Tag Archives: Bullying

They’re No Match for Mo! (1977-78)

 

Plot

Mo Miles, the daughter of a rag-and-bone man, is an ace tennis player. She is invited to join a posh tennis club after finding a valuable ring lost by a club member. Nonetheless, she and her father meet constant discrimination from the snobby club members, even when she starts winning tournaments for them. However, Mo can prove she is a match for all opposition, both on and off the tennis court.

Notes

  • Artist: Colin Merrett
  • Translated into Dutch as “Geen Partij voor Patty” (No Match for Patty), Debbie Parade Album #27.
  • Reprinted as “Nellie Never-Give-In”, Lucky Charm #12.

Appeared

  • They’re No Match for Mo! – Bunty: #1031 (15 October 1977) – #1050 (25 February 25 1978)

The Comp: Bunty PSL #348 (1992)

Published: Bunty PSL #348

Artist: Peter Wilkes

Writer: Anthea Skiffington

Special thanks to Goof for scans

Plot

Grim Gertie is hospitalised, bringing in a substitute teacher, Mrs Whitely. Laura Brady isn’t off to a good start with Whitely when she rushes to registration, which causes her to collide with Whitely and tread on her toes. “Trust me – I just crashed into Gertie’s stand-in!” But the real bad start comes when Whitely discovers Laura’s name during registration. All of a sudden she is looking daggers at Laura, seems to have a sudden thing about Laura being a problem pupil or something, and says, “I shall remember you, Laura Brady.”

From then on, it’s bully teacher time for Laura. Whitely constantly singles Laura out for unwarranted and unfair punishment, even for things that are totally untrue, and detentions are a particular punishment. It starts with her giving Laura detention for homework with four wrong answers, sloppiness and scribbles. Now that’s bizarre to say the least. Okay, so Laura did the homework while being engrossed with a Tom Cruise movie on television, but it looks like everyone else did too. Her mother, who checked her homework, can vouch it was tidy and scribble-free, so what’s Whitely talking about? Later, Laura finds out others did even worse than her on the homework assignment and didn’t get detention – so why did she get it?

At any rate, as Laura is soon to discover, it makes no difference to Whitely as to whether her schoolwork is the best or not.

At first Laura’s classmates think she is just imagining things about Whitely, but they change their minds as it grows more obvious. On one occasion Whitely pounces on Laura for trying to ping a paper pellet at Hodge; Hodge says it was his fault for pinging it first, but Mrs Whitely refuses to listen and punishes Laura with a stinging 500 lines. On another, she punishes Laura for talking in class; her friends admit they talking too, but Whitely doesn’t listen to them.

Whitely also refuses to hear Laura’s pleas that these constant detentions are causing her to miss out on vital hockey practice and matches, which incurs the displeasure of Miss Bliss (“The Blizzard”) against her. As a result, Laura eventually loses her place in the hockey team.

The class reckon it must be Whitely’s trodden toes. Their only advice to Laura is to ignore it, but that’s easier said than done. As Gertie will not be fit to return for a while yet, Laura fears her bully teacher ordeal looks set for the long haul. She has not spoken to her parents about it, not even when Mum asks at one point why she’s crying.

Meanwhile, the class visit Gertie in hospital and discover the maternity wing badly needs funds or face closure. They decide to pitch in, and settle on a Fun Day to raise funds. They need approval from their form teacher before approaching the Head. But when Laura suggests it to Whitely, she won’t listen: “Don’t bother me with your ridiculous notions, Laura Brady!” Then Laura discovers that a few minutes earlier, Whitely thought it was a great idea when Hayley and Roz suggested it, and told them to go straight to the Head for permission. This makes her even more convinced Whitely hates her.

The Head agrees to the Fun Day, sets the date for the last day of half term, and he must approve of the events being held. This could be problematic, as Hodge has scripted a parody of Redvale, “Riotvale Comp”, with parodies of the school staff. Laura is in the role of the Grim Gertie parody, “Miss Gruesome”.

Although Hodge tries to keep this school parody hidden from the Head, he inevitably finds out. Surprisingly, Hodge comes back with the news that the Head gave his approval to stage Riotvale, with “one or two tiny conditions”, such as a couple of small changes to the script. Hmm, is there a hint of something else here? Anyway, rehearsals for Riotvale continue. For Laura they are a welcome relief from her growing miseries with Whitely, and despite them, she is coming along well in the role.

But then Whitely goes too far. She forces Laura to do a homework assignment twice, saying the first was sloppy while Laura had taken care she would have no cause for complaint, plus having to do those 500 lines as well. Then she springs a surprise test on the class over the material. Laura is determined to score well, and ought to after running through the material twice. But when she does, Whitely hauls her before the Head with claims she saw Laura cheating in the test, but as there is no way these accusations can be true, Whitely can only be lying. The Head sends a letter to Laura’s parents, and there’s more detention for her. It’s getting too much for Laura, and she decides to drop out of Riotvale.

When the letter arrives, Laura reaches breaking point and finally tells her parents her teacher hates her. But they don’t believe it: “Now, that’s silly, dear. Why should she?” At this, Laura runs out of the house, still yelling that Whitely hates her and shouting at her parents for not listening to her. She then decides to run away, unable to take any more of Whitely. By now she has realised there has to be far more to this than trodden toes but can’t think what.

In class, Whitely notices Laura’s absence, but only says “perhaps we’ll have some peace and quiet for a change”, which further convinces the class that Whitely is gunning for her. She isn’t even asking questions about Laura’s absence.

Laura left the house in such a state that she forgot her schoolbag, which brings Mum up to the school. From there, she discovers discovers Laura is missing and reports it to the Head, who calls the police.

Mum asks to speak with Whitely. When she sees her, she now believes Laura, for she has recognised Whitely as Susan Stigmore, a nasty piece of work who used to be an old enemy of Laura’s aunt at school. When Mum confronts Whitely about this, her malice spills over and she expresses venomous comments about Laura and her aunt. She then realises her mistake in doing this right in front of the Head, but it’s too late – she’s been caught out. He sacks her and writes a report that will make sure she never finds another teaching job.

Laura is soon picked up, and everything is sorted out. When the other teachers hear about Whitely’s conduct, the Blizzard reinstates Laura on the hockey team. And Laura is back in Riotvale.

Two weeks later, it’s Fun Day, and Gertie is back. Riotvale is a thundering success. But then Hodge tells the gang what he had not told them before (aha!). The Head had granted permission to stage Riotvale on the condition that the school staff have their own sling-a-sponge event afterwards – with the Riotvale cast as targets. And boy, are the staff loving it! Revenge at last for all those things they put up with in class.

However, the Riotvale cast get revenge on Hodge with another fundraising idea: 10p to help throw him into the school fountain. And so he is, much to his chagrin. Ah well, it’s all in good fun and fundraising for Fun Day.

Thoughts

This is a PSL to be read over and over. There’s so much in it for readers to enjoy, and it is a well-constructed story that interweaves two contrasting elements with each other: the bully teacher and the Fun Day. Fun Day delivers the ever-popular charity cause theme, a brazen school parody that’s a welcome change from tired old fund-raising events, and heaps of fun on the big day that will finish half term with a bang. Providing contrast is the ever-popular bully teacher theme, with the drama, emotion, misery, and bullying that grows worse and worse until it becomes too unbearable. Added to it is the mystery element – what is Whitely’s problem with Laura?

There isn’t a DCT regular strip (The Four Marys, Penny’s Place, etc) that hasn’t had a bully teacher at some point, but it’s never a regular member of staff – it’s a new/substitute teacher. Whitely belongs to this long-standing tradition, as she does to the long-standing tradition of new/substitute teachers frequently spelling trouble of some sort in girls’ comics.

Bullying a pupil because of a long-standing grudge against a family member is a common theme. “Teacher’s Pet” (Judy) is another example of this. It also has the added tension of mystery to the story – why does the teacher hate the girl? And girls just love mystery in comics. And because the pupil doesn’t understand the teacher’s motives in bullying her, she may start wondering if she’s the one at fault.

The story was ingenious in throwing in the little mishap Laura had with Whitely right at the start, as misdirection for why Whitely hated Laura. If Laura (or reader) had looked more carefully at Whitely’s initial reactions to her, she might have realised it was something about her name that set Whitely off. Whitely changing her name through marriage was also a clever means in keeping her motives concealed and making them harder to figure out. If she’d come to the school as Miss Stigmore, it might have set off a few alarm bells with Laura’s family or laid some clues for Laura to pursue.

It’s no surprise to hear Whitely was a bully in her youth. It’s not clear if she was a bully teacher before Redvale or if Laura just brought out the worst in her because she was related to her old enemy. But, as it is obvious Whitely never learned her lesson about bullying, she was set to be a bully in adulthood. A teaching career would put her on course as a bully teacher who could bully other pupils, and ones who reminded her of Laura’s aunt would be particularly vulnerable. So we can all say thank goodness she was out of the teaching profession in the end. Her bully streak made her totally unfit for it.

But it’s not all depressing bully teacher time. The Fun Day thread is a total delight and a welcome light relief and contrast to the bully teacher situation. It’s all in a good cause, and Riotvale puts it above a whole new level. Without it, the Fun Day plot line would not have been nearly so much rollickin’ good fun for the reader. When the Head added the condition to performing it, we can just imagine his reasoning for it: “If you’re having your piece of fun with us, it’s only fair we have ours with you, eh?” Well, yes, he’s right – it’s fair exchange, and we have to laugh at the added twist it gives. Setting Fun Day at the end of the half term finishes off the half term in grand style, and the added punishment of Hodge gives Fun Day an even higher and more satisfactory note to end the story on.

They All Hate Hetty! (1975)

Published: Bunty PSL #146

Artists: Cover – Jack Martin; story – Mario Capaldi

Writer: Unknown

Special thanks to Goof for making the entry possible with scans.

Plot

Hester “Hetty” Mellish and her parents have only just moved to the isolated village of Widdivale when Dad is hospitalised in a road accident and Mum has to go to lodgings to be near him. Hetty is left in charge of a neighbour, Mrs Jones.

Hetty is curious to track down her great-grandmother, a Mrs Turvy who lived in Cubby’s Cottage in Widdivale. When Hetty finds Cubby’s Cottage, it is a rundown, neglected place, and then a couple of children suddenly run away in terror when they see her there. Tracking them down to sort things out, Hetty finds their mother, Mrs Preston, acting equally hostile and scared at her poking around Cubby’s Cottage. Mrs Preston warns Hetty to stay away from there and then slams the door in her face.

Next stop is the churchyard, where Hetty hopes to find her great-grandmother’s grave. She eventually finds it behind an overgrown bush, and the headstone bears the name Hester Turvy, the same first name as hers. But Hetty is astonished that the headstone is so neglected and kept behind the overgrown bush while every other headstone is kept immaculate – as if someone wanted it out of sight and mind. She tries to clean up the grave.

While she does, Sam Wiles, the man in charge of the graves, turns up. When he hears Hester Turvy was her great-grandmother, shares the same first name, and even looks like her, he suddenly goes scared and crazy and goes off spreading wild tales that Hetty is descended from Hester Turvy the village witch, come back to plague the village. Witch beliefs still persist in the village, and great-grandmother Turvy was believed to be a witch. From what Hetty and Mrs Jones can gather, it was all rumour mongering that arose because she lived alone, looked rather formidable, and, as the story later reveals, had a recipe book, which must have sparked tales of “a spell book”.

The whole village turns against Hetty, now believed to be a witch like her great-grandmother. When Hetty comes, people flee in terror, jeer and throw stones, or slam their doors shut. Wiles is spearheading the campaign to drive her out. He takes to the soapbox on a tree stump in the village square rabble-rousing the villagers, fanning the flames against Hetty, and urging people to burn down Cubby’s Cottage, saying it must be the source of her power. He even pays off Freddy and his friend Tom to spy on Hetty for any “witch” activity.

Mrs Jones remains Hetty’s only friend and staunchly stands up for her against Wiles, the persecution, and the crazy stories that get going. She knows how those villagers are so easily infected by gossip as they don’t have much else to occupy their minds with.

As is usual with these types of stories, strange things seem to happen and attract themselves to Hetty. The villagers start to imagine things that started when Hetty arrived. Good deeds Hetty tries to do to prove she’s all right just go wrong and look like more witchcraft. All of them inflame hatred against Hetty. There are rational explanations, and Mrs Jones helps Hetty to scotch a number of them, but it can’t really stop the persecution or Sam Wiles and his hate mongering.

Among them, Hetty tries to clean up the cottage and makes a makeshift broom for the job, but when the villagers see the broom, it sparks rumours it’s a witch’s broomstick. She acquires a cat, Tinker, who got left behind when his previous owner moved. Although the villagers know Tinker, they scream he’s the witch’s cat as he’s black, and throw stones at him. The frightened cat takes refuge in Cubby’s Cottage. While looking for Tinker in the cottage, Hetty finds great-grandmother’s old recipe book and tries a recipe for cowslip tea. She does not realise Wiles and his spies are watching her, and Wiles orders them to watch Hetty and that “spell book” very closely. The boys steal the cowslip tea, and Tom dares Freddy to drink it. Soon after, Freddy grows ill and his mother accuses Hetty of poisoning him with her witch’s brew. However, when Mrs Jones and Hetty investigate, they find Freddy is merely sick from eating too many sweets, which he admits were bought with the money Wiles gave him for information received.

The village fete comes up, and Mrs Jones is sure it will distract the villagers from Hetty. Hetty decides to contribute a doll in the hopes it will help the villagers to see she’s okay. No such luck.

When Hetty tries to be friendly and smiling to the villagers, crazy old Wiles starts the rumour that the “witch-girl” will harm Mrs Jones, the way Hester Turvy used to harm “innocent folk”. Oh, no, we can guess what happens next…

Sure enough, Mrs Jones soon has an accident and is sent to hospital. Hetty is blamed when the villagers see the doll – the doll’s dress is made from the same material as Mrs Jones’ and a needle is stuck where Mrs Jones got injured. It looks like Wiles’ “prediction” that Hetty would harm Mrs Jones by witchcraft has come true. At any rate, Hetty has lost her only friend and now faces the villagers’ hostility alone. She decides to stick things out so as not to worry her parents.

When Hetty donates the doll to the fete, the villagers refuse to touch it. Then a violent storm strikes, and the villagers blame Hetty although the weather forecast had warned about sudden storms. Wiles renews the call to burn down Cubby’s Cottage. Back home, there’s a note on the gate: “Get Out, Witch!”

Next day, Hetty decides to do just that. She packs a suitcase and strikes out for her mother’s lodgings, to tell her what’s been going on. But then, something tells her to go back to Cubby’s Cottage.

At Cubby’s Cottage, Hetty finds Freddy and Tom have been at it again. They tried to burn down Cubby’s Cottage for a lark, but it backfired on them when the fire got out of control. The cottage is going up like a torch, and Freddy is trapped in there. Hetty braves the flames to rescue him, but is soon in danger of becoming trapped herself. Then great-grandmother’s ghost appears and helps them both to safety.

After this, the villagers decide the great-grandmother wasn’t a witch after all and stop their persecution of Hetty. Weeks later, after Dad has recovered, the villagers want to make it up to Hetty, and they start by cleaning up great-grandmother’s grave. As Hetty and her mother inspect their work, great-grandmother’s ghost is doing the same and smiling.

Thoughts

Lingering witch beliefs in British villages have inspired numerous girls’ serials with the “descended from the village witch” formula. Other stories to use it include “Bad-Luck Barbara” (Mandy) and “Witch!” (Bunty). The formula is used to make a statement about the stupidities of witch beliefs, superstition and mass hysteria, and that 20th century people ought to be living in the 20th century, not the 16th century. And of course, illustrate how idiotic gossip and rumour-mongering can get as rapidly and dangerously out of control as the fire in the story.

The story is a little different from the formula its counterparts usually take, which makes it more interesting and novel. Usually there is an ambivalence about the things that happen, leaving readers to wonder if there really is something weird going on and the girl really is developing strange powers, or if it’s all coincidence, rational explanations, law of attraction or whatever. Here, the strange things all have rational explanations. In the end, it turns out there really is a supernatural force after all (something these types of stories usually hint at but keep ambiguous) – great-grandmother’s ghost, but it turns out to be benign and had nothing to do with the goings on the villagers blamed on Hetty. Also, instead of being a pervasive influence throughout the story, which is the more usual pattern, it only appears at the climax. It doesn’t even manifest during Hetty’s earlier visits to Cubby’s Cottage.

The story is also different in having males as the main persecutors. More often, they are female and don’t seem to be in it for much more than bullying, though personal gain can be linked to it. But it is logical to have ringleader as an older man, perhaps old enough to remember great-grandmother when she was alive, and his occupation (sexton) ties in well with how the whole thing starts. Being a man, and a respected one as the village sexton, would give him a whole lot more authority and power as a rabble-rouser against Hetty. Having the two boys as the main antagonists in the persecution and Wiles’ flunkies also makes sense. By nature they are scamps, and it’s obvious they get into all sorts of mischief. Persecuting a “witch” is the perfect excuse to cause mischief and worse with impunity, plus there’s money in it. After nearly getting themselves killed by their own mischief, maybe they will think twice about pranks and dares in future.

There is always a single person in these types of stories who serves as the girl’s only friend and sticks up for her against the persecutors (the girl’s parents are always useless for one reason or other). Usually it’s another girl who’s new to the village and therefore does not think the way the superstitious village idiots do. But this case, the story takes the unusual step of making her an adult who’s lived there for a long time, knows those gossiping, small-minded villagers all too well, and has friends among them. An adult is much more effective as an ally than a mere girl. An adult, and certainly one like Mrs Jones, is much more capable of standing up to those village idiots and trying to talk sense into them, or at least try to make them shut up.

As is common with similar stories DCT has produced, the protagonist eventually loses her only supporter, making her position even more precarious. And no matter how she tries to ride the storm, the situation inevitably reaches crisis point. If not for the supernatural intervention, Hetty and her parents would have been forced to leave the village altogether, which happened in “Witch!”

The ending – the persecution ending with the girl proving her goodness by saving lives and being accepted as a heroine – has been seen before in these types of stories. It usually comes off as pat and unrealistic because in real life, once witch believers think someone’s a witch, the label sticks and cannot be unstuck. But here we have a supernatural element taking a hand, and when there is one, we know things will be all right, which makes the ending more acceptable. And, unlike similar stories, we get to see the original “witch” finally happy and able to rest in peace after being persecuted in both life and death, which makes it even more satisfying.

Misty Short Stories III: Witches

For the third volume of Misty Short stories I have selected Misty stories with a corresponding theme: witchcraft and how Misty portrayed witches in her complete stories. As many of the stories have a similar theme, they have been grouped together under subheadings, with “thoughts” attached. I have also included closing thoughts at the end of the overview. Text stories have been omitted from this list. So witch-themed text stories such as “The Story of Little Wytching” have been excluded.

1: The Wise Woman

The true definition of “witch” is wise woman, a person who would use folk magic and herbal knowledge to help people. But witch-believers did not always see it that way and wise women were always vulnerable to being persecuted as agents of Satan. As the following stories show, Misty had the sense to frequently show the witch as she really was: a wise woman. However, they also show that how the wise woman’s help was received, or even understood, depended very much on how much the protagonist needed – or deserved – her help.

Bookworm

Misty: #99

Artist: Jordi Badia Romero

Reprints: Scream & Misty Halloween Special #2

Joanie Preston is a bookworm, but also a selfish, lazy girl. She wants to live the life of Lady Agatha in a book she is reading, where she can live in ease and comfort and never have to work. She finds a spellbook in Professor Margolis’ collection of forbidden books. She bullies Old Nell, who has a reputation for witchcraft, into helping her cast one of the spells to transport her into the Lady Agatha book. She ignores Old Nell’s warnings that it is evil black magic and can only bring disaster. While Joanie is casting the spell the Professor finds out and tries to intervene. This causes Joanie to take the wrong book into the magic circle – and its title is “Dracula”.

Thoughts

It is curious that although Old Nell warns Joanie that using the black magic will lead to catastrophe, what really causes Joanie’s undoing is her accidentally taking the wrong book into the magic circle. The danger of using black magic might have been more effective if Joanie had gone into  the Lady Agatha book after all, only to find it’s not what she expected – a monkey’s paw sort of thing.

If Only…

Misty: #51

Artist: Carlos Guirado

Poor girl Lois is jealous of rich, spoiled girl Kora, so she visits a witch, Widow Farley. Farley agrees to help because Kora is a girl after her own black heart and Lois deserves the spell.  The spell has Lois and Kora switch bodies. Then Lois finds out too late what Farley really meant by her deserving the spell: Kora was dying, and this is why she was spoiled.

Thoughts

We are told that Widow Farley is a more black-hearted wise woman than the other examples below, but it gets no development. The story would have been fine to leave that part out and have Widow Farley give Lois the spell just to punish her for her jealousy.

Aunt Mary’s Blessing

Misty: #21

Artist: Uncertain

Dying – and creepy – Aunt Mary tells Melody that she has Romany powers, which include precognition, and Melody is to inherit the art. Melody does not want any part of it. After her death, Aunt Mary appears as a ghost to Melody and tells her where to find the box that contains her inheritance. Sensing what is happening, Mum gives Melody a crucifix for protection but a teacher confiscates it. Aunt Mary draws Melody to her house and directs her to dig up a box, which contains a hand. As the hand touches Mary left hand, it crumbles into dust, and Aunt Mary tells Melody she will not see her again. Later, Melody has a premonition that her hospitalised father will be okay, but inwardly adds, while looking at her left hand: “But will I?”

Thoughts

So Melody is fated to inherit Aunt Mary’s powers. But are these powers really evil or is it just a case of people being afraid of something they don’t understand? Aunt Mary sure is creepy, but is she evil? And would Melody inheriting the powers make her evil? Or will Melody find it a great gift that she learns to accept and love? The title does say Aunt Mary’s inheritance is a “blessing” after all.

A Girl’s Best Friend

Misty: #48

Artist: John Richardson

Reprint: as Carla’s Best Friend in Tammy 15 January 1983

Blind Carla and her guide dog meet Old Greta. They are kind to Greta while others avoid her because she says she is a witch. That night Belle slips out to Greta’s house, and Greta realises why Belle has come. Next morning, Carla is astonished and overjoyed to find she has suddenly regained her sight, but then realises Belle is missing. Greta explains that she did use a spell to restore Carla’s sight, but for it to work, someone else has to give up his or her sight in return. Belle made the choice to do so, and now she is blind. Shocked to see Belle blind in her stead, Carla begs Greta to reverse the spell. Greta says Belle will still have a good life as long as Carla reciprocates the love and affection Belle showed her when she was blind. Carla hugs Belle and promises her all the love in the world forever.

Thoughts

This is one of Misty’s most brilliant and moving short stories. Carla regains her sight with the help of the witch, but it’s not a happy ending. It’s a bittersweet ending that leaves us all in tears when we learn the price that has been paid for Carla’s new sight. We cry even more when we learn Belle will stay blind, and will need all the love and help she can get.

The Queen’s Hair

Misty: #43

Artist: Jaume Rumeu

Reprint: Best of Misty 4

Tyrannical Queen Elida administers cruel justice to her subjects and throws them in her dungeons. The real reason for this is that she blames them for an illness that caused her hair to fall out and she has to wear wigs. Elida strikes a bargain with a witch for a spell for new hair. The witch gives Elida a headband that will make her hair grow again, but she must not wear it for more than 24 hours. Elida reneges on the deal and throws the witch into her infamous dungeon.

Although Elida does grow new hair she does not forgive, and she leaves her prisoners in the dungeons to rot while she throws a celebration. But then Elida’s hair starts growing crazily and uncontrollably. She realises it’s because she forgot to remove the headband after 24 hours (we thought that might happen). Elida soon finds there is no way of stopping the super-growing hair or removing the headband. The witch can’t help as she died in Elida’s freezing dungeons. Elida’s angry subjects seize the moment to storm the castle, rescue the prisoners, and exact revenge on Elida. But they find there is no need for revenge because the hair is now engulfing the whole castle and bringing Elida down with it.

Thoughts

As with Old Greta, the witch is the helper. But the witch would have really been able to help Elida if she hadn’t been beyond helping. Growing her hair back was not enough to help Elida. She had grown so cruel and selfish that she was totally beyond redemption, and she was given a chance to redeem herself. Plus she reneged on her bargain with the witch, which was really asking for trouble. We can’t help but wonder if the witch caused Elida to forget to remove the headband in time and it was she who engineered her own death in the dungeons, rather than the cold.

Ashamed of Her Mum (1986)

Published: Debbie PSL #100

Reprint: Bunty PSL #418 as “Trapped!”

Artists: Norman Lee (cover); Ron Lumsden (story)

Writer: Unknown

Plot

Thirteen-year-old Meg Ferns and her widowed mother have just moved to Redport. At her new school, Meg is impressed with the looks of Arlene Ainsley and her gang and wants to be friends with them. But they are snobs and don’t think she’s good enough for them.

Moira Samson does offer to be friends with Meg, but Meg declines as she still wants to get in with the Ainsley gang and they wouldn’t like Moira, whose background is not good enough for them either. When Meg sees Arlene’s glamorous mother she wishes her mother were like that instead of being in a factory job and doing nothing but housework when she comes home.

In town, Meg sees a glamorous model at a shoot and learns her name is Lillian Ferns – the same surname as hers. She thinks it would be so marvellous if Lillian were her mother. The snobs come along, talking about the same model. Before she knows what she is saying, Meg brags to them that the model is her mother. The snobs fall for it – except one, Priscilla. The other snobs are all over Meg now, but Priscilla means to investigate Meg’s claims.

So the double life of deception and its complications begin for Meg. And although she does not know it (yet) she has the added handicap of one girl being on to her from the start and determined to catch her out. Priscilla starts by checking out Lillian’s address (and Meg realises that’s more than she did) and having Meg invite them over to her “mum’s” house. At the house she convinces them that “Mum’s” not in, but she sees Priscilla hanging around to see if she does enter the house and realises Priscilla is suspicious. Seeing a key in the door, Meg takes advantage to enter the house, pretend she’s coming home, and hopefully throw Priscilla off the scent.

At this point Lillian catches Meg. Meg blurts out the whole story. Realising how desperate Meg is to keep those snobs from finding out, Lillian proceeds to take full advantage. She agrees to help with the pretence – on one condition. As Lillian has no housekeeper at the moment, Meg is to become her housekeeping slave, and without one penny in payment. It also means getting up extra early, dashing twelve miles to serve breakfast and back to school, back again at four for chores, back at any time Lillian wants her, do any catering she wants, etc, etc, … otherwise, she will tell those snobs the truth. And there is a verbal earbashing whenever Meg doesn’t do the job right. Er, what was that you said about it being so marvellous if Lillian were your Mum, Meg?

Of course this is soon causing difficulties, such as Meg getting lines for being late for school. But Meg is gaining in confidence because she is getting it so good for the Arlene gang and thinks she is real friends with them now. She throws a scare into Priscilla to hopefully throw her off, but Priscilla only pretends that it worked. Moira also warns Meg to be careful about getting on the wrong side of that snobby lot, but Meg doesn’t listen.

As Lillian has given Meg her house key for the chores, Meg has full access to the house to show it off to the snobs while Lillian is out. They lap up all the luxuries it offers. Priscilla takes advantage to do some snooping. As she suspected, she finds no photographs of Meg in the house or any bedroom that looks like hers. She also helps herself to the food Lillian laid out for the party she is going to hold that night. When Lillian finds out about the food, she is absolutely furious with Meg.

At the party Meg has to do all the waitressing. Ironically, one guest, Mr Tolman, comments that she looks photogenic and should consider modelling herself. Meg also spots Priscilla spying outside and rushes to close the curtains in an awful hurry. The trouble is, Lillian pulls them in the opposite direction, which causes the whole thing to come crashing down. Lillian really blows her top at Meg because she wanted to impress Mr Tolman as he owns the advertising company she wants to work for. Meg is also worried about what Priscilla will say the following day.

Next day at school, Priscilla laughs at Meg for dressing as a waitress and “curtain calls”. Meg manages to pass off the waitressing as a punishment for the food Priscilla scoffed, and kindly stop snooping. This makes Priscilla unpopular with the other snobs and Meg thinks she is now safe from her. Meg’s an even bigger hero than ever with them now, especially with Arlene. It now looks like all that slaving for Lillian is worthwhile. However, Priscilla is not only still suspicious but also upset that Meg has pushed her out and wants revenge.

Meg has another close call when Mum waves to her across the street and the Arlene gang comment on how common she looks. They buy Meg’s cover story that she’s the cleaning lady – except Priscilla, who notices that “the char” bears a strong resemblance to Meg and begins to put two and two together.

The same incident has Meg beginning to feel ashamed of the way she is treating her mother because of this deception. For the same reason she begins to get closer to Moira. But the gang warn Meg they will no longer be friends with her if she continues with “peasants” like Moira. At this, Meg realises how wrong she had been to bother with those snobs at all.

So Meg decides to end her deception, starting with revenge on Lillian. Meg tells Lillian she’s had enough of her and then heaves a bucket of dirty scrubbing water all over her. She hears with great satisfaction that she has ruined Lillian’s new Paris outfit, and then walks out.

Next day at school, Meg finds out she ended her deception at just the right time – the game is up anyway. Priscilla snooped into the school records, found Meg’s real address and her mother’s occupation, and has now informed the others. They are ready to confront her, but Meg stands up to them. Moira sees the commotion and rouses a prefect, who tells the snobs to clear off. Meg explains how it was really her fault to start with, but what makes her really ashamed over it all was how she let her mother down. The prefect tells Meg not to worry about that; she’s learned her lesson. Moira’s offer for friendship is still open, and this time Meg accepts.

Remembering how photogenic Meg looked, Mr Tolman tracks her down and gives her a job in TV adverts. Everyone is pleased for Meg – except for certain snobs who are green with envy.

Thoughts

There have been plenty of stories where protagonists run a double life, pretending their backgrounds are grander than they really are, all because of a bunch of snobs. Inevitably the deception gets complicated and there is no way they can keep it up indefinitely. The question is what will happen when the inevitable does happen. “Pop Starr” from Bunty is one example.

It’s unusual to have one girl suspicious of the deception from the start. Usually in these types of stories someone grows suspicious over time. That or the protagonist just gets caught right out. Perhaps it was the 62-page limit, which did not allow for one of the snobs to become suspicious over time. However, it does make the story even more exciting and different, having someone onto the protagonist from the very start. And Meg is quick to realise Priscilla suspects her, which sets a very exciting premise for keeping one step ahead. Meg soon proves she can do it very aptly, and is very deft at thinking quickly to get out things if those snobs get too close and foiling Priscilla’s attempts to catch her out. Unfortunately for Meg, she cannot get Priscilla off her back entirely, especially when Priscilla gets vengeful.

This deception story has the Cinderella and blackmail themes thrown into the mix as well, which makes it even more striking and interesting than a mere string of lies, close calls and complications as the deception snowballs and the protagonist falls deeper and deeper into a sticky web of deceit. The true real-life personality of the glamorous model Lillian Ferns is there to teach Meg to appreciate what she’s got in her own mother and being rich and famous does not necessarily mean an improvement. The lesson is slow in coming, though. It takes Meg’s treatment of her mother as part of her deception to make the lesson sink in.

There are always prices the protagonist has to pay while carrying out her deception. Meg’s biggest one is becoming an unpaid slave to Lillian Ferns. Lillian Ferns comes from another popular theme in girls’ comics: a famous celebrity who is in fact a nasty piece of work in real life. “Aunt Aggie” (Tammy) and “Everyone’s Perfect Mum” (Mandy) are other examples. Not to mention using blackmail to turn the protagonist into their slave, and there are countless examples of that in girls’ comics. It is obvious that Lillian’s treatment of Meg stems from her being tight-fisted, not to mention being a bully and bad employer. She can well afford a housekeeper instead of using Meg as unpaid help, and pay Meg well for what she’s doing. But she does neither. We bet the reason Lillian doesn’t have a housekeeper is that the last one quit because Lillian was just as horrible to her. It would not be surprising if quite a few housekeepers had quit Lillian’s employment already and she’s now on a number of blacklists at employment agencies. With any luck the real-life Lillian will be found out and it won’t just be her new outfit that gets ruined. Lillian’s treatment of Meg has already ruined her chances with Mr Tolman and even got the job in Lillian’s place. Lillian will be absolutely fuming when she finds out. And the irony is, it’s all her own fault because of the way she treated Meg.

There are a few ironies too, in the way Meg develops through her deception. For example, Meg becomes accepted by the snob gang she finds her confidence growing, but in the wrong way. Her true confidence comes when she decides she’s had enough of Lillian and stands up to her. And heaving that bucket of water in Lillian’s face is absolutely priceless! We don’t often see protagonists in blackmail stories turning around and getting their own back on their blackmailers, so we just love seeing it here. Meg also develops quick wits and thinking on her feet in the way she can pull herself out of those sticky situations she get herself into.

We reckon that if the snobs had not found Meg out she would have told them anyway, and tell them to sod their stuck-up ways too. Which is of course what she should have done in the first place when the Arlene gang turned her down because they were so stuck up. But instead she wants to continue pursuing them despite their snobby rudeness to her. Even then she can see there is a good friend waiting in Moira, but keeps throwing it away because she is wasting time and energy trying to get in good with those snobs.

Silver linings do come out of the clouds in this story. As well as becoming more mature, confident and learning what true friends are made of, Meg also gets a glamorous job and possible future career out of it all. So life will become a lot better for Meg and her mother. And we can just see Lillian’s face when she finds out about Meg’s job.

I Don’t Want to Be a Model! [1984]

Plot

Roslyn Grant is taken in by Gerda Grayson, a (so-called) friend of her mother’s while her mother is away. Grayson abuses Rosyln into becoming a model and holds her prisoner by removing her glasses so Roslyn can’t see properly, and takes her out of school. When Roslyn tries to run away, she is caught, and the label of runaway gives Grayson even more blackmail power over Roslyn. Eventually Roslyn learns that Grayson’s cruelty is due to a long-standing jealousy she has held against her mother ever since their school days, and Grayson has a long record of bullying.

Notes

  • Artist: Rodney Sutton
  • Writer: Marion Turner (under pen-name: Fiona Turner)

Appeared

  • I Don’t Want to Be a Model! – Tracy: #235 (31 March 1984) – #243 (26 May 1984)

 

Minnie the Meanie (1982)

We’re heading towards that time of year to be extra-generous to people while spending up large on gifts, holidays and other treats. But here’s a cautionary tale from Judy not to take either one to extremes. The consequences can be just as damaging as for the other extreme that we always hear about at Christmas – Scrooge. As the parents in this story found out, not even a pools win is a limitless amount of money for spending.

Published: Judy: #1153 (13 February 1982) to #1166 (15 May 1982)
Reprinted – Judy: #1564 (30 December 1989) to #1577 (31 March 1990)

Episodes: 14

Artist: Unknown artist – “Merry”

Writer: Unknown. Possibly the same writer as “Hard Times for Helen

Plot

Minnie Mill and her family live in a shabby house in Badger Street. Then they win £300,000 on the pools.

Unfortunately Mum and Dad let the whole new flush of money go to their heads and turn into super-spendthrifts. They go crazy on buying new things right, left and centre. They treat the money as if it will never cease to end and begin to lose the meaning of its value. For example, when Dad receives a letter saying there’s a back payment from his old company he scorns it because it seems like chickenfeed to what he has now and can’t be bothered collecting it. Minnie is horrified at his attitude, and she collects it herself because someone around here has to be sensible. They give no thought to investment or long-term planning at all, despite the offer – and warning – from the pools representative.

The worst of it is that Mum is a good-natured woman with a heart of gold, so it is an all-too-easy matter for the money to turn her generosity into over-generosity. Dad is just the same. And Minnie is quick to realise why the residents of Badger Street who previously took little notice of them are suddenly crowding around to be nice and friendly – they are out to take advantage of the money and the parents’ generosity. Dad soon has a well-earned reputation for spending and giving away huge handfuls of money as if it were nothing and people say he’ll give away his last penny.

Minnie is also finding that kids are taking advantage of her as well and pretending to be friendly while finding ways to cheat her out of huge sums of money. Several of these tactics are really despicable. For example, one girl, Gladdie, appears to be genuine, so Minnie trusts her with £600 to pay her mother’s rent with. When she discovers the money has in fact gone into Gladdie’s bank account, she orders her to pay the money to charity – or else. Another girl, Ida, cons Minnie out of money that was supposed to go on replenishing her grandmother’s empty coal cellar. When Minnie finds out, she helps to replenish the cellar secretly. Even a girl who is far richer than Minnie cheats her out of money.

Minnie reckons she has no friends anymore; the ones she had have joined the bullies who shout “Minnie the Meanie!” at her. Only one girl, Rosie, seems to be a friend. But by now Minnie has been so badly burned she just can’t trust anyone.

Because of all this cadging and cheating, Minnie becomes afraid to display her generosity openly and with the gay abandon that the parents do. She resorts to doing it in secret, and where she sees it is going to a genuine cause, such as replenishing the grandmother’s coal supply or getting treatment for a sick dog.

Minnie also starts saving any money she can get her hands on (including Dad’s unwanted back payment) because she realises their money will run out because of their careless spending, and a reserve will be required for when this happens. This and not displaying her generosity openly give the impression that she is turning into a miser, a reputation she believes she must cultivate in order to protect her parents’ money as best she can. The people of Badger Street start to bully and jeer at her, calling her “Minnie the Meanie!” in the street. This causes misunderstandings with her parents, who think she is turning into a miser too. So they don’t listen when she tries to tell them that people are taking advantage of them. They just brush it off because they have lots of money anyway, so what’s the big deal?

At first the parents dismiss warning signs that they are spending too much. Dad laughs and says there’s still plenty left. They buy over a house next door (and make an overinflated offer for it!) so they can add it to their own and develop their residence in accordance with how they are rising up the social scale. Once the redevelopment is complete, Mum throws out the furnishings they only just bought when the money first arrived and buys whole new ones!

Ironically, the parents don’t even approve of Minnie saving money instead of spending it as they do and think it’s just more of her miserliness. This attitude gets really bizarre. For example, when they find out what Minnie did with the back payment, what angers them is that she saved the money instead of spending it! They are far less bothered about her taking the money herself.

Minnie’s saving causes other problems too. For example, she goes on a shopping spree, and then returns the gifts for money, which gets banked. Nasty Ella Stevens finds out and starts blackmailing her. To get Ella off her back, Minnie tells the folks herself. She then teaches Ella a lesson by compelling her to donate £20 to the Youth Club Roof Fund.

One day Dad comes in looking awfully worried. He does not say what is wrong, but Minnie guesses that Dad is paying more heed to warning signals that the money is running out. Indeed, he now becomes more wary about spending money. Strangely, Dad would still much rather have Minnie spending than saving, which she steps up of course. Meanwhile, Mum pays no attention and continues with heedless spending.

Dad getting worried about the spending prompts nasty gossip from the neighbours that the parents are getting as mean as Minnie. Despite Minnie’s protests not to give in to such bullying, Mum tries to stop the gossip by lavishing even more generosity on them.

One of the worst cases of this is when Mum takes the residents of Badger Street on an outing that includes a funfair and an expensive lunch. Dad joins in Minnie’s protests that they are spending far more than necessary on the trip, what with buying snacks for the residents on top of the lunch and giving them all spending money at the fair. Mum just tells him that he’s getting as bad as Minnie and he gives in to keep the peace. Minnie secretly cancels the lunch and temporarily hides Dad’s wallet so he can’t treat the residents elsewhere, hoping their reaction will make the parents see sense. Their reaction is to accuse the parents of pulling cheap tricks despite the other treats they provided, stalk off to find a cuppa without including the Mills, and they show they care more about a free lunch than Dad getting his wallet nicked. Dad is outraged and disgusted at this, while Mum does not open her eyes at all. However, Minnie has new hope that Dad is beginning to see things her way.

Indeed, Dad starts quarrelling with Mum over her overspending while she says he’s just a big meanie like Minnie. Minnie cannot reason with her either. Dad groans when the latest bank statement arrives, and Minnie can guess why.

All too soon the inevitable happens because of Mum’s overspending. But by the time she learns this, it’s too late – her latest spending spree has not only eaten up the last of the money but also run up an additional £29,500 in bills to pay! So they are now in huge debt and there are angry creditors on the doorstep.

Fortunately Minnie managed to save enough to clear the debts, and there is even a bit left over. The parents now understand why Minnie was saving so hard. So the next time the bullies call Minnie a meanie, Mum gives them a real piece of her mind and tells them what Minnie did for them. After this they apologise to Minnie, admit they were just jealous and how horrible they were. They also guess who the secret beneficiary was and now realise how wise Minnie was not to spend the money the way her parents did. Minnie gets her friends back and forgives their conduct. The other Badger Street residents rally around to help out once the word spreads (with a few gloating exceptions).

The parents have to find a new way to make ends meet. At Minnie’s suggestion, they use the two cars they have now and the remaining money to start a taxi business.

Thoughts

This story is so realistic because it draws on so many real-life stories that we hear about. People who go from rags to riches, only to end up in rags again. People who win vast fortunes – only to lose the lot within a few years because they handled the money badly, as the Mill parents did. People who come into a huge amount of money get taken advantage of by cadgers and false friends. Which is precisely the reason why some people who win the lotto prefer to stay quiet about it. Over-generous people losing huge amounts of money because they can’t stop giving – sometimes even when they can’t even afford to give – and cadgers taking advantage of them as well. People who found that huge wins turned sour for them and prove the old adage that money is not everything. All of it is revolving around in this story.

Through Minnie’s eyes, we see an exploration of greed and how it brings out the worst in people, even in people Minnie thought were her friends. Minnie always sees vultures swooping in on what the parents have to give away and cadgers dropping in to take advantage with sob stories and such. She also sees jealousy in people when they’re not grasping, such as nasty gossips. Jealousy is clearly behind all their nastiness towards Minnie as they were whispering she was turning into a miser well before she started on her so-called miserly conduct. At the party to celebrate the win they are gossiping that she is a miser just because she doesn’t look so happy; in fact it’s because she already suspects their cadging.

While the residents of Badger Street say Mrs Mill has a heart of gold, they do not reciprocate it in any way or show any gratitude for the things the Mill parents do for them. They don’t even give the Mill family a cup of flour when they ask for one or offer to help out when Dad loses his wallet. All they do is take, take, take from the Mill family now that they’re in the money, and they don’t give anything in return. They have a nerve calling Minnie a meanie when they are so mean themselves towards the Mill family and don’t show them any generosity. It’s not until the very end that they rediscover their kindness and give something back to the Mill family.

The story also comments on how a huge supply of money can get people to take things for granted. Dad laughs off the back payment because it looks nothing compared to his win. Mum throws out brand-new and expensive furnishings and thinks nothing of the expense of buying new ones. An expensive trolley goes when the vultures swoop on the old furnishings, but Mum dismisses it as no big deal (Dad is more horrified). Mum thinks little of a woman cadging off her because she’s got so much money anyway. The parents would never have thought that way in the days when they lived in shabby accommodation and Mum had to be a careful housekeeper because they did not have much money. Minnie never goes that way at all and is appalled at her parents’ attitude.

This story is no exception to girls’ serials where the protagonist has far more brains, common sense and perception than her parents. While the parents are so blithe to the cadging or shrug it off, Minnie can see right through it. Minnie gets victimised by the cadging too, but at least she rumbles the cadgers and does something about it wherever she can. Also, Minnie never catches the “buying disease” as her parents do and goes crazy on spending, so she is quick to realise where it is all going to lead. She is the only one to take active steps to prepare for that eventuality. Dad eventually heeds the warning signals about the impending doom, but he does not really do anything about it. He does worry and quarrels with his wife about overspending, but he does not actually tell the family what is going on or show them the bank statements. Nor did he put any remaining money into a reserve, as Minnie did.

Minnie is more assertive than many protagonists. So many of them, such as Helen Shaw from “Hard Times for Helen”, just suffer in silence and don’t speak out (until the end). But Minnie is not afraid to speak up. She constantly speaks parents about the cadging, even if they don’t listen. At times she even talks back at the cadgers and bullies.

And of course it’s all thanks to the protagonist that things do not turn out so badly for the parents in the end. If it had not been for Minnie, their stupidity, lack of foresight and heedless spending would have ruined them entirely and they would ended up even worse off than when they were to begin with. As it is, Minnie’s money and brains and Mum’s not-too-bad idea of buying a second car enable them to begin on a new business venture that keeps them from going right back to square one or even worse.

It’s a relief all around when the money goes, because it brought only trouble. But then, much of that was due to the parents handling the money badly and not heeding the advice of the pools representative. If the Mill parents get another chance at the pools, they will no doubt try to use the money more wisely.

The Girl with the Power [1980]

Published: Tracy #31 (May 3 1980) – #41 (July 12 1980)

Episodes: 11

Artist: Carmona

Writer: Unknown

Reprints: None known

Special thanks to “Phoenix” for help with some episodes

Plot

Karen Chandler’s father has been jailed for buying stolen goods and attempted murder of an accomplice, the lorry driver, who is now in a coma. The only real evidence against him was the police finding him standing over the driver with an iron bar in his hand. Since then, Dad’s partners in a restaurant, Sam and Nadine Lee, have been turning Karen into a drudge at the restaurant. They lumber her with so much work she doesn’t even get proper sleep.  In addition to the drudgery, there is also bullying at school where the girls constantly tease Karen over her father’s imprisonment. It is no wonder that Karen’s schoolwork is suffering as well.

Karen’s fortunes change on the day the biology teacher sends her class out to collect specimens for a list of plants. Karen unwittingly trespasses into the Energy Research Unit when she fails to see a “Keep Out” sign. There is an explosion at the laboratory, which has Karen’s head spinning. But she doesn’t realise how much the accident has affected her until that evening when Mrs Lee orders her to bring up a heavy sack of potatoes from the cellar. When Karen wishes she didn’t have to lug that heavy sack up the stairs, the sack suddenly moves all the way up there all by itself! Karen realises the accident at the laboratory has somehow given her telekinesis, the power to move objects by thought.

All of a sudden, life has gotten a whole lot easier. It has to be kept secret though, because Karen does not want those slave-driving Lees to exploit her power if they find out about it. Instead, Karen uses her telekinesis for the purpose of secret survival, revenge, and help.

It all begins later that evening, when Mr Lee orders Karen to clean up the restaurant. He is astonished to find the restaurant looks like it has been cleaned up with super-speed or something (with Karen’s telekinesis of course). This enables Karen to get a proper night’s sleep for a change. From then on, the telekinesis helps Karen to get her work done in record time, much to the bafflement of the Lees. For example, when Karen wants to go to the circus, the Lees give her permission and even pay for her ticket – but on condition she gets all her work done first. Of course they deliberately lay even more work her to stop her going, but Karen gets it all done with her telekinesis. So the Lees have to let her go to the circus.

On another occasion Mr Lees lumbers Karen with the job of stripping off the wallpaper for redecorating – and late at night when Karen needs to be in bed – to save him the expense of having the decorator do it. He doesn’t care about Karen staying up half the night doing it, but of course her telekinesis spares her that. Next day, the decorator collapses because he has been working too hard, so Karen does the job for him telekinetically as he needs the money to take his sick wife on holiday. Mr Lee can’t understand why Karen receives a postcard from the decorator expressing gratitude for her help and saying his wife is getting better.

Naturally, Karen starts using her power to secretly strike back at the girls who have been bullying her about her father’s imprisonment. School bully Lydia Welch eggs them on to start baiting Karen, at which she uses her power to turn the window cleaner’s bucket toppling over them and giving them a soaking. Later Karen rescues a younger pupil from Lydia. After a few days, a teacher tells Karen that her schoolwork has improved tremendously. On a school outing to an open zoo, Lydia keeps making snide remarks about Karen’s father. Karen snaps and tips a drink in Lydia’s lap telekinetically.

Karen starts practising in the woods to test the strength of her power. After a week her power gets strong enough to tear trees down. Unfortunately the tree lands on top of Lydia, so Karen has to go get help for her. Yes, Karen definitely has to be careful how she uses that power as it can backfire!

When Lydia comes out of hospital, she is not grateful for the rescue, and continues to plague Karen. When the Welches invite Karen over for tea in order to say thank you, Lydia does not want them to do so again. So she plants her new watch in Karen’s bag to frame her for stealing. Luckily, Karen finds the watch and uses her telekinesis to send the watch back to Lydia’s room upstairs. It’s a challenge as this is the first time Karen has to move something to a destination that is totally out of her sight and without being able to direct it visually, because she can’t move from her seat. Fortunately it pays off, and Lydia is very surprised to find the watch back in her jewellery box!

Karen’s power scores over Lydia again when a temporary pupil, Mandy Clark, makes a friend for Karen against all the bullying. When Lydia tries to put Mandy out of a talent contest, it’s Karen’s power to the rescue. Karen also confronts Lydia with the evidence she carelessly dropped, and Lydia goes off looking very sour-faced.

Karen’s telekinesis enables her to get secret revenge on other people. For example, she strikes back at two rude customers by removing the meat from their plates, and their argument over it nearly comes to blows.

The power also helps Karen on occasions when she gets into real danger. One night, thieves break in to rob the restaurant, and they tie Karen up when she tries to give the alarm. Karen calls 999 telekinetically, and then hits one thief with sauce and the other with flour, which starts a fight between them. As planned, this delays the thieves long enough for the police to arrive. On the aforementioned visit to the zoo, Karen nearly becomes lunch for an escaped lioness and uses her power to stop the lioness mid-air when she tries to pounce.

Of course circumstances arise for Karen to use her power to secretly help other people, such as the exhausted decorator. And at the aforementioned visit to the circus, naughty boys set fire to the Big Top, and it’s a real blaze. Karen uses her power to help a boy who got trapped in the fire. Unfortunately the child sees Karen’s telekinesis and nearly gives her secret away when the circus folk come to reward her. Fortunately they put it down to the boy’s imagination. Karen gets some reward money and her picture in the paper. The Lees ham it up to the reporter about how they treat Karen like their very own daughter (ha, ha!) as they are capitalising on the publicity this will bring for their restaurant.

Sometimes the Lees’ cruelty just explodes in their faces, and Karen does not even need her power for that. On such an occasion, Mr Lee is trying to impress Alex Egan from The Daily Globe, as a mention in Alex’s “Good Restaurant” column will mean more business (and more work for put-upon Karen). Unfortunately for him, he assumes Alex Egan is a man and therefore focuses all attention on the male diner that night. Moreover, the chef and Mrs Lee are laid up with flu, so service slows right down with only Karen in charge and Mr Lee clearly not bothering to get extra help. But it turns out Alex Egan is a woman. She tells them she did not enjoy her meal due to the slow service, though she understands the pressure the waitress was under. So she will not be mentioning them in her column!

Matters come to a head when the police arrive and say the Lees are to accompany them to the police station; the lorry driver has come out of his coma and provided them with vital information. Mr Lee tries a desperate getaway by taking Karen hostage and holding a knife to her throat. Karen uses her power to slam the car door on his arm so he drops the knife, and then she knocks him out with a heavy box. He is arrested.

Karen is suddenly overcome with dizziness and put to bed. The doctor says she is suffering from exhaustion. When she recovers, she finds her father has returned. It turns out Mr Lee committed the crimes Dad was convicted of. An argument erupted between Mr Lee and the lorry driver who had been supplying him with the stolen goods, which resulted in Mr Lee hitting him with the iron bar. Dad came along at the wrong moment and made the cardinal error of picking up the iron bar. This led the police and then the jury to assume he had committed the assault. However, the lorry driver has come out his coma and told the police the truth.

Karen tries to display her telekinetic power in front of her father, but finds she no longer has it. The power has vanished as suddenly and mysteriously as it came. But then, Karen has her father back and is free of the Lees, so she does not need it anymore.

Thoughts

Here we have a protagonist who has not one but three fronts against her at once. The first is the Cinderella theme, where Karen is made the drudge in the restaurant under the Lees who lumber her with all the work and don’t care about her wellbeing at all. They make the excuse of food and board to not pay Karen a penny, and we get plenty of evidence that they are mean, money-grasping sods before the reveal comes at the end that they are criminals as well, and are responsible for Dad’s wrongful conviction. So Karen has been slaving for the very people who caused all her troubles in the first place. Talk about adding insult to injury!

The second is the unjust conviction theme, where the father is wrongly convicted. This has led to her slaving under the Lees, and Karen has to bear the stigma of a jailbird father as well. She cannot believe her father is guilty, which is the only thing she has to help her bear the stigma. Unlike other stories about wrongly accused fathers, clearing him is not the main thrust of the story, although of course it is the only way to resolve it in the final episode.

The third is the bullying theme, where Karen is the target of bullying and ostracism at school because of her father’s disgrace. She has a particularly spiteful enemy in Lydia Welch, who has no redeeming characteristics whatsoever. Throughout the story, Lydia picks on Karen and just loves to rub it in about her unfortunate father.

So it is only fair that Karen is given a particularly powerful weapon to deal with all three fronts. It’s a nice change for a Cinderella character to be given a secret power to help her cope with all the drudgery and misery instead of the more usual talent that she is determined to keep up amid all the abuse against her. Moreover, it is a power that makes life a whole lot easier for Karen. It helps her to get her monstrous workloads done in record time and enable her to get some space for treats, relaxation, and relief. It also helps her to strike back at the bullies at school and other unsavoury types she encounters, and even secretly help other people.

The means by which Karen gets the power in the first place is a bit unbelievable, as is her losing the power with no explanation whatsoever. It just seems to disappear at the most convenient moment – when it is no longer needed. The origin of the power could have been thought out better so it would be more credible to readers. For example, could some third party have given her the power, such as a stranded alien? Or could they have had Karen hit by, say, a bolt of electricity during the laboratory accident?

The power itself is one we all love – the power of telekinesis. We would all love to have telekinesis. It’s the perfect power for the situations Karen faces, including tackling heavy workloads, and does not get her into too many scrapes when things backfire a bit. It is understandable that Karen wants to keep her power a secret because she is afraid of the Lees exploiting it. She is not Carrie, who uses her power openly to strike back at all the abusers when they push her too far. Karen does use her power to strike back, but unlike Carrie she has to do it discreetly. It is also fortunate for Karen that the Lees never seemed to grow suspicious of how she seemed to get her work done so miraculously and keep a discreet eye on her while she worked.

The way in which the father is cleared comes a bit quick in the last episode, but it does not come across as contrived. The setup for the father’s vindication (the unconscious lorry driver recovering and making a statement) had been there from the beginning. It was just waiting for the go-ahead to be developed in the final episode. Until then, there is no pursuing the avenue of clearing him. Karen does no investigating into that line (too much on her plate as it is, even with the power) and there are no clues to make her or the readers suspect the Lees. It is pretty odd that the Lees did not try to kill the lorry driver in hospital; their attack on Karen at the end suggests they could be capable of it. Perhaps they feared it would arouse suspicion?

The House that Jackie Bought [1980]

Plot

Jackie Stanton wins £2,000 in an essay writing competition, which she uses to buy her family’s council house for them. However, this proves to be a very unwise move because it arouses hostility among the locals. Their antagonism reaches such a pitch that the Stantons become targets of bullying, harassment, physical attacks, and even frame-ups on false charges.

Then a gang of hoodlums start a crime wave of thefts from empty houses, and it looks like they are trying to shift the blame onto the Stantons.

Jackie realises graffiti against her on the school wall was written by a classmate, Steve Bristow. After reexamining all the attacks against her, she realises everything points to the Bristow family. This is further confirmed when Jackie recognises Steve’s writing from a note wrapped around a brick thrown through the Stantons’ window, and she threatens him with the police. He says he was only copying the big boys.

Suspecting her house will be targeted that night, Jackie throws a party for the neighbours that same night, and has a policeman as a special guest – and witness. As predicted, the burglars target the neighbours’ empty houses. Jackie helps the policeman and neighbours to catch the criminals in the act, and they are indeed the Bristows. After this, the antagonism towards the Stantons just disappears.

Notes

  • Reprinted and translated to Dutch as “Jennie koopt een huis” (“Jennie Buys a House”) – Debbie #30 (1982)

Appeared

  • The House that Jackie Bought – Tracy: #30 (26 April 1980) – #42 (19 July 1980)

 

The Traitor’s Daughter (1978)

Published: Bunty Picture Story Library #185

Artist: John McNamara

Writer: Unknown

The recent “Force of Evil” entry raised the theme of a girl battling to clear her father when he is accused of treason. However, it did so in a manner that was totally atypical from the way the theme was usually used in girls’ comics. This story is an example of one way in which the theme was more commonly followed.

Plot

Fifteen-year-old Trixie Collins is the most popular girl at St Anne’s School (we have a horrible feeling this is about to change). Trixie’s best friends are Hazel Begby and Molly Teal. Of course Trixie does have enemies, and they take the form of the jealous, stuck-up Monica Dalby and Freda Morgan. They wish they could take Trixie down a peg. (And is it our imaginations, or do Freda and Monica bear a striking resemblance to Mabel and Veronica from “The Four Marys”?)

After sports day, Trixie is surprised to find a note in her shoe from Dad, Professor James Collins, a British scientist. He says to meet him at the tennis courts that night, and it’s urgent. This has Trixie very worried and she wonders if something is wrong, seeing as how Dad phoned to say he could not make it to her sports day.

At the tennis courts, Dad says that things are going to happen that are going to make Trixie very unhappy. But she must be brave, trust him, and not be ashamed, whatever happens. Then he departs, without really explaining what is going on.

Next day, the newspapers give Trixie her answer: Dad has been arrested for selling government secrets to a foreign power. Now Trixie is branded “a traitor’s daughter”, and becomes shunned and bullied. Girls are saying she should be expelled. The headmistress Miss Henderson says she will let Anne stay, though she says she will be surprised if Trixie has any friends left. And of course the jealous Monica and Freda finally have their chance to take Trixie down a peg, and set out to milk Trixie’s downfall for all its worth.

Even Molly and Hazel have gone against Trixie – or so it seems. They are just pretending they are in order to protect her from any nasty schemes Monica cooks up. Trixie begins to suspect they are secretly friendly when Molly deliberately hurts herself so Trixie, reduced to reserve on the swimming team, can swim for the school. The school does not cheer for Trixie when she wins, and the rival school can’t understand why.

The bullying gets worse when Dad is found guilty of treason; Trixie finds her room vandalised (as shown on the cover). Then, when there is a television report that Dad has escaped from prison, Trixie can’t take anymore and tries to run away. Molly and Hazel stop her, revealing that they are indeed secretly friendly and feeling guilty about not being more courageous earlier. Trixie pledges to keep their secret and has more strength to endure her ordeal now she knows she has friends.

The police speak to Trixie about her father. She declares that she will do what he says if he contacts her, even if he was guilty, and will not report him. After she goes, the police tell Miss Henderson they can now make their plans accordingly. Soon after, Trixie receives a sealed envelope from Dad saying it is top secret and not to open it. She is to keep it in a safe place, but someone steals it, and Monica was around at the time. Meanwhile, a new porter named Jobling starts work at the school.

That night the thief (kept in shadows) hands over the envelope to her father. When he opens it he finds it is just blank paper: “You silly, little fool, you’ve been tricked.” He tells the thief to try again for the real papers, so the thief searches Trixie’s study again. But the thief gets surprised by Miss Henderson, and has to knock her out with a hockey stick in order to escape. When the police investigate, they find the incriminating hockey stick on Trixie.

In private, Miss Henderson tells Trixie that she does believe Trixie’s protests of innocence. For the moment, though, they have to let the school think otherwise. Miss Henderson tells Trixie that next time she wants something looked after, she is to hand it over for safekeeping in the school safe, and make sure the whole school sees her do it. Trixie ponders as to how Miss Henderson knew about the envelope when she didn’t tell anyone. (Hmm, could Miss Henderson be another secret friend?)

At a hockey match with a rival school (and no cheers for Trixie, not even when they win the match), Monica tries to whack the hockey ball at Trixie’s head. However, a quick catch from Jobling saves Trixie from injury. The sports mistress is suspicious of Monica but has no proof, so she can only give Monica a warning. Afterwards, Trixie finds another sealed envelope from Dad, with instructions to hand it over to Miss Henderson and let people know what she has done. To make sure of this, Trixie hands it to Miss Henderson during assembly.

A few days later it is school prize-giving time. Monica and Freda are furious to see that Trixie is being awarded the prize for best scholar. When Monica’s father visits, he asks her about the envelope Trixie was sent, and is infuriated to learn that it was handed over to Miss Henderson for safekeeping, which means it is in her safe. Mr Dalby works in the same department as Trixie’s father and thinks the letter may be a clue as to his whereabouts. They do not realise Jobling is in earshot.

Dalby and Freda’s parents make their way into Miss Henderson’s study, saying they are very displeased that Trixie has been allowed to remain at the school and even threaten to withdraw Freda because of it. Miss Henderson stands her ground on letting Trixie stay. After the prize giving (where nobody applauds except Hazel, Molly and their parents) Dalby tells Monica to get Trixie expelled, for he just has to get his hands on that letter. So Monica sets about planting her medal on Trixie to get her expelled for stealing. She does not realise Jobling is watching her do it while cleaning the windows. But when Jobling reports to Miss Henderson, he says it was Trixie that did it!

Trixie is expelled and Jobling escorts her to the train. As she leaves the school, Miss Henderson hands her the envelope. Monica sees this and reports to her father. Trixie does not realise Jobling has also boarded the train.

On the train, two thugs confront Trixie, claiming to be police officers. That doesn’t work of course, so they try to make a grab for the envelope. But real police officers burst in and arrest them. Dalby, who is also on the train, discovers his men have been captured. He tries a getaway by jumping off the train, but Jobling stops him and soon Dalby is under arrest as well.

Jobling is now revealed to be…yes, Dad in disguise! Dad explains it was all a plan to trap Dalby. Dalby was the real traitor selling government secrets to the enemy. Dad managed to recover some of the documents but couldn’t prove anything. So he ended up taking the rap. Those envelopes were bait to catch Dalby, and Miss Henderson was part of the plan to catch him (though just how or why she came to be in on it is not explained).

Now Dad has been cleared, Trixie is no longer under a cloud at St Anne’s. A humbled Monica is “banished the school” (they could have phrased that better).

Thoughts

All right, for this story to make sense, either one of two things had to be going on: 1) the whole thing had been a sting operation from start to finish to flush out Dalby. Dad agreed to be falsely convicted and then sprung from prison so he could go undercover to help flush out Dalby, and he had been working with the police and Miss Henderson the whole time. Or 2) Dad’s conviction was genuine. But by the time he escaped (assuming that was not done with connivance), the police had realised they had the wrong man and begun to suspect Dalby. They caught up with Dad and then concocted the sting operation, with help from Miss Henderson.

Either way, Dad was more fortunate to have so many people to help him when he was falsely accused of treason. Usually, such Dads have little more than their family to stand by them. If they are forced to go into hiding they pretty much have to rely on themselves and secret contact with their families, as in “That’s My Girl!” from Mandy. We really applaud Miss Henderson, the headmistress who is more helpful than most in girls’ serials, particularly in stories that deal with bullying. There are not many headmistresses in girls’ comics who are willing to take a crack on the head for their pains, so Miss Henderson is definitely one of the best ever in girls’ comics. We also praise Hazel and Molly, who showed that they really were Trixie’s best friends. Though they don’t get the chance to help unmask Dalby or Monica, they help give Trixie the strength to get through her ordeal and not give in, which helps the undercover operation to continue its course.

From the moment we see the cover, we know what the poor girl on the cover will go through in the course of this story. We bleed inside for her already because it looks so horribly ugly and disturbing. The bullying and ostracism that Trixie undergoes is a very sad but realistic reaction to the charges against her father. In real life, when someone is accused of a crime, their whole family can become ostracised and harassed, just because they are related to him/her and have committed no crime themselves. We all cry for Trixie and we agree with her that it is so unfair to be treated so badly as the ‘sins’ of the father fall upon his child, who had nothing to do with the treason. The demands that Trixie be expelled for what her father is accused of are totally unfair as well, as they are not crimes she committed.

It is no surprise that Monica, the girl who hates Trixie the most, turns out to be linked to the man who did the dirty on Trixie and her father. This is a common thing in girls’ serials that deal with false accusations. We can certainly see where Monica got her nasty nature from. She does not seem to be aware that her father is the real traitor; he has led her to believe that the envelopes contain clues to Collins’ whereabouts, not that they contain secret documents. However, the lengths she goes to in order to get the envelopes (kayoing Miss Henderson, framing Trixie for theft) show just what she is capable of. If she had known her father’s true motives, she might have helped him anyway. Hopefully her humbling and the shame of her father going down for treason will deter her from going down any dark paths in future.