Tag Archives: Edmond Ripoll

Diana Annual 1980

Picture Stories

  • Samantha At Sea (pp 7 – 14) [Art: Norman Lee]
  • Five For Freedom (pp 23 – 30) [Art: Matias Alonso]
  • Stupid Cupid (pp 33 – 39)
  • The Night Was Made For Dancing (pp 49 – 58) [Art: Tony Hudson]
  • The Gemini Code (pp 64 – 70) [Art: Jordi Badia Romero]
  • Man In Black Story: …Just Another Bus Tour… (pp 73 – 80) [Art: David Matysiak]
  • Charlotte Holmes ‘N’ Watson (pp 81 – 87) [Art: Juan Solé Puyal]
  • Silvertoes (pp 89 – 95) [Art: Hugo D’Adderio]
  • Rose Forever (pp 99 – 108) [Art: Jordi Franch]
  • The Witness (pp 117 – 124) [Art:Edmond Ripoll]

Text Stories

  • My Lady Lisa (pp 15 – 17) [Writer: Valerie Edwards]
  • Katrina [6 parts] (pp 32, 45, 60, 88, 98 & 125)
  • Christmas Comes, Christmas Goes (pp 71 – 72)


  • The Way To His Heart! (pp 18 – 21)
  • It’s In The Cards (p 22)
  • Have Yourself A Capital Time! (pp 40 – 44)
  • A Happy You Year (pp 46 – 48)
  • Send In The Clowns (pp 61 – 63) by M J Smith
  • Cotton On To This! (pp 95 – 96)
  • Five Star Superstar – Leif Garrett (pp109 – 110)
  • “Display It Again, Sam!” (pp 111 – 113) [By Jane McFie]
  • The Travolta File (p116)

Pop photos/pictures/pin ups

  • Montage of female singers (pp 4 -5)
  • Andy Gibb (p 6)
  • Boney M (p 31)
  • Bee Gees (p 59)
  • Aces (male tennis players painting) (p97)
  • Travolta! (painting) (pp 114 – 115)


*Thanks to Helen Fay for information and cover picture

Bad Luck Barbara (1985) / Witch! (1991)

“Bad Luck Barbara” from Mandy and “Witch!” from Bunty share the same premise, and also so many similarities and common threads that I am looking at them both together. In fact, I suspect it was the same writer. The two stories were published only six years apart, which makes it even more feasible.

Both stories revolve around a protagonist who is a newcomer to an English village that still believes in witches. In both cases the villagers persecute the new girl because they believe she is descended from the village witch, and the persecution becomes protracted because the parents do not realise what is going on. In the early episodes only one girl makes friends with the protagonist because she also originates outside the village and therefore does not share the villagers’ thinking. But then the friend turns on the protagonist and joins the campaign against her. Later the protagonist finds another friend, but again the witchcraft stigma drives them apart. In both stories there are incidents that have the protagonist herself wondering if she does in fact have powers that are working against the villagers. There are even strange occurrences that do suggest there is a genuine supernatural power at work from the alleged witch.

Bad Luck Barbara logo

Bad Luck Barbara

Published: Mandy #971 (24 August 1985) – #986 (7 December 1985)

Artist: Carlos Freixas

Translation: Translated into Dutch in Debbie Parade #45 as Barbara brengt oneluk [Barbara brings bad luck]


After a long period of unemployment, Barbara Petty’s father finds a job as a farm manager in the village of Wavertree. He expects the family to do their bit to help his job succeed. But when Barbara’s neighbour Mary Weston hears what her surname is, she warns Barbara not to spread it around.

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Soon Barbara finds out why when she hears the story of Old Mother Petty. In 1590 the villagers cruelly harassed Old Mother Petty because they believed she was a witch who was causing waves of constant bad luck to strike Wavertree. When a lynch mob tried to drag Old Mother Petty away, she was pushed too far. She inserted her ladle into an oak tree and uttered a curse: whoever pulled it out would be the one to take her place, and wreak her revenge on all the villagers for their cruelty by inflicting even worse bad luck on them. Then she disappeared with a flash of lightning.

Barbara realises the villagers may connect her with Old Mother Petty because she has the same surname. She tries to disprove it by showing she cannot pull the ladle out – but she does! The villagers instantly believe that Barbara is the one to unleash Mother Petty’s revenge. The man who told Barbara the legend suddenly collapses and shouts that he is her first victim. The rumour gets even worse when Dad finds the ladle on his doorstep and nails it to the front door to be used as a pot plant holder, and all the villagers can see it there.

From then on, the villagers blame Barbara for anything bad that happens to them. In a lot of cases these are things that were their own fault (such as a family getting poisoned because they kept on using an unsafe well) or can be put down to simple explanations or coincidence. But of course they prefer to blame Barbara the witch. Barbara becomes increasingly ostracised and harassed everywhere. People whisper behind her back and children run away from her in terror. She hopes school will bring some respite as it is outside the village. But Barbara discovers village girls go there too and they spread rumours around, which get reinforced by more seeming bad luck and witchcraft. Before long Barbara gets the same abuse at school as well. She also loses Mary’s friendship after a trick from one of the bullies casts Barbara in a very bad light with her.

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Barbara soon finds there is no escaping the stigma; everywhere she turns, she comes up against tales and relics of Old Mother Petty, which further fuels the hostility against her. For example, Barbara takes up riding lessons with friendly Dixie Carter, who does not believe the superstition. But Barbara comes up against the story of Old Mother Petty putting a curse on all horses and their riders, which in the villagers’ eyes comes true when Dixie has an accident.

Barbara tries to tell her parents about the villagers’ hatred, but they just don’t get it. Not even when it stares at them in the face, such as when Mum gets abusive treatment from the grocer once he hears who she is. When Barbara tries to tell them how serious it is they are so dismissive, telling her she is being over-sensitive, that the villagers are just teasing her and such. Moreover, Dad’s job is just too important to them for them to even consider leaving Wavertree. At other times, Barbara tries to hide the truth from them to spare their feelings.

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Eventually Barbara is getting so down that she herself begins to wonder if she does have powers. She even starts wishing she did have some to teach the villagers a lesson. Then, that night she has a vision of Old Mother Petty, who says that Barbara really is her chosen one to wreak her revenge! Nightmare or what? Barbara does not know what to think.

The day after the nightmare, Dad announces that his boss is transferring him to a new job in Wales. So the parents take Barbara away from Wavertree at last, while still not understanding the situation or how serious it was. Barbara resolves to put Wavertree behind her – but of course she never wants to see it again – and look forward to her new life in Wales.

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But unknown to Barbara, the new owner of their old house takes a shine to the ladle while not knowing about its notoriety. Moreover, she feels an odd sense of belonging to the area. She and her husband are going to look for ancestors in Wavertree – and her maiden name is Petty…

Witch logo


Bunty: 1744 (15 June 1991) – 1755 (31 August 1991)

Artist: Edmond Ripoll

Ellie Ross and her parents move to the village of Littledene, where Mr Ross’s ancestors originated. The parents settle in happily, but for Ellie it was a very bad move. The villagers are a clannish lot who do not welcome strangers, and Ellie’s only friend is Lynne Taylor, a newcomer who is likewise shunned. Ellie also befriends a cat that ran away from cruel owners, the Lawsons, and names him Lucas – the name just seemed to pop into her head. But Ellie finds the villagers have been extraordinarily hostile towards her from the moment they saw her; they call her a witch, and she cannot understand why.

Eventually Ellie and Lynne find out the reason: the villagers still believe in witches, and they think Ellie is descended from the village witch. Her name was Elizabeth Ross (Ellie’s full name), but the villagers call her Black Bess. Their belief that Ellie is descended from Black Bess is based on her having the same name, Lucas sharing the same name as Black Bess’s cat (oh dear, why did we see that coming?), Ellie’s resemblance to Black Bess (there are portraits available), and Ellie’s funky hairstyle is not helping matters either. And unfortunately, all evidence eventually does point to Black Bess being an ancestress of the Rosses.

Witch 1

Once Ellie fully understands the campaign against her, archenemies come out into the forefront. The ringleader is Fran Lister, a school bully whose father is a leading rich man in the community and has his eye on the Rosses’ property. The Lawson family are also frequent abusers. The campaign becomes protracted because Ellie cannot bring herself to tell her parents, who are so happy in Littledene.

Ellie starts some serious research into Black Bess. She learns that Black Bess was branded a witch because when she came to a place in Littledene called Manor House, animals and people started dying. But she finds out little more.

In addition to the campaign, strange things start happening to Ellie. She starts having inexplicable dreams and visions, often of stone-throwing mobs out to kill her. Other times she feels that someone else is speaking through her to threaten the villagers when they attack her – and then something happens to them, such as being attacked by seagulls and bees, falling down, or having accidents. At times Ellie feels she is hearing a voice and even multiple voices. Most often they are laughing or crying. Sometimes they sound sad and other times they egg her on to hurt her abusers when they torment. Because of this, Ellie begins to wonder if she does have genuine powers as strange things seem to happen when she is around. Lynne soon feels the same way and joins Fran in the campaign against Ellie.

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Ellie finds another friend, Miss Black. But it turns out that Miss Black was also a victim of the villagers’ witch beliefs because she treats animals with herbal remedies. The villagers drove her out of Littledene, and when the bullies discover Ellie’s friendship with her, it all threatens to start up again. Miss Black tells Ellie she must not come back and urges her to get her parents to take her away. Ellie realises Miss Black is right, but still cannot bring herself to tell her parents.

Then, Fran’s harassment of Ellie backfires; she gets hurt and is put in hospital. Ellie is blamed and the villagers’ hatred now reaches critical level. This becomes apparent next morning when Ellie’s mother finds her pottery workshop has been attacked and there is a message: “Witch get out of here.”

Yet Ellie still can’t bring herself to tell her parents what’s going on. Instead, she runs off to a nearby town. There she comes across a bookshop where the owner has acquired Black Bess’s journal. Ellie discovers that Black Bess’s family were wiped out by plague and she fled to relatives at Manor House. But apparently she brought the plague with her, which caused the animals and people to die. This led to the villagers branding her a witch and they persecuted her cruelly. The owner then tells Ellie that a stone-throwing mob chased Black Bess into the sea, where she drowned. He says that he will publish a newspaper article telling the truth about Black Bess.

But when Ellie returns home, she nearly meets the same fate as Black Bess when a lynch mob chases her all the way to the beach and tries to stone her. The police, called by Ellie’s mother, arrive and disperse the mob. After this, Ellie finally tells her parents and they agree to take her away from Littledene.

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Fran confesses to Ellie that her father put her up to it because he wanted to get rid of the Rosses and turn their property into a petrol station. But now he has found it was all for nothing because the house is listed.

Unfortunately the newspaper article makes no difference to the villagers’ attitude. As Ellie and her parents depart, the villagers hurl abuse at her on all sides and make it plain that they hate her and Black Bess as much as ever. Ellie theorises that Bess was trying to clear her name through her, but of course she could not make any headway there. Ellie can only hope Bess does not try again with another newcomer.


Witch superstitions still linger in some parts of the English countryside, and this has formed the premise for a number of girls’ serials such as the two discussed above. In one variation of the theme, the girl has a genuine power or is in the grip of a malevolent force, which prompts the villagers into thinking she is a witch. One example of this is “The Revenge of Roxanne” from Suzy. In a less common variant, an animal is the victim of the villagers’ witch beliefs, such as the cat in Mandy’s “The Cat with 7 Toes”.

The premise did not appear much and I myself have not seen many serials that have it. But DCT must have had more. If anyone knows any examples besides the ones cited here, I would love to hear about them.

When comparing “Witch!” with “Bad-Luck Barbara”, the former seems to give the impression that it is a more advanced model on the latter. There are so many elements in “Bad Luck Barbara” that were confined to self-contained episodes, but in “Witch!” they are expanded to form parts of a story arc that carry through the entire serial. Three of these are discussed as follows.

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First is the ringleader of the witch-hunt. In “Bad Luck Barbara” there are no distinct ringleaders in the campaign. Some of the persecutors are named but none emerge as a definite ringleader or archenemy. For example, in one episode Barbara comes up against a girl called Wendy who pulls nasty tricks to stir up the villagers against her because she wanted to get rid of the Pettys so her father could take Mr Petty’s job. Wendy had potential to be expanded further over many more episodes and become a major villain. Instead, she only lasts one episode – and it is the penultimate episode too. In contrast, Fran Lister, who is Wendy’s counterpart in “Witch!”, is a rounded villain who plays a huge role in the development of the plot and the campaign against Ellie. And like Wendy, Fran is only in it for her father’s personal gain. Unlike Wendy or any of the other witch hunters, Fran is the only one with any redeeming qualities, which come out when she confesses and apologises to Ellie.

Second is the cat that befriends the protagonist. Lucas’ counterpart in “Bad Luck Barbara” is a cat called Sooty, which the villagers brand as Barbara’s familiar because he looks like a witch’s cat. Sooty only lasts one episode as well; Barbara has to quickly find another home for him after the villagers try to kill him. But while Sooty appears in just one episode, his counterpart in “Witch!” is expanded into a character that goes for the duration of the serial, and sharing the hatred and abuse Ellie suffers from the villagers.

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Third are the strange visions that both protagonists have. In “Bad Luck Barbara” the vision of Old Mother Petty does not appear until the final episode, when the protagonist finally begins to wonder if she does have strange powers. But in “Witch!” the odd visions and dreams start from the beginning. They begin on a pretty small scale but seem to get stronger as the persecution develops, while still remaining indistinct and their motives indiscernible. Are they trying to warn Ellie of the danger? A lot of the visions and nightmares do centre on stone-throwing mobs out for blood. Are they trying to protect Ellie from the villagers’ attacks or helping her inflict revenge for them? After all, Ellie only gets a strange voice speaking through her and then something happening when someone attacks her. The strange voices never direct any malevolence towards an innocent person. Or was Ellie’s conclusion about Black Bess trying to clear her name the correct one? And Ellie did feel oddly drawn to the bookshop where the owner had just acquired Black Bess’s journal. Was it gut feeling or was it guidance from the strange forces? Were the strange things that happened to Ellie some combination of the above? Or were there more simple explanations, such as a medical condition?

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Let us assume for the moment that Black Bess and Old Mother Petty were unleashing some genuine supernatural forces from beyond the grave. However, it is still hard to gauge as to whether Black Bess or Old Mother Petty were downright evil. After all, Old Mother Petty’s alleged curse of revenge was retaliation for the villagers constantly persecuting her. And she set her curse on horses for the same reason – because a horseman assaulted and bullied her. There is no way of telling whether Old Mother Petty was actually working some kind of black magic against the villagers or if she was just a scapegoat for bad things happening, the same way Barbara was, and shouted curses back at the villagers in anger.

Secretly, we do laud Old Mother Petty for striking back at the witch hunters and escaping their clutches. More often such victims end up like Black Bess. Incidentally, the circumstances of how Old Mother Petty was branded a witch are not unlike how real-life witchcraft accusations worked in the English countryside.

Black Bess is kept more mysterious and ambiguous than Old Mother Petty (no flashbacks or visions of her, as there are of Old Mother Petty), so it is more difficult to judge her motives. They could have been anything from protecting Ellie to wanting revenge. But it cannot be said with certainty that her motives were evil. A lot of this ambiguity is related to how Black Bess was established in the story. In “Bad Luck Barbara”, the story of Old Mother Petty, the villagers branding Barbara her successor, and Barbara understanding why the villagers hate her are all set up in the first episode. In “Witch!”, the establishment is built up over several episodes. Black Bess is not introduced until episode three, and until then Ellie cannot comprehend why the villagers seem to hate her. Throughout the story, the backstory of Black Bess is not revealed until the last episode. Until then, readers and Ellie are left with a mystery surrounding Black Bess. And even after the truth is revealed, Bess’s motives are still hard to discern.

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Both stories end realistically. In several other stories that follow the premise, the protagonist proves to the villagers she is not evil when she performs an act of heroism, and they welcome her with open arms, flowers and apologies. This is how “The Cat with 7 Toes” and Jinty’s “Wenna the Witch” and “Mark of the Witch!” are resolved. Unfortunately that is not how it really works with people who believe in witches. Once they brand someone a witch, the label sticks. Nothing can shift it and it lasts for generations. And both “Bad Luck Barbara” and “Witch!” acknowledge this sad fact. “Bad Luck Barbara” makes this particularly clear in one episode, where Barbara does save a child’s life. But instead of the villagers realising she is a good person and accepting her, their witch-beliefs twist it all around to reinforce the notion that she is a witch. This incident proves once and for all to Barbara that she just can’t win with them and there is nothing she can do to change their attitude. Leaving the village is the only option, and even then the villagers make it clear that their hatred of the protagonist will persist long after she is dead. There are no ridiculous happy endings with the protagonist proving her goodness and the witch-believers accepting her at long last. In fact, both stories end on ominous hints that other unsuspecting newcomers may also fall victim to the villagers’ witch beliefs.

The stories do differ somewhat in their resolutions. Although both stories end with the parents taking their daughters away, their reasons for doing so are quite different. In “Witch!”, the parents eventually find out what is going on and remove Ellie accordingly. Still, in that instance the parents do have to find out because Ellie just won’t tell them. In “Bad Luck Barbara” the parents never find out, which is quite annoying and even distasteful. They only take Barbara away because Dad gets a job transfer to Wales. It would have redeemed the thoughtless parents considerably to finally get the message instead of belittling it all when Barbara tries to tell them.

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Maybe part of the Petty parents never finding out was that the Wavertree villagers never got quite as violent as their Littledene counterparts. Ellie is subject to several attacks that could have killed her before the stone-throwing mob in the final episode. Barbara is threatened with a lynch mob in one episode but manages to scare them off. When Ellie departs, the villagers hurl blatant abuse at her that horrifies her parents. If their Wavertree counterparts had done that when the Pettys departed, not even those thickheaded parents could have been so dismissive of it. Instead, the Wavertree villagers express their hatred in a more restrained way: silent glares, muttering, and throwing the odd stone. So while Barbara can see their hatred, the parents remain oblivious to it.

There have been several stories like these where the story leaves the reader to judge whether the protagonist does have strange powers or whether the things superstitious fools and bullies accuse her of are just accidents, fate, coincidence, Law of Attraction, autosuggestion or whatever. These are questions the protagonist herself begins to wonder as she discovers the brainwashing effect of the constant accusations of witchcraft. They can really get to her and she starts to think that she does in fact have strange powers. She may even wish for some so she can get real revenge on the cruel villagers. This happens to both Ellie and Barbara, and they have to fight hard to shake the idea out of their heads. Readers are left to draw their own conclusions. My own response is always the same: it does not matter because either way, you burn!

“I Want to Go Home!”

  • “I Want to Go Home!” – Bunty: #1689 (26 May 1990) -#1696 (14 July 1990)
  • Art: Edmond Ripoll


When Kate and Kim Parker’s parents divorced, Kate decided to stay with their Mom, while Kim chose to stay with their Dad.  For the first time in 6 months, Kim was to come stay with her mom and sister for the holidays. It is quite a change for her, as since their Dad got a promotion Kim has been used to living in style in a large country house. While she does seem to be happy to see Mom and Kate she quickly complains about the smaller terraced house, bikes instead of cars and even wonders how Kate can be happy with no new clothes and so little money. Even though mom and Kate make an effort to make things nice and fun, she  wants to go home.

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Kim gets her wish when their mom falls sick and they have to go to their fathers while she recovers. Now its Kate’s who is feeling uncomfortable, while Kim shows her around pointing out all the nice things they have, Kate feels she would prefer her dad to be home to greet them like their mom would. When he does come home, she also isn’t happy that the first thing he suggests is giving her money to buy new clothes before going out again. She tries to make an effort by convincing Kim to cook dinner together, so they can have a nice family meal. She isn’t happy when dad rings to cancel 2 hours later as he ran into a friend, even though Kim still defends him.

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The next day Dad gives them the money he promised them so they can go on a shopping spree. Kate is not used to spending so much money feels uncomfortable but that then turns to anger when they run into Kim’s friends and she finds out Kim’s been telling lies about them. She has been saying their mother is a personal secretary for a TV producer and that they live in a bigger house. Kate soon puts the record straight saying she’s not ashamed of their mom. Kim apologizes and they make up. They then go to meet their Dad at restaurant, he also brings his friend Alicia. Kate is nervous at being at fancy restaurant and messes up which cutlery to use and knocks over some water. Her Dad reprimands her and the cracks began to show as even Kim thinks her dad shouldn’t have told her off.

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The next day Mrs Harvey the maid is sick and while the others are out Kate decides to do some housework as she likes to be busy and is not used to having everything done for her. Again Dad criticizes her for this. Later Kate talks to Kim how she doesn’t feel like she fits in and would prefer to be back home with mom and their bikes. Dad overhears and obviously feels bad. The next day bikes arrive for the girls with an apology note from him. When he arrives home things are looking up and they all arrange to go on cycle trip. So Kate feels let down when once again he cancels on them for business.

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Again he does something nice by taking them out for show, but then acts thoughtless when he says he’ll be home by 10 and the girls worry when he doesn’t arrive.  It turns out he has gone to a club with Alicia and he berates the girls for contacting police.

Kate is delighted that mom is better and happy to have her back and Kim if she’s willing to for the rest of the summer. Dad meantime is feeling bad about the club incident and decides to make it up to them by going on a cruise for a month with Alicia. Kate is unsure but when she tells her mom, her mom understands that it’s a good opportunity. The girls go riding their bikes but Kim has an accident and breaks her leg.  Her father says he’ll hire a nurse for her while the rest go on the cruise. Kate is not having any of it and says she’s not leaving Kim on her own and will stay too. Dad is not happy is still going with Alicia as he’s already paid (funny he didn’t mind throwing money around earlier!). This is a big blow for Kim and as the seeds of doubts were already there she has come around to Kate’s way of thinking money isn’t everything. She decides she wants to live with her mom and Kate and just visit dad during the holidays.

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This is a short story only 8 episodes, there is a nice twist at start. The set up makes the reader think the whole story will be about Kim wanting to go home, it actually turns things around by switching locations. It is good in that establishes both homes and its differences.

While there is affection between Kate and her Dad, it’s clear that Kim feels very close her to dad. This is highlighted in their greetings when they first return to their father’s house.

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That’s why it must sting Kim so much when he chooses to go on cruise, and leave her with a nurse. She has spent much time defending his thoughtlessness but with Kate pointing things out and comparing him to her mom it becomes harder not to notice and the broken leg was the icing on the cake. We don’t see the dad’s reaction to Kim’s decision. I might have thought it would have shocked him into looking at his behaviour but going from his previous actions, it probably wouldn’t have made a difference.

It appears that Dad is moving on with his life, his promotion having changed him. Kate mentions that he and mom used to have fun decorating their old house but now he thinks such things are beneath him and his family.  He cares for his children but when he messes up he thinks buying them things will make it all better. Another change in his life is Alicia, who clearly becoming an important part of it. Strangely she is never addressed as his girlfriend just a “friend”. It seems more serious than a casual thing, he’s close enough to bring her to dinner with his family and on a cruise. We don’t get much input from Alicia though so we don’t know how she feels, maybe she does want it to be casual and has no interest in being a parent.

While the story is mostly told from Kate’s point of view, it’s Kim that grows and changes over the course of the story. While she had picked up some of her father’s snobbery, she learns she shouldn’t be ashamed of her mom’s job and that a parent that will spend time looking after you is more important than one that buys you things.

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The Secret of Silver Star


When racehorse, Silver Star, was injured in an accident, owner Dick Thorpe reluctantly decided to have him shot. But Ginger, the stable boy, and young Debbie Thorpe, faked the horse’s death and took him to a secret hiding-place, to nurse him back to full fitness.

the secret of silver star


  • Art: Edmond Ripoll
  • Reprinted and translated to Dutch as “Het geheim van Zilverster” – Debbie (Holco Publications, 1976 series) #4 (1977, “Debbie’s groot mysterieboek”)


  • The Secret of Silver Star – Spellbound: #01 (25 Sep. 1976) – #08 (13 Nov. 1976)

Little Miss Feather Feet


Hylda is a mystery girl. She does not know her exact age, her parents, and has no full name. She has been living with Uncle Josh and Aunt Carrie, who travel with Santor’s Fair and Circus ever since she can remember, but they and cousin Bette are not kind to her. Hylda decides to go against the circus to find her true parents and indulge her passion of becoming a top gymnast.



  • Artist: Edmond Ripoll
  • Artist (sequels and annuals): George Martin


  • Little Miss Feather Feet – Debbie: #186 (4 September 1976) – #206 (22 January 1977)
    • Reprinted – Lucky Charm: #4 (1980)
  • Little Miss Feather Feet –  Debbie: #242 (1 October 1977) – #257 (14 January 1978)
  • Little Miss Feather Feet –  Debbie: #350 (27 October 1979) – #365 (9 February 1980)

Other Appearances:

  • Little Miss Feather Feet –  Debbie Annual 1980
  • Little Miss Feather Feet –  Debbie Annual 1981

Chalk and Cheese


Cindy Seers and Sarah Jameson were very different but they both loved horses and riding. The girls were entered for a pony club dressage and jumping competition. In spite of their differences they qualified.


  • Art: Edmond Ripoll


  • Chalk and Cheese –  Bunty:  #1722 (12 January 1991) –  #1728 (23 February 1991)