Category Archives: Bunty

Bunty Annual 1999

Picture Stories

  • The Comp  (Pages: 5-9)  [Artist Peter Wilkes]
  • Fear of the Future  (Pages: 19-25)  [Artist John Armstrong]
  • Love Thy Neighbour  (Pages: 28-31) [Artist Peter Wilkes]
  • Bunty – A Girl Like You  (Page: 32)  [Artist Andy Tew]
  • Who’s Next Door?  (Pages: 43-49)  [Artist Julio Bosch]
  • Prefect’s Pet  (Pages: 53-59)  [Artist Andy Tew]
  • Bunty – A Girl Like You  (Page: 65)  [Artist Andy Tew]
  • The Four Marys  (Pages: 71-75)  [Artist Jim Eldridge]
  • The Comp  (Pages: 77-81)  [Artist Peter Wilkes]
  • Girls Talking (Page: 84)
  • Penny’s Place  (Pages: 91-95)  [Artist Guy Peeters]
  • Bugsy  (Page: 96)
  • Lizzie’s New Life  (Pages: 100-107)  [Artist Don Walker]
  • Pretend Friends  (Pages: 112-116)
  • The Four Marys (Pages: 122-125)  [Artist Jim Eldridge]

Text Stories

  • Carly’s Crowd!  (Pages: 18)  [Artist Peter Wilkes]
  • Ben (Pages: 42) [Artist Claude Berridge]

Photo Stories

  • Computer Crazy  (Pages: 11-15)
  • Gabby’s Own Goal (Pages: 34-39)
  • Sammi’s Stars  (Pages: 60-63)
  • Christmas Past  (Pages: 85-90)
  • No Christmas for Carol (Pages: 117-121)

Features

  • Merry Christmas…  (Pages: 2-3)
  • Table of Contents  (Page: 4)
  • What’s Cookin’? Easter Yummies  (Pages: 10)
  • Abracadabra  (Pages: 16-17)
  • Do Not Disturb!  (Pages: 26-27, 66-67, 98-99)
  • Make Your Own…Snowstorm!  (Page: 33)
    • Reworked from Bunty Annual 1987 (Snow in Summer)
  • Pet Pin-Up (Pages: 40, 64, 111)
  • Top Dogs  (Pages: 41)
  • Flower Power!  (Pages: 50-51)
  • Summer Specials Party Foods for inside or out!  (Page: 52)
  • Telly Mission!  (Pages: 68-69)
  • Autumn Apple Surprise (Page: 70)
  • Ha-Ha-Happy Christmas (Page: 76)
  • Green Scene  (Pages: 82-83)
  • What’s Cookin’?  Christmas Crackers  (Page: 97)
  • Great Grandma’s Sweet Shop Secrets, (Pages: 109-110)
  • …And a Happy New Year!  (Pages: 126-127)

(Click on thumbnails for bigger pictures)

 

The Painting [1989]

  • The Painting –  Bunty:  #1663 (25 November 1989) –  #1672 (27 January 1990)
  • Art: Norman Lee

Plot

Life had been tough for the Blakes since Mr Blake lost his job, money was tight and there were lots of arguments. They get a new start though, when Mr Blake inherits a cottage from his aunt. Emma and her younger brother Bobby, settle quite quickly and Emma is sure they will all be happy in their new home. Mr Blake even gets an interview for the local supermarket. While clearing out some things, Emma has a rummage around the attic and comes across a parchment with a warning, surrounded by twigs and leaves. Not knowing its meaning she looks under the sheet behind it and finds a portrait of a lady who bears an uncanny resemblance to herself. A strange voice tells her to take the painting from the attic, and she suggests to her Dad, to do just that. While her Mum is unsure about hanging it as there is something about the eyes she doesn’t like, Emma snaps at her. She soon apologies, not knowing what made her act out. Later the painting  tells her to burn the rowan that was in the attic. She does, but the wind catches the bonfire and nearly sets the thatched roof on fire, luckily Bobby alerts their parents in time to stop it.

When Mrs Blake decides to sell the painting, Emma is haunted by dreams where the girl from the painting tells her “we are one” and to stop her being sent away. Emma tries to turn her parents against each other, as Mr Blake does think they should keep the painting, but Mrs Blake wins out.  But when Emma causes trouble with her Dad’s interview clothes and mum gets blamed, he  decides he’s not going to trouble of contacting dealer about the painting. The painting also causes trouble when Bobby gets a puppy, but it is the dog that is blamed for the trouble and Bobby has to take him back to  where he got him from. Meanwhile at home, Mrs Blake still senses something is wrong with the painting and that nothing has gone right since they found it. Taking it down and covering it up breaks its hold on Emma, though she can’t remember what she did while under it’s influence. Returning the pup to their neighbour, Miss Bonner, she has some interesting revelations, when she hears about the pup barking at the painting. She says the girl in the painting was also named Emma and she will come and talk to their parents about the painting. Later at home, even though being covered weakens it, the painting still has enough hold over Emma to uncover it, so it can command her to to stop Miss Bonner from interfering. She sets a fire at Miss Bonner’s house, making her look absent minded, so Miss Bonner’s nephew uses it as an excuse to send her to a nursing home. Miss Bonner knows the other Emma would be proud but warns Emma to take care.

When Mr Blake runs into an art dealer, Mr Carter, he comes to look at the painting. He confirms what  Miss Bonner said, that the portrait is of a girl named Emma. Present Emma, meanwhile sets the dealer up so it looks like he was going to steal an antique vase. While Mr and Mrs Blake are glad they didn’t sell the painting to a “con-man”, Bobby is suspicious. He does some investigating and manages to get a recording of Emma talking to the painting, but it is destroyed. Still not defeated, Bobby tries to show his parents whats happening in person, but Emma’s too quick for him. Bobby’s next stop is to go to Mr Carter to enquire about a book he mentioned. We get the history of portrait Emma – Emma Lukin was proven to be a detestable witch of terrible power in 1689.  Before she was burned at the stake, an artist painted her portrait and she declared, that one day when she meets her likeness she shall be alive again. Bobby gets photocopies of the story but the Portrait’s powers are getting stronger and  she makes Emma appear in front of Bobby, causing him to swerve on the road into a car. Luckily he is not seriously hurt but Emma makes sure he can’t remember anything.

Emma Lukin is growing more powerful, when Emma Blake  expresses concern for Bobby, she tells her witches don’t cry and gets her to turn cold. Mr Carter hearing about the accident tries to deliver the book to the Blakes but Emma sets it on fire and Mr Blake thinks Carter was trying to fire bomb them! Bobby’s memories aren’t completely gone and after having a dream he goes to Miss Bonner for help. She gives him some rowan to protect him, while his parents go to visit Miss Bonner. Meanwhile Lukin is ready to take over Emma completely and merge with her. Bobby interrupts them and Lukin almost kills him, but Emma saves him. Her tears for her brother destroys the magic of the painting and it dissolves. When the Blakes return, her father is disbelieving at first, then seeing the evidence he cant deny it. They clear Carter’s name, Miss Bonner moves back to her cottage and everyone can have a fresh start again.

Thoughts

Stories involving an object with powers over the protagonist, is a big part of girl’s comics. These objects take many forms, such as toys, statues or often it is a piece jewellery such as in The Power Over Paula or In Paula’s Place but evil influence from a painting is also popular. The paintings usually bear a resemblance to the  protagonist (often because they are an ancestor) and the person may have been accused of witchcraft, Penny and the Portrait is another example of this type of story. This story is interesting in that not only does the Painting have control over Emma, she also wants to physically merge with her taking her over completely. There is some very creepy imagery in the last episode, as Witch Emma reaches out from the painting to join with other Emma. Although for the most part we might think the protagonist will win out like they usually do, any doubts we might have is spoiled a bit by the cover of the issue which tells us how the Painting will be destroyed! Still it is a lovely cover and I did like when the comics depicted stories from inside.

It is good to see the sibling bond between Bobby and Emma, while Emma becomes more lost in the painting’s influence, Bobby is the more proactive, investigator. I like that as the painting gets stronger, Emma also gets more supernatural powers. It is also well done that they save each other in the end, Bobby interrupts the spell and Emma saves him from falling. Love and Emma’s tears undoing the witch’s spell is fitting with the narrative, as it seems in this story to be a successful witch you must close off all your feelings. It’s good to see that more people are suspicious of the painting too, helping Emma, even if its unwittingly at times. Mrs Blake always feels an unease with the painting, and covering it up does make it’s powers wane, Mr Carter goes out of his way to try and warn the Blakes about the Painting (getting arrested in the process!) and Miss Bonner also tries to warn them and gives the rowan to Bobby to protect him. Mr Blake is the biggest disbeliever, which makes it harder for the others to get rid of the panting. An odd thing was that it is heavily implied that Miss Bonner’s nephew wants to move her into a home so he can get the cottage, but in the end, when she is proven to be sane, he has no problem with her moving back in. Perhaps they just wanted happy ending for Miss Bonner and didn’t have time to develop that subplot as it wasn’t important to the main  story.

Not essential for the story but I did note that at this time in Bunty, it seems some stories didn’t have a consistent story logo, so the font style for the title kept changing. It seems like an odd choice, but it may have been Bunty was experimenting with look and style at this time, as it was just after they changed to glossy paper and had more full colour strips. This is one of the stories that got to make use of have of having full colour and the art by Norman Lee is quite vibrant, like I mentioned the painting is very creepy at times and I liked the flashback to the witch’s story. The pacing of the story is also good, as we see Emma lose control more, Bobby’s desperate investigation and potential allies being defeated by the witch.

 

 

 

Bunty Annual 1978

Picture Stories

  • Heartbreak House  (Pages: 6-10) [Artist Colin Merrett]
  • Super Gran  (Pages: 11-16) [Artist A E Allen]
  • Publicity Pam  (Pages: 20-24)
  • Gertie’s Ghost   (Pages: 28-32) [Artist A E Allen]
  • Maid Marion  (Pages: 33-39) [Artist Selby Donnison]
  • Girl Friday  (Pages: 40-44) [Artist Charles Paine]
  • Shrinking Violet  (Pages: 45-48)
  • Superstitious Cindy  (Pages: 52)
  • The Redwell Ring   (Pages: 53-57) [Artist Mike White]
  • Nurse Dinkum   (Pages: 60-64)
  • Catch the Cat  (Pages: 65-71) [Artist Robert MacGillivray]
  • Tillie the Trier   (Pages: 72-73)
  • Pamela Pet Finder  (Pages: 74-77) [Artist A E Allen]
  • The Cheddar Mob  (Pages: 81-84)
  • The Four Marys  (Pages: 85-96) [Artist James Walker]
  • Dancer of Despair  (Pages: 100-106) [Artist: Andy Tew]
  • The Travels of Tillie  (Pages: 107-109) [Artist: Rodney Sutton]
  • Sandra Deane – Hairdresser  (Pages: 110-112) [Artist: George Martin]
  • Paula Painter   (Pages: 113-117) [Artist: Peter Kay]
  • Toots   (Pages: 120) [Artist: Bill Ritchie]
  • Watchdog Winnie  (Pages: 121-125)

Text Stories

  • The Fairy-Tale Princess   (Pages: 25-27)
  • Belinda the Baby with a Bite!  (Pages: 49-51)
  • That Horse Must Go!   (Pages: 97-99)
  • Julie Plays her Part!  (Pages: 118-119)

Features

  • There’s More Ways Than One – of having Fun!   (Pages: 2-3 , 126-127)
  • Table of Contents  (Pages: 4-5)
  • Bunty’s Cut-Out and Colour Wardrobe   (Pages: 17)
  • Eyes for the Blind   (Pages: 18-19)
  • Heads You Win!  (Pages: 58-59)
  • Works of Wax  (Pages: 78-80)

(Click on thumbnails for bigger picture)

 

Tina’s Tin Twin (1977-1978)

Plot

Tina Tomkins is not a bright pupil although her father is a famous scientist. One day, Dad builds a robot double of Tina, named Tara, which can learn any subject in minutes. Unfortunately, Tara turns evil.

Notes

  • Translated into Dutch as ‘Gloria’s robot tweelingzusje’ (Gloria’s robot twin) – Kitty #3 (1980)
  • Translated into Spanish as “Tina y su doble” (Tina and her double) and published in ‘Lily’ in 1984
  • Image from Spanish translation

Appeared

  • Tina’s Tin Twin – Bunty: #1031 (15 October 1977) – #1045 (21 January 1978)

No Place Like Home [1991]

  • No Place Like Home –  Bunty:  #1721 (05 January 1991) –  #1731 (16 March 1991)
  • Reprinted: Bunty #2127 (17 October 1998) – #2137 (26 December 1998)
  • Reprinted and translated into Dutch as “Nergens thuis…” (Nowhere a Home…) –  Tina #33/1993-43/1993.
  • Art: Eduardo Feito

Plot

Josie Small had been fostered by the Keegans for most of her life, and Megan Keegan, who was the same age as her, was was her best friend. So she is surprised when the posh Farmers arrive and want to adopt her. It is agreed that for a trial period she will live with them, to see how they get on, but Josie is sure she will be back with the Keegans at the end of it. The Farmers are certainly generous people, they take Josie on a shopping trip and pamper her, at their house she has a big room with whatever she needs. Still even after a week of being with the Farmers, she feels like they are being polite strangers rather than family. This is more apparent on an exam day where Josie misses Mum Keegan’s customary hugs. That day after the exam, she goes home with Megan and forgets to ring Mrs Farmer, who is upset at Mum Keegan for this. When Josie explains to Mrs Farmer that she wanted to use their encyclopedias for history assignment, the Farmers buy her a whole set and make a study for her.

Josie would much prefer the Farmer’s affection than material things, but the Farmers keep buying her things. This causes Megan and Josie have a falling out, because Megan thinks Josie is taking advantage of the Farmers as Josie said she hadn’t intentions of staying with them. In the heat of the moment Josie says she will stay with her new family. She regrets this and after few days she goes around to make up. She gets a surprise when she finds another foster girl there. Megan doesn’t let her know it’s a temporary situation and a spiteful classmate, Susie, stirs up more trouble questioning why the Keegan’s never wanted to adopt her. Back at her new home she overhears a conversation making Josie think the Farmers only want her because its good for Mr Farmer’s career. Feeling unwanted by both families, she decides she needs to just look out for herself.

When she agrees to be adopted, the Farmers throw a party, to celebrate, when they mention inviting Mr Farmer’s boss, for Josie it’s further proof of their priorities. Josie throws a tantrum when Mrs Farmer takes her shopping, to get a more glitzy dress and other things, but of course it doesn’t make her feel better. At the party, Josie does hit it off with the boss’s daughter Melanie, but soon she finds out about her selfish and manipulative ways. After Mum Keegan drops a gift around to wish her luck, Josie starts having doubts about the adoption. When she goes to talk to the Farmers about these doubts, they say that the adoption was able to be put through quicker than normal and they’ll explain how one day. Josie thinks like everything else they used money to speed things up.

She tries pushing boundaries but only seems to do herself more harm instead (too many late nights, lots of chocolate etc). She feels isolated and alone, so is happy when Megan seems to be willing to make amends and invites Josie to her birthday party. Things go well at first, but she does not realise that Mrs Farmer slipped money into the pencil box that she bought Megan as a present. Megan feels insulted, thinking Josie is showing off but doesn’t want to make a scene at the party. Not knowing  what went wrong, Josie is so desperate for a friend she invites Susie over. When that doesn’t work out because  Susie is jealous of what Josie has, she is convinced by Melanie to go to a concert with her. Then Melanie abandons her and Josie feels scared but has no way home. Luckily Megan knows where she has gone and let slip to Mum Keegan. Mr Farmer picks Josie up after a policewoman had found her.

The Keegans and Mrs Farmer are waiting back at the house and Mrs Farmer collapses from the strain of it all. It’s only after this that many revelations come out, Josie snaps at Keegan’s saying they don’t have to stay, because if they cared about her they would have adopted her. Then Mum Keegan reveals she couldn’t adopt her, because she had taken her in for friends until they could return. It turns the Farmers are actually Josie’s biological parents! Not long after Josie was born Mr Small went to jail for fraud, it was too much for Mrs Small who collapsed and didn’t feel well enough to care for Josie. When Mr Small got out of jail, they changed their name to Farmer and went abroad to build a new life for Josie to be proud of. Mr Farmer apologises to Josie for taking much longer than they thought and hopes she will be able to learn to love them. Josie needs time to think and Megan goes to talk to her. With everything out in the open, Megan apologises as she didn’t know how mixed up Josie was feeling, they make up and promise to remain sisters even if they are different homes. With Megan’s support, Josie goes to see her mother. More apologies ensue as Mrs Farmer says they genuinely thought Melanie would be a good friend but from now on they will let her choose her own friends. They all agree to start over and Josie feels lucky to have two families that love her.

Thoughts

This story draws some comparisons to the previous post. Both are family dramas with revelations about biological parents, girls moving to homes with a different socioeconomic backgrounds then they are used to and misunderstandings causing problems and loneliness. Like Margo, Josie has our sympathy and shows that even when she acts out, she is good person at heart. There are several times that she says she will just look out for herself and she doesn’t care about any one else, but she finds its not that easy to change. Such as whenever she gets hope that maybe her parents want her for herself, she is automatically willing to give things another chance, but then that is ruined when she interprets the Farmers actions as just caring about career and money.

When it turns out the Farmers do want her and are actually her biological parents,  that optimism must still be there as despite a slight hesitation she does accept them quite quickly after that. I think the Smalls/Farmers are forgiven a bit too easily, whereas in Misfit Margo, the Taylor’s reasons for giving up Margo and their actions afterwards make them likeable characters, the Farmers are harder to warm up to. Their reasons for giving Josie up at first are reasonable, with Mr Farmer being in prison/penniless and Mrs Farmer having a weak disposition they weren’t able to care for Josie.  What makes less sense is that in going away to build up a good life for Josie they seemed to overshoot what they actually needed. They could have returned earlier with a more modest wealth, or they could have gotten in contact with her sooner and kept in touch with her. Their priorities are wrong, believing money is what their daughter wants/needs instead of affection and boundaries (with Mr Farmer’s crime being fraud it may indicate that wealth/status has always been important to them). Their treatment of the Keegans is not great either, they are wanting Josie to forget about them and Mrs Farmer is not looking for any advice from Mum Keegan, not a great way to treat people who were supposedly friends. It can come across as snobbish,  but also as another weakness of the Farmer’s just wanting to brush away their shame, not having any reminders of the past. I do wonder when they planned to tell Josie the truth about everything! It is good to see they are wanting to change in the end but they have a lot of work to do.

The Keegan’s aren’t all innocent either, they are quite harsh on Josie at times, even if some of it is because of misconception. Megan has the excuse of being young but Mum Keegan should know better. Considering how Mrs Farmer is treating Mum Keegan, you’d think she might be wary of how things are going for Josie, even if she didn’t want to interfere. Also being a foster mother she should have more understanding how disruptive it can be for a child to change homes.  So her blaming Josie for everything seems too hard “From the look of you, you’ve made a real mess of things since the Farmers adopted you”. The ending has things tied up a bit too quickly for my liking but I think Josie and Megan’s reconciliation was done well  and it is nice to see everyone apologise and want to start fresh.

 

Travellers in Time [1992]

    • Travellers in Time  Bunty: #1777 (01 February 1992) – #1788 (18 April 1992)
    • [Thanks to “Phoenix” for supplying the ending of the story]
    • Art: “B Jackson”

Plot

Clarissa is a well-off, high society girl who is visiting London for the first time. She gets into trouble when she tries to help out a waif, by the name of Beth. Running away from a constable they escape into a tunnel only to find themselves in the underground railway in modern London. They are both out of their depths, but they each add something to the alliance, Clarissa being educated reads newspaper to find out when they are, she also tries to get money from the bank as she assumes her ancestral family will still be wealthy, though she is not successful. Beth is more street smart than Clarissa and adds her usefulness that way, acting as a protector, she also recognizes the buildings as London but she is more wary of going to authorities for help and she doesn’t think they’d be believed. When they tell a sympathetic taxi-driver of their plight, she of course doesn’t believe them, but later she does help them get jobs in a cafe. Still adjusting to this time, after being paid £5 they think they’ve enough to live on for weeks. They soon find out while trying to get to Clarissa’s home in the country their “gold” coins don’t take them too far!

They do manage to get a drive part of the ways, to Kale, and having left their cafe job, they must find a new way to make money. In a shop, Clarissa sees a book with a painting  of her mother painted by her father. Later Beth gives away the cough medicine that Clarissa had bought for her mother, to a busker. Clarissa is angry about this until Beth points out that the picture they saw was from after they left, so her mother must have got better. Beth’s good deed helps them out when they try to earn money singing on the street, as the busker accompanies them on guitar. They get more money when they end up being  extras in a TV show from their time period. The director is impressed with their Victorian accents and mannerisms. Beth decides she will  take the director’s advice to become an actress as she decides she has nothing to go back for, instead she can have a life in this time. So the girls split up, they soon miss each other and Beth realises not being able to read or change her accent hampers her chances to be an actress.

Beth finds Clarissa again, who is glad, as she was missing her, particularly as Beth wasn’t around to help with some rough youths that stole her money. The gang return, but Beth and Clarissa escape by mixing in with a catering crew that are wearing similar uniforms. They end up at an auction, where Clarissa sees what she thinks is a family heirloom, a candlestick, being sold. They follow the man who bought it and grab it back. It’s only on closer inspection that she realises her mistake, but the candlestick is then stolen from them before they can return it. By coincidence while looking for Sidworth Manor, they meet a potential ally in Caroline but she is friend’s with the candlestick buyer, so when he shows up they run away again.

They do find a hopeful lead, when a professor giving a talk about time-travel, suggests the best hope for time travellers to return to their time would be by going somewhere familiar. They run into Caroline again and when they find the stolen candlestick, they also find a picture of Beth painted by Clarissa’s father. They conclude this is proof that they must find their way back. It seems the reason they haven’t been able to find Sidworth Manor was because it was turned into an art school. While Caroline doesn’t believe their story she does drive them to the school.When they arrive at the Manor, they end up in the cellars where Clarissa finds one of her old dolls. They see light ahead and follow it until they find themselves back in their own time. They are in what will become the new London Underground railway and are chided by a workman for going into the tunnels. When they emerge, they get some very strange looks as they are still in their modern short outfits. Clarissa’s father has been looking for them and when he finds them he covers them in his cape to protect their modesty. It seems while they were having their adventures, only a few hours had passed in their own time. When things have settled, Beth is given a home by Clarissa’s family and the father is talking about about turning Sidworth Manor into an Art School. His wife doesn’t think he will go through with it but Clarissa tells her mother that she would not be surprised if he did.

Thoughts

I like this time travel, fish out of water, mismatched buddies story. Time travel stories are fun, often they involve a girl getting sent back in time, but here it is two Victorian girls are sent to the modern times. Because it’s not just just two misplaced time travellers  but also mismatched friends, this adds another interesting element. The characters are very likeable as they are resourceful and in finding themselves in this strange setting with only each other to rely on, a friendship and understanding of each other soon develop. Initially they both make remarks on each other because of their respective backgrounds, like Clarissa remarking on Beth not being able to read or Beth bringing Clarissa down a peg when her family’s high standing doesn’t help them at the bank. Soon they do begin to appreciate each other and miss each other when they part ways. It’s also nice that both of them contribute something in handling their situation. Clarissa has good education but isn’t afraid to work hard to earn their money and Beth proves though she hasn’t schooling she is quite good at reasoning things out, such as when she figures Clarissa’s mother recovered from her illness.

Although they are eager to get back to their own time and sometimes they become distressed at the thought of being stuck (Clarissa in particular), it is mostly quite lighthearted. There is some nice snappy dialogue and the adjustments to modern world can lead to funny situations. The art by “Merry” is good, and does well in capturing Clarissa’s upper class and Beth’s lower class impressions, making them distinct, even when the majority of the story they are dressed the same. The girls do adapt surprisingly quick to their situation, when they get the job at the cafe, they just accept their uniforms (despite being considered immodest in their time) and even Clarissa who would not be used to such work, mucks in straight away to earn her keep. While they accept somethings readily, they are surprised by other things, such as the cost of living. When they buy some crisps, they believe the vendor is cheating them by not giving them change. Clarissa begins to believe everyone is a rogue in the city, when they buy other things, so it takes a little while to realise, everything is just more expensive. Things move along quite quickly as the girls try to make their way to Sidworth Manor, they don’t stay in one place too long, then in the penultimate episode seeing the picture of Beth, we know they do make it home, but we don’t know how they do it. It is nice to see that Beth and Clarissa continue their friendship, even when they return home and Beth who thought she didn’t have much to return to, is offered a home.

Jim Eldridge – Artist

Jim Eldridge is an artist who drew the long running serial “The Four Marys” in it’s final years (along with some other stories). He has kindly answered some questions on his timeworking for DCT and other comics.

Jim got his first work with DCT through LINK studios, under the agent Doris White. Another well known artist, Barrie Mitchell, also started his career in the same studio and both of them drew Roy of the Rovers strips at different times and have a similar style. This has led to some confusion of their work, but Barrie Mitchell did not draw The Four Marys, that was all Jim’s work. While Jim did draw other stories, it being so long ago, he can’t remember all the jobs he worked on then, and certainly none were as long as the time he spent on The Four Marys.

“When I joined LINK studios I had already has my first strip “Tarzan” printed for the TV Comic. I did various artwork jobs for DCT while with LINK studios but none for IPC. I wasn’t with them very long, I then moved to another agent “Roger & Co.” run by Jack  Wall and Kate Woolley, while there I did draw a few “Wee Sue” for Tammy and also got my first strip for the Bunty comic “The Three Imps” and  I also did “football libraries” for DCT.  That agency was taken over by Temple Art Agency run by Patrick Kelleher, it was while there I was offered “The Four Marys” for Bunty, and I also did Roy of the Rovers on a few occasions. I was with Temple for about 20 years. When Bunty ended I moved again to SGA agency for a few years and then to Linda Rogers agency for a while. I have been with my current agent Paul Beebee of Beehive Illustration for the last 16 years and illustrated many hundreds of Educational Books for most of the main publishers.” [You can see some of Jim Edridge’s more recent work here: www.beehiveillustration.co.uk]

       (The Three Imps – Bunty)

Jim got to know some other artists in the business; Barrie Mitchell, Mike White (Roy of the Rovers artist) and Mike Lacy, but there was no collaboration for Jim with the writers of the stories he drew for.  He was just given the script,  so he would just illustrate straight from script to final art. He only met with the Bunty editor Jim Davie, whom he got on very well with and he passed on the readers’ fan mail for The Four Marys to Jim. The Four Marys was a favourite with readers and many praised his artwork, the story was increased from 3 pages to 4 pages, keeping Jim busy as he had to produce this every week. He did have time for some other jobs but mostly The Four Marys kept him occupied enough, he had no idea it would run for 12 years and as a freelancer he was grateful for the steady work.

“With regard to The Four Marys. That was my favourite story to draw. I had no idea I would be drawing this story for 12 years [..]  I also did Four Marys picture library’s and summer specials as well as the Four Marys weekly pages and it was my artwork that modernised them and in colour.  It was an amazing long run to draw this story and I was thankful for the regular work. Being freelance. Looking back it was good to have drawn Bunty’s top story for 12 years.”

   

Of course sadly Bunty came to an end, but Jim has made his mark on the comic and is happily still working these days illustrating children’s books. “When Bunty finished it was a shock at the time, but I then moved on to Children’s book illustration”

List of Work:

  • Beehive Illustration
  • Football Picture Story Monthly
  • Mike’s Mini-Men (Roy of the Rovers)
  • Roy of the Rovers
  • Tarzan (TV Comic)
  • The Four Marys (Bunty)
  • The Three Imps (Bunty)
  • Wee Sue (Tammy)

The Traitor’s Daughter (1978)

Published: Bunty Picture Story Library #185

Artist: John McNamara

Writer: Unknown

The recent “Force of Evil” entry raised the theme of a girl battling to clear her father when he is accused of treason. However, it did so in a manner that was totally atypical from the way the theme was usually used in girls’ comics. This story is an example of one way in which the theme was more commonly followed.

Plot

Fifteen-year-old Trixie Collins is the most popular girl at St Anne’s School (we have a horrible feeling this is about to change). Trixie’s best friends are Hazel Begby and Molly Teal. Of course Trixie does have enemies, and they take the form of the jealous, stuck-up Monica Dalby and Freda Morgan. They wish they could take Trixie down a peg. (And is it our imaginations, or do Freda and Monica bear a striking resemblance to Mabel and Veronica from “The Four Marys”?)

After sports day, Trixie is surprised to find a note in her shoe from Dad, Professor James Collins, a British scientist. He says to meet him at the tennis courts that night, and it’s urgent. This has Trixie very worried and she wonders if something is wrong, seeing as how Dad phoned to say he could not make it to her sports day.

At the tennis courts, Dad says that things are going to happen that are going to make Trixie very unhappy. But she must be brave, trust him, and not be ashamed, whatever happens. Then he departs, without really explaining what is going on.

Next day, the newspapers give Trixie her answer: Dad has been arrested for selling government secrets to a foreign power. Now Trixie is branded “a traitor’s daughter”, and becomes shunned and bullied. Girls are saying she should be expelled. The headmistress Miss Henderson says she will let Anne stay, though she says she will be surprised if Trixie has any friends left. And of course the jealous Monica and Freda finally have their chance to take Trixie down a peg, and set out to milk Trixie’s downfall for all its worth.

Even Molly and Hazel have gone against Trixie – or so it seems. They are just pretending they are in order to protect her from any nasty schemes Monica cooks up. Trixie begins to suspect they are secretly friendly when Molly deliberately hurts herself so Trixie, reduced to reserve on the swimming team, can swim for the school. The school does not cheer for Trixie when she wins, and the rival school can’t understand why.

The bullying gets worse when Dad is found guilty of treason; Trixie finds her room vandalised (as shown on the cover). Then, when there is a television report that Dad has escaped from prison, Trixie can’t take anymore and tries to run away. Molly and Hazel stop her, revealing that they are indeed secretly friendly and feeling guilty about not being more courageous earlier. Trixie pledges to keep their secret and has more strength to endure her ordeal now she knows she has friends.

The police speak to Trixie about her father. She declares that she will do what he says if he contacts her, even if he was guilty, and will not report him. After she goes, the police tell Miss Henderson they can now make their plans accordingly. Soon after, Trixie receives a sealed envelope from Dad saying it is top secret and not to open it. She is to keep it in a safe place, but someone steals it, and Monica was around at the time. Meanwhile, a new porter named Jobling starts work at the school.

That night the thief (kept in shadows) hands over the envelope to her father. When he opens it he finds it is just blank paper: “You silly, little fool, you’ve been tricked.” He tells the thief to try again for the real papers, so the thief searches Trixie’s study again. But the thief gets surprised by Miss Henderson, and has to knock her out with a hockey stick in order to escape. When the police investigate, they find the incriminating hockey stick on Trixie.

In private, Miss Henderson tells Trixie that she does believe Trixie’s protests of innocence. For the moment, though, they have to let the school think otherwise. Miss Henderson tells Trixie that next time she wants something looked after, she is to hand it over for safekeeping in the school safe, and make sure the whole school sees her do it. Trixie ponders as to how Miss Henderson knew about the envelope when she didn’t tell anyone. (Hmm, could Miss Henderson be another secret friend?)

At a hockey match with a rival school (and no cheers for Trixie, not even when they win the match), Monica tries to whack the hockey ball at Trixie’s head. However, a quick catch from Jobling saves Trixie from injury. The sports mistress is suspicious of Monica but has no proof, so she can only give Monica a warning. Afterwards, Trixie finds another sealed envelope from Dad, with instructions to hand it over to Miss Henderson and let people know what she has done. To make sure of this, Trixie hands it to Miss Henderson during assembly.

A few days later it is school prize-giving time. Monica and Freda are furious to see that Trixie is being awarded the prize for best scholar. When Monica’s father visits, he asks her about the envelope Trixie was sent, and is infuriated to learn that it was handed over to Miss Henderson for safekeeping, which means it is in her safe. Mr Dalby works in the same department as Trixie’s father and thinks the letter may be a clue as to his whereabouts. They do not realise Jobling is in earshot.

Dalby and Freda’s parents make their way into Miss Henderson’s study, saying they are very displeased that Trixie has been allowed to remain at the school and even threaten to withdraw Freda because of it. Miss Henderson stands her ground on letting Trixie stay. After the prize giving (where nobody applauds except Hazel, Molly and their parents) Dalby tells Monica to get Trixie expelled, for he just has to get his hands on that letter. So Monica sets about planting her medal on Trixie to get her expelled for stealing. She does not realise Jobling is watching her do it while cleaning the windows. But when Jobling reports to Miss Henderson, he says it was Trixie that did it!

Trixie is expelled and Jobling escorts her to the train. As she leaves the school, Miss Henderson hands her the envelope. Monica sees this and reports to her father. Trixie does not realise Jobling has also boarded the train.

On the train, two thugs confront Trixie, claiming to be police officers. That doesn’t work of course, so they try to make a grab for the envelope. But real police officers burst in and arrest them. Dalby, who is also on the train, discovers his men have been captured. He tries a getaway by jumping off the train, but Jobling stops him and soon Dalby is under arrest as well.

Jobling is now revealed to be…yes, Dad in disguise! Dad explains it was all a plan to trap Dalby. Dalby was the real traitor selling government secrets to the enemy. Dad managed to recover some of the documents but couldn’t prove anything. So he ended up taking the rap. Those envelopes were bait to catch Dalby, and Miss Henderson was part of the plan to catch him (though just how or why she came to be in on it is not explained).

Now Dad has been cleared, Trixie is no longer under a cloud at St Anne’s. A humbled Monica is “banished the school” (they could have phrased that better).

Thoughts

All right, for this story to make sense, either one of two things had to be going on: 1) the whole thing had been a sting operation from start to finish to flush out Dalby. Dad agreed to be falsely convicted and then sprung from prison so he could go undercover to help flush out Dalby, and he had been working with the police and Miss Henderson the whole time. Or 2) Dad’s conviction was genuine. But by the time he escaped (assuming that was not done with connivance), the police had realised they had the wrong man and begun to suspect Dalby. They caught up with Dad and then concocted the sting operation, with help from Miss Henderson.

Either way, Dad was more fortunate to have so many people to help him when he was falsely accused of treason. Usually, such Dads have little more than their family to stand by them. If they are forced to go into hiding they pretty much have to rely on themselves and secret contact with their families, as in “That’s My Girl!” from Mandy. We really applaud Miss Henderson, the headmistress who is more helpful than most in girls’ serials, particularly in stories that deal with bullying. There are not many headmistresses in girls’ comics who are willing to take a crack on the head for their pains, so Miss Henderson is definitely one of the best ever in girls’ comics. We also praise Hazel and Molly, who showed that they really were Trixie’s best friends. Though they don’t get the chance to help unmask Dalby or Monica, they help give Trixie the strength to get through her ordeal and not give in, which helps the undercover operation to continue its course.

From the moment we see the cover, we know what the poor girl on the cover will go through in the course of this story. We bleed inside for her already because it looks so horribly ugly and disturbing. The bullying and ostracism that Trixie undergoes is a very sad but realistic reaction to the charges against her father. In real life, when someone is accused of a crime, their whole family can become ostracised and harassed, just because they are related to him/her and have committed no crime themselves. We all cry for Trixie and we agree with her that it is so unfair to be treated so badly as the ‘sins’ of the father fall upon his child, who had nothing to do with the treason. The demands that Trixie be expelled for what her father is accused of are totally unfair as well, as they are not crimes she committed.

It is no surprise that Monica, the girl who hates Trixie the most, turns out to be linked to the man who did the dirty on Trixie and her father. This is a common thing in girls’ serials that deal with false accusations. We can certainly see where Monica got her nasty nature from. She does not seem to be aware that her father is the real traitor; he has led her to believe that the envelopes contain clues to Collins’ whereabouts, not that they contain secret documents. However, the lengths she goes to in order to get the envelopes (kayoing Miss Henderson, framing Trixie for theft) show just what she is capable of. If she had known her father’s true motives, she might have helped him anyway. Hopefully her humbling and the shame of her father going down for treason will deter her from going down any dark paths in future.

Catch The Cat!

Plot

Marie Bonnet uses the cover of a collaborator to secretly fight the Nazis as a costumed French Resistance fighter known as The Cat. A more detailed summary of her first adventure can be read here: Catch the Cat! (1975), and her third adventure is detailed here: Catch the Cat! (1980).

In her second story, Marie Bonnet aka The Cat returns for more battles against the Nazis, ending with her being forced to fake the death of The Cat when the Nazis start tearing the town apart to catch The Cat once and for all. The Nazis fall for it and think they are now rid of The Cat, but Marie vows The Cat will come back someday.

In her third story, the Resistance dispatch The Cat to Germany to track down stolen paintings, which have been used to conceal technical drawings of a German secret weapon.

Notes

  • Artist: Hugh Thornton-Jones

Appeared

  • Catch the Cat!   Bunty:   #926 (11 October 1975) – #955 (1 May 1976)
    • Reprinted – Lucky Charm #25
  • Catch the Cat! – Bunty: #981 (30 October 1976) – #991 (8 January 1977)
    • Reprinted – Bunty:  #1491 (09 August 1986) – #1501 (18 October 1986)
    • Artist: Hugh Thornton-Jones
  • Catch the Cat! – Bunty:   #1148 (12 January 1980) – #1164 (03 May 1980)
    • Artist: Hugh Thornton-Jones

Other Appearances:

Annual Appearances

  • Catch the Cat! – Bunty Annual 1977 [Artist: Hugh Thornton-Jones]
  • Catch the Cat! – Bunty Annual 1978 [Artist: Robert MacGillivray]
  • Catch the Cat! – Bunty Annual 1979 [Artist: Robert MacGillivray]
  • Catch the Cat! – Bunty Annual 1980 [Artist: Robert MacGillivray]
  • Catch the Cat! – Bunty Annual 1981 [Artist: Hugh Thornton-Jones]
  • Catch the Cat! – Bunty Annual 1982 [Artist: Hugh Thornton-Jones]

Summer Specials

  • Catch the Cat Game – Bunty-Judy Summer Special 1977
  • Catch the Cat! – Bunty-Judy Summer Special 1979 [Artist: Robert MacGillivray]
  • Catch the Cat! – Bunty Summer Special 1981 [Artist: Hugh Thornton-Jones]

Picture Story Librabry

Lona the Wonder Girl [1975]

  • Lona the Wonder Girl–  Bunty: #926 (11 October 1975) – #951 (03 April 1976)
  • Reprinted as Wonder Girl – Lucky Charm: #18 (1982)
  • Artist: Robert MacGillivray

Plot

Lona Neal was abandoned as a baby and adopted by a group of scientists. They think she will be perfect test subject as even as a baby her endurance and intelligence is evident. The scientists keep her secluded and raise her to be the perfect human specimen.  There experiments can be harsh, such as when she can draw with her right hand, they make a pen that won’t work unless she uses her left hand and when she cries that she is hungry, they don’t respond in order for her  her to learn independence by finding her own food from the fruit trees outside. Only one of the scientist, Dr Hilda, appears to see her more than an experiment, praising her and showing concern at some of the harsher lessons. When Lona’s guardians feel they have taught her all they can, they send her off to an exclusive boarding school to see how she does in the outside world and prove their experiment a success.

Charlton College is a competitive school for the best and brightest. While Lona is smart in many ways, her guardians did not teach her about people and ways of the world.  Therefore the other girls actually think she’s a bit thick, strange and often interpret her special abilities wrongly. Like when she takes part in a swimming competition, she decides to swim under water as it is the clearer path. But the games mistress jumps in to rescue her,  as she thinks Lona must be drowning because no-one could hold their breath that long and the girls all think she lied about being able to swim. Another teacher also thinks she must have cheat on test, because she couldn’t finish it so quickly. The girls in her class wonder how she doesn’t understand slang like “bighead” and “to stick up for yourself”. When Lona gets in bully Mildred’s bad books, the girls are irked that Lona lets Mildred push her around. When things go wrong Lona remembers the lessons her guardians taught her.She always prefers to try peaceful method and thinks if confrontation is needed it should be done privately.

Lona would like a chance to play on the tennis team for an upcoming tournament but is denied because again she is not understood when she says she’s never played against a human (as she had learned to play against a robot, Bertie). She does get her chance though when several of the players come down with the flu. At first she finds people can be harder to play against than a robot, as they are more “deceptive”. When she learns her opponents moves she does end up winning. Finally her classmates are impressed and want her to accept the challenge of bighead school champion Celia. Lona does eventually accept, but thinks when Celia sets time for a match she means 12 midnight rather than 12 noon. She thinks it is not right to brag and therefore midnight is good time as they will be able to play in private. She goes to wake Celia up as she thinks she has forgotten. Celia wakes everyone else up, not interested in a private match. But then Celia gets nervous and doesn’t want to take the chance of losing, so she asks friends to distract Lona. Tricks like shining light in her eyes, don’t work and its clear that Lona will win, until the principal interrupts. While the whole school were behind Lona to win, seeing her not stand up for herself against Celia and call her out on the tricks she pulled, makes them exasperated with Lona again.

Lona has heightened hearing, so when the girls say things about her, they don’t realise she will be hurt by the comments. Feeling very dejected, Lona decides to runaway back home, but is surprised her guardians have abandoned the house. Deciding there are some things she must solve alone, like her guardians taught her, she goes back to the school. Tired from all her walking, she actually sleeps in and is grumpy in the morning. The girls think maybe she is normal after all, but she quickly reverts to her old ways. Mildred is still especially annoyed with Lona, even after she saves the class from lightning. Mildred does notice Lona is desperate for a friend and uses this to play tricks on her, making her do a ton of prep. Lona does start making progress with making friends, firstly a girl with allergies, Fiona, takes Lona’s advise about getting rid of chemicals. This turns out to be a good thing, because it turns out she was having a bad reaction to a nasal spray. She also makes friends with Mary, who encourages her to have more fun. Even the teachers are coming around and she gets a place on the gymnastics team.

Mildred isn’t happy that she is made reserve on the gymnastics team, but also doesn’t take well to Lona offering her place. Mary says Lona needs to be more human and stop always trying to be perfect; she should tell a lie, have fun!Lona begins to doubt herself and her guardians and loses some of her poise She tries to loosen up going to concert with Mary, and it seems Mary was right as more girls are being friendlier to her now. But because of Lona’s heightened senses, the noise and smoke is too much and she runs off. Mildred notices and makes a note of this weakness. She use this to her advantage at the gymnastics display, getting her father to blow smoke at Lona. Lona is also disconcerted as she thinks one of the professors is there but she is mistaken and the the loudspeaker announcing her makes her sensitive. All these things cause Lona to lose her concentration and fall. Then her coach tells her to push everything from her mind, she relies on her lessons and she makes a great recovery.

During the break between events, Mary invites Lona out with her family, Lona is upset when Mary asks her to share the secret of her strength as she thinks now Mary only wants her friendship because of that. Before the next event some girls mock her preparation and again Lona loses her concentration. She has to take some time to dismiss her emotions to recover. Mildred is mad and jealous because despite her mistakes, Lona gets a loud applause.  Her jealously goes so far that she pushes a flower pot on Lona. Lona refuses doctor but soon finds her vision blurring. Still she manages the next event through feel only. The selectors for the British team in the audience are impressed with her talent and recovery, so put her on short list. Mildred is disappointment though her father reassures her she’s the greatest to him. Hearing this Lona feels lonely wishing she had parents that cared for her. Then she spots Dr Hilda but she runs away before Lona gets a chance to talk to her. Mary is blunt, telling her that her guardians have caused nothing but heartache. Marys family propose adopting her, but Lona’s head injury acts up and she is diagnosed with a concussion. At this stage she is tired of being strong and is getting more ill, only the arrival of Dr Hilda encourages her to fight again. Dr Hilda says the other scientists blame her for the failure of the experiment as she was too sentimental with Lona. Lona is determined to prove them wrong, and now with renewed strength, begins to excel at everything, including becoming a swimming and gymnastic champion. While playing violin solo at parents day, Lona is delighted her guardians have come. Her guardians are to take her home but no more experiments, she can come back to the school as a normal girl.

Thoughts

With the Wonder Woman film release, I thought it would be good to look at a British Wonder Girl. [Note: There have been several Wonder Girls in  of the American DC comics the first appearance of the DC Wonder Girl was actually the adventures of a teenage Wonder Woman, another writer thought Wonder Girl was separate person and added her onto the Teen Titans team, so she had to have a new backstory developed, that Wonder Girl became Donna Troy]. I assume DCT  were able to get away with stories called Wonder Girl (and Supergirl) because the characters themselves were different from their American namesakes. Lona does show some similarities to Wonder Woman (film version), she has compassion, wanting to make peace, and shows some naivety of outside world, they are even both unfamiliar with ice cream! But she has more in common with another British Wonder Girl Jay Smith from Mandy. Both Lona and Jay are raised by scientists to be a peak of their abilities. They have heightened senses, endurance, excel at sports and academia. Jay has a good relationship with her guardian Harriet Dene and is happy to put her abilities to the test against others. Though her abilities set her apart she doesn’t feel lonely. Lona on the other hand longs for friendship and though she should be top of everything, her actions are often misinterpreted.

Throughout the story there are flashbacks, which show how she interacted with her guardians, lessons she learned and they also show, even when younger, she was in search for friendship and connections. Dr Hilda is certainly shown to be the most emotionally attached of the guardians, Lona as a younger child even asks her to pretend to be her mummy. Lona is a very sympathetic character, you can certainly see her loneliness (well demonstrated by the expressive art of Robert MacGillivray) and also the conflict of trying to do her best all the time like her guardians taught her. The problem with this, is it isolates her from the other students, they don’t understand her strange ways. The scientists don’t put much stock in teaching Lona social skills or humour, this ends up being her downfall. While they think emotions make her soft and she won’t be able to excel, it is not possible for Lona to completely push aside her emotions and this is her downfall. When finally she knows that Dr Hilda cares, that is what pushes her to do her best, proving the other scientists wrong.

The ending seemed a bit quick, the scientists decide no more experiments as Lona has proven successful across the board, but we never see any reactions from them. Some plot points seem to be dropped too, like Mary’s want to find out the “secret” to Lona’s strength, while Lona suspects her friendship isn’t so genuine, next Mary’s parents are offering to adopt her! These plots are never developed. Also Fiona is never mentioned again, possibly she was still in hospital? As I only have the Lucky Charm version, it is possible that there have been parts edited out of the original which may have developed these plots more. A more satisfying supporting character is Mildred, we see her annoyance then jealousy of Lona build up to the point where she causes injury to Lona. While she never apologizes,  she does look guilty after injuring Lona. While she may want Lona’s skill, she doesn’t appreciate she has something Lona longs for – a loving parent.  The ending is satisfying with Lona now happy, she has a caring family that are proud of her and she has the chance to return to school as a normal girl with friends.