Tag Archives: show-jumping

Bunch and Judy

Plot

Judy Jordan who had ambitions to be a show-jumper, owned a pony called Bunch, so named because Judy’s father said the pony looked like a bunch of different breeds all bundled up together.

Notes

Appeared

  • Bunch and Judy – Mandy: #50 (30 December 1967) – (?)

Other Appearances:

  • Bunch and Judy – Mandy for Girls 1971

Loser Lou (1981) and “I’ll Make You a Winner” (1983)

Published: Loser Lou – Bunty PSL #214; “I’ll Make You a Winner” – Bunty #240 (sequel)

Artist: John McNamara

These two PSLs starring Lou Lambert are being looked at together in a joint entry.

Special thanks to Lorrsadmin for scans of the second PSL.

Plot – Loser Lou

Lou Lambert and her family are spending a holiday at the Summerton Sports Centre because they are sports fiends and champions: Dad (golf), Mum (swimming), Lynn (athletics), Larry (martial arts), and Lou…“the world’s worst at sports and games”, and the kids back home call her “Loser Lou”. But Lou’s a Lambert, her family says, and Lamberts are winners. They tell her she’ll find a sport she’s good at. In the Lambert family, says Dad, “there are no such words as ’I can’t.’ We add two letters of the alphabet to them, and say, ‘I can try!’” So, although it looks like Lou may have skipped the Lambert sports gene, she has to keep trying.

Lou tries basketball, but she can’t match the players’ speed, and then she trips over her shoelace, sending players and the hoop crashing. Lynn advises her to look at a sport that’s more suited for her build (hmmm…considering her build, that could be tricky). Lou tries orienteering, but she gets horribly lost, not to mention getting a horrible blister on her foot. Next, Lou looks at a power-assisted sport. Deciding the motorised water sports are a bit beyond her, she tries cycling although she was never much good at it when she was younger. She soon finds she has not improved much since then, and then she lands herself in a cycling race. To cap it all, a newspaper flies in her face, sending her through someone’s picnic and then into the river.

Lou’s brother Larry tells her “winning is all in the mind! If you think you’re going to lose, you will lose – but if you’re sure you’re going to win, you will win!” Impressed, Lou works on boosting her confidence. She tries tennis next, but she’s barely got started when she challenges an opponent – without realising she’s Wimbledon standard! Lou comes a cropper over the tennis net and has to report to first aid.

Following this, Lou becomes disheartened, but her father, disappointed at her attitude, encourages her to try again. Lou tries archery, and she’s really smitten by the instructor – what a hunk! But her crush on the instructor is proving a distraction. In her drive to impress she pulls the bow too hard, and her arrow goes wild. While dodging it, the instructor hurts his leg, and now archery’s off at Summerton.

The Lamberts are now over halfway through their stay at Summerton. There will be a Grand Gala Display on the final day, and so far, nothing for Lou to show there.

Then, while watching Lynn practise athletics, Lou meets Monica. After hearing Lou’s story, Monica tells her that she failed at those sports because she was on her own when she tried them. What she needs, says Monica, is a sport where she will have the support of a friend. So she pursuades Lynn to try riding: “A girl’s best friend is her pony!”

Lynn is apprehensive, but is surprised to find herself a natural in the saddle and not messing things up at all. Before long, Lou’s family are astonished to see the strides Lou is making at jumping. Monica is going to enter Lou in the jumping competition on Gala Day. It looks like Lou has found her sport at last. Surely nothing can go wrong now.

But of course something can…

Lou doesn’t realise Monica has a grudge against her sister Lynn because Lynn’s superiority at the high jump had her scratch from the Gala Day high jump event. Her revenge is to make Lou foul up at the jumping event by switching her mount, Good Boy, with his evil twin, Bad Lad. She takes further measures to put Bad Lad in a nasty mood for the event, one of which Lou unwittingly foils.

Bad Lad’s threatening to throw Lou when the event begins, but Monica is astonished when Lou not only stays in the saddle but completes clear rounds as well while other riders score faults. Afterwards, Lou says she was too scared to even move and kept her eyes shut – WTF you ask? Yes, it is a puzzle, but the fact remains that Lou did win. So she is among the other Lamberts to receive trophies at the prize-giving and can say she’s a winner at last.

Plot – “I’ll Make You a Winner”

Back home, everyone is surprised at this sports trophy Loser Lou has brought back from Summerton. Lou’s confidence is so high, she’s joined the civic sports club. Only Corinne Fox guesses the trophy was a fluke. Figuring Lou’s as much a duffer as ever at sport, Corinne and her father, who’s on the committee at the club, plot to take advantage of this to get the sports club closed down so he can build a bingo hall on the site.

Fox starts by getting Lou the assistant secretary job at the club, where she’ll be in charge of all the fixtures. The plan is to mislead her on a few details on the events she’s arranging, and for good measure, Corinne throws in some dirty tricks as well.

Their first trick has Lou select a darts team for an event that’s in fact a brain of sports competition. But they didn’t count on Lou knowing so many answers to the sports questions that get asked. Yep, Lou may not be sporty, but she knows heaps about sport thanks to her sporty family. She gives her team so much confidence that they answer brilliantly too, and they win the trophy hands down. To make Fox even more furious, they also impressed the mayoress, who was presenting the trophy, when he was trying to convince her and the council otherwise to get the club closed down.

Next, Corinne tricks Lou into challenging the top-class white water club, without realising they are top windsurfers and it’s a championship event, and nobody in the club is qualified in that sport. But when the Foxes read the paper of the event, they discover Lou has done it again. The weather turned in her favour by turning bad, cancelling the event. What’s more, the lifesaver Lou included on her team saved one of the windsurfers who got caught in the bad weather, which is even more good publicity for the club. Foiled again, Fox!

Lou makes bookings for club members at an activity weekend, but again the Foxes mess up her bookings. Instead of sports activities they find themselves on furniture crafts courses. However, this works out in their favour; the club’s furniture and sports equipment were badly in need of repairs, and now they have the know-how to do some DIY jobs on them.

Lou books a gym display club open day, but bad luck strikes when she puts a bad crick in her back while shifting equipment. The Foxes try to mess up the open day by inviting army gymnasts as guests, but when the guys break equipment because they’re too heavy for it, they offer replacements, so the club gets the new equipment it badly needs.

Deciding the club needs funds, Lou decides on a sponsored canoe race against Chatterton College. Again the Foxes mislead her on just what the Chatterton competition will be like, and they are another lot of Olympic-build powerdrivers all set to outmatch Lou’s team. Corinne throws in a few extra dirty tricks, including putting up a number of misleading signs, to make sure Lou’s team fail. Without realising it, Lou stops her team from falling for any of those signs (she didn’t want them to leave her in the middle of nowhere by following them, as her back was playing up). And within the finishing line, the Chatterton team hit something. Their canoes go down, and Lou’s team wins.

Fox arranges for a football medical expert to sort out Lou’s back, who then introduces her to stage one of a fitness programme the footballers have been using. Lou starts teaching it to the club members in the style that has become her signature since joining: typical Loser Lou bungling, yet things always work out somehow. But what Lou doesn’t realise is that stage two of the fitness programme is at an R.A.F. airfield – and its programme includes parachute jumping practice! If the members don’t participate, says Mr Fox, the mayor and council, who are watching, might close down their hall and turn it into a bingo hall. But neither they nor the footballers are willing to jump, and the spectators are getting impatient.

Lou has arrived late, so she doesn’t know any of this as she handed an automatic-opening parachute kit and told to join the others at the Jumping Tower. The bumbling Lou blunders right through the jumping hole, becoming the first jumper and satisfying the restless crowd. Encouraged by Lou’s (accidental) example, her team follows suit. And so Lou’s civic club wins again.

Impressed that Lou has done what the footballers wouldn’t, the Mayor refuses Fox permission to replace the sports hall with a bingo hall. Instead, he’s giving the members a grant to expand their activities.

All Corinne and her father can do now is give up. “All our plans have failed – because of that Lou Lambert! Somehow, she always lands on her feet!”

Ah, so that explains Lou’s victory over Monica’s sabotage at Summerton.

Thoughts

Lou Lambert comes from a long line of protagonists in girls’ comics who try to prove themselves, but they only seem good for failure and be a walking disaster area at everything they try. As with Lou, their failures can be played for laughs. Or it can be for a sadder purpose, with their being the constant target of bullying and ridicule, along with harsh treatment from their own families for failure, such as in Make Headlines, Hannah! (Tammy) and Tears of a Clown (Jinty). Of course they eventually strike gold and find something they excel at, but the road to success is very bumpy. Added to that, there’s often a schemer at work trying to sabotage them.

Lou is so blessed in having a family who are supportive and encourage her to keep trying. The more usual pattern is for the family to treat the protagonist harshly and write her off as hopeless and good for nothing. Worse, it’s often the family that produces the spiteful schemer out to sabotage them (sisters, cousins). Of course, much the Lamberts’ encouragement comes from belief in the family name (Lamberts are winners) and the family motto, so they won’t hear of her quitting.

Lou’s family could do more to help her, such as helping her with her choices and offering a bit of coaching, but they’re probably too absorbed in their own sports. Lou’s left on her own on what sports to try out at Summerton.

Monica is correct about Lou failing at the various sports because she tried them on her own. In fact, Lou’s pattern was to jump straight into them them without any help, training or coaching (apart from the archery). Moreover, they were all sports she had not tried before, and when she tried them on her own, she did so at the deep end, not the beginner level.

It’s jarring when Monica, the helper, suddenly switches to spiteful schemer out to undermine Lou. It also defeats the whole purpose of the PSL, which was, after all, Lou finding a sports talent of her own and proving it could make her a winner. Instead, you’re left feeling Lou won the trophy by fluke or luck rather than talent. Though she still earned the trophy, considering the stunt Monica pulled on her, we’re left with feeling she has still not really proven talent. It proves Corinna’s point that the win was a fluke. It would have been better for Lou to have won the cup through her own skill and growing confidence, and proven beyond doubt that she had a sports talent.

So, when readers who remember Lou start reading her sequel, they will be wondering if Lou really does prove talent this time. From the cover, one would say not, so why is Lou saying, “I’ll make you a winner”?

Lou certainly has gained confidence by winning the trophy, but is confidence enough? It is disappointing that she is not keeping up the horse riding, the one sport she finally hit her stride on. Instead, she’s pursuing the sports centre and the sports there (table tennis, darts, fitness programmes) in pretty much the same manner she did at the failed sports at Summerton.

The irony is, although Lou’s still bumbling, this time she’s achieving more success through it and it’s helping her to save the day – without even realising what happened in the first place. And Lou’s real talent has surfaced: the talent of always landing on her feet, like a cat with nine lives. This was hinted at with her victory at Summerton, but now it’s confirmed beyond doubt in her sequel.

Such things have been seen before, such as “Simple Simona” (Tammy) – a dopey girl who is perpetually targeted by spiteful schemers, but her blundering ways always foil them in great comic style, without her even realising what happened. But here, Lou’s blundering has the unexpected bonus of things nobody would have thought possible with her before. She has not only become more confident but has also become a confidence booster, inspiring confidence, inspiration and success in others.

Lou may not be winning sports trophies, but she is proving herself a winner in other ways and making whole new strides with success in sport that nobody ever expected – herself included. As Corinne says, “The civic sports club was only half alive before she turned up and my dad had almost persuaded the council to close it down.” Now Lou is not only saving the club (without realising it) but giving it a whole new lease of life as well. She is surprising everyone – even the Foxes – in being able to tackle things far better than expected, such as selecting the darts team. Lou is also handling the sports fixtures far better than expected, and if not for the sneaky Foxes messing things up, she’d be doing a brilliant job of it. And she is doing a most enthusiastic, passionate job of improving the club and its members, and helping them to grow even more than before.

The irony is, it started with Mr Fox giving her the assistant secretary job in the hope it would help him close the club. Instead, it does the opposite. Moreover, rather than falling flat on her face in her new job, it gives her another boost of confidence and whole new windows in achieving success, including new-found skills in management, leadership, and inspiring others. Even without becoming a sports champion and winning trophies like the rest of her family, she is making her mark on the club and the world of sport. The club would not be the same without her, and readers are left satisfied that Loser Lou will get along just fine now.

Jill’s Jumping Jack [1985]

Published: Debbie Picture Story Library #85

Artist: David Matysiak

Plot

Jill Watson has always wanted a pony but her farmer father can’t afford one. Jill’s solution: ride a cow named Jack instead. This draws the scorn of two riders, neighbour Eunice Bowman and her snobby friend Amanda Price. They scare Jack into a gallop, which makes him jump a hedge and Jill to fall off. Realising things have gotten out of hand there, they manage to catch the bolting cow, but Jill is furious with them.

When Dad discovers Jill had an accident with Jack he is adamant that Jack has to go, and he will be sold at market. He won’t listen to Jill’s protests that it wasn’t Jack’s fault.

Jill takes Jack out for one last ride and discovers Eunice and Amanda have set up jumps on Long Meadow. She tells the cheeky things to stop trespassing and clear off her father’s property, but Eunice and Amanda say not to be so sure about that.

It’s not long before Jill finds out what they mean: Mr Bowman has found a document that enables him to challenge the Watsons’ ownership of Long Meadow at the Little Chiddington Point-to-Point Race. This arrangement was set up generations ago when the same thing caused a neighbour dispute with their ancestors. Dad consults his lawyer, but finds he’s stuck with it. It’s legal: if the Watsons lose Long Meadow at the point-to-point, they will go bankrupt and lose their home. So they have to find a horse for the point-to-point. Eunice will represent the Bowmans at the point-to-point.

Meanwhile, Jack escaped when Dad tried to take him to market and he has not been found. He did a lot of jumping over hedges while getting away. So when Jill eventually finds him, it hits her – use Jack as her mount to win the point-to-point. That way, Dad will change his mind and not get rid of Jack. In the meantime, she keeps Jack hidden in an old shed. She also checks out the point-to-point rules, in case there is a rule against non-horses. Colonel Dempster, who is organising the point-to-point, is quite surprised at Jill’s query, but can find no rule saying outright that the mount has to be a horse: “As far as I can see you can enter the family goat if you like!”

Dad, who knows nothing of what Jill is planning with Jack, has borrowed a horse, Scimitar, for the race, but is not fit enough to ride him. He has to take to his bed after trying, but won’t listen to reason. He continues to train, regardless of his condition. In the end it takes doctor’s orders to put an end to that. Scimitar is too big for Jill to use.

Meanwhile, Jill and Jack begin training in earnest, using the jumps Eunice and Amanda have so kindly set up in Long Meadow. When the two bullies tease her about it, Jack really sends them off. But then they discover where she is hiding Jack and hide her saddle. Jill is forced to ride Jack bareback and the bullies are shocked when she gets badly hurt trying to do so. They send for help anonymously and then guilt has them quietly return the saddle.

But Dad’s view of Jack has not changed and he locks him in the cowshed, ready for sale. Jill, now recovered from her fall, resumes her training with Jack regardless. Jill hauls Dad out of bed to show him what she can do with Jack – tackle the most difficult jump of the point-to-point, Foster’s Dike. Once Dad sees Jack clear the jump that so many horses have shied at, he finally relents, and gives Jack and Jill his blessing for entering the point-to-point. So Jill sends in her entry form. The Colonel is a bit surprised at Jill entering a cow, but hey, it isn’t against the rules, remember?

At first Eunice and Amanda are laughing at Jill entering Jack in the point-to-point. But when they see what serious competition Jack and Jill have become, they decide to pull a dirty trick instead. They leave Jack in Benning’s Pond overnight to make him too ill to enter the event. By the time Jill finds him he has indeed become ill from a bug he caught in the pond, and his condition worsens so much they fear for his life.

The vet isn’t able to do much, but Dad recalls Mr Darbury knows a lot of old-fashioned animal remedies. Fortunately, Mr Darbury has experience with cows catching the same bug in that pond and makes up the remedy he used for them. Jack responds to this treatment. Mr Darbury is confident Jack will recover in time for the point-to-point, and he does.

Eunice and Amanda are surprised and dismayed at Jack and Jill turning up at the point-to-point. Jill has realised they put Jack in the pond, and she tells them it’s revenge time by beating them at the event.

At first Amanda and Eunice get the lead on Jill once the race begins. But Jack soon proves himself a better jumper than their mounts and is catching up. Amanda goes down once Jack catches up with her, much to Jill’s satisfaction. But Jill has to catch up with the others and the only way to do so is tackle Foster’s Dike, the jump that the other point-to-point riders have avoided and gone the long way around. They clear the Dike and get ahead of all the other riders except Eunice. On the final lap Jack and Jill are neck and neck with Eunice, but pull ahead and cross the finishing line first. They have saved their home.

Thoughts

The idea of a show-jumping cow is not as absurd as it might sound. There have in fact been real-life cases of riders training cows as show jumpers. Often this is because, like Jill, their parents can’t or won’t let them have horses. The writer was probably inspired by such cases. Nor was this the first girls’ story to feature a show-jumping cow; Bunty, for example, ran a serial about a show-jumping cow, “Broncho Buttercup”, in 1970.

While Broncho Buttercup was played for laughs, Jill’s Jumping Jack has a more serious mission. He is the only hope the Watsons have of saving their farm. In addition, he has to prove his worth in order to avoid being unjustly put down.

Many of the obstacles Jill and Jack face are pretty routine and have been done before, but they still work and keep up the tension well. Jealous rivals pulling dirty tricks when not heaping scorn on our protagonist. Parents out to get rid of our heroine’s beloved pet after getting angry for the wrong reason. Parent/relative being stubborn about winning for the sake of the family and having a hard time accepting that the spirit is strong, but the flesh is weak. The protagonist having to hide the pet while getting him ready for the big event because she can’t train him openly. The animal falling ill (or disappearing) so close to the event and must recover in the nick of time.

If Jack were a horse the story would be even more routine. It’s him being a cow that makes it more interesting and catches the reader’s eye. In fact, the biggest obstacle and the most novel one of all is Jack proving his show-jumping worth as a cow. Even without the other obstacles thrown at them, Jack would still face ridicule as a show-jumper because he’s a cow and everyone would be laughing at him at the point-to-point. We’re not shown any of that, though, probably because the story can only fit so many panels into its page limit. The only scorn we get to see comes from those two snobs.

The title “Jill’s Jumping Jack” is clearly a play on jumping jacks and Jack and Jill. It may be funny punning, but there is one problem with this. If Jack is a cow, cows are female, and therefore Jack should be a female and have a female name and female pronouns. On the other hand, Jack does not appear to have an udder.

Danger for Rozelle [1978]

Plot

Rozelle, a gipsy orphan, is sold by her parents to the Baroness Kessler, who uses hypnotism to turn Rozelle into a show-jumping success with the Baroness’s horse Midnight. The Baroness cares far more about her horse than she does about Rozelle. A reporter, Jill Wilson, finds out about the hypnotism and is trying to help Rozelle. Then another gipsy, Zara, steals Midnight after a quarrel with the Baroness. Matters come to a head when the Baroness confronts Zara and a fire breaks out.

Notes

  • Artist: Hernan Antonio Torre Repiso

Appeared

  • Danger for Rozelle  – Debbie: #285 (20 July 1978) – #296 (14 October 1978)

 

Dad Must Never Know!

Plot

Sally Randall wants to be a show-jumper, but her father has banned ponies. Crippled show-jumper Ruth Hanbury has secretly trained Sally on her own pony, Storm. Sally is entering events under the name of “McAndrew” and competing in the Junior Championships. Then jealous Joyce Heath discovers that Sally is competing under a false name, which is grounds for disqualification. Sally has realised Joyce knows the truth but wonders why Joyce isn’t letting on. She does not realise that Joyce is trying to figure out her motive for competing under a false name, which must be a serious one, before reporting her.

Dad

Notes

Appeared

  • Dad Must Never Know! –  Mandy:  #1208 (10 March 1990) – #1218 (19 May 1990)

 

Ruthless Ruth

Plot:

Show-jumper Ruth Collins is nicknamed “Ruthless Ruth” because she goes out to wins as much as possible. But the money is meant to pay off her father’s debts to Jardine Holdings. She does not realise that Holdings deliberately set the interest rates too high so he could buy out her father.  Things get worse when Ruth takes a job with the unscrupulous Vallones, and there are soon very nasty plots against Ruth once Holdings realises she is paying off the debts better than he expected.

Ruth

Notes:

Appeared:

  • Ruthless Ruth –  Debbie: #211 (26 February 1977) – #224 (28 May 1977)

The Lonely Pony

Plot:

Cath Watson is allowed to rent Camilla Baxter-Smythe’s paddock for her horse Brantub because Camilla’s horse Desert Sands is lonely and needs company.  Cath does not get on so well with Camilla because she is a snob, but things begin to change as the girls train for show-jumping.

Pony

Notes:

Appeared:

  • The Lonely Pony – M&J: #232 (21 October 1995) – #241(23 December 1995)

 

Riding Double

Plot

After the death of her sister in a show-jumping accident, Jane Cooper’s parents insisted that she take part in showing events only. Unknown to her parents, Jane was secretly show-jumping under the name of Lisa Cope.

riding double

Notes

  • Artist: Veronica Weir

Appeared

  • Riding Double – Nikki: #178 (16 July 1988) – #188 (24 September 1988)