Tag Archives: Bullying

Hard Times for Helen (1984-85)

Logo Hard Times for Helen

Artist: Bert Hill

Published: Judy: #1302 (22 December 1984) to #1312 (2 March 1985)

Plot

Helen Shaw’s widowed mother is awarded the Superworker Award for her charity work and becomes a local celebrity. But from the moment Mum wins the award, nothing seems to go right for Helen. Her life changes for the worse, both at home and at school, not least of which is because she becomes “the girl who suffers from being compared to Mum”.

First, being Superworker means increased workloads on Mrs Shaw, which leave her constantly overworked, exhausted, and having no time for other things, such as household chores or devoting time to Helen. Also, Helen finds herself constantly lumbered with the things her mother hasn’t time for (chores, housework, errands, meal preparation, shopping, favours etc), or can’t do because she has been called away to some other task. This begins to interfere with schoolwork, social life, friends, and even makes Helen frequently late for school. Mum takes it for granted that Helen will help out all the time, and never stops think that Helen has other commitments or may not be able to help. For example, she tries to force Helen to miss a rehearsal to help her out, although Helen is playing the lead. As a result, the teacher kicks Helen out of the production (and Helen arrives home too late to help her mother in any case).

Hard Times for Helen 5

Helen is also feeling neglected and lonely because her mother is scarcely home, and even when she is, she has no time for Helen. Helen had begun to feel this way even before charity-busy Mum became Superworker, but following Superworker it becomes a whole lot worse. Mum is frequently overtired, still encumbered with heavy workloads that she expects Helen to help out with, and dashing out yet again to help someone else. Worse, a lot of the work comes from people who take advantage of Mum’s kindness and never refusing anyone’s request (in other words, unable to say “no”).

Finances also suffer because Mum is becoming over-generous. But she does nothing to curb her over-generosity, although she is keeps saying that she is terribly short of money and she must know the reason for it. Sometimes Helen even goes hungry because Mum is too busy to remember to replenish the larder and doesn’t leave money for it.

And there is a jinx that seems to dog Helen at every turn. It lands her in constant trouble with Mum and giving other people false impressions that she is jealous, lazy, badly behaved, and “not at all like her mother”. Sometimes it’s not able to help because other things get in the way, like people popping in with more favours to dump on Helen when she has other work to do already. Or it’s not able to get other things done, such as homework, because Mum lumbers her with other things to do. Other times, things just seem to go wrong whenever Helen tries to help out her mother. Helen frequently thinks that everything has gone wrong since her mother won the award and wishes she had never won it. Meanwhile, the constant trouble has Mum thinking her daughter is being “awkward” and unhelpful, and their relationship deteriorates.

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To make things even worse for Helen, everyone, from strangers in the street to the next-door neighbour, always compares her unfavourably and unfairly with her mother with the relentless criticism, “You’re not at all like your mother!” or variations thereof. By far the worst culprits are the staff at Helen’s school, with headmistress Miss Pringle being the leader of the pack. Some of the criticisms arise from misunderstandings and affected schoolwork caused by Superworker (for example, Helen being frequently late for school because of the jobs she gets lumbered with in the mornings). But in other cases Miss Pringle and the teachers seem to pounce on even the slightest thing to attack Helen with the criticism. Often these are things that have little to do with Helen’s mother or Superworker. Their conduct becomes more and more like bullying. Examples include:

  • (Helen is eating in the street) “I don’t care much for finding one of my pupils in the street like this! Really, Helen, you’re a disgrace to your mother!”
  • (Helen fails to deliver a message in time) “You stupid girl. You’re not at all like your mother!”
  • (Helen is distracted with worry while teacher is setting homework) “You’re not making a note of the homework I’m setting! Perhaps you have no intention of doing it? Really, Helen! You’re not at all like your mother!”
  • (Helen says she was trying to help her mother) “Your mother couldn’t possibly need help from you! You’ll never be like her!”
  • (Helen asks to be excused from a swimming match to look after her mother) “Helen objecting to something again, is she? It’s all she does. She’s not hardworking like her mother.”
  • (Ignoring that Helen would have homework to do, and she never asked Helen to help in the first place) “Your mother’s giving up this evening to help my dramatic society, Helen. I suppose it would be too much to expect you’d be helping?” At this, Helen realises she cannot win with Miss Pringle.

And on top of the constant criticism there is the notion that Helen is jealous of her mother. This starts as a nasty rumour among Helen’s classmates, but soon spreads and is taken on board by the harsh school staff. And when Miss Pringle misinforms Mum about it and Helen’s so-called bad behaviour, Mum thinks it is the reason for Helen being so “awkward” and their strained relationship is poisoned further.

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Finally, when Mum wrongly blames Helen for a disturbance that wrecks a public demonstration, Helen reaches her limit. She snaps at Mum that she is fed up of everyone saying “You’re not at all like your mother!”. It doesn’t do Helen any good though – Mum still thinks Helen is behaving badly and just says it’s her own fault. But Helen’s outburst indicates that this is the penultimate episode and the final episode will be next.

Hard Times for Helen 8

Sure enough, in the next episode everything comes to a head. Mum has gone to help Miss Pringle at her drama society. But while Mum is out, the electricity is cut off because she had neglected the bill too. This leaves Helen in a quandary over how to complete her homework, and is so distracted that she stumbles into the road and gets hit by a car. While in a semi-conscious state, she starts rambling about all the problems Superworker has caused for her. The medical personnel are listening and then have a word with Mum. Mum apologises to Helen and promises that things will now be different. She also informs Helen that at the drama society meeting she wised up to Miss Pringle’s conduct.

Hard Times for Helen 6

Thoughts

This story certainly belongs in the long-established formula of the “jinxed girl” – where events always seem to conspire against the protagonist and everything goes wrong in every episode for her. So at the end of each episode she always ends up in deep trouble and people think she’s jealous, spiteful or whatever, and she becomes more and more unpopular. The formula makes for a story that is more episodic in structure than having a single story arc and the advantage is that it can be spun out as long as necessary. The disadvantage is a risk of stretching credibility too far and readers may begin to think, “Oh come on, nobody can be that unlucky!”

However, Helen suffers a lot more than many protagonists who just have things that keep going wrong for them. She is suffering from bullying too, mostly from people who keep comparing her to her mother and putting her down with unfair and unwarranted criticisms. The conduct of Miss Pringle fits exactly into the bully who uses unreasonable criticism to bully someone: constant put-downs and sarcasms, often using a supposed kernel of truth to justify their comments; making big mountains out of molehills in criticizing even trivial things; blowing things all out of proportion; and there is no pleasing or reasoning with Miss Pringle, regardless of what Helen does. And it’s not just Miss Pringle but all the teachers. Helen can’t seem to be in class for five minutes without some teacher humiliating her in front of the classmates with the criticism, “You’re not at all like your mother!” Helen hears it so much that she feels like screaming.

Hard Times for Helen 3

No doubt this conduct from the teachers would have fuelled the bullying from Helen’s own classmates, who started the rumour that she was jealous of her mother. It began with their misreading Helen’s unhappy expressions, but there must have been some schoolgirl cattiness as well. Perhaps they were the jealous ones and projecting their jealousy onto Helen.

Protagonists who suffer because their parents are too busy/famous to pay them serious attention is a well-established formula in girls’ comics too. But in this case it’s even more heart-breaking in that the misery comes from charity, of all things. This is because of Mrs. Shaw’s personality as much as the demands of Superworker itself. She is always ready to help and never refuses anyone – but the flip side of that is that she cannot say “no”. So in addition to all the increasing demands of Superworker, Mum gets more and more people who take advantage of her: food, money, free favours, or using her as a dumping ground. All too often we have seen this type of thing in real life: good-natured people who are too nice for their own good, get lumbered and taken advantage of, and don’t stand up for themselves and say “no”.

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Mum in turn starts taking Helen for granted. She uses Helen as a dumping ground for things she hasn’t time for, or expects her to help all the time and doesn’t stop to think that sometimes Helen may not be able to help. Never once does she say, “All right, I’ll get someone else to help.” To others, she never says things like “Sorry, I’ve got too much to do right now, please ask someone else” or “Sorry, I can’t loan you any money, I need my money for other things.” And so she leaves herself open for people to walk all over her. And there certainly never is “I’m giving up Superworker – it’s too much for me and I’m turning into a nervous wreck,” although it is so hectic that it constantly wears Mum out with exhaustion. More than once we see her collapsed in a chair or laid up in bed because of it.

This story certainly is a cut above an average “jinxed girl” story because it draws so much on real life: Bully teachers who constantly put pupils down with nasty, uncalled-for remarks. People who use criticism to bully others. People who can’t say “no” and get turned into doormats because they are not assertive enough. People who overwork themselves, causing their family to suffer as well as themselves. Nasty schoolkids who bully others, very likely because they are jealous. Parents who get so busy with new commitments that they lose sight of other things in life that matter too, including their family. People who take others for granted and make selfish demands on them – even ones who do not see themselves as selfish.

It’s all brought to life with the artwork of Bert Hill. Hill has a very clean style that can produce a lot of panels on one page without it looking cluttered. His style has become linked with several Judy classics, including “The Fish Twins” and “The Girl with the Golden Smile”. Just one thing about the artwork – why does Mrs Shaw’s hair suddenly switch from blond to dark in the final episode, with no explanation possible?

And there is one thing about the story that is really puzzling: throughout the course of this entire story, we never see the Superworker Award itself. What the heck does it look like? Is it a trophy? Is it a medal? Or is it something else? We never know because it never appears. Not once are we shown Mrs Shaw with it, nor does she ever show it to Helen.

For Sam’s Sake (1998)

Plot

Anna Thorpe and her brother Sam are fostered out to the Sanders family while their mother is in hospital. Anna is not keen on living in the Sanders household because the daughter, Carla, is a spiteful, snobby, spoiled girl who always picks on her, but decides to do so for the sake of Sam, who does want to stay. But Carla is trying to get rid of them, so Anna has to constantly watch out for her tricks and foil them in which way she can.

Despite Anna’s efforts, Carla eventually succeeds in getting rid of her and Sam. But she is caught out later on when a witness, Lee, informs Mr Sanders that he overheard Carla bragging about it to his sister, who is Carla’s friend. The Sanders parents are furious and inform social welfare that Carla will be dealt with. Fortunately, by this time Mum has recovered enough to take care of Anna and Sam again. Before long, there are hints Lee and Anna are getting together.

for_sam_sake

Notes

  • Photo story

Appeared

  • For Sam’s Sake –  Bunty: #2128 (24 October 1998) – #2137 (26 December 1998)

Debbie’s Diary

Plot

When Debbie King’s family move house, she forgets to take her diary. Debbie is anxious to get her diary back as it contains some compromising entries about pretend dates. Debbie makes friends with Melanie Ward, who has moved into her house, hoping Melanie will help her get her diary back. But when Melanie finds out what Debbie wants, she starts blackmailing her.

debbiediary

Notes

  • Photo story

Appeared

  • Debbie’s Diary –  Bunty: – #2079 (15 November 1997) – #2087 (10 January 1998)

True Love

Plot

Polly True has always been a model schoolgirl, but things get awkward when her mother starts a teaching job at her school. It gets even more awkward when romance begins to bloom between Mum and the principal, Mr Love. Polly’s classmates start teasing her over it and accuse her of getting preferential treatment because of it. Polly starts deliberately misbehaving in the hope it will stop the romance and the teasing. But of course it backfires; Polly gets suspended and causes her mother a lot of heartbreak. Polly now realises her mistake, but can she put it right?

Notes

  • Photo story

Appeared

  • True Love –  Bunty: #2068 (30 August 1997) – #2078 (8 November 1997)

Lydia and the Little People

Plot

When Lydia Logan finds the Land of the Little People, they do not allow her to go home. They make her their prisoner and slave for them, and she is constantly trying to find ways to escape.

Notes

  • Artist: George Parlett

Appeared

  • Lydia and the Little People  Bunty: #661 (September 12 1970) – #667 (October 24 1970).

Other Appearances

Annual Appearances

  • Lydia and the Little People – Bunty Annual 1972
  • Lydia and the Little People – Bunty Annual 1973
  • Lydia and the Little People – Bunty Annual 1974
  • Lydia and the Little People – Bunty Annual 1975

Summer Specials

  • Lydia and the Little People – Bunty Summer Special 1971 [Art: George Parlett]
  • Lydia and the Little People – Bunty Summer Special 1972 [Art: George Parlett]
  • Lydia and the Little People – Bunty Summer Special 1973 [Art: George Parlett]

The Maze

Plot

On a school trip to a ruined Victorian mansion, Susie Waters wanders into a maze. When she comes out, she finds herself in Victorian times, when the mansion was a school run by the cruel Miss Grimstaff. Susie needs the key to the maze to get back, but Miss Grimstaff has it. So Susie is forced to stay at the school, where she starts as one of the abused pupils and is then promoted to substitute teacher (but is still ill-treated) until she can get the key. In the meantime, Susie does what she can to help the abused pupils.

Notes

  • Art: “B Jackson”

Appeared

  • The Maze–  Bunty:  #1989 (24 February 1996) – #2000 (11 March 1996)

Destiny Calls Rosita

Plot

Rosita, a gypsy girl, is a pupil at Priory Ballet School. Signora Barelli hates Rosita for some reason and is trying to get rid of her. But Rosita’s grandmother is on hand when needed, and Rosita is also getting help from her grandmother’s special powder, which enables one to see visions in smoke when the powder is thrown into fire. One such vision gives a clue as to why Signora Barelli hates Rosita.

destiny calls rosita

Notes

  • Art: Candido Ruiz Pueyo
  • Episodes from #926 – 938, and #944-961, translated into Dutch (as “Mariska”) – Debbie super stripstory #1 (1976).

Appeared

  • Destiny Calls Rosita–  Bunty: # 926 (11 October 1975) – #961 (12 June 1976)

Last Girl in Hamelin

Plot

In the wake of the Pied Piper, Carla is the last girl left in Hamelin because she had been in jail on a false charge when the Pied Piper took the children away in revenge for the mayor refusing to pay him for eradicating the rats. The parents get jealous at Carla being spared while they lost their own children and Carla finds herself persecuted.

Notes

  • Artist: Andy Tew

Appeared

  • Last Girl in Hamelin–  Bunty: #892 (15 February 1975) – #901 (19 April 1975)