Artist: Colin Merrett
  • Translated into Dutch as “Geen Partij voor Patty” (No Match for Patty), Debbie Parade Album #27.
  • Reprinted as “Nellie Never-Give-In”, Lucky Charm #12.

Appeared

  • They’re No Match for Mo! – Bunty: #1031 (15 October 1977) – #1050 (25 February 25 1978)