Tag Archives: Don Walker

Judy 1965

Picture Stories

  • Petra the Party Maker (Pages: 6-11)
  • Safari Sue (Pages: 16-21) [Art: Desmond Walduck]
  • Jenny Everything (Pages: 22-27)
  • Lorna’s Leprechaun (Pages: 38- 43)
  • Big Top Ballerina (Pages:  44-47)
  • Polly and her Pram (Pages: 49-51)
  • Katy’s Casebook (Pages: 52-57)
  • Backstage Betty (Pages: 58-64)  [Art: Don Walker]
  • Sally of Studio Seven (Pages: 65-69)  [Art: Geoff Jones]
  • Paula Pulls the Strings (Pages: 74-79)  [Art: Rodney Sutton]
  • The Best Babysitter in Barnley! (Pages: 81-85)
  • Volunteer Val (Pages: 86-91) [Art: Desmond Walduck]
  • Polly and her Pram (Pages: 98-99)
  • Deep-Sea Debbie (Pages: 100-106) [Art: Claude Berridge]
  • How Peggy Became a Nurse (Pages: 107-112)
  • Sandra and the Sad Story (Pages: 113-119)
  • The Hobbies of Holly (Pages: 120-125) [Art: Rodney Sutton]

Text Stories

  • Big Sister (Pages: 33-35)

Features

  • The Animals Went on One by One (Pages: 2-3, 126-127)
  • Come Into the Country (Pages: 12-15)
  • All About Clowns (Pages: 28-32)
  • Top Hats for Two (Pages: 48)
  • The Painted Boats (Pages: 70- 73)
  • Pretty but Poisonous (Pages: 80)
  • Hair-Care (Pages: 92-96)
  • Fine Feathers (Pages: 97)

(Click on thumbnails for bigger pictures)

Judy 1963

Picture Stories

  • Backstage Betty   (Pages: 6-11)  [Art: Don Walker]
  • Katie and the Whale  (Pages:12-16)
  • Julie at the Winter Palace  (Pages: 18-22)
  • Bobtail the Beach Rescue   (Pages: 23-28)
  • Baby Ballerina Growing Up   (Pages: 29-32) [Art: Don Walker]
  • Butterfly Belle and the Troublesome Trophy  (Pages: 38- 43) [Art: Ron Forbes?]
  • Anne Reynolds Growing Up  (Pages: 44-48)
  • Nanette of the North   (Pages: 57-61) [Art: Claude Berridge]
  • Anya at Ballet School  (Pages: 65-71)
  • Marisa and the Doves  (Pages: 74-80) [Art: Don Walker]
  • Primrose Cumming Growing Up  (Pages: 87-89)
  • The Wee Robin’s Secret  (Pages: 91-95) [Art: Claude Berridge]
  • Cherry on Top (Pages: 102-108)
  • Patricia Pauley Growing Up  (Pages: 109-112)
  • Anna Junior Miss  (Pages: 114-117)
  • Sandra and the Sad Star  (Pages: 118-125)  [Art: Paddy Brennan]

Text Stories

  • Petra the Party Maker  (Pages: 33-36)
  • Lucky Stars for Stella   (Pages: 49-52)
  • Nobody Wants Dixie  (Pages: 81-85)
  • Too Wild to Ride  (Pages: 97-99)
  • Adventure for Ann  (Pages: 113)

Features

  • Stories: Roses  (Pages: 2-3, 126-127)
  • Judy for Girls (Gillian Shand & Louis Godrey – stars of ballet)      (Pages: 4-5)
  • Dancing with Madeleine and Geoffrey  (Pages: 17)
  • Milly and Tilly Go Camping  [Puzzles]  (Pages: 37)
  • Let’s Go to Drama School  (Pages: 53-56)
  • Fencing for Fun  (Pages: 62-63)
  • Oh Dear! What Can the Matter Be?  (Pages: 64)
  • Mary Lou and Softy Sue  (Pages: 72)
  • The Miracle (Pages: 73)
  • Little Runaway  (Pages: 86)
  • Milly and Tilly in Europe  [Puzzles]  (Pages: 90)
  • Hat-Mad  (Pages: 96)
  • Lovely to Look at  (Pages: 100-101)

(Click on thumbnails for bigger pictures)

The Fern Road Feud [1977]

Plot

The Smith and Jones families of Fern Road are neighbours and have been close friends for years. Then a series of mishaps, wrongful accusations and misunderstandings start a feud between the two families. The feud snowballs until it becomes a battle. Only the youngest family members, Susie Smith and Jenny Jones, remain friends, and are appalled at the feud.

Notes

  • Artist: Don Walker

Appeared

  • The Fern Road Feud – Debbie: #245 (22 October 1977) – #251 (3 December 1977)

 

Bunty Annual 1999

Picture Stories

  • The Comp  (Pages: 5-9)  [Artist Peter Wilkes]
  • Fear of the Future  (Pages: 19-25)  [Artist John Armstrong]
  • Love Thy Neighbour  (Pages: 28-31) [Artist Peter Wilkes]
  • Bunty – A Girl Like You  (Page: 32)  [Artist Andy Tew]
  • Who’s Next Door?  (Pages: 43-49)  [Artist Julio Bosch]
  • Prefect’s Pet  (Pages: 53-59)  [Artist Andy Tew]
  • Bunty – A Girl Like You  (Page: 65)  [Artist Andy Tew]
  • The Four Marys  (Pages: 71-75)  [Artist Jim Eldridge]
  • The Comp  (Pages: 77-81)  [Artist Peter Wilkes]
  • Girls Talking (Page: 84)
  • Penny’s Place  (Pages: 91-95)  [Artist Guy Peeters]
  • Bugsy  (Page: 96)
  • Lizzie’s New Life  (Pages: 100-107)  [Artist Don Walker]
  • Pretend Friends  (Pages: 112-116)
  • The Four Marys (Pages: 122-125)  [Artist Jim Eldridge]

Text Stories

  • Carly’s Crowd!  (Pages: 18)  [Artist Peter Wilkes]
  • Ben (Pages: 42) [Artist Claude Berridge]

Photo Stories

  • Computer Crazy  (Pages: 11-15)
  • Gabby’s Own Goal (Pages: 34-39)
  • Sammi’s Stars  (Pages: 60-63)
  • Christmas Past  (Pages: 85-90)
  • No Christmas for Carol (Pages: 117-121)

Features

  • Merry Christmas…  (Pages: 2-3)
  • Table of Contents  (Page: 4)
  • What’s Cookin’? Easter Yummies  (Pages: 10)
  • Abracadabra  (Pages: 16-17)
  • Do Not Disturb!  (Pages: 26-27, 66-67, 98-99)
  • Make Your Own…Snowstorm!  (Page: 33)
    • Reworked from Bunty Annual 1987 (Snow in Summer)
  • Pet Pin-Up (Pages: 40, 64, 111)
  • Top Dogs  (Pages: 41)
  • Flower Power!  (Pages: 50-51)
  • Summer Specials Party Foods for inside or out!  (Page: 52)
  • Telly Mission!  (Pages: 68-69)
  • Autumn Apple Surprise (Page: 70)
  • Ha-Ha-Happy Christmas (Page: 76)
  • Green Scene  (Pages: 82-83)
  • What’s Cookin’?  Christmas Crackers  (Page: 97)
  • Great Grandma’s Sweet Shop Secrets, (Pages: 109-110)
  • …And a Happy New Year!  (Pages: 126-127)

(Click on thumbnails for bigger pictures)

 

Diana 1969

Comic Annuals were a very popular present at Christmas, which is why I like to take look at an annual around this time of year. Usually the books would have some Christmas reference, but not always, as I assume it would appeal better for re-reading if it wasn’t just set all about the holiday. This annual has 2 stories that are set at Christmas time, Mandy the Thirteenth and Life with Miss Peake – Ugh!

Diana is one of the comics that I only have a few issues of, but it’s influence carried on in other comics, particularly Spellbound and Debbie. This annual is full of stories and features that would appeal to many. I like that the Diana covers for the annuals consistently (bar one) used a black background, which makes it distinctive from other annuals. After 1975, the covers depicted a photo girl but before that it was always a hand-drawn blonde girl which contrasted well with the dark background. (For just a list of contents go to the next page)

Picture Stories

The Girls from N.O.O.D.L.E.S  (Pages: 6-11)

Art: Geoffrey Whittam

Gail Price and Nicola Main are agents for N.O.O.D.L.E.S. (National Orgainisation for Order Discipline and Law Enforcement in Schools). At their secret headquarters, Miss Z, informs them about top athletes who have disappeared from their schools and tells of a lead about where they might be. One of the missing girls was found wandering around near Ben Vornich, Scotland, talking of gold. Gail and Nicola, parachute in to investigate Firtree College. On their way they see some of the missing girls  being led into a cave by armed men, but when they go to get a closer look, the cave entrance seems to have vanished.

They continue their investigation at Firtree College, but the schoolgirls there, appear happy and healthy. Then a bedraggled girl runs towards them trying to escape guards, they help her escape and she shows them where the other missing girls are hidden. Gail and Nicole are carrying super vitamins, that will help the girls recover their strength and together they overpower the guards and confront the person behind the scheme. It seems the respected headmistress, is actually Karl Minden, top criminal and an expert at disguise. He was using Firtree as a cover and recruited strong girls to mine gold for him in a hidden cave. After showing the girls the secret panel to the cave he tries to escape, but Nicola shoots down an icicle onto his head.  The real headmistress is recovered (off-panel) and the girls can be returned to their proper schools.

Mary Brown’s Schooldays (Pages: 12-17)

Art: Don Walker

Mary Brown a scholarship girl at St Winifred’s, is surprised when Miss Cragg , an old teacher returns to the school. She had earned the nickname, Craggy Monster by treating the class like they were army recruits, but now is acting very friendly. Unfortunately she has gone to other extreme, now treating them like young primary kids. This annoys the girls so much that they make plans to make the “monster” come back, including bringing toys to classroom, flying Cragg’s  flag on the chimney and ambushing her while she’s out on a walk. Only the last plan works, but not in the way they expected! Unfortunately for them the army is doing exercises in the moor at same time, and there are tanks heading straight for the girls, until Cragg yells out orders to divert the tanks. Afterwards, Miss Cragg leaves the school again, and Mary and the others feel guilty. A few weeks later Mary’s happy to see Miss Cragg, lecturing about the Army at a careers lecture, and she hopes she has now found the ideal job.

How Kathy Tricked a Ghost   (Pages: 33-36)

This is a story from Diana’s resident spooky storyteller, The Man in Black. Kathy Martin arrives at Hogarth Hall for a holiday with her foster parents. Hogarth Hall is maintained by her great aunt Agatha and there is one room Agatha tells Kathy not to go near. But her curiosity piqued she does visit it and sees a picture of a sad girl beside a creepy woman. That night Kathy is visited by the ghost of the girl. She asks her to play with her the next day, but when she goes to where she says, the door leads nowhere and she nearly falls to her death. Agatha explains the spirit of the girl will roam until she finds someone to take her place. Once again the ghost tries to get Kathy to meet her at a dangerous place. Kathy gives her another chance not believing she could be evil, but after another attempt on her life, she comes up with a plan to defeat the ghost. She agrees to meet the ghost by the cliff the next day. After she seemingly falls off the cliff, it is revealed that the ghost is actually the cruel governess seeking revenge on the Martins after her dismissal. Now her spirit is free and she will no longer haunt the hall. She will never know that it was actually just a dummy that fell off the cliff, not Kathy, and the portrait now holds only a smiling girl.

Mandy the Thirteenth (Pages: 39-43, 46)

Art: Don Walker

Mandy Martin is the 13th child of a large family and always seems to have bad luck. Her horoscope for the day tells her “Her lucky number is 3, lucky colour is orange, a good day for money matters and watch out for an unexpected trip”. Her lucky number 3 doesn’t seem to work out as she gets injured helping a mother with triplets, and takes a dip in the pond trying to rescue a 3rd duckling. Things seem to brighten up as she asked to model an orange dress and gets 10 shilling note as payment. But then it gets blown away. Someone does pick it up at Santa’s grotto and in her rush to claim it she trips over some oranges and pulls down Santa’s beard. She recognises  him as a pickpocket and gets rewarded from the store for unmasking him.

Emergency Nurse Gwen   (Pages: 49-54)

Art: Ferran Sostres

In this bizarre story, Gwen gets a mysterious call, and when she goes to answer it, she is taken on a helicopter, (voluntarily) drugged and dropped in a strange place. She is then attacked by a metal monster but is relieved to find some airman, though their aircraft looks more like a spaceship. When one of the men starts freaking out, Gwen sedates him, averting a crisis. She finally gets an explanation, with the advancement of space travel and hopes to colonise planets,  it was all a test to see how a medical professional would act on a space colony, it seems Gwen would be an ideal candidate whenever such a thing happens.

Mascot of the Ballet (Pages: 62-67)

Art: Emilio Frejo

This story is narrated by Pelly the cat. His owner is Anice who is part of a ballet company and they have made him their mascot. Lucky for them, as Pelly raises the alarm when the hotel they are staying  at goes on fire. The Laird of Strathbey offers to put the company up in his ancestral home for the meantime, but Pelly gets a bad feeling about the Laird. Strange things do happen as valuable items go missing, one of which is found in Anice’s bag! The police are informed and Anice is under suspicion. Then Pelly follows the Laird and finds out he is an imposter when he sees the real Laird tied up in a cave. With the help of wildcat and gamekeeper, Pelly manages to get the real Laird free. It seems the Laird’s twin brother was setting things up to pay off his debts by stealing from the house and have ballet company take the fall. He also set the fire in the hotel so he could have the ballet company stay. Quite the elaborate plot!

The Mermaids   (Pages: 76-80)

Art: Juan Gonzalez Alacreu

The Mermaids, a team of synchronized swimmers, taught by Dot Cameron, are chosen to be the carnival queen’s attendants. Then the carnival queen Joyce goes missing. Their search for her is of no avail until Joyce’s dog shows up. Leading the team to an old wreck, they find Joyce unconscious after she had tripped while exploring. The Mermaids rouse her and are able to swim her to safety on a makeshift raft. The publicity ensures the festival is a great success.

Wedding Belle  (Pages: 81-86)

Belle Richards enjoys going to weddings, which is lucky for a disorganized couple. She sorts out their problems – acting as an usher, finding a last minute organist and even fetching the groom who was sitting at the wrong church! The Mother of the Bride is surprised she is not family or friend, she just came to watch. She invites Belle to the reception as a thank you for her help (and just in case other problems arise!).

Ingrid at Push-Button Academy (Pages: 89-94)

Ingrid Bergan attends the progressive school Push Button Academy built by her father, a professor.  The Professor enters the school  into a competition for the most attractive school. Ironically when showing off a replica of the magnetic pole, it seems it is too attractive as the magnetism pulls the belongings of the inspectors to the pole. The inspectors leave not happy with these events. While trying to readjust it so the magnetism isn’t so strong, Ingrid becomes temporarily magnetized in the process. So now all metal things fly to her. This works to her advantage, when it helps her stop a thief in the hotel the inspectors are staying at. So the inspectors give the school another chance.

Jane Model Miss (Pages: 98-103)

Art: Juan Gonzalez Alacreu

Business is slow for Jane Morgan, so she accepts a sudden offer by an American, Mr Glanville, to design and model swimsuits from his fabrics and as part of the deal she must teach is daughter April to be a model. But it seems April is awkward and clumsy. Mr Glanville still wants her to model but even he;s not keen for her to model his swimsuits and asks Jane to keep her away. Jane does this by locking her in a cupboard but April breaks out and slips into the pool. Luckily she is elegant in the water, impressing the potential clients and so she becomes their action model.

Starr of Wonderland (Pages: 105-110)

Art: Emilio Frejo

While auditioning for a new King Arthur for Wonderland, Diana Starr has her work cut out or her when two feuding fathers try out. Their daughters, Wendy and Sue, are good friends and are tired of their dad’s fighting. They are both are up to tricks to undermine each other’s audition such as Mr Marshall loosening Excalibur so Mr Booth falls over when he gives it a big tug. Then Mr Marshall accidentally sets a fire in a tower putting their daughters at risk. They have to work together to save them, after which they put their feud behind them. As for the part of King Arthur, Diana says they can each take the part every other day while the other plays Sir Lancelot.

Sadie Macbeth (Pages: 114-119)

Sadie Macbeth’s class are visiting the McPorridge castle on a school trip, but are disappointed when the grouchy Hamish McPorridge says the castle is closed for the afternoon. Sadie summons her three witch friends, Prue, Vinny and Cassie to help. Unfortunately while casting a spell, Vinny thoughts wander to the famous Macbeth, who stayed in the castle, which brings forth him and Lady Macbeth. The two Macbeths chase Hamish from the castle and the witches have a hard time getting rid of them as their spells  don’t work out as they want them too. Finally after turning some bagpipes into a giant octopus then into a balloon, they are whisked away and the grateful Hamish gives the class a tour.

Lorna at Court  (Pages: 122-125)

Art: Don Walker

Lorna Butterwick has won a trip to Paris by entering a historical essay contest. After eating some cheese sandwiches her mother gave her, she falls asleep. She finds herself in the Palace of Tuileries in 1791, witnessing Marie Antoinette’s attempts to escape with her family, Lorna admires her brave actions, though she ends up back in her own time before she sees the royals final fate. Still she is able to write an article about Marie Antoinette’s heroic attempts to save her family, for her school magazine

Text Stories

Life With Miss Peake – Ugh!  (Pages: 37-38)

A girl dreads her new assignment from her horrible sewing mistress, Miss Peake. The class are to make their own fancy dress costume for a Christmas party.  She puts it off until the last minute and then finds out that her mom has given away her material! With little options left, she rents a costume, but is found out when she wears the top inside out ad the shop’s tag is clear for everyone to see. As she is sorry and it is Christmas she gets off with a light punishment.

Nothing But the Best- for Cousin Gertrude (Pages: 47-48)

Elizabeth and her friend Felicity prepare for the arrival of Cousin Gertrude, how they assume as well travelleved person will be used to the best. Everything’s a disaster, but when Gertude arrives she soon puts things right and proves not to be as uptight as they were expecting.

The Loneliness of Being Sandra  (Pages: 87-88)

Sandra joins her aunt at a skiing holiday but finds it lonely as the others people her age don’t seem too friendly. When her aunt suggest she might have been showing off too much with her skiing skills,  Sandra begins to pretends to not be as great a skier as she actually is. This works but then has to reveal her secret when the weather turns on a trip and she has to go get help, luckily her new friends have already accepted her at this stage, and are impressed by her heroics.

The Girl With the Magic Touch   (Pages: 95-96)

Rosemary isn’t too happy when her family move into an old Victorian house so they have space for her Gran to live with them. This is made worse when her friend Betty gets her room turned into a modern den, while Rosemary is still stuck sharing a room with her sister. She also finds Gran critical but does take her suggestion of checking out the attic as potential room of her her own. After finding old chest, with diary she decides to decorate in Victorian style and does most of the work herself. She ends up bonding with Gran when she helps with the curtains and understands the importance of having a place of your own doesn’t change when older.

Features

Diana was a book that was known for it’s informative features, the early issues of the weekly comic had a “Getting-to-Know” section, that told facts in an interesting and often story-like manner. There are many interesting features, some more simply straightforward facts, others told in a a more story-like manner, as well as popular creative and quiz features.

There are two story – type features in this annual, The Village That Died  (Page: 55),  which tells the story of Eyam village where in the 17th century most people died of the plague after receiving parcel from London. The other story feature I go into more detail below –

On Holiday With – Claudia/ Eleanor/  Anne/ Lucy  (Pages: 18-23)

Four different girls, from different time periods share what their holidays were like. This was good way to relate to the readers of the same age.  Firstly there is Claudia a Roman girl of the 2nd century tells of a holiday to her uncle’s in Roman Briton, where she had family feasts (though the children were expected to stay quiet), played ball games with her cousins, watched chariot races, shopped in the Forum and relaxed in the public baths.

Eleanor, from the 14th century, along with her hooded hawk, Visits the shrine of St Thomas à Becket at Canterbury. She travels with a group of pilgrims, along the way seeing entertainment of jugglers and dancing bears. At Canterbury, she is blessed by bishop and buys a puppet from a toymaker.

Anne, from the 16th century, visits her uncle in London, which is quite a change from her country life. She gets to see one of Shakespeare’s new plays, ride on a boat in the river Thames and see Queen Elizabeth as she leaves London for the Summer.

Lucy, from the days of Queen Anne of the 18th century, visits friends in the country, accompanied by her maid. Outside they played battledore and shuttlecock, if it rained they played the spinet and at night looked at the stars. A travelling artist does her portrait which will be a keepsake for the holiday.

 

Other Features:

Informative Pieces:

  • Festivals and Fun  (Pages: 25-31)
    • Information about different festivals/ carnivals, including; St Lucia’s Day – Sweden, Battle of Flowers – Jersey, Carnival of Nice – France  and many others
  • Tales of the Trees  (Pages: 56-61)
    • The Elder – The Fairy Tale Tree
    • The Hawthorn – The Omen Tree
    • The Apple – The Tree of Good Health
    • The Peach – The Tree of Eastern Legend
    • The Oak – Samson of the Forest
    • The Birch – The Witching Tree
  • Dances of the World  (Pages: 72-75)
    • Different dances from Golden Greece, Merrie England and France
  • The Wonderland of Dolls  (Pages: 111-113)
    • Split into the subheadings of; The Toys that Saved a Village, Dance Little Doll, and Dolls at War
  • Fairies in Ballet  (Pages: 120-121)
    • Photos and captions of fairy characters in the Ballet such as Titania, Lilac Fairy and Carabosse

There also two poems with accompanying photos

  • Join the Crew  (Page: 24)
  • Hooray for Holidays  (Page: 32)

Finally  there are the more participatory/ creative activities

  • Secrets of the Palm  (Pages: 44-45) [A guide to reading palms]
  • Ballet Quiz  (Pages: 68-71)
  • Knit this Super Smarty Top/ Hairstyles for the Modern Miss  (Page: 97)
  • A Sweater and Hat to Knit for Snow Time  (Page: 104)

 

Final Thoughts

As this isn’t a book I grow up with, but got later, it doesn’t evoke the same nostalgia as other books, so it’s somewhat of a mixed bag for me. Majority of the artwork is impressive as is the colouring (Jane Model Miss is a stand out for me), there are some good stories, but others I found had convoluted plots or were just unappealing to me. Although I would say at least none of the stories are boring!

Stories that had some of the more ridiculous plots, in the case of complicated villain plans we have The Girls from NOODLES and Mascot of the Ballet.  I’m more forgiving of NOODLES as it’s more in keeping with the spy antics and I have a soft spot for stories that take inspiration from The Man from U.NC.L.E. / James Bond, so I do actually like that story. Mascot on the other hand the villains plan to to burn down hotel so he can get a ballet troop to stay in the house, frame them for stealing  and presumably kill his brother, so he can pay off debts in London, seems extreme! Of course having such elaborate schemes is nothing new for these books, but sometimes it works better than others.

The story I had the most problems with was Emergency Nurse Gwen. While it may have had a more “grounded” explanation, for  the “alien monster” the whole set up seems surreal. I feel this may work with a different type of story but is not suited for this character.  For example there have been stories where nurse is put in a bizarre situation like “Pam on the Purple Planet” which is fine because that is the set up of the story, but Emergency Nurse Gwen I’d expect a story more in keeping with the problem solving character who may have have found herself in some unusual situations but more down to earth. The biggest issue I have is her reaction to the situation first the people won’t tell her where they are taking her   and then she is persuaded to be drugged! That would trigger so many warnings these days and the entire experiment is unethical, the dumped her in this situation video taped her reactions without any explanation. Then she is perfectly fine with that when they finally do explain, I really think this story wouldn’t pass today!

It’s not all negative though, there are many stories I liked. I thought Life with Miss Peake -Ugh! was amusingly written and I liked Wedding Belle, it is simple premise yet moved along quickly as Belle diverts one disaster or another at the wedding. Mandy the Thirteenth is also a fun read, and while it’s not the focus of the plot it’s nice to have the festive setting. One odd thing about that story is the last page of the story is preceded by a feature about palm reading. While longer stories are sometimes split up in annuals, it’s quite unusual to just separate one page.

Throughout the book the art, and colours when used are top quality. The feature On Holiday with…  has lovely art making every time period distinctive. Jane Model Miss has my favourite art in the book, I enjoyed the story, though the characters can come off a bit mean-spirited for not giving April a chance because she  is clumsy, as she seems perfectly nice otherwise. I’m glad that things work out for her! I also enjoyed Starr of Wonderland but because it only shows Mr Marshall’s tricks (coupled with him starting the fire)and just tells us of Booth’s tricks, it makes things uneven and Marshall comes off less sympathetic. How Kathy Tricked a Ghost is a fine addition to the spooky stories, which usually work well in annuals as they add variety and often work best in the short form. Again there are some questionable plot points, but it is fine.

So despite some criticism still enjoyable read, I would think if I had read this when I was younger I’d be less critical, with the nostalgia goggles on! Still I always find to read any comic annual at this time of year does get me in festive mood!

 

Willa Will Dance

  • Willa Will Dance –  Debbie: #72 (29 June 1974) – #85 (28 September 1974)
  • Artist: Don Walker

Plot

When the Taylors decide to adopt a child, their daughter Sue convinces them to choose Willa Wilkins. This is not because she likes Willa, it is because she sees Willa as clumsy and untalented and therefore no match for her parents admiration.  Sue is the ballet star of the family and is not pleased that Willa wants to become a dancer too. Sue makes nasty comments to Willa when they are by themselves, but her aim isn’t to  get rid of  Willa, as she believes she can always be the best daughter, when Willa’s her only competition.

willa will dance

Sue pretends to be nice to Willa around other people, while still putting her down, such as asking others not to laugh at Willa because “My sister can’t help being big and ungainly”. While Willa has clumsy tendencies, these words reinforces Willa’s insecurities, making her self conscious and more clumsy. When people aren’t watching Willa dance, she relaxes more and lets the music take over. The ballet teacher sees her and thinks there is hope for she has good rhythm, she just is a late starter and with extra lessons she could become a dancer. Sue isn’t happy to hear this. When Willa wins an essay competition writing about her dream to become a ballerina, she is delighted that it is enough money to cover the extra lessons. She is surprised when Sue seems encouraging, getting her to read the essay in class. The girls have an image of Willa being clumsy, so they snicker at the idea of her being a dancer, which is exactly what Sue suspected would happen. Still it doesn’t stop Willa going for extra lessons. The ballet teacher mentions Mrs Taylor was a ballerina, and Sue uses this as another opportunity to discourage Willa with cruel comments. It does lead Willa to doubt herself, as Sue is slim and pretty like her mother, she wonders where she comes from and if there is any hope for her.

willa will dance 3

Willa tracks down an old woman, Mrs Larkston who knew her mother. She is disappointed when Mrs Larkston shows her a photo of her plump mother. Sue is pleased though and brings the photo home as a reminder for Willa, that she will never be slim and pretty. Looking at the photo, Willa thinks her mother has a kind smile and would understand who she feels. She accidentally drops the photo breaking the frame. She finds old faded diary pages and a newspaper clipping of a dancer named Lady Tara. She learns from the diary that her mother admired the mysterious Lady Tara and it encourages her to follow her dreams. Sue is there to bring her down whenever she can such as making sure a zipper in costume breaks, baking her a large chocolate cake when Willa’s dieting and pretending Willa needs to be rescued by her when swimming.

Willa is getting tired of being the fat ugly sister. She feels that there is a connection between her and Lady Tara and goes to a reporter to try and track her down. She finds Lady Tara but her dreams of her being a relative are dashed as Lady Tara informs her that her mother was her maid. Lady Tara now owns a dance school and gives Willa a chance to dance for her as she feels she owes it to her mother. Seeing Willa leap around to music Sue doesn’t think she has anything to worry about, but still starts dancing beside her to show Lady Tara that she is so much better than Willa. But Lady Tara doesn’t see it that way, she sees Willa dancing for the joy of it and Sue as mechanical and posed. She offers Willa a place at her school. Willa is delighted and while she will be away during term time, she will be home for holidays. Sue tells Willa she is not happy to see people fussing over her and while she is away at school, she is going to talk her parents out of finalizing the adoption.

willa will dance 4

Willa is happy at the school as Lady Tara has some unusual ideas of dancing. She doesn’t believe in diets or rules and exercise – just free movement. Meanwhile Sue is not happy when parents consider taking in an intelligent  foster girl, while Willa’s at school. She tries to convince Willa to come back and tells her dancing needs discipline, she won’t become a dancer at a school like that. During a show, Sue brings friends along and they laugh at the display, and even Willa has to admit they look ridiculous. After this Sue convinces her to come home.

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Willa is happy to be back with family again, even believing Sue wants to be a sister to her. But Sue makes her vow if she wants to be part of the family, she must remain the ugly untalented sister and to never dance again. To keep her family Willa makes the promise, and all is well for a while, as Sue comes out on top of all things she does.  She  is picked as May Queen at the school and is not happy when Willa gets picked as her attendant and is given dance. She tells Willa that she will have to drop out but Willa refuses she stands up to Sue finally.  She thinks Sue’s threats are meaningless as she won’t ask her parents to stop adoption as that would only show the cruel selfish girl she is.  Sue upset runs onto street and is hit by traffic, leaving her potentially paralysed. The doctor’s say that she will recover but  she has lost all her confidence. Willa decides to be cruel and make Sue mad enough to walk. She takes Sue’s ballet shoes telling her she won’t need them now and dances in front of her, Sue corrects her. She thanks Willa for getting her to walk without her crutches and is ashamed of the things she’s said before.

It’s  not an easy recovery for Sue she still has no confidence in her dancing and she begs Willa to come with her. Willa helps going back to class with her practicing with her every day, she  even loses some weight. Then when the class have a ballet production,neither girl is up to that standard of the lead but they could get a smaller part. The teacher is tempted to give Willa part of Good Fairy over Sue, but Willa convinces her to give it to Sue as she knows otherwise Sue will never fully recover her confidence and quit dancing for good. This is just what she needs to get over er nerves, and Willa decides she doesn’t want to compete against Sue. A suggestion from her father encourages her to try a different style of dancing – ballroom dancing. She finds she is happy whatever dancing she is doing and after some work  wining a junior competition. She does worries that  the old jealousy will flare up with Sue, but Sue has changed for the better and Willa has found happiness.

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Thoughts

A jealous family member not happy with an addition to the household, a story that is told many times. Like Mistyfan’s recent post on “I’ll Get Rid of Rona!”  there are different ways of telling the story to keep it fresher. In this case it’s interesting that Sue doesn’t want to get rid of Willa, as she believes she can control the situation. She is nasty and cruel to Willa but only when she believes she is being outshone, she doesn’t have a problem with Willa as long as she stays plain, clumsy and doesn’t “steal” peoples attention.  She is also upfront about this from the start. While there are times she makes sure things go bad for Willa, such as forcing the zipper on her costume, mostly it is a psychological attack on Willa. She keeps putting her down, says cruel and nasty things to her and sometimes tries to make out she says these things so Willa won’t get her hopes crushed like she’s doing her a favour. This knocking of Willa’s confidence makes her more clumsy and self conscious and therefore easier (with a bit of manipulation)  for others to see Willa as a joke too.

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When Willa finds the old newspaper clipping of a dancer with her mother’s photo, she has hopes that the Lady Tara of the newspaper is a relative to her, she thinks she most have dancing in her blood somewhere. But Lady Tara is not a relative and her mother was not some slim beauty. This also makes a nice change from other stories, there is no genetic reason for Willa’s talent (that we know of). Also while she has raw talent, without practice and discipline it won’t make her a top dancer. While at the end she improves at ballet and maybe one day could have been at Sue’s level given the chance, she is still not ready to take the lead in the ballet production. Surprising as well is she gives up on her ballet dream so not to compete with Sue. While she does find she just wants to dance no matter what and shows talent at ballroom dancing, it is quite the change from all the work she put into ballet. I don’t know if Sue was so deserving of Willa’s kindness, though at least by the end she has put aside her jealousy and hadn’t forced Willa to give up ballet, it was Willa’s choice.

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Sue’s recovery takes some time, even when she is out of hospital she lashes out at Willa, although instantly regrets it. When she starts dancing again, finally working together with Willa they begin to build a real sisterly relationship. Willa loves dancing but she shows time and again that having a family is more important to her.  She chooses the chance of family over dancing and even when she has the chance to dance on stage she chooses her sister Sue’s happiness over her own. We don’t learn much about Willa’s mother,  but what we do learn is that she was very loyal and in a nice scene where we Willa looks at her mother’s photo she thinks that she would have been a good listener. While it doesn’t seem Willa gained her dancing talent from her mother, it does seem she gained those other good qualities from her.

 

 

The Taming of the Honourable Angelina / Miss High and Mighty

  • The Taming of the Honourable Angelina  Judy: #526 (7 February 1970) –  #536 (18 April 1970)
  • Reprinted – Judy: #998 (24 February 1979) – #1008 (05 May 1979)
  • Reprinted as Miss High and Mighty Judy: #1584 (19 May 1990)  – #1594 (28 July 1990)
  • Artist: Don Walker

Plot

Lost in bad winter weather on the remote Welsh mountains, the  Honourable Angelina Frensham is taken in and given shelter by young Marion Benson and her two brothers, John and Tim,  at the Mountain Retreat, a pony farm. Angelina, a rich and spoilt girl, is not happy to be forced to stay at a farm with so few comforts and even refuses to do the smallest things to help out and pay back the Benson’s kindness. When she gets up in the morning she still expects her breakfast to be brought to her. Marion is quick to shoot her down, she and her brothers,  were working for hours before Angelina got up and she would have to feed herself. The Bensons have a lot of hard work ahead of them as it looks like they will be snowed in for weeks, the last thing they need is to have to look after a spoilt girl too. But Angelina does not see it that way. She can’t understand why they slave away for their ponies and she believes she is smarter then them and is determined not to become as pitiful as them!

Hearing on the radio that there is a search party for her, she decides to light the hay-rick on fire to attract the attention of a passing plane. The Bensons quickly put out the flames, they can’t believe she’d be so selfish  as to burn their pony’s feed on the gamble of being spotted. Angelina hates them for ruining her chance  of going home, but Marion’s through being so kind. She is not cruel enough to kick her out, but she does take her bedroom back, as she had let Angelina sleep there the first night, she can now sleep on chair in the kitchen.

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Angelina continues to be stubborn, selfish and destructive. She threatens them, that her influential father will destroy their farm when she gets back and she  breaks the radio in frustration when she thinks its not working, even though it just needed new batteries. She also tries to ride one of the ponies but in such weather it would be dangerous and the Bensons stop her. She slips as she storms away, and stubbornly refuse to move, complaining of a hurt foot. While Marion nearly relents to help her, John convinces her to stay strong that Angelina needs a lesson, sure enough she soon comes hobbling inside. She still hasn’t learnt much though as she hoards food after hearing it will have to be rationed. Figuring she’s hidden food somewhere, Marion locks her in the bedroom while they search for the food. They don’t realise how much damage Angelina can cause, as she breaks a window to escape, cutting herself in the process and allowing precious heat to escape. The Bensons are worried of the danger she places them in, but of course Angelina only thinks they are being unnecessarily cruel to her.

honourable angelina

Marion sees the first glimmer of hope that Angelina isn’t all bad, when she attempts to run away. A foal gets out and follows her, Angelina can’t let it die in the snow, so she brings it back. She does catch a chill from being out in the snow, while Marion softens up, John still takes a hard view of her. He is proved right, as Angelina pretends to still be ill when she’s recovered to get out of chores, and breaks their only thermometer so she’s not discovered. Her actions have consequences again as she plays music and dances around, while the others are out working and her shawl catches fire. Luckily John and Tim, hearing the music had come to investigate and save her rolling her in the snow. Later when Angelina questions why Marion is keeping the burnt shawl, she explains that it is one of the last keepsakes she has left of her mother. Angelina is sorry and opens up to Marion about her own dead mother. She develops another fever but this time after she recovers, she does turn over a new leaf and wants to show her gratitude and help.

It turns out though that Angelina’s “help” is worse than her laziness! Not being used to chores, everything she tries ends up doubling Marion’s work as she tries to fix her mistakes. The Benson’s don’t openly criticize her efforts but she does overhear them, and now she cares what they think, she feels foolish and useless. She does manage to help get one of the Pony’s to take his medicine, using a trick she’d seen her groomsman do. This helps regain her confidence.

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After this Angelina becomes a lot happier at Mountain Retreat, and actually has decided to stay even after the snow clears. Of course she doesn’t tell the Bensons instead she schemes in her own Angelina way! With the snow clearing, the Bensons now have access to public telephone. Angelina rings her father and tells him she’s safe but in Birmingham, sending him on a wild goose chase. She later cuts the phone line so no one will be able to ring her father. Not considering it’s the only phone for those around her and she is horrified when an elderly neighbour falls ill and a doctor can’t be phoned for. To make amends she rides to the doctor’s house in the bad weather. Seeing the error of her ways, she rings her father and tells him where she really is, then returns to the Bensons and confesses to them. They treat her kindly, as they have come to appreciate the changes in her and will even miss her when she’s gone. When Marion hurts her hand Angelina cares for her and does the work around the house while waiting for her father to arrive. She is upset when her father doesn’t come himself but instead sends the chauffeur to collect her, passing on the message that he will get lawyers to sort out the phone box damage. She refuses to go though, until her father collects her himself and she will face up to the consequences of her actions herself.

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Her father does show up and is surprised to see his daughter working hard.  Marion and Angela think that he will be angry at seeing his daughter doing some lowly jobs but it turns out he is glad to see Angelina happy. It turns out he didn’t come to collect her initially himself as he believed she wouldn’t care either way. Both of them have been mistaken in how each other felt. Angelina is now happier to go home with her father, but on the car ride home, Lord Frensham can see, she would be a lot happier staying with the Bensons. He tells her to go back to them and if they agree, he will buy her partnership in the pony farm. The Bensons happily welcome Angelina back.

Thoughts

This is a good redemption story, even when Angelina has changed for the better, it shows that it is not always that simple to leave your bad traits behind. When she cuts the phone line in order to get what she wants, it shows her thoughtlessness and selfish nature is still there. But that just makes her human, she makes mistakes but she tries to fix them and faces up to the consequences.

At first she can be a frustrating character to read, she is self-centered and believes that she is being wronged. She sees the Bensons as being cruel and harsh for no reason, she doesn’t see how her actions endanger them. The Benson’s sympathies soon wear out and they know they have to be hard on her and you can see their frustrations with Angelina. But they also see the good in her. Throughout we slowly see what has made Angelina the way she is, losing her mother at a young age, having a father that works all the time and just buys her what she wants. She was surrounded by people doing work for her but didn’t have any real friends. Interesting it seems bad communication has led to the deterioration of her and her father’s relationship, both believe the other doesn’t care. It’s clear Lord Frensham, is not a snob, he doesn’t look down on the Bensons and he only wants to see his daughter happy. It is a pity that he didn’t open up to his daughter before, as he could have passed good values on to her instead of assuming she only wanted material things.

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While Angelina at first thinks the Bensons are foolish working so hard for so little, she soon begins to admire them. I wonder if part of her resentment was that her father works so much that he seemed to have little time for her. The difference is the Bensons work together and Angelina learns the satisfaction of a job well done and true friendship. The Benson’s are kind people but they certainly won’t be taken advantage of. Marion is the first to soften to her and see her good qualities, but in the end they all grow to like and respect her. When she leaves with her father Marion believes Angelina’s promises of visits will soon be forgotten as life goes on. She is happy to be proved wrong when Angelina comes back. Angelina has given something to them too, she brought excitement into their life, friendship, she eventually helps with the running of her farm and sharing of knowledge. For Marion in particular she brings female companionship.

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April Fool

Plot:

April Matthews is being blackmailed into taking second fiddle to Shirley Kingsley and being her slave so Shirley can be the star of the school. The blackmail is that Shirley’s father is threatening to withdraw his loan that the Matthews family need for the treatment to save the sight of April’s sister Tina. The blackmail has April being labelled “April Fool”.

In the end April discovers Shirley tricked her into it all and Tina got her sight cured elsewhere. Shirley gets caught out and has no choice but to confess to the headmistress.

April

Notes:

  • Writer: Maureen Hartley
  • Artist: Don Walker

Appeared:

  • April Fool –  Mandy:  #959 (1 June 1985) – #975 (21 September 1985)

 

A Friend Like Freda

Plot:

Freda has always been jealous of Joyce because she is a kind, popular girl. So when Joyce suddenly moves back to the neighbourhood, Freda pretends to be friends with her while secretly causing trouble for her. Joyce soon realises she has an enemy, but does not suspect Freda.

Notes:

  • Writer: Marion Turner (under pen-name: Fiona Turner)
  • Artist: Don Walker

Appeared:

  • A Friend Like Freda  – Mandy: #1185 (30 September 1989) – #1197 (23 December1989)