Bunty Annual 1999

Picture Stories

  • The Comp  (Pages: 5-9)  [Artist Peter Wilkes]
  • Fear of the Future  (Pages: 19-25)  [Artist John Armstrong]
  • Love Thy Neighbour  (Pages: 28-31) [Artist Peter Wilkes]
  • Bunty – A Girl Like You  (Page: 32)  [Artist Andy Tew]
  • Who’s Next Door?  (Pages: 43-49)  [Artist Julio Bosch]
  • Prefect’s Pet  (Pages: 53-59)  [Artist Andy Tew]
  • Bunty – A Girl Like You  (Page: 65)  [Artist Andy Tew]
  • The Four Marys  (Pages: 71-75)  [Artist Jim Eldridge]
  • The Comp  (Pages: 77-81)  [Artist Peter Wilkes]
  • Girls Talking (Page: 84)
  • Penny’s Place  (Pages: 91-95)  [Artist Guy Peeters]
  • Bugsy  (Page: 96)
  • Lizzie’s New Life  (Pages: 100-107)  [Artist Don Walker]
  • Pretend Friends  (Pages: 112-116)
  • The Four Marys (Pages: 122-125)  [Artist Jim Eldridge]

Text Stories

  • Carly’s Crowd!  (Pages: 18)  [Artist Peter Wilkes]
  • Ben (Pages: 42) [Artist Claude Berridge]

Photo Stories

  • Computer Crazy  (Pages: 11-15)
  • Gabby’s Own Goal (Pages: 34-39)
  • Sammi’s Stars  (Pages: 60-63)
  • Christmas Past  (Pages: 85-90)
  • No Christmas for Carol (Pages: 117-121)

Features

  • Merry Christmas…  (Pages: 2-3)
  • Table of Contents  (Page: 4)
  • What’s Cookin’? Easter Yummies  (Pages: 10)
  • Abracadabra  (Pages: 16-17)
  • Do Not Disturb!  (Pages: 26-27, 66-67, 98-99)
  • Make Your Own…Snowstorm!  (Page: 33)
    • Reworked from Bunty Annual 1987 (Snow in Summer)
  • Pet Pin-Up (Pages: 40, 64, 111)
  • Top Dogs  (Pages: 41)
  • Flower Power!  (Pages: 50-51)
  • Summer Specials Party Foods for inside or out!  (Page: 52)
  • Telly Mission!  (Pages: 68-69)
  • Autumn Apple Surprise (Page: 70)
  • Ha-Ha-Happy Christmas (Page: 76)
  • Green Scene  (Pages: 82-83)
  • What’s Cookin’?  Christmas Crackers  (Page: 97)
  • Great Grandma’s Sweet Shop Secrets, (Pages: 109-110)
  • …And a Happy New Year!  (Pages: 126-127)

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The Painting [1989]

  • The Painting –  Bunty:  #1663 (25 November 1989) –  #1672 (27 January 1990)
  • Art: Norman Lee

Plot

Life had been tough for the Blakes since Mr Blake lost his job, money was tight and there were lots of arguments. They get a new start though, when Mr Blake inherits a cottage from his aunt. Emma and her younger brother Bobby, settle quite quickly and Emma is sure they will all be happy in their new home. Mr Blake even gets an interview for the local supermarket. While clearing out some things, Emma has a rummage around the attic and comes across a parchment with a warning, surrounded by twigs and leaves. Not knowing its meaning she looks under the sheet behind it and finds a portrait of a lady who bears an uncanny resemblance to herself. A strange voice tells her to take the painting from the attic, and she suggests to her Dad, to do just that. While her Mum is unsure about hanging it as there is something about the eyes she doesn’t like, Emma snaps at her. She soon apologies, not knowing what made her act out. Later the painting  tells her to burn the rowan that was in the attic. She does, but the wind catches the bonfire and nearly sets the thatched roof on fire, luckily Bobby alerts their parents in time to stop it.

When Mrs Blake decides to sell the painting, Emma is haunted by dreams where the girl from the painting tells her “we are one” and to stop her being sent away. Emma tries to turn her parents against each other, as Mr Blake does think they should keep the painting, but Mrs Blake wins out.  But when Emma causes trouble with her Dad’s interview clothes and mum gets blamed, he  decides he’s not going to trouble of contacting dealer about the painting. The painting also causes trouble when Bobby gets a puppy, but it is the dog that is blamed for the trouble and Bobby has to take him back to  where he got him from. Meanwhile at home, Mrs Blake still senses something is wrong with the painting and that nothing has gone right since they found it. Taking it down and covering it up breaks its hold on Emma, though she can’t remember what she did while under it’s influence. Returning the pup to their neighbour, Miss Bonner, she has some interesting revelations, when she hears about the pup barking at the painting. She says the girl in the painting was also named Emma and she will come and talk to their parents about the painting. Later at home, even though being covered weakens it, the painting still has enough hold over Emma to uncover it, so it can command her to to stop Miss Bonner from interfering. She sets a fire at Miss Bonner’s house, making her look absent minded, so Miss Bonner’s nephew uses it as an excuse to send her to a nursing home. Miss Bonner knows the other Emma would be proud but warns Emma to take care.

When Mr Blake runs into an art dealer, Mr Carter, he comes to look at the painting. He confirms what  Miss Bonner said, that the portrait is of a girl named Emma. Present Emma, meanwhile sets the dealer up so it looks like he was going to steal an antique vase. While Mr and Mrs Blake are glad they didn’t sell the painting to a “con-man”, Bobby is suspicious. He does some investigating and manages to get a recording of Emma talking to the painting, but it is destroyed. Still not defeated, Bobby tries to show his parents whats happening in person, but Emma’s too quick for him. Bobby’s next stop is to go to Mr Carter to enquire about a book he mentioned. We get the history of portrait Emma – Emma Lukin was proven to be a detestable witch of terrible power in 1689.  Before she was burned at the stake, an artist painted her portrait and she declared, that one day when she meets her likeness she shall be alive again. Bobby gets photocopies of the story but the Portrait’s powers are getting stronger and  she makes Emma appear in front of Bobby, causing him to swerve on the road into a car. Luckily he is not seriously hurt but Emma makes sure he can’t remember anything.

Emma Lukin is growing more powerful, when Emma Blake  expresses concern for Bobby, she tells her witches don’t cry and gets her to turn cold. Mr Carter hearing about the accident tries to deliver the book to the Blakes but Emma sets it on fire and Mr Blake thinks Carter was trying to fire bomb them! Bobby’s memories aren’t completely gone and after having a dream he goes to Miss Bonner for help. She gives him some rowan to protect him, while his parents go to visit Miss Bonner. Meanwhile Lukin is ready to take over Emma completely and merge with her. Bobby interrupts them and Lukin almost kills him, but Emma saves him. Her tears for her brother destroys the magic of the painting and it dissolves. When the Blakes return, her father is disbelieving at first, then seeing the evidence he cant deny it. They clear Carter’s name, Miss Bonner moves back to her cottage and everyone can have a fresh start again.

Thoughts

Stories involving an object with powers over the protagonist, is a big part of girl’s comics. These objects take many forms, such as toys, statues or often it is a piece jewellery such as in The Power Over Paula or In Paula’s Place but evil influence from a painting is also popular. The paintings usually bear a resemblance to the  protagonist (often because they are an ancestor) and the person may have been accused of witchcraft, Penny and the Portrait is another example of this type of story. This story is interesting in that not only does the Painting have control over Emma, she also wants to physically merge with her taking her over completely. There is some very creepy imagery in the last episode, as Witch Emma reaches out from the painting to join with other Emma. Although for the most part we might think the protagonist will win out like they usually do, any doubts we might have is spoiled a bit by the cover of the issue which tells us how the Painting will be destroyed! Still it is a lovely cover and I did like when the comics depicted stories from inside.

It is good to see the sibling bond between Bobby and Emma, while Emma becomes more lost in the painting’s influence, Bobby is the more proactive, investigator. I like that as the painting gets stronger, Emma also gets more supernatural powers. It is also well done that they save each other in the end, Bobby interrupts the spell and Emma saves him from falling. Love and Emma’s tears undoing the witch’s spell is fitting with the narrative, as it seems in this story to be a successful witch you must close off all your feelings. It’s good to see that more people are suspicious of the painting too, helping Emma, even if its unwittingly at times. Mrs Blake always feels an unease with the painting, and covering it up does make it’s powers wane, Mr Carter goes out of his way to try and warn the Blakes about the Painting (getting arrested in the process!) and Miss Bonner also tries to warn them and gives the rowan to Bobby to protect him. Mr Blake is the biggest disbeliever, which makes it harder for the others to get rid of the panting. An odd thing was that it is heavily implied that Miss Bonner’s nephew wants to move her into a home so he can get the cottage, but in the end, when she is proven to be sane, he has no problem with her moving back in. Perhaps they just wanted happy ending for Miss Bonner and didn’t have time to develop that subplot as it wasn’t important to the main  story.

Not essential for the story but I did note that at this time in Bunty, it seems some stories didn’t have a consistent story logo, so the font style for the title kept changing. It seems like an odd choice, but it may have been Bunty was experimenting with look and style at this time, as it was just after they changed to glossy paper and had more full colour strips. This is one of the stories that got to make use of have of having full colour and the art by Norman Lee is quite vibrant, like I mentioned the painting is very creepy at times and I liked the flashback to the witch’s story. The pacing of the story is also good, as we see Emma lose control more, Bobby’s desperate investigation and potential allies being defeated by the witch.

 

 

 

I Don’t Want to Be a Model! [1984]

Plot

Roslyn Grant is taken in by Gerda Grayson, a (so-called) friend of her mother’s while her mother is away. Grayson abuses Rosyln into becoming a model and holds her prisoner by removing her glasses so Roslyn can’t see properly, and takes her out of school. When Roslyn tries to run away, she is caught, and the label of runaway gives Grayson even more blackmail power over Roslyn. Eventually Roslyn learns that Grayson’s cruelty is due to a long-standing jealousy she has held against her mother ever since their school days, and Grayson has a long record of bullying.

Notes

  • Artist: Rodney Sutton
  • Writer: Marion Turner (under pen-name: Fiona Turner)

Appeared

  • I Don’t Want to Be a Model! – Tracy: #235 (31 March 1984) – #243 (26 May 1984)

 

Meg – the Hunted One

Plot

In the early 17th century, a  young girl called Meg lived alone on Exmoor. She had been brought up by an elderly woman Blind Biddy, But, when she was fourteen, Meg found herself alone after Blind Biddy had been condemned and put to death by Josh Mortiboys, a wealthy landowner, who had sworn that Meg would share the same fate. Meg had been, staying with a lawyer who had befriended her, but, one nighty Mortiboys came looking for her. She ran away over the moor from the protection of Lawyer Miller’s house and of Jack Oakley, a friendly farmer, whom Meg had helped earlier. With her pet raven and her deer, she fled across the rain-swept moorland.

Notes

  • Art: Phil Gascoine (unconfirmed)

Appeared

  • Meg – the Hunted One – Judy: #631 (12 February 1972) – #642 (29 April 1972)

Scrubcat

Plot

Born and raised in the outback of Australia, young Scrubcat Jackson had been the only one to see where nuclear rockets had landed when they had been launched in mistake by a foreign power. Her uncanny knowledge of the country had enabled Scrubcat to lead Major Chisolm, the de-fusing expert, to five of the rockets.

Notes

  • Art: Ron Smith
  • Reworked from a Wizard story of the same name, with the protagonist changed to female.

Appeared

  • Scrubcat – Judy: #631 (12 February 1972) – #650 (24 June 1972)

Peri of the Ponies

Plot

Peri Wills was a girl with a special way  with ponies. She had the chance of attending a first-class pony school and there she learnt a great deal. But through a misunderstanding, she had to leave before taking her instructor’s certificate. Her longing to be with ponies led her to take an unpaid job at a ramshackle riding school kept by Mr and Mrs Hopkins.
Peri started to groom one of the ponies.

Notes

  • Art: Ron Smith

Appeared

  • Peri of the Ponies – Judy: #559 (26 September 1970) – #573 (2 January 1971)

Turkey Trott

Plot

Two hundred years ago, Trudy Trott and her young brother, Tom, helped their grandparents drive a flock of turkeys to the big market in London. They had stayed to help Edith, a young girl who was trying to keep a little pie-shop going after the death of her mother.

Notes

Appeared

  • Turkey Trott – Judy:  #558 (19 September 1070) – #567 (21 November 1970)

Share and Share Alike! [1988]

  • Share and Share Alike! – Mandy PSL: #121 [1988]
  • Reprinted – Mandy PSL: #269
  • Cover Art: Norman Lee
  • Inside Art: Tom Hurst

Plot

Sheila and Sharon Terry are twins that are constantly fighting, much to the exasperation of their parents. While they know their daughters do actually care for each other, they are  also fiercely competitive and jealous. They don’t like to see each other get what they think is favoritism. Whether it’s Dad cleaning Sharon’s bike, or Mom making Sheila her favourite sandwiches for lunch. Each perceives the other as having the jealousy problem and their parents have had enough. They tell them from now on everything will be shared and they will get treated exactly the same. The twins are delighted and finally agree that this is what they always wanted.

They are soon to realise it’s not as great a deal as they initially thought,  when at breakfast the next morning they do get exactly the same thing – but it’s something neither of them like. Mom’s logic being they can at least agree on that. Then on the way to school Sharon gets a puncture, and receives lines for being late. Dad’s not going to help her fix the bike because he’s tired of being accused of favourtism. But Mom makes Sheila help so they can share the burden and they even make her write out lines. This trend continues so when a dog causes Sharon to drop shopping breaking jars, they both have to pay. The girls are aware that their parents think they are clever, but they figure they can out smart them by upping the “share and share alike” mentality. They go for a boat trip and when dad comes looking for them they say they haven’t returned because they were using one oar, rowing in circles! When they do exactly same work at school, resulting in a letter from the headmistress, Mom thinks they should call it off but Dad is not broken so easily. He clears things up with the headmistress, and lets the wins know schoolwork is not to be shared.

Perhaps because they are working together to try and outsmart their parents, it ends up having the desired affect of them actually getting along. But then this is quickly undone when when Sheila waits for Sharon after school, and Sharon thinks she’s already gone home. The reason Sharon was delayed was Miss Brett called her over to tell her they have both been selected to cross country competition and Sharon had asked Sheila to wait for her. (This is a bit odd as they were both selected and Sheila was also right there, why didn’t Miss Brett talk to the both of them?!) Now they both intend to win and are more competitive than ever! Then during training, Sheila takes a risk trying to pass Sharon out and falls into the river. Sharon jumps after them and together they make it to shore but Sheila gets sick after. Luckily it’s not too serious but it does mean she is out of the race. On the day of the race Sharon is uncharacteristically quiet. Sharon has a tough race ahead of her and back home Sheila can picture the race and where Sharon would be. Sharon feels Sheila willing her on and is determined to win for both of them. She succeeds and at home the twins are delighted and they will share the cup. Their parents are optimistic that this is the end of their feud.

Thoughts

Favouritism can be a sensitive issue, whether it’s justified or not. There may be a slight issue here of a parent doing extra for a daughter at times but certainly not to any extreme and it’s clear the parents love both daughters. I am reminded of another picture story library book Unfair to Favourites although in that case there is a clear case of favouritism and the sisters get along fine, the resolution is also through a sport (gymnastics).  In this story what the twins perceive of favourtism is made worse by their jealousy. It is when the “share and share alike” rule is brought in, it shows how petty some of their complaints were. Such as arguing about who took the last of the marmalade or toast when they could both be given cereal they don’t like instead for breakfast.

It is a clever idea by the parents, although it seems Dad is much more willing to see it through no matter what! It is fun to see Sharon and Sheila try to outsmart their parents. It’s a pity their teamwork is in a fragile state that it breaks down after argument and they become competitive over race. Then when Sheila nearly drowns things change, perhaps they take mom’s talking to, to heart or it’s the realisation that they would not want to lose each other, but whatever the reason the twins grow closer. Sharon and Sheila feel connected during the race and Sheila knows Sharon has won even before they get the phone call. It’s hard to tell if the “share and share alike” rule did help overall or if this would have happened anyway when they were both picked for cross country. In any case at the end of the story Mom and Dad decide it’s best not to make a big deal out of dropping the rule, but I’d hope that even if they did bring it up that Sharon and Sheila’s relationship is stronger to survive that now.

Bunty Annual 1978

Picture Stories

  • Heartbreak House  (Pages: 6-10) [Artist Colin Merrett]
  • Super Gran  (Pages: 11-16) [Artist A E Allen]
  • Publicity Pam  (Pages: 20-24)
  • Gertie’s Ghost   (Pages: 28-32) [Artist A E Allen]
  • Maid Marion  (Pages: 33-39) [Artist Selby Donnison]
  • Girl Friday  (Pages: 40-44) [Artist Charles Paine]
  • Shrinking Violet  (Pages: 45-48)
  • Superstitious Cindy  (Pages: 52)
  • The Redwell Ring   (Pages: 53-57) [Artist Mike White]
  • Nurse Dinkum   (Pages: 60-64)
  • Catch the Cat  (Pages: 65-71) [Artist Robert MacGillivray]
  • Tillie the Trier   (Pages: 72-73)
  • Pamela Pet Finder  (Pages: 74-77) [Artist A E Allen]
  • The Cheddar Mob  (Pages: 81-84)
  • The Four Marys  (Pages: 85-96) [Artist James Walker]
  • Dancer of Despair  (Pages: 100-106) [Artist: Andy Tew]
  • The Travels of Tillie  (Pages: 107-109) [Artist: Rodney Sutton]
  • Sandra Deane – Hairdresser  (Pages: 110-112) [Artist: George Martin]
  • Paula Painter   (Pages: 113-117) [Artist: Peter Kay]
  • Toots   (Pages: 120) [Artist: Bill Ritchie]
  • Watchdog Winnie  (Pages: 121-125)

Text Stories

  • The Fairy-Tale Princess   (Pages: 25-27)
  • Belinda the Baby with a Bite!  (Pages: 49-51)
  • That Horse Must Go!   (Pages: 97-99)
  • Julie Plays her Part!  (Pages: 118-119)

Features

  • There’s More Ways Than One – of having Fun!   (Pages: 2-3 , 126-127)
  • Table of Contents  (Pages: 4-5)
  • Bunty’s Cut-Out and Colour Wardrobe   (Pages: 17)
  • Eyes for the Blind   (Pages: 18-19)
  • Heads You Win!  (Pages: 58-59)
  • Works of Wax  (Pages: 78-80)

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